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Servetus, Swedenborg and the nature of GodDibb, Andrew Malcolm Thomas 11 1900 (has links)
Michael Servetus (1508 - 1553) and Emanuel Swedenborg (1688 - 1772) are both considered heretics. They share many concepts about the nature of God, especially their rejection of orthodox
Nicene and Chalcedonian theology. This thesis explores their respective theologies relating to the Trinity and Christology, with speculation of what sources they may have had in common. While
attention is paid to Ignatius, Irenaeus and Tertullian, particular attention is paid to Tertullian, whose work Adversus Praxean lays the foundation of Servetus' ideas and has much in common with
Swedenborg's theology. In light of their similarity to Tertullian, the question is asked if Servetus and Swedenborg would have been called heretics prior to Nicaea. / Christian Spirituality, Church History and Missiology / D.Th. (Church History)
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Servetus, Swedenborg and the nature of GodDibb, Andrew Malcolm Thomas 11 1900 (has links)
Michael Servetus (1508 - 1553) and Emanuel Swedenborg (1688 - 1772) are both considered heretics. They share many concepts about the nature of God, especially their rejection of orthodox
Nicene and Chalcedonian theology. This thesis explores their respective theologies relating to the Trinity and Christology, with speculation of what sources they may have had in common. While
attention is paid to Ignatius, Irenaeus and Tertullian, particular attention is paid to Tertullian, whose work Adversus Praxean lays the foundation of Servetus' ideas and has much in common with
Swedenborg's theology. In light of their similarity to Tertullian, the question is asked if Servetus and Swedenborg would have been called heretics prior to Nicaea. / Christian Spirituality, Church History and Missiology / D.Th. (Church History)
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Význam českých skladatelů 2. poloviny 18. století / The Importance of Czech Composers of the Second Half of the 18th CenturyŽáková, Lucie January 2014 (has links)
The topic of my Master's graduation thesis is the music of the 18th century and the importance of Czech composers in the context of the whole Europe.At the beginning of the work we are led into the historic consequences where there is a brief introduction of the political and social situation and where the status of a musician in the world of those times and his role are discussed. Then Czech musicality and its importance for European Classicism are referred to.In the following chapters the musical environment in the Czech lands are dealt with, together with the importance of Czech schoolmasters' families and castle orchestras in our countries. The consecutive chapter deals with the Czech emigration, music centres and institutions in Europe and other crucial events of the 18th century. The 8th chapter focuses on the types of compositions in the period of Classicism and their use in practice. The final chapter gives a detailed overview of the compositions for four hands for keyboard instruments in the 18th century, specifically the composers, music examples for compositions for four hands and at the very end the author's own experience of four-hands keyboard playing is shared.
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Werkanalyse und HöranalyseFladt, Hartmut 17 October 2023 (has links)
No description available.
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Tichá přátelství: Vladimír Fuka, Jiří Kolář, Zdeněk Urbánek, Emanuel Frynta, Jan Hanč a Jan Rychlík / Silent friendships: Vladimír Fuka, Jiří Kolář, Zdeněk Urbánek, Emanuel Frynta, Jan Hanč a Jan RychlíkStrnadlová, Anna January 2020 (has links)
The period after the February 1948 posed great changes for the cultural sphere, the groups and clubs were dissolved, artists who did not want to squeeze into the limits of socialist realism had no choice than to close themselves in the privacy of their homes and studios. After 1950, however, a group of friends around Jiří Kolář formed in Prague, who shared the same views on political and cultural development and, despite various artistic orientations, captured everyday experiences in pictures or texts. The thesis focuses on the friendship of Jiří Kolář, Vladimír Fuka, Eva Fuka, Zdeněk Urbánek, Jan Rychlík, Kamil LhoJan Hanč, Josef Schwarz-Červinka, Emanuel Frynta and others, and tries to portray this period of time, their mutual inspirations and relationships, and especially the extremely creative atmosphere, which was originated in this friendly circle. The thesis is based on diary entries, drawings, collages, poems and literary texts, which they created together and for each other in this unique, free and inspiring environment.
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Servetus, Swedenborg and the nature of GodDibb, Andrew Malcolm Thomas 30 November 2001 (has links)
Michael Servetus (1508 - 1553) and Emanuel Swedenborg (1688 - 1772) are both considered
heretics. They share many concepts about the nature of God, especially their rejection orthodox
Nicene and Chalcedonian theology. This thesis explores their respective theologies relating to the
Trinity and Christology, with speculation of what sources they may have had in common. While
attention is paid to Ignatius, Irenaeus and Tertullian, particular attention is paid to Tertullian,
whose work Adversus Praxean lays the foundation of Servetus' ideas and has much in common with
Swedenborg's theology. In light of their similarity to Tertullian, the question is asked if Servetus
and Swedenborg would have been called heretics prior to Nicaea. / Christian Spirituality, Church History and Missiology / D.Th. (Church History)
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African Jerusalem : the vision of Robert Grendon.Christison, Grant. January 2007 (has links)
This thesis discovers the spiritual and aesthetic vision of poet-journalist Robert Grendon (c. 1867–1949), a man of Irish-Herero parentage. It situates him in the wider Swedenborgian discourse regarding African ‘regeneration’. While preserving the overall diachronic continuity of a literary biography, it treats his principal thematic preoccupations synchronically. The objective has been to show the imaginative ways in which he employs his rich and diverse religio-philosophical background to account for South Africa’s social problems, to pass judgement upon the principal players, and to point out an alternative path to a brighter future. Chapter 1 looks at Emanuel Swedenborg’s mystical revelations on the heightened spiritual proclivity of the ‘celestial’ African, and the consequences of New Jerusalem’s descent over the heart of Africa, which Swedenborg believed to be taking place, undetected by Europeans, around 1770. It also examines how those pronouncements were received in Europe, America, and—most particularly—in Africa. Chapter 2 examines the circumstances surrounding Grendon’s birth and childhood in what is today Namibia. It takes note of a family tradition that Joseph Grendon married a daughter of Maharero, a prominent Herero chief, and it looks at Robert Grendon’s views on ‘miscegenation’. Chapter 3 deals with Grendon’s schooling at Zonnebloem College, Cape Town. Chapter 4 describes his cultural, sporting, and political activities in Kimberley and Uitenhage in the 1890s, bringing to light his editorship of Coloured South African in 1899. It also considers his conception of ‘progress’. Chapter 5 looks at some early poems, including the domestic verse-drama, ‘Melia and Pietro’ (1897–98). It also contextualizes a single, surviving editorial from Coloured South African. Chapter 6 treats Grendon’s tour de force, the epic poem, Paul Kruger’s Dream (1902), as well as his personal involvement in the South African War, and his spiritualized account of the ‘Struggle for Supremacy’ in South Africa. Chapter 7 relates to Grendon’s fruitful Natal period, 1900–05: his headmastership of the Edendale Training Institute and of Ohlange College, and his editorship of Ilanga’s English columns during the foreign absence of the editor-in-chief, John L. Dube, from February 1904 to May 1905. Chapter 8 analyzes some of the shorter and medium-length poems written in Natal, 1901–04. Chapter 9 is a close examination of the poem, ‘Pro Aliis Damnati’, showing its Swedenborgian basis, and how it dramatizes Swedenborg’s concept of ‘scortatory’ love. Chapter 10 describes Grendon’s early years in Swaziland from 1905. Chapter 11 deals with his period as editor of Abantu-Batho in Johannesburg, 1915–16. Chapter 12 describes his last years in Swaziland, and his relationship with the Swazi royal family. / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.
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Servetus, Swedenborg and the nature of GodDibb, Andrew Malcolm Thomas 30 November 2001 (has links)
Michael Servetus (1508 - 1553) and Emanuel Swedenborg (1688 - 1772) are both considered
heretics. They share many concepts about the nature of God, especially their rejection orthodox
Nicene and Chalcedonian theology. This thesis explores their respective theologies relating to the
Trinity and Christology, with speculation of what sources they may have had in common. While
attention is paid to Ignatius, Irenaeus and Tertullian, particular attention is paid to Tertullian,
whose work Adversus Praxean lays the foundation of Servetus' ideas and has much in common with
Swedenborg's theology. In light of their similarity to Tertullian, the question is asked if Servetus
and Swedenborg would have been called heretics prior to Nicaea. / Christian Spirituality, Church History and Missiology / D.Th. (Church History)
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Občanské elity, obecní samospráva a kultura města Telč / Civil elite, local autorities and culture of the town of TelčSOCHOROVÁ, Šárka January 2014 (has links)
This dissertation is dealing with the town of Telč and its way of living in the first half of the 20th century. The research is focused on the thorough analysis of local authorities from the social and occupational point of view, territorial origin and location of residence its various fellows. The main purpose of this is to idicate the changes which coincided with the influence of nationwide political, social and economic changes. The illustration of six Telč´s families with various professions charts their share which affected the social, cultural and public life of the town. The aim is to get an integral view of this period, therefore the grammar school staff have been included, because of their participatory role in local authorities and social life as well. Municipal and school celebrations have been included to illustrate the cultural backround of provincial town in the first half of the 20th century.
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