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Att katalogisera en specialsamling med hjälp av TEI : En metodprövande studie utförd på Swedenborgsarkivet i Kungl. Vetenskapsakademien / Cataloguing a special collection by the means of TEI : A methodological study performed on the Swedenborg Archives at the Swedish Royal Academy of SciencesBerggren, Maria January 2008 (has links)
In this thesis, the TEI (Text Encoding Initiative) encoding scheme is investigated as a system for storing metadata about manuscript material and 18th century first prints in the Swedenborg Archives at the Swedish Royal Academy of Sciences. The aim of the study is to test the functionality of TEI as a metadata system in cataloguing a special collection. Some criteria of functionality are formulated, and examples of encoded catalogue entries are described and analysed. It is demonstrated how descriptive metadata have been registered within the TEI header, while structural metadata have been recorded within the text element of the TEI file. On the whole, TEI is considered to be a functional tool that matches the present purposes. Some weaknesses are pointed to, however: For example, the TEI encoding scheme is not perceived to be fully satisfying for presenting descriptive metadata about manuscripts and prints in the same volume, and, moreover, it is not considered fully appropriate for describing abstract logical text structure in relation to the physical structure of the document. Lastly, TEI is compared to two other metadata systems, the AACR2, ch. 4, and AMREMM. A general conclusion is that the TEI offers a set of guidelines that can easily be adapted to specific needs, while a system for cataloguing in a more proper sense must also contain a set of rules concerning what categories of data are to be included, and in what form it is to be done. / Uppsatsnivå: D
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"Försonarn vid sitt bröst, en stjernkrönt Qvinna" : jungfru- och moderstematiken hos C.J.L. Almqvist och P.D.A. AtterbomPersson, Anders January 1998 (has links)
The present Ph.D. dissertation proceeds from poetry on the theme of the Virgin Mary which blossomed for several decades during the Romantic era and is dedicated to the use of its virgin and maternal themes in the work of C.J.L. Almqvist and P.D.A. Atterbom. The first chapter discusses Almqvist's description of the perfect complementary unity of male and female - and divine and human - in his juvenile work Murnis (1819). In this sexually explicit work, theology and religious experience is eroticized while sexuality is sacralized. In Amorina (1822), a burgeoning transformation of Almqvist's "wholeness" vision can be observed. While wholeness can only be achieved through the perfect union of man and woman in Murnis, Amorina emerges as a perfect figure in and of herself. In the second chapter, the figure of Tintomara in Drottningens juvelsmycke (1835) is analyzed. In this novel, the dream of the merging of "twoness" into "oneness" seems to have been abandoned in favour of an experiment, wherein the unity of masculinity and femininity is realized in one single individual, the androgynous Tintomara. Despite the fact that the novel's androgynous idea is formulated with direct reference to Plato's Symposium, the significance of Jakob Böhme's speculations on androgyny are also emphasized here. The third chapter deals with the poetry about Mary written by Almqvist, especially Isidoros av Tadmor and Marjam (1839). Almqvist's image of Mary is characterized in terms of "perfection" and "complexity". In Marjam, this complexity is expressed both through the drama's upholding of the paradoxical content of the dogma of the Virgin Mary and the main theme of the double drama, the tension between the earthly and the eschatological family. The fourth and fifth chapters of this dissertation are dedicated to the maternal theme in the work of P.D.A. Atterbom. I proceed from the hypothesis that the transformations which the figure of Mary undergoes reflect a tension between Romantic syncretism and classic Christianity. I analyze four texts by Atterbom in which this conflict is particularly apparent. In Atterbom's prose draft for his fairy play Fågel blå (1818), as in his sonnets dedicated to Mary (1817-18), I discern a shift away from Romantic syncretism and toward more Biblical patterns. In the fairy play Lycksalighetens ö (1824-27), this tension emerges anew in the two Nyx epiphanies in the piece. The elegy "Ave Maria" (1831) comprises the clearest example of the shift in Atterbom's writing toward classical Mariology. In the conclusion, Almqvist's and Atterbom's respective thematic use of Mary - where she is portrayed as a complex, transgressive figure - is contrasted with an early example of Swedish Biedermeier poetry, Carl von Zeipel's "Jesus Christus. Evangeliska romanser" (1822), where Mary is placed in the context of the little, idyllic family. / digitalisering@umu
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Instudering av Carl Philipp Emanuel Bachs sonat i e-moll (H. 551)Guldberg Ravn, Clara January 2015 (has links)
Syftet med denna uppsats är främst att dokumentera min instudering av Carl Philipp Emanuel Bachs Sonat i e-moll för traversflöjt och basso continuo (H.551), som jag har spelat på blockflöjt. Bach skrev sonaten under upplysningstiden och den är ett fint exempel på den nya stil som bröt fram mellan barocken och klassismen, Empfindsamer Stil, med snabba karaktärsväxlingar och känslobyten. Jag har reflekte- rat över många aspekter av musikskapandet, främst tempo, artikulation och dynamik. Dessutom har jag diskuterat de utmaningar man ställs inför när man spelar travers- flöjtmusik på blockflöjt och varför man kan och vill spela musik skriven för ett annat instrument. Jag har kommit fram till att det finns två huvudsakliga skäl: historiska och konstnärliga.
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Menschwerdung die Anthropologie Emanuel Hirschs als Theorie ethisch-religiöser Bildung von individueller Subjektivität in der ModerneLasogga, Mareile January 2007 (has links)
Zugl.: Osnabrück, Univ., Diss., 2007
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Malkovský, Siblík, Podhajská / Malkovský, Siblík, PodhajskáNečasová, Natálie January 2017 (has links)
The aim of this thesis is on examples of František Malkovský (1889-1982), Emanuel Siblík (1886 – 1941) and Zdenka Podhajská (1901-1991) follow the activities of Czech dancers in France from 1910 to 1948 and their relations to local artistic comunities and culture. This work deals with each one separetly and it follows their dance activities since their arrival to France until their return to Czechoslovakia, in case of Malkovsky until his last big dance performance. The centre of their dance careers was mostly Paris but also smaller towns all acros the country where Malkovsky and Podhajska organised their dance performances. Impulses for leaving their homeland and also their dance orientations were different. Main sources of this thesis come from Theatermuseum in Wien and from Département des Arts du spectacle (Bibliothèque nationale de France). It is possible to work further on the theme, to include other Czech persons and to take into account artistic aspects of their activities.
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Chrysopoeia : Materialets resonans genom musikenTudén, David January 2020 (has links)
No description available.
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”Jag har erfarit Influxus ...” : en komparativ analys av Eric Hermelins litterära förhållningssätt till Emanuel Swedenborg / Influxus by experience – a comparative study of Eric Hermelin and his approach to the teachings of Emanuel SwedenborgDyresjö, Christian January 2020 (has links)
Eric Hermelin, the translator and mystic who, while being incarcerated at a mental institution outside Lund in Sweden, managed to write himself into the history of literature by translating the Great Persian sufi poets of the Middle Ages, Rumi, Attar and Sadi, to name a few. Amongst his other translations we find the native Emanuel Swedenborg who will be the focus of this study.The purpose for this study is to look upon how the teachings of Swedenborg affected Hermelin through a comparative analysis where the translations of Hermelin will play a key role. By comparing them to the original texts of both Swedenborg and the Persian poets and by putting Hermelin in context with his times we hope to find out in what way Hermelin related to Swedenborg.Analysis is centered around three concepts; the Personality, the Correspondence and Influxus, which mirrors the Hermelin focus regarding Swedenborg. The study shows that Swedenborg is central to Hermelin in helping him finding strength for his massive work. Hermelin knows Influxus by experience and he seems well aware of the mystic and esoteric context in which Swedenborg belongs where the Persian poets also plays an important part. In a way Hermelin relate Swedenborg to the Persian poets using the teachings of Swedenborg as an instrument to point out the similarities of content.
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Harmoniestruktur und Hermeneutik in C. Ph. E. Bachs fis-moll-FantasiePoos, Heinrich 24 January 2020 (has links)
No description available.
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Zur Dynamik im Klavierwerk Ph. E. BachsJurisch, Herta 30 March 2020 (has links)
No description available.
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Religion as a factor in the defeat of Alfred E. Smith in the election of 1928Isetti, Ronald Eugene 01 January 1960 (has links) (PDF)
The growing patriotism of the Catholic population, the Church's vigorous support of the “Social Gospel,” and the accommodation of Catholics to American democratic institutions -- all of these factors helped to make the Church of Rome more acceptable to the majority of Americans. Nonetheless, there was still a considerable amount of latent anti-Catholic feeling in the country, especially in the South. Therefore, when Alfred E. Smith, a Catholic, became the Democratic presidential candidate in 1928, animosity towards the Catholic Church, which hitherto had been submerged, came to the surface during the campaign.
Some people, especially Catholics, went so far as to maintain that it was religious prejudice that cost Smith the election. The purpose of this essay will be to determine the veracity or falsity of this interpretation of the cause of Smith’s defeat in the election of 1928, in the hope that a careful representation of the past will enable us to understand the living present and to predict the uncertain future.
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