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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

”Han har diskhandskar. Rosa.” En litteratursociologisk analys av kärlekstemat i genren chick lit, exemplet Mossvikenfruar : Chansen av Emma Hamberg. / “He’s wearing pink dish gloves.” An analysis of the love theme in the chick lit genre from the perspective of sociology of literature, Mossvikenfruar : Chansen by Emma Hamberg as an example.

Antonsson, Karin January 2007 (has links)
Libraries are often associated with positive values such as democracy and equal rights. The contents of the literature on offer should therefore be of great interest to the librarian, the supplier of said literature. The topic of this Master’s thesis is the popular literary genre known as chick lit. The purpose is to investigate the love theme in Swedish chick lit, and how it relates to Anthony Giddens’ theory on love in late modernity. The genre in this instance is represented by Mossvikenfruar: Chansen by Emma Hamberg. The theoretical anchor of the Master’s thesis is sociology of literature, which focuses on the relationship between literature and society. The starting point for the analysis of the love theme is Anthony Giddens’ theory on love and late modernity. A modified version of Shlomit Rimmon-Kenans thematical method is used as an analytical tool. The reality of love is considerably bleaker (albeit humourously described) in Mossvikenfruar: Chansen than in the writings of Giddens. The similarities, however, are great. The novel contains manifestations of ‘plastic sexuality’, set apart from reproduction, and the relationship between the novel’s protagonists can be seen as an example of Giddens’ description of couple-relationship in late modernity. Although the novel ends on a heteronormative, couple-centrered note which can be considered conservative and repressive, it is argued in this Master’s thesis that it must be valued in the light of the following question: “What constitutes an equal society?” a discussion which therefore concludes the study. / Uppsatsnivå: D
2

Svensk chick-lit 1996-2006 : En undersökande genrediskussion av svensk chick-lit / Swedish chick lit 1996-2006 : An investigative genre discussion of Swedish chick lit

Lundhag, Malin E January 2007 (has links)
<p>Syftena med denna uppsats har varit flera. Dels att genomföra en undersökande genrediskussion av svensk chick-lit i stort där det som uppfattats som den huvudsakliga kritiken av genren omformulerats till frågeställningar. Huvudfrågan har därmed varit att ta reda på om svensk chick-lit är intressant, men också om den har några litterära kvaliteter och om den är en feministisk backlash. I uppsatsen arbetas även en definition av svensk chick-lit fram, samt empiriskt grundad teori ur materialet. Avsikten är att detta arbete ska kunna verka som förebild för andra utredningar av nya och marginaliserade genrer. En undersökning av vilka principer biblioteken, här representerade av Umeåregionens bibliotek, utgår från vid inköp av skönlitteratur i stort och chick-lit i synnerhet har också genomförts.</p> / <p>The aims of this paper have been more than one. One aim is to conduct an investigative genre discussion of Swedish chick lit as a whole, where what is conceived as the main critique of the genre is reformulated into questions. The main questions here are if Swedish chick lit is of interest, if it possesses any literary qualities and if it constitutes a feminist backlash. This paper also draws up a definition of Swedish chick lit and empirically grounded theory from the material. The intent is for this paper to serve as a model for other analyses of new and marginalized genres. A study of the principles adopted by libraries, here represented by libraries in the Umeå district, in fiction purchases as a whole and purchases of chick lit in particular, has also been carried out.</p>
3

Svensk chick-lit 1996-2006 : en undersökande genrediskussion av svensk chick-lit / Swedish chick lit 1996-2006 : An investigative genre discussion of Swedish chick lit

Lundhag, Malin E January 2007 (has links)
Syftena med denna uppsats har varit flera. Dels att genomföra en undersökande genrediskussion av svensk chick-lit i stort där det som uppfattats som den huvudsakliga kritiken av genren omformulerats till frågeställningar. Huvudfrågan har därmed varit att ta reda på om svensk chick-lit är intressant, men också om den har några litterära kvaliteter och om den är en feministisk backlash. I uppsatsen arbetas även en definition av svensk chick-lit fram, samt empiriskt grundad teori ur materialet. Avsikten är att detta arbete ska kunna verka som förebild för andra utredningar av nya och marginaliserade genrer. En undersökning av vilka principer biblioteken, här representerade av Umeåregionens bibliotek, utgår från vid inköp av skönlitteratur i stort och chick-lit i synnerhet har också genomförts. / The aims of this paper have been more than one. One aim is to conduct an investigative genre discussion of Swedish chick lit as a whole, where what is conceived as the main critique of the genre is reformulated into questions. The main questions here are if Swedish chick lit is of interest, if it possesses any literary qualities and if it constitutes a feminist backlash. This paper also draws up a definition of Swedish chick lit and empirically grounded theory from the material. The intent is for this paper to serve as a model for other analyses of new and marginalized genres. A study of the principles adopted by libraries, here represented by libraries in the Umeå district, in fiction purchases as a whole and purchases of chick lit in particular, has also been carried out.
4

”Det verkar som man helst vill vara någon som är blond, smal och glad” : En komparativ studie av två olika chefredaktörers versioner av Veckorevyn

Sivac, Vedrana, Svensson, Sandra January 2008 (has links)
The purpose of this study is to compare the contents, editorials and front covers of Sweden’s oldest girl’s magazine Veckorevyn during two different years, in which the magazine had two very different chief editors. In the year 2000, Emma Hamberg got the job as editor-in-chief for Veckorevyn, with a vision of changing the way the magazine represented young females. She wanted to add a more feminist viewpoint to the magazine, since she felt that Veckorevyn didn’t live up to its claim of being “a girl’s best friend”. Six years later, the famous Swedish fashion editor Ebba von Sydow became editor-in-chief for Veckorevyn, with the intention of making the magazine better, smarter and more fun for young girls. Her ambition was also to add more features about career and affordable fashion, since she felt that those topics were important for young women of today. Since these two editor-in-chiefs wanted to do so different things with Veckorevyn, we found it interesting to try to pinpoint what their differences and similarities as editors-in-chief were and how this was reflected in the magazines. The methods used were quantitative content analysis and qualitative text analysis, together with a comparative analysis between the two annual volumes. We also did interviews with the two former editors-in-chiefs, Emma Hamberg and Ebba von Sydow to get a clearer image of what they wanted to do with the magazine and how well they thought that they reached their goals. As guidelines for the study, we used theories about the survival techniques used by female journalists, feminism, personification, the male gaze and the female gaze. We found that the two versions of Veckorevyn were similar in which subjects they chose to write about. Both versions had a content based mostly on fashion, beauty, and celebrities. However, we found a noticeable difference in how they wrote about these subjects. Other differences were found in how the editorials were written, and in the choice of what kind of people got to appear on the front covers.

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