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TITLE: "Two different views on education presented in the children's and youth literature in the first and second half of the 20th century. - A comparison of selected novels by Erich Kästner and Christine Nöstlinger." AUTHOR: Hedwiga Kašlík DEPARTMENT: Department of German language and literature SUPERVISOR: PhDr. Tamara Bučková, Ph. D. ABSTRACT: The thesis compares two different views on education presented in the children's and youth literature in the first and second half of the 20th century with the help of selected works. The first focus is on Erich Kästner, as a representative of the pre-war generation, and his novels Emil und die Detektive (1929) and Das fliegende Klassenzimmer (1933). The second author is the Austrian writer Christine Nöstlinger, who began her literary action in 70s of the 20th century. From her were chosen the books Der Spatz in der Hand (1974) and Das Austauschkind (1982). All novels are analyzed with respect to their educational content and compared to the intentions of the author. The conclusion of the thesis will be a comparison between the different attitudes of the authors. KEYWORDS: Erich Kästner, Emil und die Detektive, Das fliegende Klassenzimmer, Christine Nöstlinger, Der Spatz in der Hand, Das Austauschkind, children's and youth literature, view on education

Traditional scholarship has stated that the serpent and ophicleide (as well as their successor, the tuba) were developed and added to the standard orchestra to add a bass voice to the brass, allowing a tonal compass to match a similar downward expansion in the strings and woodwinds. A closer reading of the earliest scores calling for these instruments reveals a more coloristic purpose, related to timbre as much as to compass. Indeed, the fact that composers rarely wrote for serpent and ophicleide makes two points: it proves them to be inadequate choices as a brass bass, and when they were called for, they had an expressive, often descriptive purpose. Despite his conservative musical education supervised by Carl Friedrich Zelter, the seventeen-year-old Mendelssohn, under the influence of A. B. Marx, used the Corno inglese di basso, an upright version of the serpent, in his Overture to A Midsummer Night's Dream to give a more rustic flavor to Bottom's ass-braying. Even when the English bass horn functioned as a bass voice, it was playing in contexts that were descriptive, where it often demonstrated its musical inadequacy. Berlioz's descriptive writing for the serpent and ophicleide are well known. A remarkable feature which Symphonie fantastique shares with works by the other composers is the confidence Berlioz showed in the ophicleide's functional independence by occasionally giving it an arpeggiated figure while the rest of the orchestra sustains the chord. Wagner's writing for the serpent and ophicleide in Rienzi follows the less imaginative conventions of French grand opera. In Der fliegende Holländer the ophicleide, while not used as descriptively as Mendelssohn and Berlioz, nevertheless contributes significantly to Wagner's emerging focus on the inner lives of his characters and expressive commentary on the stage action. Tubists should consider the expressive implications and the unique timbre of these instruments when performing works originally written for the forerunners of the tuba.

This thesis addresses the role of the birth complex in Friedrich Nietzsche’s philosophy and in Richard Wagner’s operas. I see the birth complex as characterised by a dialectical relation between flesh and light, which is itself polarised by the tension between desire and anxiety. A structural determinant of the human relation to the world, this complex in my argument is of special importance for understanding the roles given to and assumed by women. Wagner gave the birth complex its first comprehensive elaboration through his operas. This, I contend, is the aspect of Wagner’s work that Nietzsche in his writings particularly reacted to through the ambivalent fascination it awakened in him. I argue that, even after Nietzsche’s break from Wagner, the birth complex remains central in his philosophy. The primary reference I build on here is Otto Rank’s theory of birth trauma, as set out in Das Trauma der Geburt (1924). To me, Rank’s theorisation of the trauma of birth is a translation into psychoanalytic language of Nietzsche’s philosophy, which itself arose with a translation into philosophical language of Wagner’s operas. In this thesis I build especially on Rank’s formulation of the tension between desire and anxiety and on his suggestions concerning the causes of the undoing of women. However, Rank did not take into account what I contend is a key aspect of both Nietzsche’s and Wagner’s work: the role of light in its dialectical relation with the flesh. By flesh I mean the interiority of the mother’s body and, by extension, the human body insofar as it is conceived through its relation to the maternal body. In the first main section of my PhD, I propose a theoretical understanding of the birth complex through an analysis of Nietzsche’s philosophy. I start with his writings pro and contra Wagner, showing that what Nietzsche primarily sees in Wagner’s operas is the birth complex. I then go on to argue that Nietzsche’s philosophy of life and of creativity is an exploration of the ways in which birth could be overcome. The second main section of my PhD is dedicated to Wagner, with largely text-based readings of three operas. I first discuss the extent to which death in Der fliegende Holländer and in the Freudian conception of the death drive is a mask for birth. I then tackle Tristan und Isolde and its famous celebration of night and death, in order to investigate whether love can be reduced to the birth complex. The last chapter of this section presents a close analysis of Das Rheingold and especially of its first scene and of Wagner’s indications on lighting. In a third and shorter section, I show that Hugo von Hofmannsthal’s and Richard Strauss’s Elektra pursued and reviewed this fundamental preoccupation of Nietzsche’s and Wagner’s work in proposing a further formulation of the birth complex that incorporates the scene of matricide. Finally, as a coda to the thesis, I explore the extent to which the uses of stage lighting pioneered by Adolphe Appia have been coming to terms with the birth complex.

Die vorliegende Arbeit beschäftigt sich mit dem Konzept der radial nicht-oszillierenden, zeitlich stabilen ultrakurzen Bessel ähnlichen Strahlen oder "Nadelstrahlen" ("needle beams"), die zu einer Klasse von optischen hochlokalisierten Wellenpaketen generalisiert werden. Hierbei wird die Theorie über das räumlich-zeitlichen Ausbreitungsverhaltens von nicht auseinanderdriftenden Nadelstrahlen mit Pulsdauern von kleiner als 10 fs näher diskutiert. Dies wird durch eine systematische Darstellung der Methoden zur Generierung und Detektierung von lokalisierten Wellen komplettiert, die ein optischen Drehmoment tragen. Für die Erzeugung von HLWs kommen räumliche Lichtmodulatoren zum Einsatz, die ein flexibles Zuschneiden von Wellenpaketen mit der Dauer weniger Zyklen des EM-Feldes erlauben. Es wird gezeigt, dass solche optischen Pulse sich über beträchtliche Entfernungen ausbreiten, ohne dass sich dabei signifikant der Strahldurchmesser vergrößert oder der Puls zeitlich verbreitert. In variabler Weise werden verschiedene geometrische (z.B. ringförmige) Lichtverteilungen erzeugt. Anwendungspotential findet sich insbesondere in den Techniken der räumlichen Pulsformung und Diagnostik. Als besonders wichtiger Ansatz ist der Zeit-Wellenfront-Sensor zu erwähnen, welcher die nichtlineare, mehrkanalige Autokorrelation, die Wellenfrontdetektion mittels nichtdiffraktiver Teilstrahlen nach dem Shack-Hartmann-Prinzip und eine adaptive Funktionalität miteinander vorteilhaft verbindet. Das enorme Potential solcher Ansätze wird durch die hohe Genauigkeit orts-, winkel- und zeitabhängiger Rekonstruktionen der Wellenpakete nachgewiesen. Darüber hinaus ermöglicht das räumliche Kodieren und anschließende Verfolgen der Teilstrahlen eine wesentliche Verbesserung der Identifikation relevanter Parameter von Verteilungsfunktionen. Schließlich werden erste Schritte zur experimentellen Generation von optischen "light bullets" mit ganzzahligen und fraktalen orbitalen Drehmomenten präsentiert. / This thesis deals with the concept of radially non-oscillating, temporally stable ultrashort-pulsed Bessel-like beams or "needle pulses", which are an example of a highly localized wave packet (HLW). HLWs are the closest approximation of linear-optical light bullets and provide specific benefits compared to conventional Gaussian-like light bullets. The spatio-temporally nonspreading propagation behavior of few-cycle needle beams of less than 10 fs duration will be theoretically discussed in detail. An overview of the generation and detection of localized waves carrying an orbital angular momentum is also given. High fidelity spatial light modulators are used for the generation of HLWs. The flexible tailoring of few-cycle wave packets at near-infrared wavelengths is reported. It is shown that such pulses propagate over a huge depth of focus, neither significantly changing their spot size or nor the pulse duration. Variable geometrical distributions like circular disks, rings, or bars of light are shaped and exploited as building blocks for structures of higher complexity. Another section of the thesis emphasizes the numerous potential applications of related techniques for an optimized two-dimensional spatial pulse shaping and diagnostics (reduce ambiguities) based on localized waves. As a particularly important example, time-wavefront sensing is used to combine nonlinear multichannel autocorrelation with Shack-Hartmann wavefront sensing by means of localized sub-beams and adaptive functionality. The capabilities of such devices are illustrated by the results of angular and temporal mapping of few-cycle wave packets. Moreover, spatial encoding and subsequent tracking of individual sub-beams, even at incident angles of up to 50°, enables to significantly improve the spot recognition. Finally, first steps towards the generation of optical light bullets carrying integer or non-integer orbital angular momenta are presented.