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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
71

Impact de la dramatisation sur la prosodie du français langue seconde

Breakspear, Christopher January 2001 (has links)
Prosody, the structures governing the pitch and rhythm of speech, is essential to the correct and authentic use of a language. Unfortunately, many students of a second language find it difficult to learn these patterns, particularly when they differ significantly from their mother tongue. Several pedagogical models are now widely used, but only within the confines of a conventional classroom environment. Dramatisation, the process of preparing a full theatrical performance, has already shown itself to be useful in the acquisition of second language grammar and vocabulary. This thesis demonstrates by means of a qualitative case study that this approach to language teaching also results in a statistically significant improvement in the area of prosody. The results were obtained by analysing the digitised speech of four students who participated in a course employing dramatisation in order to teach French as a second language.
72

Assia Djebar et Julia Kristeva: choisir le français comme langue d'écriture

Ivantcheva-Merjanska, Irene 19 September 2011 (has links)
No description available.
73

La Prostitution dans la Culture Française du Dix-Neuvième Siècle: Classe, Sexe, et Contagion

Callahan, Kelsey 01 May 2014 (has links)
The creation of the French Penal Code of 1791, which failed to address the legality of prostitution, and the social climate of nineteenth-century France led to the rapid development of sexual commerce. The spread of syphilitic diseases soon became a serious crisis, and the fault of the spread of syphilis and disease was quickly ascribed to purchasable women. Other social crises of the time, such as problems with sewage and the spread of disease and decay also came to be associated with prostitution. My thesis will examine ways in which male artists of the time used literature and painting to suppress the contagious, transgressive sexual female, and the ways in which the representation of this female illustrates deeper anxieties and fears of the French bourgeois society about class and gender. I have constructed my argument in the context of two literary/artistic prostitute figures: the “heart of gold” and the “man-eater.” The “heart of gold” is characterized as a prostitute with qualities of goodness and integrity, who must ultimately die as the only way to reconcile her deviant behavior. The “man-eater,” by contrast, is a woman who destroys the men who seek her, driving them to financial, emotional, and even physical devastation. In order to complete my thesis, I have used a selection of primary sources (the works of Balzac, Dumas fils, Maupassant, Flaubert, and Manet), analyses of nineteenth-century French literature, and several historical sources, as well as the memoirs of Céleste Mogador, a courtesan in nineteenth-century France. The goal of my thesis is to examine the two literary figures mentioned above in the context of gender relations and power, the spread of disease, and decay and degeneration.
74

Langue, espace et (re)composition identitaire dans les oeuvres de Mehdi Charef, Tony Gatlif et Farid Boudjellal / Language, space and identity (re)construction in the works of Mehdi Charef, Tony Gatlif and Farid Boudjellal

Mielusel, Ramona 19 June 2014 (has links)
My dissertation critically assesses the evolution of Beur productions (1980s - 21st century) with reference to the socio-cultural and economic conditions of their development. I am interested in identity (re)construction in the work of three Algerian origin artists in France: Mehdi Charef, Tony Gatlif and Farid Boudjellal. I examine texts and films like Le thé au Harem d’Archi Ahmed (1983), Petit Polio (1999), Je suis né d’une cigogne (1999) and Exils (2004). My interest lies in analyzing the impact that these “minor” artists and their chosen art genres have on mainstream cultural productions. Besides focusing on the second generation immigrants in France (the Beurs), the authors challenge also the canonical “Frenchness” or “Europeanness” beyond borders, thus promoting the concept of cultural hybridity. I argue that constant displacement, change of political, social and cultural contexts have significantly transformed the dynamics between the center and the periphery. Furthermore, I provide evidence that “French” identity has undergone a continuous transformation over time and has become a substantially diverse and lively construct. I stand for a new approach to the fixed French identities, one that includes a pluriethnic and multilingual francophone body, and for a redefinition of cultural boundaries reshaping the relationship between self and otherness. My thesis has two major sections (language and space) divided respectively into four chapters. The first two chapters look at different ways in which the Franco-Maghrebi literature and cinema forge new ways of expression within French language and culture. The first chapter is mainly focused on the importance of mastering French by the Beur artists, while in the second chapter I insist on more elaborate stylistic dimensions such as postcolonial irony in the given texts. The last two chapters critically analyze how the artistic productions of Charef, Gatlif and Boudjellal situate themselves in the French socio-cultural context by trespassing borders of a cultural, literary, linguistic and geographical order. This multiple border crossing leads to a movement of these texts to different locations within the main culture. At the esthetic level, this movement between different borders promotes the innovation and the creativity that the Beur artists bring to France.
75

Langue, espace et (re)composition identitaire dans les oeuvres de Mehdi Charef, Tony Gatlif et Farid Boudjellal / Language, space and identity (re)construction in the works of Mehdi Charef, Tony Gatlif and Farid Boudjellal

Mielusel, Ramona 19 June 2014 (has links)
My dissertation critically assesses the evolution of Beur productions (1980s - 21st century) with reference to the socio-cultural and economic conditions of their development. I am interested in identity (re)construction in the work of three Algerian origin artists in France: Mehdi Charef, Tony Gatlif and Farid Boudjellal. I examine texts and films like Le thé au Harem d’Archi Ahmed (1983), Petit Polio (1999), Je suis né d’une cigogne (1999) and Exils (2004). My interest lies in analyzing the impact that these “minor” artists and their chosen art genres have on mainstream cultural productions. Besides focusing on the second generation immigrants in France (the Beurs), the authors challenge also the canonical “Frenchness” or “Europeanness” beyond borders, thus promoting the concept of cultural hybridity. I argue that constant displacement, change of political, social and cultural contexts have significantly transformed the dynamics between the center and the periphery. Furthermore, I provide evidence that “French” identity has undergone a continuous transformation over time and has become a substantially diverse and lively construct. I stand for a new approach to the fixed French identities, one that includes a pluriethnic and multilingual francophone body, and for a redefinition of cultural boundaries reshaping the relationship between self and otherness. My thesis has two major sections (language and space) divided respectively into four chapters. The first two chapters look at different ways in which the Franco-Maghrebi literature and cinema forge new ways of expression within French language and culture. The first chapter is mainly focused on the importance of mastering French by the Beur artists, while in the second chapter I insist on more elaborate stylistic dimensions such as postcolonial irony in the given texts. The last two chapters critically analyze how the artistic productions of Charef, Gatlif and Boudjellal situate themselves in the French socio-cultural context by trespassing borders of a cultural, literary, linguistic and geographical order. This multiple border crossing leads to a movement of these texts to different locations within the main culture. At the esthetic level, this movement between different borders promotes the innovation and the creativity that the Beur artists bring to France.
76

L'homme des réseaux, figure de l'entre-deux, dans ressources humaines et l'emploi du temps, de laurent cantet

Menard, Claire M. January 2009 (has links)
Thesis (M.A.)--Miami University, Dept. of French and Italian, 2009. / Title from first page of PDF document. Includes bibliographical references (p. 30-Xx).
77

Deathly Landscapes: The Changing Topography of Contemporary French <i>Policier</i> in Visual and Narrative Media

Piper, Paige M. 28 December 2016 (has links)
No description available.
78

Amour à risques: A Reworking of Risk in the PrEP Era in France

Troth, Brian Jonathan 17 October 2019 (has links)
No description available.
79

Towards an Ethic of the Lyric: Taking on the Other in “La Mort de Cleopatre” by Marie Krysinska

Culpepper, Abigail 02 August 2019 (has links)
No description available.
80

L'homme des réseaux, Figure de l'Entre-deux, dans Ressources Humaines et L'Emploi du Temps, de Laurent Cantet

Menard, Claire M. 31 July 2009 (has links)
No description available.

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