Thesis (Ph. D.)--University of Amsterdam, 1996. / Includes bibliographical references (p. 217-[232]) and index.

Made available in DSpace on 2016-08-03T12:30:20Z (GMT). No. of bitstreams: 1 Eliane Fatima Corti Basso1.pdf: 356512 bytes, checksum: bd265196ca3aeca75f32c7b8f6fbc966 (MD5) Previous issue date: 2005-12-16 / Magazine Sir: modernity and culture in the Brazilian press it has as objective to rescue the history of a publication that marked time. Produced in the period of 1959 the 1964, the magazine demonstrated its paper as a central space of quarrel of cultural subjects. Fruit of a specific conjuncture, Sir behaved itself as an encyclopedia of 50 years and beginning of years 60, divulging, in the set of news articles that produced, chronicles, assays, critical and articles, the values and the effective cultural movements, many times expressing new forms of behavior, considered advanced then. The used methodology in the research is of the descriptive analysis and qualitative of the content of the published substances and the theoretical approach it is based on the estimated ones of the interdisciplinaridade of the chain of the Cultural Studies. The conclusions had pointed the characterization of the magazine as a publication that translates Cultural the Journalism formative, come back the intellectualized people or multiplying calls of opinion, showing as one of the most important considered magazines "cultured" of the Brazilian market. It was a magazine directed predominantly for a culturally elitizado masculine public and/or economically. The idea is still conceived of that SIR, for its graphical and publishing project, was in the vanguard of Brazilian publications of all the times. / Revista Senhor: modernidade e cultura na imprensa brasileira tem como objetivo resgatar a história de uma publicação que marcou época. Produzida no período de 1959 a 1964, a revista demonstrou seu papel como um espaço central de discussão de temas culturais. Fruto de uma conjuntura específica, SENHOR portou-se como uma enciclopédia dos anos 50 e início dos anos 60, divulgando, no conjunto de reportagens que produziu, crônicas, ensaios, críticas e artigos, os valores e os movimentos culturais vigentes, muitas vezes expressando novas formas de comportamento, consideradas avançadas então. A metodologia usada na pesquisa é a da análise descritiva e qualitativa do conteúdo das matérias publicadas e o enfoque teórico está baseado nos pressupostos da interdisciplinaridade da corrente dos Estudos Culturais. As conclusões apontaram a caracterização da revista como uma publicação que traduz o Jornalismo Cultural formativo, voltada a pessoas intelectualizadas ou chamadas multiplicadoras de opinião, revelando-se como uma das mais importantes revistas consideradas "cultas" do mercado brasileiro. Foi uma revista dirigida redominantemente para um público masculino elitizado culturalmente e/ou economicamente. Concebe-se ainda a idéia de que SENHOR, por seu projeto gráfico e editorial, esteve na vanguarda das publicações brasileiras de todos os tempos.(AU)

Austen, Dickens, and Eliot each responded to discussions of their time concerning class, gender, and social change. One of the ways they addressed these issues, and sought to find solutions to the problems facing their culture, was through benevolence. Knightley, in Emma, uses benevolence as a means of mediating self-interest and sympathy. By acting out of sympathy, through benevolence, he achieves the self-interested benefits of reinforcing the class system and achieving his romantic conquests. Likewise, Dickens' Nicholas Nickleby learns how to use benevolence as a means of social mobility from his mentors, the Cheerybles. Throughout Nicholas Nickleby the hero learns how to engage in benevolence out of sympathy, and by doing so he establishes himself as a gentleman and reaps social, economic, and romantic advantages. Eliot's Bob Jakin in The Mill on the Floss engages in benevolence out of true sympathy unhindered by self-interest. His freedom from social constraint and self-interest allows him to truly help Maggie Tulliver when no one else can. These authors' depictions of benevolence all illuminate ways that nineteenth-century literary authors sought to navigate the “Adam Smith Problem" of sympathy vs. self-interest. Benevolence, in these novels, is not disinterested (regardless of their motivation) but is influenced by the character's and author's perception of class, gender, and social change in the nineteenth century.

1964 Los Angeles. Five marriages are put to the test as their struggles to communicate boil over, all while ignoring the mysterious disappearing street signs wreaking havoc on the city around them.

In the mid-nineteenth century Métis society re-established itself west of Red River in the Saskatchewan country. This thesis tells the long overlooked story of the English Métis of the Prince Albert Settlement, beginning with James Isbisters initial farm in 1862 and the wave of Métis who followed him west in search of a better life. Questions of Identity, Politics, and Religion are answered to place the English Métis in the historical context of the Métis nation and the events of the Canadian states institutional expansion onto the Western prairies. The place of the English Métis vis-à-vis their French, First Nations, and Euro-Canadian neighbours is examined, as are their attempts to secure a land base and continued collective identity under pressures from hostile state and economic forces. Their importance in the events of the period which would have long lasting national and local significance is also examined. A survey of the community and the changes it went through is given from the initial settlement period to the dissolution of the English Métis as a recognizable collective force following Louis Riels uprising.

The American planter has mostly been presented as the epitome of the romantic cavalier legend that could be found in the fiction of John Pendleton Kennedy to Thomas Nelson Page: a man of chivalric manners and good breeding; a man of good social position; a man of wealth and leisure (Concise Oxford Dictionary). A closer scrutiny of the cavalier and genteel ethos of the time, however, reveals the inherent ideological inconsistencies with the idea of the gentleman itself, as the ideal came to be more and more perceived as an illusion and as challenges to traditional gender stereotypes came to redefine the nature and role of the Southern Gentleman. This study hopes to complicate the traditional delineation of hegemonic manhood with the aim to better understand how precisely the Old South’s masculine ideals were constructed and maintained over time, especially in times of crisis, and how southern elite males (re)defined, enacted, and/or maintained a distinctive Southern model of masculinity while others resisted, modified, or flouted those ideals. The work undertaken by this dissertation can thus be situated within the broad rubric of masculinity studies and its central axiom—the interrogation of the structures of power, domination, and hierarchy. Enriching masculinity studies of the Old South, this critical study of Southern American fiction attempts to respond to the invitation of historians like Stephen Berry or Craig Thompson Friend in striking a commendable balance between conceptualizing larger historical questions and narrating the intimacies and complexities of Southern men’s individual lives. Taken collectively, these novels continue to explore this fertile field by moving outside the “confines and confidences of elites” (Peel 1). Because it complicates any simple equation between honor, mastery, and manliness, and because it seeks to revisit traditional conceptualisations of gender, I hope that this study will open new ways of thinking about the privileges and wounds of a masculinity that has been considered by most as the normative, invisible, and unquestioned referent from which to measure marginalized others—foreigners, women, or non-whites.

Eudora Welty’s characterization of George Fairchild (Delta Wedding) queers the heroic masculine ideal, St George, whose legendary exploits have been popularized in narrative literature, Catholic iconography, and children’s fairy tale. Lauded by the Fairchild women for his “difference,” George’s sexuality offers him an identity apart from the suffocating Fairchild family myth. George Fairchild’s queer sexuality and homoeroticism augments our critical understanding of Delta Wedding, the character, as well as other characters. The author’s subtly politicized construction of the novel’s ostensible hero subverts literary tradition, the gender binary, and patriarchal myth.

In the mid-nineteenth century Métis society re-established itself west of Red River in the Saskatchewan country. This thesis tells the long overlooked story of the English Métis of the Prince Albert Settlement, beginning with James Isbisters initial farm in 1862 and the wave of Métis who followed him west in search of a better life. Questions of Identity, Politics, and Religion are answered to place the English Métis in the historical context of the Métis nation and the events of the Canadian states institutional expansion onto the Western prairies. The place of the English Métis vis-à-vis their French, First Nations, and Euro-Canadian neighbours is examined, as are their attempts to secure a land base and continued collective identity under pressures from hostile state and economic forces. Their importance in the events of the period which would have long lasting national and local significance is also examined. A survey of the community and the changes it went through is given from the initial settlement period to the dissolution of the English Métis as a recognizable collective force following Louis Riels uprising.

This project investigates the social role of gentleman in Victorian England as defined in two Victorian novels, Dinah Maria Mulock's John Halifax, Gentleman and Charles Dickens's Great Expectations. Mulock and Dickens promote the middle-class gentleman as a role that prioritizes the fulfillment of duty. Mulock's protagonist, John Halifax, displays this gentlemanliness throughout his social and economic rise. He bridges the upper and lower classes and embodies both a model and a pathway to middleclass gentlemanliness. Dickens's protagonist, Pip, develops this middle-class gentlemanliness as he learns from his own and four other characters' experiences. Dickens separates the inward, duty-focused gentleman and the outward, appearance-focused gentleman in the four characters that influence Pip, thus emphasizing their relationship and the power of social role encoding. These two novels reveal the performances of roles as social constructions that utilize the power of group definitions and the role writers play in shaping those definitions. / Department of English

This thesis is an analysis of the manner in which the persona and works of Ben Jonson were appropriated – between the Restoration, in 1660, and the retirement of David Garrick, in 1776 – to reflect the political and social concerns of the age. Unlike previous studies, rather than primarily focusing on the stage history of Jonson, I analyse a wide range of sources – produced both within and outwith the theatre – in order to explore, across a variety of media, a breadth of material which appropriates the playwright and his works. I shall consider in my first main chapter the appropriations of Jonson within the Restoration court, in particular noting the assimilation of the playwright's work to what might be styled a proto-Tory ideology, as well as the way in which his plays could mirror the destabilising effects of the king's romantic liaisons. In my second chapter, I explore the moral reformation at the turn of the eighteenth century, in which we can see appropriations of Jonson which cast his works as being primarily didactic. The third chapter moves the narrative of the thesis into the years of the premiership of Sir Robert Walpole. I shall consider the way in which the playwright's works – especially The Alchemist and Eastward Ho! – were seen as being especially relevant to an age of speculation and mercantile endeavour, as well as examining the manner in which the figures of Sejanus and Volpone were appropriated to mock the increasingly unpopular premier. In the final chapter, I shall offer an analysis of Garrick's seminal portrayal of Drugger in the contexts of the political philosophy of the mid-eighteenth century, considering the manner in which it was interpreted alongside the character's further appropriations by Francis Gentleman. The thesis concludes by exploring political appropriations of Jonson up to the present day.