This psychobiography is focused on the life of Glenda Watson-Kahlenberg, whose life history epitomises the redemptive theme of triumph over tragedy. A phenomenological approach to the study allowed the researcher to observe the participant‟s lived experience through the theoretical lens of Frankl‟s conceptualization of a meaningful and full existence. A holistic perspective of factors contributing to redemption was accommodated by the Biopsychosocial-spiritual Model. The aim of this longitudinal revelatory study was to illuminate the process of redemption in a life, which leads to restoration and wholeness. This study breaks with traditional psychobiography – in that a life in progress has been selected; and personality development is not the key focus. This psychobiographical undertaking was anchored in qualitative research in the form of a single case study. Four types of triangulation were utilized, namely: data, investigators, theory and methodological triangulation. In addition, Alexander‟s identifiers of saliency, Miles and Huberman‟s data-management guidelines, Schultz‟s prototypical scenes, and Guba‟s criteria for trustworthiness, guided the methodology to ensure reliable data extraction and interpretation. The present researcher was in search of a deeper understanding of the enabling factors facilitating a restorative process in a life that was challenged by setbacks. Given the increasing pressures facing individuals in this modern era, the redemptive theme holds particular relevance, and was graphically demonstrated in the life of the participant who experienced trauma, widowhood, divorce, single parenthood, and a spate of medical and psychological setbacks. The findings suggest that the mental health clinician‟s utilisation of Frankl‟s conceptualisation of meaning in the most challenging circumstances, proffers itself as an all-purpose life-tool which enables individuals to overcome their challenges. The study demonstrated that gaining meaning in life is inextricably tied to an implicit legacy-oriented worldview. Of significance, is the role of forgiveness which emerged as the central redemptive catalyst. In this study, the resolution of past hurts through forgiveness, and the search for meaning, merge, forming an arterial theme in the life story of the participant. The dual impact of these factors not only reversed contaminated life-scripts, it also birthed a new calling in life which set the participant on a generative life course. The findings related to a redemptive life not only confirms existing theory, but also adds perspectives not previously considered. In addition, the findings related to the role of forgiveness has positive implications for the individual‟s physical and psychological wellbeing. Greater intentionality on the part of therapists to thread forgiveness into their practice, remains invitational in the light of the eugraphic impact demonstrated in this study.

This thesis is divided into two sections; a theoretical section which looks at the analytic construction of collective identities, and a section which applies the theory to two Australian novels. The first four chapters use the theories of Roy Wagner, Benedict Anderson, Jacques Lacan and Homi Bhabha to look at the often unconscious construction of culture and national, and at the process of hybridity to which those constructions are continually subject.The next three chapters examine Glenda Adamss Games of the Strong and Nicholas Haslucks The Bellarmine Jug showing how an unconscious development of Australian themes runs through the novels, regardless of a lack of Australian characters and setting. The novels show the complex, unique and frequently misunderstood position Australia holds between the cultures, nations and civilisations of the East and the West.The conclusion draws together the principal arguments of the thesis and highlights some concerns which they imply for Australian and its national imagination.

High Fantasy is extremely popular, with publication and sales of High Fantasy titles outnumbering Science Fiction for thirty years, yet Fantasy is less respected by reviewers of the Speculative Fiction genre. One reason for this is that High Fantasy often fails to adequately address culturally or politically significant issues. Respected Science Fiction writers, such as Octavia Butler, on the other hand, use the issues such as discrimination and persecution on the basis of race and gender. In my exegesis I explore the ways in which High Fantasy has explored the problems of discrimination and persecution. In my novel, The T'En Exiles, I create a world populated by differently abled races. The ' ordinary ' people resent and fear the gifted people, who are less numerous and marginalised. Among the gifted there are those who are aware of mystical powers and those who can manipulate them; because of this a strict hierarchy has evolved. There is also a divide between the genders because the power of the females is expressed differently to that of the males. In The T'En Exiles I use the device of cognitive estrangement, a technique common in both Fantasy and Science Fiction, to examine discrimination and persecution. In particular in terms of how it affects individuals. In the exegesis I examine the ways in which issues of discrimination and persecution are dealt with in contemporary High Fantasy and Science Fiction, and the ways in which a more comprehensive and sensitive treatment of these issues in High Fantasy can address some concerns about the marginalisation of the sub-genre.

El propósito de esta tesina es analizar el comportamiento grupal en los cuentos Queremos tanto a Glenda y Las Ménades del escritor argentino Julio Cortázar. La investigación se basa en las ideas de Carl Jung, y más específicamente en sus teorías sobre el inconsciente colectivo y los arquetipos. También hemos consultado algunos de los escritos que ha presentado Jung sobre la relación entre el individuo y el colectivo, y sobre el arte. El objetivo del estudio ha sido investigar la razón detrás de la reacción del grupo en los cuentos elegidos, y mirar más de cerca cómo esta reacción afecta al desarrollo de la historia. La conclusión de nuestro análisis es que la fuerza impulsadora detrás de la reacción grupal, en ambos cuentos, es el deseo inconsciente, de los miembros de los grupos, de cumplir con los arquetipos. A través del colectivo se fortalecen los impulsos de los arquetipos hasta volverse imposibles de detener. Esto causa el fin inesperado e infeliz, tanto en Queremos tanto a Glenda, como en Las Ménades.