abstract: This paper primarily focuses on the Hopi Tribe of northeastern Arizona and how historical events shaped the current perception and applications of educational systems on the Hopi reservation. This thesis emphasizes the importance of understanding historical contexts of a community in order to understand the current predicament and to devise solutions to contemporary issues in which I primarily focus on education. Education is broken down in regards to the Hopi communities by history, how this history has affected those communities, ideas of sovereignty and power within education and then future probable solutions to integrating language and culture into Hopi schools. This research is primarily literature and educational reports on the Hopi Tribe and other American Indian communities. The research was then compiled to find commonalities with other Indian communities to depict barriers to educational success as well as effects of western education such as traditional culture and language decline. Solutions and results that other Indian communities had devised were also researched to determine if they could be incorporated into the Hopi educational system and if they supported the language and culture that the Hopi people are trying to retain. / Dissertation/Thesis / Masters Thesis Social and Cultural Pedagogy 2014

Goal of this dissertation's thesis is to familiarize the reader with the issues connected with automatic optimization and its implementation in desired company, as a substitute to its current solution. The main objective of this thesis is therefore considered to be consideration and evaluation of benefits software solution can bring to HOPI, with full meeting of its requirements using its resources. In theoretical part of thesis will look at all the necessary information the reader will need to fully understand the theory, as well as the issueo of creating and optimizing great number of routes with a large fleet. Company HOPI will be introduced, as well as all software solutions, which were used in this work, or are mentioned with references. Practical part will describe the process of planning in both version, actual and software one. Form gained information and consultations with management of HOPI, conclusions will be drawn about benefits and difficulties of each solution. Ideal procedure for consideration will be drawn and verdict about software solution will be reached. In conclusion, thesis will summarize all gained knowledge, which will lead to final assessment and it will establish the best options of solutions for HOPI.

Thesis (Ph.D.)--University of Arizona, 2006. / Includes bibliographical references.

Text in English with abstracts in English, Afrikaans and isiZulu. Translated titles in Afrikaans and isiZulu. / This study examines the symbiotic relationships between Hopi traditional arts, the use of art and narrative as mnemonic device, and embedded references to the Fourth World narrative that describes how the Hopi people climbed from a troubled Third World into the current spatio-temporal era, the Fourth World. (The original oral narrative was published by anthropologist Harold Courlander and anonymous consultants in 1971 as The Fourth World of the Hopis: The Epic Story of the Hopi Indians as Preserved in Their Legends and Traditions.) This study posits that the traditional arts of the Hopi and their forebears serve as visual and oral reiterations of the Fourth World narrative, including their emergence from an opening in the earth known as the sipaapuni. After promising to live a harsh but reverent life, the land’s guardian, Maasaw, made the arid southwestern North American land theirs. The Hopi people call these lands Hopi Tutskwa, the original home of the migrating “Ancestral Puebloan” predecessors. The Hopi consider objects, habitation sites, structures, and other sacred features to be these ancestors’ embodied “footprints.” This study describes how diverse Hopi arts are both Ancestral Puebloan “footprints,” and what archaeologists define as “exographic” objects or mnemonic forms of “symbolic storage.” The use of mnemonic objects within the Puebloan culture has been documented as early as 1630 by Fray Alonso de Benavides who noted the use of “knotted strings” as a form of recording “sins” (Morrow, 1996:42). As they relate to mnemonic technology, Hopi arts and lifeways expand the boundaries of Western art history studies to include elements of archaeology and anthropology. Within these interdisciplinary contexts, objects and imagery are not simply “art” in the Western sense, but embodiments of cultural belief and visual reiterations of oral narratives which preserve intrinsic cultural knowledge and belief. This study suggests that what has previously been categorised as Hopi “art” within Western academic contexts is instead an extension of the West’s tradition of ekphrasis, or simply “writing about art.” Therefore, Western academia inappropriately emphasises chronological form, style, and development within Hopi arts rather than the significant cognitive role art plays within the culture of the people. As traditional metaphors for or reiterations of the Fourth World narrative, this study shows how content embedded within Hopi arts is most appropriately studied through iconological and mytholinguistic analysis as they best serve the Hopi people’s non-Western oracy-based tradition. / Hierdie studie ondersoek die simbiotiese verhoudings tussen die Hopi se tradisionele kunsvorme; hulle gebruik van kuns en narratief as mnemoniese middele; en ingebedde verwysings na die Vierdewêreld-narratief wat vertel hoe die Hopi-nasie bo ’n veelbewoë Derde Wêreld kon uitstyg en die huidige tydruimtelike era, die Vierde Wêreld, kon betree. (Die oorspronklike orale narratief, The Fourth World of the Hopis: The Epic Story of the Hopi Indians as Preserved in Their Legends and Traditions, is in 1971 deur die antropoloog Harold Courlander en anonieme konsultante gepubliseer.) Hierdie studie voer aan dat die tradisionele kunste van die Hopi’s en hul voorvaders dien as visuele en orale reïterasies van die Vierdewêreld-narratief, insluitende hulle verskyning deur ’n opening in die aarde wat as die sipaapuni bekend staan.Nadat hulle beloof het om 'n moeilike dog eerbiedige lewe te leef, het die bewaker van die land, Maasaw, die woestynagtige suidweste van Noord-Amerika aan hulle gegee. Die Hopi-nasie het hierdie streek Hopi Tutskwa, die oorspronklike tuiste van die swerwende “Voorvaderlike Puebloaanse” voorgangers, genoem. Die Hopi beskou objekte, woonterreine, strukture en ander heilige elemente as vergestaltings van die voorvaders se “voetspore”.Volgens die studie is uiteenlopende Hopi-kunsvorme nie net Voorvaderlike Puebloaanse “voetspore” nie, maar ook die “eksografiese” objekte of mnemoniese vorme van “simboliese bewaring” wat deur argeoloë omskryf word. Die aanwending van mnemoniese objekte in die Puebloaanse kultuur is reeds in 1630 opgeteken deur Fray Alonso de Benavides. Hy het vermeld dat knope in toue gemaak is om van “sondes” boek te hou (Morrow, 1996:42). Die verband wat Hopi-kunsvorme en -lewenswyses met mnemonise tegnologie hou, verbreed die grense van Westerse kunsgeskiedenisstudie om ook elemente van argeologie en antropologie in te sluit. In hierdie interdissiplinêre kontekste is objekte en beelde nie net eenvoudig “kuns” in die Westerse sin van die woord nie; dit is ook ’n vergestalting van kulturele oortuigings en visuele reiterasies van orale narratiewe wat intrinsieke kulturele kennis en oortuigings bewaar. Hierdie studie voer aan dat dit wat voorheen in Westerse akademiese kontekste as Hopi-“kuns” gekategoriseer is, in werklikheid ’n verlenging is van die Westerse ekphrasis-tradisie, wat eenvoudig beteken “om oor kuns te skryf”. Westerse akademici plaas dus ’n onvanpaste klem op die chronologiese vorm, styl en ontwikkeling van Hopi-kuns in plaas daarvan om die kognitiewe rol wat kuns in die kultuur speel, te beklemtoon. Hierdie studie toon hoe die ingebedde inhoud van Hopi-kunsvorme, as tradisionele metafore vir en reiterasies van die Vierdewêreld-narratief, op die mees gepaste wyse bestudeer kan word deur ikonologiese en mitolinguistieke ontleding van die Hopi-nasie se nie-Westerse tradisie wat op geletterdheid van die gesproke woord (oracy) gebaseer is. / Lolu cwaningo luhlolisisa ubuhlobo bobudlelwane obukhona phakathi kobuciko bamasiko endabuko amaHopi, ukusetshenziswa kobuciko nokulandisa njengamadivaysi aphathelene nokukhumbuza kanye nezinkomba ezifakwe emlandweni Wesine Womhlaba ochaza ukuthi abantu bamaHopi bakhuphuka kanjani ezweni elabe liyinkinga ukufinyeleleni kulesikhathi sanamuhla soMhlaba Wesine. (Indaba yokuqala elandisayo exoxwayo yashicilelwa umuntu oyisazi seanthropholoji esaziwa ngokuthi nguHarold Courlander kanye nabaxhumanisi abangaziwa ngonyaka ka1971 njengengoMhlaba Wesine wamaHopi: Indaba Yokubonga Amaqhawe abantu abangaMandiya angamaHopi njengoba Kugcinwe kuyiZinganekwane Namasiko abo). Lolu cwaningo lubonisa ukuthi ubuciko bamasiko bamaHopi kanye nabokhokho babo babedlulisa imilayezo ngezinto eziphindaphindiwe ezibukwayo nezidluliswa ngomlomo ekulandiseni ngoMhlaba Wesine, kufaka phakathi ukuvela kwawo ekuvuleni emhlabeni owaziwa ngokuthi yisipaapuni. Ngemuva kokuthembisa ukuthi uzophila impilo enzima kodwa ehloniphekile, umgcini wezwe uMasaaw wenza umhlaba omelele eningizimu nasentshonalanga neNyakatho neMelika ukuthi ube ngowabo. AmaHopi abiza lemihlaba ngokuthi yiHopi Tutskwa, okuyikhaya langempela olwafuduka “koKhokho wePuebloan” owayekhona esikhundleni ngaphambilini. AmaHopi abheka izinto, izindawo zokuhlala, izakhiwo kanye nezinye izici ezingcwele ukuba zibe yilezo zinto ezifakwe "ezinyathelweni" zokhokho. Lolu cwaningo luchaza ubuciko obuhlukahlukene bamaHopi obusho “izinyathelo” Zokhokho bePuebloan kanye nalokho okuchazwa ngabantu abaphenya ngezinto zasendulo okuthiwa ama-akhiyoloji njengezinto "eziyi ekzografi " noma izinto iziphathelene nokukhumbula okuthile "okuwuphawu olugciniwe". Ukusetshenziswa kwezinto eziphathelene nokukhujulwayo osikweni lwamaPuebloan laqoshwa phansi kusukela eminyakeni ye-1630 nguFray Alonso de Benavides oye waqaphela ukusetshenziswa “kwezintambo eziboshiwe” njengento yokuqopha noma ukurekhoda “izono” (Morrow, 1996:42) Njengoba zihlobene nobuchwepheshe bezinto ezikhunjulwayo, ubuciko bamaHopi nokuphila kwabo kwandisa imingcele yezifundo zomlando yaseNtshonalanga okufaka phakathi izinto zama-akhiyoloji nama anthropholoji. Ngaphakathi komongo wezizinda ezahlukene, izinto nemifanekiso akuzona nje izinto ezilula “eziwubuciko” ngokomqondo waseNtshonalanga, kodwa ukukhombisa izinkolelo zamasiko kanye imilayezo ngezinto eziphindaphindiwe ezibukwayo nezidluliswa ngomlomo ezigcina ulwazi lwangaphakathi olujwayelekile lwamasiko nenkolelo. Lolu cwaningo lubonisa ukuthi yini eyabekwa yahlelwa nje "ngobuciko" bamaHopi ngaphakathi kwezimo zezemfundo zaseNtshonalanga kunalokho kwandiswa isiko laseNtshonalanga okuwu buciko bokukhuluma, noma “ukubhala ngosiko”. Ngakho-ke, izazi ngezemfundo zaseNtshonalanga zagcizelela okungalungile ngendlela yokulandelana, isitayela nentuthuko ngaphakathi kobuciko bamaHopi esikhundleni sendima ebalulekile yokuqonda edlalwa ubuciko osikweni lwabantu. Njengamazwibela wendabuko wokungathekisa noma ekulandiseni ngoMhlaba Wesine ngokuphindaphindiwe, lolu cwaningo lubonisa ukuthi okuqukethwe kufakwe kanjani ebucikweni bamaHopi okuyindlela efanelekile okufundwa ngayo kusetshenziswa ukuhlaziya ayikhonoloji kanye nesayensi ephathelene nolimi lwezinganekwane njengoba babechaza abantu abangamaHopi olwakhelwe osikweni lokuxoxwa ngomlomo okungelona lwaseNtshonalanga. / Art History, Visual Arts and Musicology / D. Litt. et Phil. (Art History)

This thesis evaluates one Hopi oral tradition-Tiyo, the boy from Tokonavi-as a meaningful geographic discourse that reveals a landscape extending from the American Southwest to Mesoamerica and beyond. Hopi's understanding of their past and the significance of the land have evolved within larger struggles between Western and Native American views of time, space, and history. Instead of a static cartographic rendering, the story of Tiyo presents the land as a dynamic entity differentiated through religious and social relations. Theories of place making and materiality help validate a space coterminous with Hopi history and religion, and support a multi-vocal approach to the land. This work has implications for anthropological scholarship, and for the process of decolonizing dominant understandings of Hopi culture. It is equally relevant for historic preservation, indigenous sovereignty, and land claims. Most importantly, this research can assist the Hopi people in communicating cultural knowledge to future generations.

Tonto National Monument was established by President Theodore Roosevelt on December 19, 1907 in order to protect and preserve the cliff structures and other archeological sites that were deemed places of “great ethnographic, scientific and educational interest” for future generations. The land that encompasses Tonto National Monument has been used by Native American peoples for at least 10,000 years. For the purpose of addressing their consultation responsibilities under the federal law and mandates, the National Park Service contracted with the Bureau of Applied Research in Anthropology (BARA) at the University of Arizona (UofA) to complete a Native American site interpretation study at Tonto National Monument. The purpose of this study is to bring forth Native American perspectives and understandings of the land and the resources. This study has helped to foster relationships between the Monument and the tribes. Close relationships with contemporary tribes hold the potential of learning more about the Monument’s cultural history and its continuing significance to Indian peoples. This increased awareness of contemporary Indian ties to the Monument, and to the surrounding region, will help the NPS design interpretative programs and manage resources in a culturally sensitive manner.

This report summarizes information on the prehistoric, historic, and ethnographic foundations for the cultural affiliation of burials and associated funerary objects from Casa Grande Ruins National Monument in Casa Grande, Arizona. This study was commissioned by the National Park Service’s Applied Ethnography Program in Washington, D.C., to identify American Indian tribes potentially affiliated with the human remains and associated funerary objects from Casa Grande Ruins National Monument. This study is one of the responses by the National Park Service to the requirements stipulated in the Native American Graves Protection and Repatriation Act of 1990. The report should provide sufficient criteria for determining potentially affiliated individuals and tribes to be contacted for future consultation. This research determined the following Native American ethnic groups are affiliated to the national monument: Akimel O'odham, Tohono O’Odham, Zuni, Hopi, and Maricopa.

Under Cooperative Agreement Number H8601010007, BARA contracted with the NPS to amend the document review with primary data from representatives of the tribes that were found to be historically and culturally affiliated with Sunset Crater Volcano, Walnut Canyon, and Wupatki National Monument. Additionally, this addendum to the affiliation study includes information about traditional uses of park resources as described by tribal representatives. This information is critical to park management and for compliance with various laws, regulations, executive orders, and policies so that park managers can better address tribal requests for continued access and use of park resources. The first purpose of this study is to amend the completed literature search with primary data collected with tribal representatives of the six ethnic groups. This data will provide contemporary validation of the literature search and contribute additional information related to tribal affiliation. The second purpose of this study is to provide primary data about past and present tribal uses of park resources. As a Traditional Use Study of park resources, this effort contributes information essential to park management as well as to compliance with a myriad of laws, regulations, executive orders, and NPS policies. The specific objectives of this study include identification of natural resources at each park that are used for traditional purposes, descriptions of the cultural importance of these resources, and, where possible, links between contemporary resource use and records of historic use.

No description available.

Droughts are a recurrent part of our climate, and are still considered to be one of the most complex and least understood of all natural hazards in terms of their impact on the environment. In recent years drought has become more common and more severe across the world. For more than a decade, the US southwest has faced extensive and persistent drought conditions that have impacted vegetation communities and local water resources. The focus of this work is achieving a better understanding of the impact of drought on the lands of the Hopi Tribe and Navajo Nation, situated in the Northeastern corner of Arizona. This research explores the application of remote sensing data and geospatial tools in two studies to monitor drought impacts on vegetation productivity. In both studies we used land surface phenometrics as the data tool. In a third related study, I have compared satellite-derived land surface phenology (LSP) to field observations of crop stages at the Maricopa Agricultural Center to achieve a better understanding of the temporal sensitivity of satellite derived phenology of vegetation and understand their accuracy as a tool for monitoring change. The first study explores long-term vegetation productivity responses to drought. The paper develops a framework for drought monitoring and assessment by integrating land cover, climate, and topographical data with LSP. The objective of the framework is to detect long-term vegetation changes and trends in the Normalized Difference Vegetation Index (NDVI) related productivity. The second study examines the major driving forces of vegetation dynamics in order to provide valuable spatial information related to inter-annual variability in vegetation productivity for mitigating drought impacts. The third study tests the accuracy of remote sensing-derived LSP by comparing them to the actual seasonal phases of crop growth. This provides a way to compare and validate the various LSP algorithms, and more crucially, helps to characterize the remote sensing-based metrics that contrast with the actual biological phenophases of the crops. These studies demonstrate how remote sensing data and simple statistical tools can be used to assess drought effects on vegetation productivity and to inform about land conditions, as well as to better understand the accuracy of satellite derived LSP.