中文摘要 育成中心扮演孵育新創事業企業的功能，其成立宗旨不僅希望協助新事業創業成功，更希望透過這樣的中介組織將學研機構的研究能量轉移至新創事業，促進技術創新與技術商品化，鼓勵擁有技術的研發人員勇敢出來創業。 本研究將技術新創事業的過程分成期初階段（進駐初期）與期末階段（進駐一年以上且已開發出prototype）。從其間的各項創業條件能力的增加與重要性來探討育成中心對技術創業的加值。採用個案深度訪談的方式來蒐集主要資料。訪談六家進駐廠商與二個育成中心經理人，共八個個案。依據創業團隊類型（獨立創業型、母公司支援型）為主軸進行個案分析，主要研究發現與結論有： 1. 由母公司結合外來技術轉投資之新創事業通常有較佳的團隊成員結構與事業網路 2. 不同創業團隊類型技術新創事業創業期初共同待加值創業條件為研發人才需求、儀器設備、政府研發經費補助、產學研合作管道 3. 獨立創業型新創事業期初個別待加值創業條件為公司形象、財務管理、行政庶務/法規 4. 不同創業團隊類型之期末(市場發展階段)新創事業共同待加值創業條件包括組織管理、財務支援、行銷能力、建立第二代產品與技術 5. 整體新創事業創業條件加值幅度以"技術"和"創業團隊"較顯著；獨立創業型創業條件加值幅度在"行銷"與"財務"明顯高於母公司支援型 6. 育成中心能提供直接協助的項目較屬於「共享服務」，對「廠商專屬知識服務」則透過其事業網路提供間接協助。 7. 廠商與育成中心對「共享服務」良好效果的認知一致。 8. 「廠商專屬知識服務」服務效果的認知，在人才招募、財務支援、建立第二代產品和技術三項較分岐。儀器設備(工研院)、組織管理、行銷規畫服務效果的認知則一致較低。 表 目 錄 8 圖目錄 10 第一章 緒 論 11 第一節 研究目的與動機 11 第二節 研究問題 13 第二章 文獻回顧 14 第一節 高科技產業環境特性與企業生命週期 14 第二節 創業條件 17 第三節 技術創業的核心要件--技術 30 第四節 技術育成中心功能探討 40 第五節 國內一般創業與技術創業文獻整理與比較 48 第三章 研究方法 53 第一節 研究假設 53 第二節 觀念性架構 54 第三節 研究變數 56 第三節 研究設計 57 第四節 研究限制 61 第四章 個案整理 63 第一節 工研院創業育成中心 63 第二節 A公司 70 第三節 B公司 78 第四節 C公司 87 第五節 D公司 96 第六節 台大慶齡創業育成中心 106 第七節 E公司 111 第八節 F公司 122 第五章 個案比較分析 132 第一節 進駐動機 132 第二節 創業團隊背景與技術來源 135 第三節 創業團隊 138 第四節 財務/行政管理 142 第五節 行銷 145 第六節 技術 147 第七節 製造 151 第八節 創業能力的增長 154 第九節 育成中心服務效果認知 158 第六章 研究發現 160 第七章 結論與建議 174 第一節 結論 174 第二節 實務意涵與建議 177 第三節 後續研究建議 181 參考文獻 183 英文部分 183 中文部分 185 附 錄 187 附錄1: 理想創業12構面狀態圖 187 附錄2 : MIAN育成中心實証研究 188 附錄3 : NBIA育成中心實証研究 190 附錄4: 母公司支援型加值分析 193 附錄5: 獨立創業型加值分析 201 / Abstract Incubator becomes more and more popular and is emphasized in innovation policy in most of the countries. To Nurture New Technological Business Firms (NTBFs), incubators need to provide various services to help the NTBFs to grow up fast and successfully. Incubators in Taiwan weren't created until ITRI first established in Aug. 1996. Most local researches remained on the description of value and operation of incubators. Not much researchs have been persued based on the local experiences. In this study we interview tenants in ITRI and National Taiwan University Chin-Lin incubators and incubator's directors. We try to identify the actual value added that are contributed to the NTBFs from initial stage to final stage. The main conclusions are: 1. NTBFs with parent company supporting, have more balance team and better bussiness networking compared to individual entrepreneur. 2. The needs of NTBFs in different types of entrepreneour team(with or without parant company support) are different in product development stage. 3. The needs of NTBFs market development stage are mainly on management, finance, marketing, next generation product or technology. 4. Incubator's supporting are more directly in company image built up, government R&D subsudy, equipment, R&D cooperation and indirectly in management, finance supporting channel, marketing, next generation product & technology development. 5. Common to all NTBFs , the most significant value added by NTBFs themselves and incubator are technology and team building. 6. Individual entrepreneur, compared to parant company suppot type, have significant capability improvement (by NTBF themselves and incubator ) on marketing and finance. 7. The NTBFs in incubators have the same perception of service effect with incubator managers on "shared services". They have different perception on some of "firm specfic services".

The thesis is a radical reconstruction and completion of a unique brownfield for cultural purposes, incubator of creativity, business and housing. The building is a former penitentiary near the city center between streets Bratislavská, Soudní and Cejl. It is a historical building which is currently unused. The complex for starting young entrepreneurs in a field of culture is supposed to serve as a center for a general public of art, particularly for the areas of so called industry of creativity such as architects, designers, painters, sculptors and also musicians, designers and developers of computer games. The building is historically valuable, especially due to the original vaults in the old part of the building which remain preserverd as much as possible. Only a part of a west wing has been demolished in order to construct a new expressive form as a shape of crystal which attracts the public from the Cejl street as it could be easily overlooked otherwise. The crystal has become a dominant part of the building and servers as a main entrance. A newer, less valuable part of the complex from the Bratislavská street, has been razed so there could be an underground parking and new extensions built serving the commercial and administrative purposes. The extenstions are the two operationally and structurally separated buildings allowing opening the entire area. A coridor which these two extensions create in between expands in a direction towards the legacy parts of the complex, thus the passers-by from a general public are pulled into the creative center through an attractive front-place. The original layou of each wing is retained what influenced their functional use decently. There are studios and workshops for artists located in the existing two floors along with multi-purpose hall, design market and theater hall with a trial rooms. There are additional studios, school of art with drawing and reading rooms and commercial areas situated in the extended floors.

The submission of this thesis was preceded by a specialised studio „Brněnské nábřeží a kulturní čtvrť Ponava“. This work focused on a complex urban architectural solution to the area around the former “Jaselská kasárna”, the urban context, transport services, the field configuration etc. The thesis follows this project in a section defined by streets U Červeného mlýna, Staňkova and Střední. The goal of the thesis lies in the creation of an intensive goal – a cultural area, which will offer a high-quality space for intergenerational communication and new social experiences and activities. It newly connects the urban part Ponava with the town center of Brno by a high-quality axis for pedestrian and cycling transport. The project of this cultural area arose after a thorough analysis of surrounding, intercity and global relations as a combination of aims: for children – the elementary art school with graphic and dancing fields, for seniors – leisure time center, and for all together - a multifunctional concert hall and a revitalized area of the former industrial zone of furniture production to a multipurpose intergenerational area with a modern art gallery, offices for young businessmen, architects and artists, and a music club in the basement of the gallery.