Many archaeologists have been intrigued by how often symbolic houses of varying forms are used on the burialgrounds of the Scandinavian Bronze Age. Some scholars even claim that to deal with the dead did not mean to set them apart from the world of the living during this period. Since several examples show that there seem to be an active connection between the ship-setting and different types of symbolic houses, this study seek to demonstrate and interpret how the ideology behind these symbols vary between three regionally different Swedish areas: Halland, Småland and Gotland. The purpose is to show that the way chosen to shape the symbols materially not only had fundamental impact on the organization of the burialground itself, but also on how the surrounding world came to comprenhend and use them. This study suggests that even though the special shapes of the graves and the gravefield itself can carry meaning, the materialization of the monuments can be interpreted as incorporated in a practice of remembrance in where the individual shaping of the grave most probably formed part of a greater story.

The significance of Yesemek Stone Quarry and Sculptural Workshop in Gaziantep Islahiye province is rooted in its basalt quarry and stone sculptures found at the site. Yesemek was first discovered by Felix Von Luschan in 1890 while he was excavating Zincirli (Sam&rsquo / al). Between 1958 and 1961, the site was excavated by a team under the leadership of Prof. Dr. Bahadir Alkim. The excavations at the site yielded approximately three hundred finished or unfinished lion, sphinx and mountain god sculptures. While the exact function of these sculptures are still not known, the thesis will explore the function of these sculptures by examining the architectural structures where the sculptures could have been used as architectural decoration. Another issue that will be discussed in the thesis is the date of Yesemek workshop and sculptures. To that end, Yesemek sculptures will be stylistically compared to Late Bronze and Iron Age sculptures.

<p>Many archaeologists have been intrigued by how often symbolic houses of varying forms are used on the burialgrounds of the Scandinavian Bronze Age. Some scholars even claim that to deal with the dead did not mean to set them apart from the world of the living during this period. Since several examples show that there seem to be an active connection between the ship-setting and different types of symbolic houses, this study seek to demonstrate and interpret how the ideology behind these symbols vary between three regionally different Swedish areas: Halland, Småland and Gotland. The purpose is to show that the way chosen to shape the symbols materially not only had fundamental impact on the organization of the burialground itself, but also on how the surrounding world came to comprenhend and use them. This study suggests that even though the special shapes of the graves and the gravefield itself can carry meaning, the materialization of the monuments can be interpreted as incorporated in a practice of remembrance in where the individual shaping of the grave most probably formed part of a greater story.</p>

Depuis la découverte dans les années 1970 des premiers vestiges du IIème millénaire av. J.-C., cette période est considérée comme une phase d’effondrement des cultures préhistoriques de la péninsule omanaise. Appelés « période Wadi Suq » les trois premiers quarts du IIème millénaire av. J.-C. sont encore bien souvent perçus comme une période de Dark Ages faisant suite à la disparition de la culture Umm an-Nar du IIIème millénaire av. J.-C. Cette période se caractériserait par une diminution de la population, un abandon des sites et le retour à un mode de vie nomade. Pourtant les fouilles menées depuis une trentaine d’années, aussi bien dans les oasis du nord que le long du littoral au sud-est de la péninsule, ont livré les témoignages d’une culture plus complexe et sans doute moins hétéroclite qu’on ne l’envisage habituellement. Ces nouvelles données nous invitent à nuancer l’hypothèse d’un profond bouleversement entre les IIIème et IIème millénaires, de sorte qu’il est aujourd’hui nécessaire d’opérer une synthèse des connaissances sur la période afin de proposer de nouvelles approches des changements à la fois économiques, politiques et sociaux, survenus au cours du Bronze moyen et récent. / Since the discovery in the 1970s of the first remains of the second millennium BC, this period has been considered a collapse phase of the prehistoric cultures of the Oman peninsula. Called “Wadi Suq period” the first three quarts of the second millennium BC are still often seen as a period of Dark Ages following the disappearance of the Umm an-Nar culture of the 3rd millenium BC. This period has been characterized by a decline in the population, the sites abandonment and a return to a nomadic lifestyle. Yet, excavations conducte dover the last thirty years, both in the oases of the north and along the southeast coast of the peninsula, have yielded evidence of a more complex culture and probably less heterogeneous than it is usually envisaged. These new data invite us to reine the hypothesis of a major upheaval between the 3rd and the 2nd millennia BC, so it is now necessary to make a synthesis of current knowledge about the period in order to propose new approaches to economic, political and social changes that occurred during the Middle and Late Bronze Age.

The subject of the thesis is the description, analysis and interpretation of rock art. The first, theoretic, part is dedicated to the research strategy, documentation, dating, conservation and presentation of rock art. It also analyses the relation between rock art and landscape, since differences in how different cultures perceived the landscape led rock art creators to different perception of the environment and to different forms of creative expression. The first part of the dissertation presents approaches rock art and methods of its interpretation from the landscape, historic, sociologic, ritual, artistic and aesthetic perspective. The second part of the dissertation discusses African rock art in the Oukaïmeden Valley, set in the central part of the High Atlas in Morocco. The dissertation focuses on particular archaeologic sites, art techniques applied, distinguishing features and other specificities of the local rock art. Special attention is paid to the motifs, development changes and dating of rock art in the Oukaïmeden Valley. Rock art first appeared there in the Late Neolithic and was further developed in the Bronze Age and continued until the Libyan-Berber period. The dissertation also presents interpretation of rock art motifs including analysis of their function and meaning of their positioning...

Denna uppsats syftar till att studera platser med kontinuitet genom slutet av den sena bronsåldern på Peloponnesos för att undersöka vilka faktorer som bidrar till kontinuitet genom en period som traditionellt definieras av dess förstörelse och sociala oro. Undersökningen utgår från platser med kontinuitet genom SH IIIB–SH IIIC på Peloponnesos publicerade i Mycenaean Atlas Project, och studerar dessa platser genom en kvantitativt jämförande analys. Studien använder resiliensteori, och undersöker vilka karaktärsdrag hos platserna som möjliggjorde resiliens och kontinuitet genom SH IIIB–SH IIIC. Materialet ställs i relation till huvudsakligen två förklaringsmodeller rörande samhällsnedgången under slutet av sen bronsålder: det torrare klimatet, och social oro. I det sociala perspektivet visar resultatet att en försvarbarhet och isolering från palatsens kontaktnät var fördelaktigt för kontinuitet genom perioden. Ur det klimatologiska perspektivet kan ingen tydlig koppling etableras mellan platsernas karaktärsdrag och deras möjlighet till kontinuitet. / This essay aims to study places with continuity through the end of the Late Bronze Age in the Peloponnese to examine what factors contribute to continuity through a period traditionally defined by its destruction and social unrest. Source material for the essay is confined to places with continuity through LH IIIB–LH IIIC in the Peloponnese published through the Mycenaean Atlas Project, and the places are studied through a quantitative and comparative analysis. The study uses resilience theory and examines what place traits made continuity and resilience through LH IIIB–LH IIIC possible. The source material is put in relation to two explanatory models regarding the societal decline during the end of the Late Bronze Age: the drier climate, and social unrest. In the social perspective, the results indicate that defendable places and isolation from the palace networks are favourable aspects for continuity through the period. No clear link between place traits and continuity can be established in the climatological perspective.

Denna kandidatuppsats täcker användningen, deponeringen och handeln av Hallstattsvärd i Sverige under den yngre bronsåldern. Mycket har sagts om fynden, spridning och användning av svärden som hittats inom Hallstattkulturens geografiska gränser men jämförelsevis har lite skrivits om den rika samlingen av Hallstattsvärd som hittats i Sydskandinavien. Denna avhandling syftar till att diskutera kontexten kring dessa fynd genom rumslig och jämförande analys tillsammans med tolkningar av tidigare forskning för att ta reda på hur dessa främmande föremål kan ha använts utanför deras ursprungsområde. Resultaten drar slutsatsen att de svenska Hallstattsvärden har deponerats i de traditioner som rådde i Skandinavien under YBÅ, många av dessa visar även spår av lokal produktion. Svärdens eggskador tyder även på att de kan ha använts annorlunda från den tolkade användningen som kavallerivapen inom Hallstatt. Svärden har tolkats ur ett postprocessuellt perspektiv som levande föremål vars förstörelse och deponering efterliknar den mänskliga användarens död och begravning. / This bachelor’s thesis covers the usage, deposition and trade of hallstatt swords in Sweden during the late bronze age. While much has been said about the findings of hallstatt swords within the geographical boundaries of the Hallstatt culture comparably little has been written about the rich collection of the same swords found in southern Scandinavia. This thesis aims to discuss the context of these findings through spatial and comparative analysis together with the interpretations of previous archaeologists to figure out how these foreign objects may have been used outside of their area of origin. The findings conclude that the Swedish hallstatt swords have been deposited in the traditions prevalent in Scandinavia at the time and many of them show signs of local production. The blade damage prevalent on some swords suggest a different usage from the perceived cavalry weapons observed in Hallstatt. The swords have been interpreted from a post processual perspective as living objects whos destruction and deposit mimics that of the death and burial of the human user.

No / Resin found within Canaanite amphorae from the Late Bronze Age shipwreck discovered off the coast of southwest Turkey at Uluburun has previously been identified as Pistacia sp. Although evidence from Egypt suggests that this resin was in high demand and typically transported in such amphorae, it has also been proposed that the amphorae contained wine, with the resin used to seal the interior surfaces and to flavour and/or preserve the wine. To attempt to resolve this question, we have analysed five samples of pistacia resin found in amphorae from the shipwreck using a range of analytical techniques which have used in the past for the analysis of wine residues: spot tests, FT-IR, and HPLC-MS-MS. As well as the archaeological samples, we have analysed modern samples of pistacia resin, leaves and fruit to determine the effectiveness of each technique and to exclude the possibility of false positive results. In addition to the analyses for wine we also detail analysis (GC-MS) of the terpenoids for the purpose of further molecular characterisation of the resin. Bulk stable isotope analysis was used in comparison with similar resins to attempt to identify the geographical origin of the resin.

Yes / Transport and storage vessels in Red Lustrous Wheelmade ware (RLWm ware) were traded across a large area of the eastern Mediterranean for approximately 300 years (c. 1500–1200 BCE) during the Late Bronze Age (c.1600–1000 BCE). The extreme consistency of the ceramic, in form, fabric, chemistry and mineralogy, points to a single production source for the ware, which, although no kiln sites have been identified, is generally accepted to have been on Cyprus. The aim of this study was to determine whether organic residues were present in this very fine, dense ware, and to characterise the contents of RLWm ware vessels from different sites, contexts and periods, and of different forms, to improve our understanding of the trade in this ceramic type. To that end, 101 RLWm ware sherds, together with three visible residues, were examined from sites in Turkey, Cyprus, Egypt and Syria. Residues were identified in more than half of the samples, indicating that organic material is absorbed into and preserved in this very fine fabric. Four commodities were identified: fat (probably plant oil), which in four residues was identified further as castor oil; beeswax; bitumen; and Pinaceae spp. resin. The commodities were found alone or, occasionally, one of the latter three was combined with the fat or oil. Fatty material was the only commodity present at all sites and its wide distribution may indicate that generally the vessels were used for a mixture or mixtures based on plant oils, in some cases containing castor oil. It was impossible to determine whether the beeswax, bitumen and resin formed part of this mixture or represented post-firing treatments of the ceramic to make it less porous. The identification of more than one type of residue indicates that RLWm ware vessels did not always contain the same commodity. No significant correlation could be detected between the vessel forms, and the dating of many of the sherds was not precise enough to reveal any variation through time. The type of residue present did vary depending on the geographical location of its final use. Beeswax was, with two exceptions, only present in samples from Turkey, while bitumen was found exclusively in samples from Cypriot sites. The occurrence of at least one example of every commodity in the samples from Cyprus is consistent with the theory that this ware was manufactured on Cyprus, and indicates that the vessels could also have been filled and exported from there. The variation in content of the vessels found in different geographical areas could highlight a special trading relationship between the Hittite heartland in Turkey and the Cypriot potters who produced the ware, and a possible trade in bitumen as a raw material between the north Syrian coastal area of Ugarit and Cyprus. / This research was funded by an AHRC PhD studentship (number 110786), awarded to V. Steele.

År 1929 grävde den Svenska Cypernexpeditionen ut en helgedom daterad till den tidiga delen av Sencypriotisk II (1400-1340/1315), namngiven Ayios Iakovos: Dhima. Kring ett terrakotta-kar återfann arkeologerna flera värdefulla och exotiska föremål.  Sedan dess har platsen och dess fynd tolkats på många olika sätt, utan någon egentlig klarhet. Genom att göra en systematisk studie över det hittills opublicerade skärvmaterialet har nya slutsatser om platsen kunnat läggas fram. Tidigare tolkningar om ett kronologiskt gap under Sencypriotisk I kan nu ifrågasättas. Det finns belägg för ett kontinuerligt bruk från Mellancypriotisk III fram tills platsen övergavs under Sencypriotisk II. Den stora mängden slutna kärl, förknippade med transport av väldoftande oljor och salvor, vittnar om de aktiviteter som en gång företogs på platsen. Dessutom visar närvaron av typiska rituella dryckeskärl ett av de tidigaste exemplen på utvecklingen av Cypriotisk rituell tradition, nu separerad från de tidigare starka banden till gravriter.