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61	Estudios sobre las partículas en el griego de época imperial. Páez Martínez, Martín 31 May 2013 (has links) nuestra Tesis Doctoral estudia el uso de las partículas en el griego de época imperial. En el capítulo introductorio se analizan los distintos problemas que estas formas no flexivas plantean, su definición y su categorización como clase de palabras, y las distintas perspectivas que han planteado las corrientes lingüísticas para su estudio. Frente a una koiné en la que desde época helenística se observa un progresivo descenso del uso de partículas de énfasis, la eliminación de sinónimos y su especialización funcional, en época imperial cambia la tendencia, dada la importancia que adquiere el aticismo como voluntad general de imitar el griego clásico de los autores del canon. Especial atención concedemos a Luciano de Samosata, figura clave de la Segunda Sofística, y a los Santos Padres (ss. I-IV d.C.), en cuyos textos se aprecian técnicas de la retórica clásica con marcas y rasgos aticistas. / The aim of our Ph.D. dissertation is to study the use of particles in the Imperial Age Greek. An introductory chapter contains the problematic issues relating to the study of these non-inflectional words, definition and categorization as a class of words, according to the approach of different disciplines and linguistic trends. Koiné greek shows a progressive elimination of two synonym particles, functional specialization and decrease in the use of focus particles; on the other hand, Atticism and Second Sophistic turn the tendency over because of the classical authors imitation. Special attention is focused on Lucian, a key figure of the Second Sophistic, and Early Christian Fathers as well (ss. I-IV AD), as their texts exhibit atticist and classical rhetoric features. Lingüística Griega Partículas Griegas Sintaxis Koiné Aticismo Luciano de Samosata Segunda Sofística Patrología Griega Época Imperial Greek Linguistics Greek Particles Syntax Atticism Lucian of Samosata Second Sophistic Greek Patrology The Imperial Age Filologia Clásica 8 80 81
62	A survey of contemporary flute solo literature with analyses of representative compositions Mellott, George K., January 1964 (has links) Thesis (Ph. D.)--State University of Iowa, 1964. / Includes bibliographical references (leaves 373-380).
63	Supplemental Studies for Mastering Extended Techniques in Three Late Twentieth-Century Works for Solo Trombone: Luciano Berio's Sequenza V, Folke Rabe's Basta and Mark Phillips' T. Rex, Together with Three Recitals of Selected Works by Wagenseil, Grøndahl, Gotkovsky, and Others Scott, Deb 05 1900 (has links) Many, if not most, student trombonists have perhaps had little or no previous experience with "extended techniques"-novel or unconventional modes of sound production. To address this deficiency of experience, this document sets forth a progressive sequence of descriptive explanations and supplementary studies, which are specifically designed to assist trombonists in mastering the particular extended techniques that will prepare them to perform three of the most popular late Twentieth-Century pieces for trombone that include extended techniques-Luciano Berio's Sequenza V, Folke Rabe's Basta, and Mark Phillips' T.Rex. Following the introductory chapter, the body of the document consists of three chapters, each of which deals with one of the three solos, presenting descriptive explanations of relevant extended techniques interspersed with performance commentary (solicited from prominent trombonists) and supplementary studies (composed by the author). The studies presented in each chapter are specifically geared toward mastering the extended techniques as they relate to the music of each particular solo. They are also especially focused toward learning the more difficult passages of music in each solo. Trombone music -- History and criticism. Trombone -- Multiphonics. Rabe, Folke, 1935- Basta. Phillips, Mark, 1952- T. Rex. avant-garde extended techniques trombone twentieth century supplemental studies
64	Dago Red De Monte, James B. 20 April 2009 (has links) No description available. Cultural Anthropology Families and Family Life Religion Italy Italian Americans Coal Mines Coalmines Appalachia Nursing Home Ohio Tyrol Hunting Louis Dominick Catholic Fiction Short Story Sicily Dogs Luciano Domenici Cave In Explosion Shovel Dialect Language
65	Italské inspirace středoevropské architektury / Italian inspiration of middle european architecture Brabcová, Anna January 2015 (has links) At the end of the 15th century in Bohemia penetrates the Renaissance style, which appeared in 1493 at the Prague Castle in the form of windows of the Vladislav Hall in the Old Royal Palace. Their appearance is historically and stylistically linked to the Buda Castle, where Vladislaus II. Jagiello relocated in 1490. Here he met the prime marble carvings of the court of Matthias Corvinus, for which worked Italian masters. Patterns of fragments of windows founded in Buda can find at the Palazzo Ducale of Federico da Montefeltro in Urbino, because Hungary was due Queen Beatrice of Aragon from Naples in live contact with Italy.
66	Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance Johnston, Emma Anne January 2014 (has links) This thesis explores the notion of ‘experimental voice’ in avant-garde performance, in the way it transgresses conventional forms of vocal expression as a means of both extending and enhancing the expressive capabilities of the voice, and reframing the social and political contexts in which these voices are heard. I examine these avant-garde voices in relation to three different liminal contexts in which the voice plays a central role: in ritual vocal expressions, such as Greek lament and Māori karanga, where the voice forms a bridge between the living and the dead; in electroacoustic music and film, where the voice is dissociated from its source body and can be heard to resound somewhere between human and machine; and from a psychoanalytic perspective, where the voice may bring to consciousness the repressed fears and desires of the unconscious. The liminal phase of ritual performance is a time of inherent possibility, where the usual social structures are inverted or subverted, but the liminal is ultimately temporary and conservative. Victor Turner suggests the concept of the ‘liminoid’ as a more transgressive alternative to the liminal, allowing for permanent and lasting social change. It may be in the liminoid realm of avant-garde performance that voices can be reimagined inside the frame of performance, as a means of exploring new forms of expression in life. This thesis comes out of my own experience as a performer and is informed both by theoretical discourse and practical experimentation in the theatre. Exploring the voice as a liminal, transgressive force requires analysis from an experiential perspective. Theatre Performance Avant-garde Experimental voice Liminality Liminoid Ritual Psychoanalysis Cyborg Electroacoustic Acousmatic Uncanny Greek lament Lullaby hereafter Artaud Alfred Wolfsohn Diamanda Galas Patty Waters Cathy Berberian Luciano Berio Visage Jenseits Werner Fritsch Peter Falkenberg Free Theatre Christchurch Bjork Laurie Anderson
67	The Development of Luciano Berio's Sequenza IX and Its Implications for Performance Practice Heaney, Joshua 11 August 2023 (has links) No description available. Music Luciano Berio Sequenza IX Sequenza IXb Chemins "ex" V Saxophone Alto Saxophone Solo Saxophone Unaccompanied Clarinet Electronics Chronology Development Origins Genesis Performance History Performance Iwan Roth John Harle Claude Delangle Authenticity Manuscript Errata Discrepancies Program Notes Dedication Attribution

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