Située au croisement de plusieurs disciplines – anthropologie, sociologie, histoire de l’art, études féministes et sur le genre – cette thèse s’intéresse aux oeuvres, aux pratiques, aux parcours et aux discours des femmes artistes māori néo-zélandaises s’inscrivant dans le champ de l’art contemporain et vivant en milieu urbain. Ces artistes sont à l’origine de revendications politiques et d’affirmations identitaires singulières du fait de leurs multiples appartenances : leurs productions recèlent des références simultanées à leurs histoires individuelles, à leur statut de membres d’une minorité autochtone et d’une tribu, à leur condition de femmes et de citoyennes au sein de la nation néo-zélandaise. L’analyse des données obtenues après avoir mené une enquête de terrain d’un an en Nouvelle-Zélande en 2012-2013, des recherches complémentaires sur Internet et des échanges avec les artistes au retour du terrain permet de montrer comment ces dernières s’inscrivent dans le mouvement actuel d’affirmation māori. En effet, suite à la colonisation britannique du XIXe siècle, les Māori luttent toujours pour affirmer leurs droits. Dans ce contexte, l’art est utilisé par certaines femmes comme un puissant moyen de contestation et de promotion d’un changement social visant à la reconnaissance du mana wahine (pouvoir, prestige féminin). Ce travail révèle également que la pratique artistique leur offre l’opportunité de réaffirmer les liens les unissant au monde māori tout en leur permettant d’accéder à une certaine autonomisation et émancipation. Elles développent des stratégies originales pour affirmer leur créativité sans transgresser des règles toujours importantes pour les Māori.

The aim of this thesis is to analyse the transformation of the concepts of religion and history between historians of religion Rafael Karsten, Nathan Söderblom, and Geo Widengren. Through the lens of Michel Foucault’s discourse analysis, as interpreted by Gilles Deleuze, Widengrens critique of the Karsten and Söderblom reveals an epistemological rupture between an evolutionist and a phenomenological discourse of religion. Karsten and Söderblom understand religion as following a linear path of development through fixed stages; Widengren instead study it as a transhistorical phenomenon. In line with historian François Hartog’s concept of regimes of historicity, I locate this epistemological rupture within a larger shift from a futurist to a presentist understanding of history. In futurism history is understood as oriented towards a future goal, while in presentism history is part of a broad present and of constant actuality.

Située au croisement de plusieurs disciplines – anthropologie, sociologie, histoire de l’art,études féministes et sur le genre – cette thèse s’intéresse aux oeuvres, aux pratiques, aux parcours et aux discours des femmes artistes maori néo-zélandaises s’inscrivant dans le champ de l’art contemporain et vivant en milieu urbain. Ces artistes sont à l’origine de revendications politiques et d’affirmations identitaires singulières du fait de leurs multiples appartenances : leurs productions recèlent des références simultanées à leurs histoires individuelles, à leur statut de membres d’une minorité autochtone et d’une tribu, à leur condition de femmes et de citoyennes au sein de la nation néo-zélandaise.L’analyse des données obtenues après avoir mené une enquête de terrain d’un an en Nouvelle-Zélande en 2012-2013, des recherches complémentaires sur Internet et des échanges avec les artistes au retour du terrain permet de montrer comment ces dernières s’inscrivent dans le mouvement actuel d’affirmation maori. En effet, suite à la colonisation britannique du XIX e siècle, les Maori luttent toujours pour affirmer leurs droits. Dans ce contexte, l’art est utilisé par certaines femmes comme un puissant moyen de contestation et de promotion d’un changement social visant à la reconnaissance du mana wahine (pouvoir, prestige féminin). Ce travail révèle également que la pratique artistique leur offre l’opportunité de réaffirmer les liens les unissant au monde maori tout en leur permettant d’accéder à une certaine autonomisation et émancipation. Elles développent des stratégies originales pour affirmer leur créativité sans transgresser des règles toujours importantes pour les Maori. / At the intersection of several disciplines – anthropology, sociology, art history, and feminist and gender studies, this thesis deals with the works, practices, careers and discourses of New Zealand Maori women artists active in the field of contemporary art and living in an urban environment. Due to their many forms of belonging, these artists are behind specific political demands and identity affirmations: their work contains simultaneous references to the individual histories, their status as members of an indigenous minority and a tribe, and their condition as women and citizens of the New Zealand nation. The analysis of the data obtained after a fieldwork investigation in New Zealand carried out over a year from 2012 to 2013, of complementary research on the Internet and exchanges with artists when back from the field makes it possible to show how these artists are part of today's Maori assertion movement. For since British colonization in the 19th century, the Maori have continued to assert their rights. In this context, some women use art as a powerful means of protest and of promoting social change aimed at the recognition of mana wahine (women's power or prestige). This work also reveals that their artistic practice affords them the opportunity to reassert the ties linking them to the Maori world while at the same time enabling them to attain a certain empowerment and emancipation. They develop original strategies for asserting their creativity without transgressing the rules which remain important for the Maori people.

This thesis considers the prevalence and spatial distribution of Salmonella serovars amongst wild endemic lizards on offshore islands around the coast of New Zealand. The mean test prevalence of faecal excretion of Salmonella was 4.7%. Skinks (Scincidae) were more likely (8.5%) to be carriers of Salmonella than geckos (1.6%). Each island was host to between one and three Salmonella serovars that were not found on any other islands in this study. Two exceptions were Salmonella Bousso and Salmonella Mana which were found on two islands within the same geographical area. Based on the findings of this study, different islands are likely to be hosts to different Salmonella serovars which could have implications for future translocations of native lizards. I also assessed the prevalence and spatial distribution of faecal excretion of Salmonella, Aeromonas and Hafnia alvei within Mana Island. The prevalence of Salmonella on Mana Island was estimated at 5.8%. Salmonella was found predominantly in skinks (10.0%) and less often in geckos (4.1%). H. alvei was found at a prevalence of 1.9%. No Aeromonas species were cultured from any of the cloacal swabs, suggesting that the 95% confidence interval for the true prevalence is 0-3%. Each site sampled in this study was host to one or more unique serovar of Salmonella not found at any of the other sites. The results of this study indicate that Salmonella serovars may become established within populations of lizards and is not spread between them. This may be due to a lack of dispersal of lizards between sites, raising important considerations for the translocation of native lizards. I investigated the prevalence of faecal excretion of Salmonella, H. alvei and Aeromonas by New Zealand native lizards from two captive populations. The mean prevalence of faecal excretion of Salmonella in the captive lizards sampled was 11.5%. There was a higher prevalence of Salmonella within captive population A (22.0%) than in population B (3.6%). No Aeromonas was cultured from any of the lizards. H. alvei was found at a prevalence of 5.2%. The prevalence of Salmonella and H. alvei was significantly higher in captive lizards than in wild populations. Captive lizards may, therefore, not be appropriate founders for new populations of wild lizards. Finally I assessed the different efficiencies of two media and two temperatures in isolating six Salmonella serovars from a reptilian source. All serovars grew equally well at 37°C and 27°C. For most serovars XLD agar was the more successful media than MacConkey agar but the success of different culture media depended on the serovar being cultured. Because lizards are frequently host to a wide range of Salmonella serovars, screening samples using multiple microbiological methods is likely to give the best chance of isolating all Salmonella serovars present.

Thesis (Ph. D.)--University of Canterbury, 2008. / Typescript (photocopy). Includes bibliographical references (leaves 189-204). Also available via the World Wide Web.

Thesis (M.A.)--Victoria University of Wellington, 2006. / Includes bibliographical references.

Diploma thesis is focus on marketing strategy of Heaven Labs, producer of powder food MANA. It covers analysis of powder food industry and proposes marketing approach for increasing awareness and increasing sales. Thesis contains theoretical part, current situation analysis and proposal.

Approved for public release; distribution is unlimited / The US Department of Defense is currently pursuing the most comprehensive transformation of its forces since the early years of WWII. This transformation is a holistic approach to update both the equipment that the forces will fight its conflicts with and the way in which they will fight. This transformation relies heavily on fully networked air, ground and space based platforms. While many experts agree that in the course of the next 10 years communications equipment will emerge to support the networking of these systems, there remains much uncertainty on how operations will be effected if the technology does not mature enough to meet expectations. This research shows that even a 25 percent degradation in communications range could pose significant challenges for this Future Force. Additionally, even small delays (latencies greater than one minute) and constraints on network throughput can increase the Future Force casualties and the duration of battle. While the end result in all analysis shows that the Future Force is a superior element with the same battle end state-victory, the cost of that victory depends significantly on effective communications. / Captain, United States Army

Approved for public release, distribution is unlimited / Recent insurgent tactics during Operation Iraqi Freedom (OIF) have demonstrated that coalition logistical convoys are vulnerable targets. This thesis examines the tactics, techniques and procedures (TTPs) used in convoy operations in an attempt to identify the critical factors that lead to mission success. A ground convoy operation scenario is created in the agentbased model (ABM) Map Aware Non-uniform Automata (MANA). The scenario models a generic logistical convoy consisting of security vehicles, logistical vehicles, an unmanned aerial vehicle (UAV) and an enemy ambushing force. The convoy travels along a main supply route (MSR) where it is ambushed by a small insurgent force. We use military experience, judgment and exploratory simulation runs to identify 11 critical factors within the created scenario. The data farming process and Latin Hypercube (LHC) experimental design technique are used to thoroughly examine the 11 factors. Using the 11 factors 516 design points are created and data farmed over to produce 25,800 observations. Additive multiple linear regression is used to fit a model to the 25,800 observations. From the created scenario it is concluded that: convoy mission success may be determined by only a few factors; the actions of logistical vehicles are more critical than those of security vehicles; UAVs provide a statistically significant advantage; and ABMs coupled with LHCs and data farming are valuable tools for understanding complex problems. / Captain, United States Marine Corps

O trabalho apresenta discussões sobre a Contabilidade e sua relação com as atividades que interferem no meio ambiente, enfocando a sustentabilidade em decorrência da extração de matéria-prima nas florestas da Amazônia paraense por cerca de 1.210 empresas madeireiras instaladas no estado, cuja produção anual de madeira processada tem atingido patamares acima de 4 milhões de m3. O trabalho destaca, ainda, a importância da Contabilidade no acompanhamento da evolução patrimonial das entidades do setor considerando que no panorama atual, as particularidades ambientais têm sido objeto de variadas discussões, possibilitando um espaço para a vertente Contabilidade Ambiental segregar os dados e gerar informações compatíveis com as necessidades dos usuários sem perder de vista as variáveis: empresa, meio ambiente, sustentabilidade e sociedade. Por fim, o trabalho destaca o desempenho dos mercados que vêm absorvendo bem a produção e exigindo mais o selo de garantia da origem dos produtos, representando um novo desafio para a manutenção das empresas que operam com recursos florestais. / O trabalho apresenta discussões sobre a Contabilidade e sua relação com as atividades que interferem no meio ambiente, enfocando a sustentabilidade em decorrência da extração de matéria-prima nas florestas da Amazônia paraense por cerca de 1.210 empresas madeireiras instaladas no estado, cuja produção anual de madeira processada tem atingido patamares acima de 4 milhões de m3. O trabalho destaca, ainda, a importância da Contabilidade no acompanhamento da evolução patrimonial das entidades do setor considerando que no panorama atual, as particularidades ambientais têm sido objeto de variadas discussões, possibilitando um espaço para a vertente Contabilidade Ambiental segregar os dados e gerar informações compatíveis com as necessidades dos usuários sem perder de vista as variáveis: empresa, meio ambiente, sustentabilidade e sociedade. Por fim, o trabalho destaca o desempenho dos mercados que vêm absorvendo bem a produção e exigindo mais o selo de garantia da origem dos produtos, representando um novo desafio para a manutenção das empresas que operam com recursos florestais.