My dissertation focuses on a set of Anglo-American novels that deal with the events of 9/11. Identifying thematic and stylistic differences in the fiction on this topic, I distinguish between novels that represent directly the jolts of trauma in the wake of the attacks, and novels that, while still holding the events as an underlying operative force in the narrative, do not openly represent them but envision their long-term aftermath. The first group of novels comprises Lynne Sharon Schwartz’s The Writing on the Wall (2005), Don DeLillo’s Falling Man (2007) and Jonathan Safran Foer’s Extremely Loud and Incredibly Close (2005). The second one includes Lorrie Moore’s A Gate at the Stairs (2009), John Updike’s Terrorist (2006) and Joseph O’Neill’s Netherland (2008). Drawing on concepts from trauma theory, particularly by Cathy Caruth and Dominick LaCapra, and combining them with the ethical philosophies of Levinas and Heidegger, I argue that the constructions of 9/11 in Anglo-American fiction are essentially twofold: authors who narrate 9/11 as a tragic human loss in the city of New York turn it into an occasion for an ethical dialogue with the reader and potentially with the “Other,” whereas authors who address 9/11 as a recent sociopolitical event transform it into a goad toward a bitter cultural indictment of the US middle-class, whose ingrained inertia, patriotism and self-righteousness have been either magnified or twisted by the attacks. Considering processes of meaning-making, annihilation, ideological reduction and apathy that arose from 9/11 and its versions, I have identified what could be called, adapting Peter Elbow’s expression from pedagogical studies, the “forked” rhetoric of media and politics, a rhetorical mode in which both discourses are essentially closed, non-hermeneutic, and rooted in the same rationale: exploiting 9/11 for consensus. On the contrary, in what I call the New-Yorkization of 9/11, I highlighted how the situatedness of the public discourses that New Yorkers constructed to tell their own tragedy rescues the Ur-Phaenomenon of 9/11 from the epistemological commodification that intellectual, mediatic and political interpretations forced on it. Furthermore, pointing to the speciousness of arguments that deem 9/11 literature sentimental and unimaginative, I claim that the traumatic literature on the attacks constitutes an example of ethical practice, since it originates from witnesses of the catastrophe, it represents communal solidarity, and it places a crucial demand on the reader as an empathic listener and ethical agent. Ethical counternarratives oppose the ideological simplification of the 9/11 attacks and develop instead a complex counter-rhetoric of emotions and inclusiveness that we could read as a particular instantiation of an ethics of the self and “Other.” As much as the 9/11 “ethical” novels suggest that “survivability” in times of trauma depends on “relationality” (J. Butler), the “cultural” ones unveil the insensitivity and superficiality of the actual US society far away from the site of trauma. The binary framework I use implies that, outside of New York City, 9/11 is narrated neither traumatically (in terms of literary form), nor as trauma (in terms of textual fact). Consequently, on the basis of a spatial criterion and in parallel to the ethical novels, I have identified a category of “cultural” fiction that tackles the events of 9/11 at a distance, spatially and conceptually. In essence, 9/11 brings neither shock, nor promise of regeneration to these peripheral settings, except for Joseph O’Neill’s Netherland, a story in which we are returned to a post-9/11 New York where different ethnic subjects can re-negotiate creatively their identities. The cultural novels are ultimately pervaded by a mode of tragic irony that is unthinkable for the ethical novels and that is used in these texts to convey the inanity and hubris of a politically uneducated and naïve America – one that has difficulties to point Afghanistan on a map, or to transcend dualistic schemes of value that embody precisely Bush’s Manichaeism. The potential for cultural pluralism, solidarity and historical memory set up by the New York stories does not ramify into the America that is far away from the neuralgic epicenter of historical trauma. This proves that the traumatizing effects and the related ethical calls engendered by 9/11 remain confined to the New York literature on the topic.

Thesis (Ph. D.)--Columbia University. / Vita.

No description available.

Thesis (PhD)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: Augustine of Hippo remains one of the most prominent and influential figures in the world of Catholicism, famous for his many writings and sermons on Catholic Christianity as well as his ardent defence of it. His debate with Fortunatus, a member of the Manichaean faith presented Augustine with one of his defining moments as a member of the Catholic clergy. This is because Augustine had only been a presbyter in the Church at Hippo for a few months when this debate took place and therefore had much at stake against his wily opponent. To make matters even more complicated for Augustine, he himself had been a Manichee for at least nine years and knew Fortunatus as a skilled debater. But rhetoric, or the art of persuasion, was a field in which Augustine excelled, having both a natural proclivity for speaking as well as the formal education behind it. Chapter one begins with an introduction to the debate, the primary characters, and the religions involved. Chapter two continues with an exposition of Augustine and his association with Manichaeism and then goes on to describe Augustine‟s anti-Manichaean works. From this point, chapter two continues with a section on Manichaeism, its spread, its myth and its practice. From this contextual basis, chapter three deals with the methodology of Critical Discourse Analysis and the three most important characters in the form of Halliday, Fairclough and van Dijk. This chapter is followed by another chapter on theory: Argumentation Theory. Chapter four includes subsections on van Eemeren and his methodologies of Pragma-Dialectics and Strategic Maneuvering. The analysis chapters of this dissertation begin with chapter five which deals with concepts from Critical Discourse Analysis and Argumentation Theory. This chapter includes subsections on categories of enquiry, followed by a section on a number of recurring devices, namely: answering questions, changing the topic and quoting scripture. A Critical Discourse Analysis section follows with subsections that include difference, evaluation and knowledge as a common ground component of contexts. This in turn is followed by sections on Argumentation Theory and Strategic Maneuvering, which include subsections on economy, efficacy and coherence; realism and wellfoundedness; logical reasoning process and pragmatic inferences; reasonableness versus effectiveness; the rhetorical perspective; discussion strategies; dialectical aims versus rhetorical aims and deceptive manoeuvring. The final analysis chapter, the Contra Fortunatum in context, includes subsections on the opening of the debate, the structure of the debate and the topics of discussion. Within this last section subsections on the Nebridian conundrum, the origin of evil, and free will occur. The next subsection dicusses topics not mentioned in the debate: the Manichaean myth, Mani and the previous friendship between Fortunatus and Augustine. Following this there are sections on Manichaeism presenting itself as a form of Christianity, the debaters talking past each other and the issues of audience composition and power relations between the various role players. Chapter seven takes a concluding look at the issue of who should be designated the winner of the debate. / AFRIKAANSE OPSOMMING: Augustinus van Hippo bly een van die mees prominente en invloedryke figure in die wêreld van die Katolisisme, bekend vir sy vele skrywes en preke oor die Katolieke Christendom sowel as sy ywerige verdediging daarvan. Sy debat met Fortunatus, ʼn lid van die Manichese geloof, het aan Augustinus een van die bepalende oomblikke in sy rol as Katolieke geestelike besorg. Die rede hiervoor is dat Augustinus ten tyde van die debat nog net ʼn paar maande ʼn presbiter in die kerk in Hippo was; daarom was daar baie op die spel in die debat teen hierdie gedugte opponent. Om dinge selfs nog meer ingewikkeld vir Augustinus te maak, was hy self vir ten minste nege jaar 'n Manicheër en was hy bekend met Fortunatus se retoriese vermoëns. Retoriek, of die kuns van oorreding, was egter 'n veld waarin Augustinus uitgeblink het. Hy het beide ʼn natuurlike aanvoeling vir redevoering sowel as ʼn formele opleiding gehad. Hoofstuk een van die proefskrif begin met ʼn inleiding tot die debat, die hoofkarakters en die gelowe wat betrokke is. Hoofstuk twee gaan voort met ʼn uiteensetting van Augustinus en sy assosiasie met die Manichese geloof en beskryf ook Augustinus se anti-Manichese werke. Van hier af gaan hoofstuk twee dan verder met 'n afdeling oor die Manichese geloof, die mitologie en lewenswyse, sowel as die verspreiding van die Manicheïsme. Met hierdie kontekstuele agtergrond as basis handel hoofstuk drie oor die metodologie van Kritiese Diskoersanalise en die drie belangrikste eksponente van hierdie teoretiese rigting, Halliday, Fairclough en Van Dijk. Hierdie hoofstuk word gevolg deur nog ʼn teoretiese hoofstuk wat handel oor Argumentasieteorie. Hoofstuk vier sluit onderafdelings in oor Van Eemeren en sy metodologieë van Pragma-Dialektiek en Strategiese Maneuvers. Die ontledingshoofstukke van hierdie proefskrif begin by hoofstuk vyf wat handel oor Kritiese Diskoersanalise en Argumentasieteorie. Hierdie hoofstuk sluit onderafdelings in oor kategorieë van ondersoek, opgevolg deur ʼn gedeelte oor 'n aantal herhalende tegnieke: die beantwoording van vrae, die verandering van die onderwerp en skrifaanhalings. ʼn Volgende afdeling oor Kritiese Diskoersanalise volg daarop met onderafdelings wat verskil, evaluasie en kennis as ʼn gemeenskaplike komponent op die terrein van konteks insluit. Hierop volg 'n afdeling oor Strategiese Maneuvers. Laasgenoemde sluit onderafdelings in oor ekonomie, doeltreffendheid en koherensie; realisme en gegrondheid; logiese denkprosesse en pragmatiese gevolgtrekkings; redelikheid versus effektiwiteit; die retoriese perspektief; besprekingstrategieë; dialektiese doelwitte versus retoriese doelwitte en maneuvers van misleiding. Die finale ontledingshoofstuk, getiteld die Contra Fortunatum in konteks, sluit onderafdelings in oor die openingsreëls van die debat, die struktuur van die debat en tematiek daarvan. In die laaste afdelings word die kwessies van die Nebridiese vraagstuk, die oorsprong van boosheid en die vrye wil ingesluit. Die volgende onderafdeling bevat onderwerpe wat nie in die debat behandel word nie: die Manichese mite, Mani en die vroeëre vriendskap tussen Fortunatus en Augustinus. Daarop volg die afdelings oor die Manichese strategie om hierdie godsdiens as Christelike godsdiens voor te stel, die deelnemers se taktiek om verby mekaar te praat asook oor die samestelling van die gehoor en kwessie van die magsverhoudinge tussen die onderskeie rolspelers. Die laaste hoofstuk sluit samevattend af met 'n kort bespreking van die kwessie van wie as die wenner van die debat beskou moet word.

Si de nombreuses études occidentales portent sur le cinéma chinois contemporain, les écrits occidentaux consacrés aux films de la première moitié du 20t: siècle sont presque inexistants. Cette recherche propose une réflexion sur un champ d'étude méconnue en France qu'est le mélodrame cinématographique chinois durant la période républicaine (1911-1949). Elle envisage une réévaluation sur les films souvent qualifiés de « réalistes» et de « révolutionnaires ». Les œuvres mélodramatiques chinoises possèdent de multiples facettes: son style stéréotypé (la victime, le traître, le misérabilisme et le manichéisme), sa nature hybride (influence occidentale et héritage chinois), et ses messages contradictoires (conservateurs pour certains, révolutionnaires pour d'autres). En dépit de son caractère propagandiste, le mélodrame apparaît comme étant l'un des genres les plus appréciés par le peuple chinois et les intellectuels. / Many western film scholars have strong interest to the Chinese contemporary movie, but, rarely they devotes to the films of the first half of the 20s century. This study proposes a reflection on a field of study that is the Chinese film melodrama during the Republican period (1911-1949), a field of study which is utterly neglected in France. It envisages a revaluation on the movies often called "realist" and "revolutionary". Chinese melodramatic films possess multiple faces: its stereotyped style (the victim, the traitor, the miserabilism and the Manichaeism), its hybrid nature (Chinese heritage and western influences), and contradictory messages (conservative for some people, revolutionaries for others). Despite its propagandistic character, melodrama is considered as one of the most popular gender by both the Chinese people and intellectuals.

Nous voyons apparaître, ces dernières années, ce que l'on nomme « les nouvelles spiritualités » : phénomène de société pour les uns ; danger alarmant pour les autres. Toutefois il n'est pas aisé de se faire un avis objectif sur la question, dans la mesure où chacun pense détenir une part de vérité qu’il s’obstine à défendre contre celle de l'autre. Il faudrait pourtant s’éléver au-dessus de toutes ces passions, dépasser le simple cadre de ces confrontations pour voir jaillir une vérité plus universelle.Ce sujet de recherche est une histoire ; une histoire qui commence avec « le baptême dans la Correspondance de Cyprien de Carthage » et qui s’est poursuivi avec « la querelle sur le baptême et les divisions de l’Église chrétienne africaine de Cyprien de Carthage à Augustin ». Il s’agit d’une histoire ascentionelle qui prend source dans la question du rebaptême si cher à Cyprien à la suite des lapsi, qui enchaîne avec la remise en cause de l’idée du rebaptême, pour déboucher sur la préoccupation de la paix dans l’unité avec Augustin. C’est la question centrale du «combat contre l’hérésie chez Augustin [dans] la campagne anti-manichéenne et anti-donatiste».Dans le cadre de ces recherches, j’ai surtout voulu aborder, par l’étude des documents essentiels des oeuvres d’Augustin d’Hippone [plus précisément l’ample « dossier » anti-manichéen et encore le plus ample « dossier » anti-donatiste], la façon dont l’histoire des communautés chrétiennes, à une certaine époque de l’antiquité, a été impactée dans son évolution sociale et idéologique par la pluralité des pensées qui se sont développées en son sein.Le choix du sujet imposait une nouvelle approche à l’étude et exploitation des sources afin de mieux appréhender les stratégies de combat développées par Augustin dans son offensive contre l’hérésie en Afrique et à l’époque théodosienne. Ainsi, dans ce travail de recherche j’ai eu à coeur de souligner l'information originale qui découle des oeuvres anti-manichéennes et anti-donatistes d'Augustin, en particulier sur les effets de la fonction préventive des pénalités, la terreur des lois et l’action des évêques pour découvrir les hérétiques. J’ai en outre eu à coeur de souligner que, dans le cas des manichéens, Augustin a toujours agi avec la rigueur et la méfiance d’une personne convertie, bien qu'il n’ait pas pu éviter l'empreinte du manichéisme dans certains de ses concepts. Quant au donatisme, j’ai mené mes investigations dans le cadre conceptuel du conflit religieux et des tensions ecclésiologiques.Ce travail est d’une certaine originalité. Une originalité davantage développer et perceptible dans la troisième partie grâce notamment à l'étude comparative de l'intervention d'Augustin avec les deux formes de dissidence. / We see appear, these last years, what we is called « the new spiritualities » : social phenomenon for some; danger alarming for the others. However it is not easy to make an objective opinion on the question, as far as each think hold a part of the truth which persists in defending against that of the other one. It would be necessary nevertheless to go over all these passions, to exceed the simple framework of these confrontations to see springing the truth more universal.This research topic is a history ; a story which begins with « the baptism in the Correspondence of Cyprian of Carthage » and that continued with « the quarrel on the baptism and the divisions of the african christian church from Cyprian of Carthage to Augustine ». It is about a climb story which takes its source in the question of the second baptism so expensive to Cyprian following lapsi, which continues with the questioning of the idea of the second baptisme, to lead to the concern about the peace in the unity with Augustine. It is the central question of « Augustine’s fight against the heresy [in] the anti-manichean campaign and anti-donatist ».In the framework of these researches, I especially wanted to approach, by the study of the essential documents of the works of Augustin of Hippo [more exactly the ample anti-manichean « file » and still the most ample « file » anti-donatiste], the way the history of the christian communities, in a certain period of the antiquity, was impacted in its social and ideological evolution by the plurality of the thoughts which developed within it.The choice of the subject required a new approach on the study and the exploitation of sources in order to better apprehend the strategies of fight developed by Augustine in its offensive against the heresy in Africa and in the period theodosian. So, in this research work I was eager to underline the original information which ensues from anti-manichean works and anti-donatist of Augustine, in particular on the effects of the preventive function of the penalties, the terror of the laws and the action of the bishops to discover the heretics. I was besides eager to underline that, in the case of the manicheans, Augustine always acted with the rigor and the distrust of a converted person, although he was not able to avoid the imprint of the manichaeism in some of his concepts. As for the donatism, I led my investigations in the conceptual framework of the religious conflict and the ecclesiological tensions.This work is of a certain originality. An originality futrther develop and perceptible in the third part in particular to the comparative study of the intervention of Augustine with both forms of dissident.

The intention of this study is to investigate the role St. Augustine has contributed as a North African Church Historian. In order to archive the intention of this study one of the most significant works that Augustine wrote the City of God is going to be used as a literature review. The City of God is originally written to defend the church against charges of being responsible for the destruction of the city of Rome in 410 CE; the City of God has come to stand as a monument to theological reflection on the history of God’s creation. Though not primarily a historian, Augustine has made a significant contribution to the study of Christian history. He raises scripture to become the source of the meaning of history and defines the only true history as sacred history. This study considers Augustine’s critique of the Church catholic, the meaning of history, the origins of the City of God, Augustine’s views on the philosophy and theology history and the prophetic nature of biblical history. The first part of the study will trace the early life struggle of Augustine in his quest for knowledge and the truth. He learnt rhetoric studies; he examined the Holy Scriptures and found them unworthy. Then he was a follower of the Manicheans, but he was disillusioned when he met their sophistical leader Faustus. Finally, bishop Ambrose of Milan in his allegorical interpretation and explanation of scripture and the influence of Christian Neoplatonism helped Augustine to find an approach to the Bible and to overcome his difficulties with his childhood religion. Ambrose led him to the verge of conversion. Augustine’s impact on Reformation is considered. He is a father of the Church who has exerted an unparalleled influence on more than the thousand years that separated him from the birth of Protestant churches, but that long period is not an empty space because his historical work was influential throughout this period. In a movement to renew and reform the Church the various Reformers of the sixteenth century like Martin Luther and John Calvin studied Augustine in order to challenge abuses within the Catholic Church. The influence and the legacy that Augustine had on other people is discussed as the final conclusion of the study. The ideas, which he phrased with great skill, were to be accepted by almost all the leading thinkers of Europe until after the Enlightenment in the eighteenth century. Augustine had made much of being the Catholic bishop of Hippo. / Dissertation (MTh (Church History))--University of Pretoria, 2008. / Church History and Church Policy / unrestricted

The intention of this study is to investigate the role St. Augustine has contributed as a North African Church Historian. In order to archive the intention of this study one of the most significant works that Augustine wrote the City of God is going to be used as a literature review. The City of God is originally written to defend the church against charges of being responsible for the destruction of the city of Rome in 410 CE; the City of God has come to stand as a monument to theological reflection on the history of God’s creation. Though not primarily a historian, Augustine has made a significant contribution to the study of Christian history. He raises scripture to become the source of the meaning of history and defines the only true history as sacred history. This study considers Augustine’s critique of the Church catholic, the meaning of history, the origins of the City of God, Augustine’s views on the philosophy and theology history and the prophetic nature of biblical history. The first part of the study will trace the early life struggle of Augustine in his quest for knowledge and the truth. He learnt rhetoric studies; he examined the Holy Scriptures and found them unworthy. Then he was a follower of the Manicheans, but he was disillusioned when he met their sophistical leader Faustus. Finally, bishop Ambrose of Milan in his allegorical interpretation and explanation of scripture and the influence of Christian Neoplatonism helped Augustine to find an approach to the Bible and to overcome his difficulties with his childhood religion. Ambrose led him to the verge of conversion. Augustine’s impact on Reformation is considered. He is a father of the Church who has exerted an unparalleled influence on more than the thousand years that separated him from the birth of Protestant churches, but that long period is not an empty space because his historical work was influential throughout this period. In a movement to renew and reform the Church the various Reformers of the sixteenth century like Martin Luther and John Calvin studied Augustine in order to challenge abuses within the Catholic Church. The influence and the legacy that Augustine had on other people is discussed as the final conclusion of the study. The ideas, which he phrased with great skill, were to be accepted by almost all the leading thinkers of Europe until after the Enlightenment in the eighteenth century. Augustine had made much of being the Catholic bishop of Hippo. / Dissertation (MTh)--University of Pretoria, 2007. / Church History and Church Policy / MTh / Unrestricted

Thesis (DLitt)--Stellenbosch University, 2003. / ENGLISH ABSTRACT: In this dissertation I attempt to open up new perspectives on the literary qualities and the unity of Augustine's Confessions by reading the work in the light of the context within which it first functioned. Part 1, Prolegomena, consists of a survey of secondary literature (in chapter 1) that focuses on research on the literary characteristics of the work, followed by a theoretical exploration of the two aspects that constitute the focus of this study, the genre and the audience of the Confessions. Chapter 2.1 examines how the literary practices and generic conventions of late Antiquity should inform our reading of the work. This is achieved through a discussion of the implications of genre analysis in general (2.1.1), followed by an examination of the conventions of the ancient protreptic genre (2.1.2), a look at the parallels between the Confessions and three of its literary antecedents and between the Confessions and Augustine's Contra Academicos (2.1.3), and an evaluation of the perspectives offered on the unity of the work by this procedure (2.1.4). Chapter 2.2 starts with a discussion of the concept of intended audience (2.2.1) and proceeds to provide the background needed to follow the arguments on the specific segment of Augustine's audience that I consider here, the Manicheans (2.2.2). Part 2 of the dissertation consists of the analyses of selected passages but attempts at the same time to give an accurate account of how genre and intended audience are embodied in the text as a whole. In chapter 3 I show that Augustine's meditation on Ps 4 in the central section of the Confessions (9.4.8-11) is a protreptic that targets a Manichean audience (3.1) through Augustine's identification with this audience (3.2) and the prevalent use of Manichean terminology and categories (3.3). In chapter 4 I analyse in a more systematic way the expression of protreptic purpose through various devices throughout the Confessions: foreshadowing in the opening paragraph (4.1), the use of a shifting persona (4.2), allusion to Matt 7:7 (4.3), and the theme of the protreptic power of reading and listening (4.5). I evaluate how pervasive the expression of protreptic intent is (4.4) and end with an examination of the protreptic-paraenetic purpose of the first section of the allegorical exposition of the creation story in book 13 (4.6). Chapter 5 examines the degree to which the Manicheans are targeted by the text as a whole as an important segment of its intended audience. I examine the use of the theme of friendship to evoke Augustine's erstwhile Manichean friendships and the history of failed communication with this group (5.1), the role Augustine intends curiositas to play in coaxing the Manicheans into reading yet another attempt to convert them (5.2), and once again how pervasive the concerns with a Manichean audience is (5.3). I conclude this chapter, like the previous one, with an analysis of the last section of the allegory in book 13, where I discern towards the end an intensification of indications that Augustine is preoccupied with his Manichean audience (5.4). / AFRIKAANSE OPSOMMING: Hierdie proefskrif probeer om nuwe perspektief te bied op die literêre eienskappe en die eenheid van Augustinus se Confessiones deur die werk te lees in die lig van die konteks waarbinne dit aanvanklik gefunksioneer het. Deel 1, Prolegomena, is In oorsig oor die sekondêre literatuur (in hoofstuk 1) wat fokus op studies van die literêre tegnieke in die werk, gevolg deur In teoretiese verkenning van die twee aspekte wat die fokuspunt van die studie vorm, naamlik die genre en die gehoor van die Confessiones. Hoofstuk 2 ondersoek hoe literêre praktyke en genre-verwante konvensies van die laat Antieke die lees van die werk behoort te beïnvloed. Dit word gedoen aan die hand van In bespreking van die implikasies van genre-analise in die algemeen (2.1.1), gevolg deur In oorsig oor die konvensies van die antieke protreptiese genre (2.1.2), In bespreking van die paraIIele tussen die Confessiones en drie literêre voorlopers daarvan asook tussen die Confessiones en Augustinus se Contra Academicos (2.1.3) en In evaluering van die perspektiewe wat hierdie werkwyse bied op die eenheid van die werk (2.1.4). Hoofstuk 2.2 behels In bespreking van die konsep teikengehoor (2.2.1), gevolg deur In opsomming van die agtergrondinligting wat nodig is om die argumente oor die spesifieke segment van Augustinus se gehoor wat hier oorweeg word (die Manicheërs), te volg (2.2.2). Deel 2 van die proefskrif bestaan uit die analises van geselekteerde passasies maar probeer terselfdertyd om In getroue weergawe te bied van hoe genre en gehoor in die teks as geheel beliggaam word. Hoofstuk 3 toon dat Augustinus se oordenking van Ps 4 in die sentrale gedeelte van die Confessiones (9.4.8-11) In protreptiese werk gerig op In Manichese gehoor is (3.1). Augustinus vereenslewig hom met sy teikengehoor (3.2) en gebruik deurgaans Manichese terminologie en kategorieë (3.3). Hoofstuk 4 ondersoek hoe die protreptiese doelwit in die Confessiones uitgedruk word deur die gebruik van verskeie tegnieke: voorafskaduing in die aanvangsparagraaf (4.1), die gebruik van In verskuiwende persona (4.2), verwysing na Matt 7:7 (4.3) en die tema van die protreptiese uitwerking van lees en luister (4.5). Ek evalueer hoe verteenwoordigend ten opsigte van die geheel die uitdrukking van die protreptiese doelwit is (4.4) en sluit met In analise van die protrepties-paranetiese funksie van die eerste deel van die allegoriese interpretasie van die skeppingsverhaal in boek 13 (4.6). Hoofstuk 5 ondersoek die mate waarin die teks as geheel die Manicheërs as die teikengehoor van die werk aandui. Dit toon hoe Augustinus die tema van vriendskap gebruik om sy vroeëre Manichese vriendskappe op te roep en verwys na die geskiedenis van onsuksesvolle kommunikasie met hierdie groep (5.1); dit toon hoe curiositas 'n rol speel om die Manicheërs oor te haalom nog 'n poging om hulle te bekeer te lees (5.2) asook hoe verteenwoordigend ten opsigte van die geheel die bemoeienis met 'n Manichese gehoor is (5.3). Die hoofstuk sluit af, soos die vorige een, met 'n analise (nou van die tweede deel) van die allegorie in boek 13, met klem op die sterker wordende aanduidings dat Augustinus hier 'n Manichese gehoor in die oog het (5.4).

This dissertation investigates how two fifth-century bishops of Rome, Leo I (440-461) and Gelasius (492-496) understood and opposed heresy. More specifically, by stressing the contested character of heresy and the at times optative nature of the bishop of Rome’s opposition to it, this dissertation hopes to provide a new perspective on how Leo and Gelasius imagined and justified the authority of the Apostolic See in an uncertain world. To accomplish this task, this dissertation considers Leo and Gelasius’ opposition to various different heresies and details the methods by which they were opposed. This will be done through an examination of the records of synods, Roman law, other contemporary narrative sources, but especially through the letters and tractates of Leo and Gelasius themselves, carefully read and considered in their fifth-century context. Furthermore, it is argued that the history of the development of the ideas of heresy and orthodoxy were profoundly connected with Rome’s emerging importance as a locus of authentic Christian teachings; the history of the bishops of Rome cannot be told without examining the history of heresy and orthodoxy and vice versa. Because orthodoxy and heresy were not tangible historical phenomena but rather were malleable categories that emerged as part of a wider discourse of Christian identity construction, the bishops of Rome were not in every case the unqualified enemies of heresy. Instead, their definition of heterodox belief and their opposition to religious deviance were complex, often qualified and always historically contingent. This study seeks to investigate the way in which Leo and Gelasius mobilized the language of heresiology in order to convince Christians in the Latin west and the Greek east, as well as the imperial authorities, that Rome’s interpretations were legitimate and binding.