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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Mashup-Werkzeuge zur Ad-hoc-Datenintegration im Web

Aumüller, David, Thor, Andreas 05 November 2018 (has links)
No description available.
2

Information visualisation and data analysis using web mash-up systems

Khan, Wajid January 2014 (has links)
The arrival of E-commerce systems have contributed greatly to the economy and have played a vital role in collecting a huge amount of transactional data. It is becoming difficult day by day to analyse business and consumer behaviour with the production of such a colossal volume of data. Enterprise 2.0 has the ability to store and create an enormous amount of transactional data; the purpose for which data was collected could quite easily be disassociated as the essential information goes unnoticed in large and complex data sets. The information overflow is a major contributor to the dilemma. In the current environment, where hardware systems have the ability to store such large volumes of data and the software systems have the capability of substantial data production, data exploration problems are on the rise. The problem is not with the production or storage of data but with the effectiveness of the systems and techniques where essential information could be retrieved from complex data sets in a comprehensive and logical approach as the data questions are asked. Using the existing information retrieval systems and visualisation tools, the more specific questions are asked, the more definitive and unambiguous are the visualised results that could be attained, but when it comes to complex and large data sets there are no elementary or simple questions. Therefore a profound information visualisation model and system is required to analyse complex data sets through data analysis and information visualisation, to make it possible for the decision makers to identify the expected and discover the unexpected. In order to address complex data problems, a comprehensive and robust visualisation model and system is introduced. The visualisation model consists of four major layers, (i) acquisition and data analysis, (ii) data representation, (iii) user and computer interaction and (iv) results repositories. There are major contributions in all four layers but particularly in data acquisition and data representation. Multiple attribute and dimensional data visualisation techniques are identified in Enterprise 2.0 and Web 2.0 environment. Transactional tagging and linked data are unearthed which is a novel contribution in information visualisation. The visualisation model and system is first realised as a tangible software system, which is then validated through different and large types of data sets in three experiments. The first experiment is based on the large Royal Mail postcode data set. The second experiment is based on a large transactional data set in an enterprise environment while the same data set is processed in a non-enterprise environment. The system interaction facilitated through new mashup techniques enables users to interact more fluently with data and the representation layer. The results are exported into various reusable formats and retrieved for further comparison and analysis purposes. The information visualisation model introduced in this research is a compact process for any size and type of data set which is a major contribution in information visualisation and data analysis. Advanced data representation techniques are employed using various web mashup technologies. New visualisation techniques have emerged from the research such as transactional tagging visualisation and linked data visualisation. The information visualisation model and system is extremely useful in addressing complex data problems with strategies that are easy to interact with and integrate.
3

Mash it up! Make the Physical Store Great Again : an explorative study on store attractiveness

Dahlberg, Rasmus, Ouda, Sam January 2019 (has links)
Because of the digitalization that takes place today, the retailing field has changed dramatically. Customers buy online, mainly because of its convenience. Consequently, brick-and-mortar stores are facing competition from online companies leading to that some brick-and-mortar stores have to file for bankruptcy. The literature states that brick-and-mortar stores now have to focus on what happens inside the store in order to generate a pleasant experience. In this context, three different concepts are crucial namely, omni-channels, retail customer experience and customer value.  A concept that has emerged in order to provide a superior customer experience is Mash-up, which focuses on a mix of offerings in one store. The research question focuses on examining how Mash-up influences retail customer experience and customer value in order to see how Mash-up combined with omni-channels can influence store attractiveness. Data was gathered through semi-structured interviews from customers who visited the retail stores O:Hedd and AB Småland. The results show that Mash-up tends to influence retail customer experience and customer value positively. A series of various integrated activities tend to not only have a positive impact on the retail customer experience, but it also tends to satisfy both hedonic and utilitarian value. It also emerged that omni-channels, in terms of click-and-collect, are highly valued by the customers and it indicates that the digitalization has to be taken into consideration. Thus, Mash-up combined with omni-channels will influence store attractiveness positively. Thereby, by adopting Mash-up and considering omni-channels, brick-and-mortar stores will still stand a chance against online companies.
4

Retóricas audiovisuais (o filme Tropa de Elite na cultura em rede) / Retóricas audiovisuais (o filme Tropa de Elite na cultura em rede)

Szafir, Milena 22 October 2010 (has links)
Esta dissertação analisa o filme Tropa de Elite como fio condutor de uma discussão sobre sua repercussão reverberação em algumas mídias tradicionais e, principalmente, em rede online. O objetivo principal desta pesquisa é demonstrar escrita e audiovisualmente uma análise além-fílmica proposta, como base de um possível sistema metodológico metalinguístico, onde os códigos culturais ao serem pesquisados, decupados e então reapropriados formam uma representação interpretativa em que notações e registros, bases dos valores significativos, são reorganizados a partir das relações de elementos internos e externos à obra percebendo-os, portanto, como elementos em rede. Percebemos desta maneira que a prática da pesquisa acadêmica, de uma forma muito sintetizada, pode ser conceitualizada a partir de uma prática comum ao audiovisual: o remix. Pesquisamos autores, periódicos, imagens, dados offline e online, os analisamos remixando-os e atribuindo-lhes um novo valor, tese. E assim, nos interrogamos se as Retóricas Audiovisuais em rede implicam a um consumo entre o espetáculo e a vigilância ou ao discurso de verdade implícito numa estética de realidade? A partir de uma perspectiva crítica, percebe-se claramente um enfrentamento com o banco de dados em rede, onde o anseio por uma possível metodologia de criação organizativa desta prática de remix audiovisual online para fins acadêmicos, apresenta-se uma ferramenta-projeto YouToRemix-YouTubeMix (Apêndice I/IV) que foi sendo desenhada conjuntamente a esta pesquisa de mestrado para futuro desenvolvimento. Para tanto, é aqui entregue no final deste texto de dissertação um anexo e quatro apêndices, pertinente material complementar à pesquisa aqui apresentada. / This research analyzes the movie Elite Squad as a lead discussion about its reverberation in some traditional media and mainly the Internet. Our main goal is to demonstrate a beyond movie analysis, by an audiovisual and written form as a new metalanguage methodological system where cultural codes researched, broken down for consideration of constituent parts and then reappropriate creating an interpretative representation in which records and notes are as the bottommost layer of significant value are reorganized from relations between external and inner elements of this movie, therefore we can realize them as networked components. Hence, we understand the academic research practice as an audiovisual common practice: the remix (or mash up). We research authors, journals, images and we analyze this on line and off line data to remix them generating a new value, the thesis. Thus, we ask ourselves: does the networked Audiovisual Rhetoric implicate a consumption between surveillance and spectacle or it is necessarily circumstance to the implied true discourse (Foucault\'s \"Discourse on Language\", 1970) in an aesthetic reality? From a critical and creative perspective weve cleared noticed the struggle with the network database, where the anxiety for a possible organized creation methodology of this online audiovisual remix practice for academic means, presents a tool-project YouToRemix-YouTubeMix (Appendix I/IV) which has been designed together with this research for masters degree for future development. Consequently we deliver with this dissertation four appendixes and one attachment regarding the complimentary material to the research here presented.
5

Retóricas audiovisuais (o filme Tropa de Elite na cultura em rede) / Retóricas audiovisuais (o filme Tropa de Elite na cultura em rede)

Milena Szafir 22 October 2010 (has links)
Esta dissertação analisa o filme Tropa de Elite como fio condutor de uma discussão sobre sua repercussão reverberação em algumas mídias tradicionais e, principalmente, em rede online. O objetivo principal desta pesquisa é demonstrar escrita e audiovisualmente uma análise além-fílmica proposta, como base de um possível sistema metodológico metalinguístico, onde os códigos culturais ao serem pesquisados, decupados e então reapropriados formam uma representação interpretativa em que notações e registros, bases dos valores significativos, são reorganizados a partir das relações de elementos internos e externos à obra percebendo-os, portanto, como elementos em rede. Percebemos desta maneira que a prática da pesquisa acadêmica, de uma forma muito sintetizada, pode ser conceitualizada a partir de uma prática comum ao audiovisual: o remix. Pesquisamos autores, periódicos, imagens, dados offline e online, os analisamos remixando-os e atribuindo-lhes um novo valor, tese. E assim, nos interrogamos se as Retóricas Audiovisuais em rede implicam a um consumo entre o espetáculo e a vigilância ou ao discurso de verdade implícito numa estética de realidade? A partir de uma perspectiva crítica, percebe-se claramente um enfrentamento com o banco de dados em rede, onde o anseio por uma possível metodologia de criação organizativa desta prática de remix audiovisual online para fins acadêmicos, apresenta-se uma ferramenta-projeto YouToRemix-YouTubeMix (Apêndice I/IV) que foi sendo desenhada conjuntamente a esta pesquisa de mestrado para futuro desenvolvimento. Para tanto, é aqui entregue no final deste texto de dissertação um anexo e quatro apêndices, pertinente material complementar à pesquisa aqui apresentada. / This research analyzes the movie Elite Squad as a lead discussion about its reverberation in some traditional media and mainly the Internet. Our main goal is to demonstrate a beyond movie analysis, by an audiovisual and written form as a new metalanguage methodological system where cultural codes researched, broken down for consideration of constituent parts and then reappropriate creating an interpretative representation in which records and notes are as the bottommost layer of significant value are reorganized from relations between external and inner elements of this movie, therefore we can realize them as networked components. Hence, we understand the academic research practice as an audiovisual common practice: the remix (or mash up). We research authors, journals, images and we analyze this on line and off line data to remix them generating a new value, the thesis. Thus, we ask ourselves: does the networked Audiovisual Rhetoric implicate a consumption between surveillance and spectacle or it is necessarily circumstance to the implied true discourse (Foucault\'s \"Discourse on Language\", 1970) in an aesthetic reality? From a critical and creative perspective weve cleared noticed the struggle with the network database, where the anxiety for a possible organized creation methodology of this online audiovisual remix practice for academic means, presents a tool-project YouToRemix-YouTubeMix (Appendix I/IV) which has been designed together with this research for masters degree for future development. Consequently we deliver with this dissertation four appendixes and one attachment regarding the complimentary material to the research here presented.
6

Aspekte des „Samplings“

Braun, Stefan K. 16 July 2014 (has links) (PDF)
Mash-Ups (auch Bootlegging, Bastard Pop oder Collage genannt) erfreuen sich seit Jahren steigender Beliebtheit. Waren es zu Beginn der 1990er Jahre meist nur 2 unterschiedliche Popsongs, deren Gesangs- und Instrumentenspuren in Remixform ineinander gemischt wurden, existieren heute Multi-Mash-Ups mit mehreren Dutzend gemixten und gesampelten Songs, Interpreten, Videosequenzen und Effekten. Eine Herausforderung stellt die Kombination unterschiedlichster Stile dar, diese zu neuen tanzbaren Titeln aus den Charts zu mischen. Das Mash-Up Projekt Pop Danthology z.B. enthält in einem knapp 6 minütigen aktuellen Musikclip 68 verschiedene Interpreten, u. a. Bruno Mars, Britney Spears, Rhianna und Lady Gaga. Die Verwendung und das Sampeln fremder Musik- und Videotitel kann eine Urheberrechtsverletzung darstellen. Die Komponisten des Titels „Nur mir“ mit Sängerin Sabrina Setlur unterlagen in einem Rechtsstreit, der bis zum BGH führte. Sie haben im Zuge eines Tonträger-Samplings, so der BGH , in das Tonträgerherstellerrecht der Kläger (Musikgruppe Kraftwerk) eingegriffen, in dem sie im Wege des „Sampling“ zwei Takte einer Rhythmussequenz des Titels „Metall auf Metall“ entnommen und diese im eigenen Stück unterlegt haben. Der rasante technische Fortschritt macht es mittlerweile möglich, immer einfacher, schneller und besser Musik-, Film- und Bildaufnahmen zu bearbeiten und zu verändern. Computer mit Bearbeitungssoftware haben Keyboards, Synthesizer und analoge Mehrspurtechnik abgelöst. Die Methoden des Samplings unterscheiden sich von der klassischen Raubkopie dahingehend, dass mit der Sampleübernahme eine weitreichende Umgestaltung und Bearbeitung erfolgt. Die Raubkopie zeichnet sich durch eine unveränderte Übernahme des Originals aus. Betroffen von den Auswirkungen eines nicht rechtmäßig durchgeführten Sampling sind Urheber- und Leistungsschutzrechte ausübender Künstler sowie Leistungsschutzrechte von Tonträgerherstellern. U. U. sind auch Verstöße gegen das allgemeine Persönlichkeits- und Wettbewerbsrecht Gegenstand von streitigen Auseinandersetzungen.
7

Aspekte des „Samplings“: Eine Frage des Sounds?

Braun, Stefan K. January 2014 (has links)
Mash-Ups (auch Bootlegging, Bastard Pop oder Collage genannt) erfreuen sich seit Jahren steigender Beliebtheit. Waren es zu Beginn der 1990er Jahre meist nur 2 unterschiedliche Popsongs, deren Gesangs- und Instrumentenspuren in Remixform ineinander gemischt wurden, existieren heute Multi-Mash-Ups mit mehreren Dutzend gemixten und gesampelten Songs, Interpreten, Videosequenzen und Effekten. Eine Herausforderung stellt die Kombination unterschiedlichster Stile dar, diese zu neuen tanzbaren Titeln aus den Charts zu mischen. Das Mash-Up Projekt Pop Danthology z.B. enthält in einem knapp 6 minütigen aktuellen Musikclip 68 verschiedene Interpreten, u. a. Bruno Mars, Britney Spears, Rhianna und Lady Gaga. Die Verwendung und das Sampeln fremder Musik- und Videotitel kann eine Urheberrechtsverletzung darstellen. Die Komponisten des Titels „Nur mir“ mit Sängerin Sabrina Setlur unterlagen in einem Rechtsstreit, der bis zum BGH führte. Sie haben im Zuge eines Tonträger-Samplings, so der BGH , in das Tonträgerherstellerrecht der Kläger (Musikgruppe Kraftwerk) eingegriffen, in dem sie im Wege des „Sampling“ zwei Takte einer Rhythmussequenz des Titels „Metall auf Metall“ entnommen und diese im eigenen Stück unterlegt haben. Der rasante technische Fortschritt macht es mittlerweile möglich, immer einfacher, schneller und besser Musik-, Film- und Bildaufnahmen zu bearbeiten und zu verändern. Computer mit Bearbeitungssoftware haben Keyboards, Synthesizer und analoge Mehrspurtechnik abgelöst. Die Methoden des Samplings unterscheiden sich von der klassischen Raubkopie dahingehend, dass mit der Sampleübernahme eine weitreichende Umgestaltung und Bearbeitung erfolgt. Die Raubkopie zeichnet sich durch eine unveränderte Übernahme des Originals aus. Betroffen von den Auswirkungen eines nicht rechtmäßig durchgeführten Sampling sind Urheber- und Leistungsschutzrechte ausübender Künstler sowie Leistungsschutzrechte von Tonträgerherstellern. U. U. sind auch Verstöße gegen das allgemeine Persönlichkeits- und Wettbewerbsrecht Gegenstand von streitigen Auseinandersetzungen.
8

Combining Business Intelligence, Indicators, and the User Requirements Notation for Performance Monitoring

Johari Shirazi, Iman 26 November 2012 (has links)
Organizations use Business Intelligence (BI) systems to monitor how well they are meeting their goals and objectives. Yet, very often BI systems do not include clear models of the organization’s goals or of how to measure whether they are satisfied or not. Several researchers now attempt to integrate goal models into BI systems, but there are still major challenges related to how to get access to the BI data to populate the part of the goal model (often indicators) used to assess goal satisfaction. This thesis explores a new approach to integrate BI systems with goal models. In particular, it explores the integration of IBM Cognos Business Intelligence, a leading BI tool, with an Eclipse-based goal modeling tool named jUCMNav. jUCMNav is an open source graphical editor for the User Requirements Notation (URN), which includes the Use Case Map notation for scenarios and processes and the Goal-oriented Requirement Language for business objectives. URN was recently extended with the concept of Key Performance Indicator (KPI) to enable performance assessment and monitoring of business processes. In jUCMNav, KPIs are currently calculated or modified manually. The new integration proposed in this thesis maps these KPIs to report elements that are generated automatically by Cognos based on the model defined in jUCMNav at runtime, with minimum effort. We are using IBM Cognos Mashup Service, which includes web services that enable the retrieval of report elements at the most granular level. This transformation provides managers and analysts with useful goal-oriented and process-oriented monitoring views fed by just-in-time BI information. This new solution also automates retrieving data from Cognos servers, which helps reducing the high costs usually caused by the amount of manual work required otherwise. The novel approach presented in this thesis avoids manual report generation and minimizes any contract with respect to the location of manually created reports, hence leading to better usability and performance. The approach and its tool support are illustrated with an ongoing example, validated with a case study, and verified through testing.
9

Combining Business Intelligence, Indicators, and the User Requirements Notation for Performance Monitoring

Johari Shirazi, Iman 26 November 2012 (has links)
Organizations use Business Intelligence (BI) systems to monitor how well they are meeting their goals and objectives. Yet, very often BI systems do not include clear models of the organization’s goals or of how to measure whether they are satisfied or not. Several researchers now attempt to integrate goal models into BI systems, but there are still major challenges related to how to get access to the BI data to populate the part of the goal model (often indicators) used to assess goal satisfaction. This thesis explores a new approach to integrate BI systems with goal models. In particular, it explores the integration of IBM Cognos Business Intelligence, a leading BI tool, with an Eclipse-based goal modeling tool named jUCMNav. jUCMNav is an open source graphical editor for the User Requirements Notation (URN), which includes the Use Case Map notation for scenarios and processes and the Goal-oriented Requirement Language for business objectives. URN was recently extended with the concept of Key Performance Indicator (KPI) to enable performance assessment and monitoring of business processes. In jUCMNav, KPIs are currently calculated or modified manually. The new integration proposed in this thesis maps these KPIs to report elements that are generated automatically by Cognos based on the model defined in jUCMNav at runtime, with minimum effort. We are using IBM Cognos Mashup Service, which includes web services that enable the retrieval of report elements at the most granular level. This transformation provides managers and analysts with useful goal-oriented and process-oriented monitoring views fed by just-in-time BI information. This new solution also automates retrieving data from Cognos servers, which helps reducing the high costs usually caused by the amount of manual work required otherwise. The novel approach presented in this thesis avoids manual report generation and minimizes any contract with respect to the location of manually created reports, hence leading to better usability and performance. The approach and its tool support are illustrated with an ongoing example, validated with a case study, and verified through testing.
10

Combining Business Intelligence, Indicators, and the User Requirements Notation for Performance Monitoring

Johari Shirazi, Iman January 2012 (has links)
Organizations use Business Intelligence (BI) systems to monitor how well they are meeting their goals and objectives. Yet, very often BI systems do not include clear models of the organization’s goals or of how to measure whether they are satisfied or not. Several researchers now attempt to integrate goal models into BI systems, but there are still major challenges related to how to get access to the BI data to populate the part of the goal model (often indicators) used to assess goal satisfaction. This thesis explores a new approach to integrate BI systems with goal models. In particular, it explores the integration of IBM Cognos Business Intelligence, a leading BI tool, with an Eclipse-based goal modeling tool named jUCMNav. jUCMNav is an open source graphical editor for the User Requirements Notation (URN), which includes the Use Case Map notation for scenarios and processes and the Goal-oriented Requirement Language for business objectives. URN was recently extended with the concept of Key Performance Indicator (KPI) to enable performance assessment and monitoring of business processes. In jUCMNav, KPIs are currently calculated or modified manually. The new integration proposed in this thesis maps these KPIs to report elements that are generated automatically by Cognos based on the model defined in jUCMNav at runtime, with minimum effort. We are using IBM Cognos Mashup Service, which includes web services that enable the retrieval of report elements at the most granular level. This transformation provides managers and analysts with useful goal-oriented and process-oriented monitoring views fed by just-in-time BI information. This new solution also automates retrieving data from Cognos servers, which helps reducing the high costs usually caused by the amount of manual work required otherwise. The novel approach presented in this thesis avoids manual report generation and minimizes any contract with respect to the location of manually created reports, hence leading to better usability and performance. The approach and its tool support are illustrated with an ongoing example, validated with a case study, and verified through testing.

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