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Dissertação (mestrado)—Universidade de Brasília, Faculdade de Arquitetura e Urbanismo, 2007. / Submitted by wesley oliveira leite (leite.wesley@yahoo.com.br) on 2009-10-06T20:28:01Z No. of bitstreams: 1 2007_MaraSoutoMarquez.pdf: 11236141 bytes, checksum: 14eb25264ed3c80182543133b6d1be29 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2009-10-07T16:37:34Z (GMT) No. of bitstreams: 1 2007_MaraSoutoMarquez.pdf: 11236141 bytes, checksum: 14eb25264ed3c80182543133b6d1be29 (MD5) / Made available in DSpace on 2009-10-07T16:37:34Z (GMT). No. of bitstreams: 1 2007_MaraSoutoMarquez.pdf: 11236141 bytes, checksum: 14eb25264ed3c80182543133b6d1be29 (MD5) Previous issue date: 2007-12 / O estudo ora apresentado tem por objetivo identificar os precedentes urbanísticos e arquitetônicos com que Lucio Costa trabalhou em seu plano piloto, particularmente no Eixo Monumental; entender as etapas de concepção e composição deste eixo intencionalmente destinado à dimensão simbólica da cidade; entender, conhecer e analisar a arquitetura de Oscar Niemeyer e sua expressão formal em Brasília; conhecer os projetos e obras de outros arquitetos atuantes neste território da cidade; inventariar os projetos urbanos e arquitetônicos dispersos nos diversos órgãos do Governo de Distrito Federal. _______________________________________________________________________________ ABSTRACT / This study has the objective of identifying the urbanistic and architectonic perceptions which inspired Lucio Costa to creat his Pilot Plan, particularly the Monumental Axis; understanding the different stages of conception and composition of such Axis, intentionally designed to meet the city's symbolic dimension; comprehending, appraising and analysing Oscar Niemeyer's architecture and its formal expression in Brasília; Knowing the projects and works of other architects in the city; registering the urbanistic and architectonic projects located throughout varoius local Government buildings.

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Why do we not prepare for the death of our cities as we do for ourselves? What form and trajectory is appropriate to illicit supportive emotional acceptance of an anticipatory memorial? / 0 / SPK / specialcollections@tulane.edu

Managers of historic sites need to understand their exposure to climatic and environmental change, which varies widely by property type and location. A large and evolving body of science and climate modeling identifies ongoing and future changes with increasing specificity. Changes range from the predictable, like mean temperature and sea-level rise, to the erratic, like storms and wildfires, and may include human adaptive measures like floodwalls and migration. These data can be cross-referenced against site attributes to evaluate risk. Relevant site attributes include location and topography, materials, character-defining features, landscape species, surrounding land uses, and operational needs. This work presents a vulnerability assessment protocol that serves to identify and rank risk in order to inform decision-making about adaptive measures, which can range from choice of repair materials to landscaping to relocation. When applied to a fleet of sites, the protocol can inform policy- and grant-making. / 1 / SPK / archives@tulane.edu

La gentrificación es un proceso urbano que se está presentando en distintas ciudades y barrios populares del mundo. El barrio conocido actualmente como Monumental Callao viene sufriendo cambios desde el año 2015 debido al Proyecto Fugaz, el cual ha traído consigo consecuencias tanto positivas como negativas. Sin embargo, los vecinos de la localidad no tienen conocimiento del término gentrificación, no saben en qué consiste el proceso y no han sido informados previamente por algún medio de la realización del Proyecto Fugaz, lo cual es perjudicial ya que sin la información necesaria no pueden tener una visión clara de lo que está ocurriendo. El objetivo de este proyecto se enfoca en utilizar el diseño de la información para explicarles a los vecinos de la zona de una manera fácil y efectiva las causas y efectos que puede tener este proceso urbanístico. Debido a la naturaleza del tema elegido, esta investigación será de campo y cualitativa, ya que es necesario conocer los avances y el impacto que esta podría tener en el público objeto de estudio. Así mismo, las técnicas a emplear serán observación no estructurada y entrevistas semi-estructuradas, utilizando como instrumentos guías de entrevistas y grabadoras audiovisuales. Finalmente, se propondrá un prototipo de solución el cual responda al problema identificado, este será un brochure que explique fácilmente la definición, causas, etapas y consecuencias de la gentrificación. Se hará un seguimiento en los testeos para medir su evolución y los resultados principales. / Gentrification is an urban process that is being presented in different cities and popular neighborhoods of the world. The neighborhood known today as Monumental Callao has been undergoing changes since 2015 due to Proyecto Fugaz, which has received the same negative consequences. However, the residents of the locality have no knowledge of the term gentrification, we do not know what the process consists of and they have not been informed in the future. Have a clear vision of what is happening. The objective of this project focuses on using information design to explain the neighbors of the area in an easy and effective way the causes and effects that this urban process can have. This information will be based on the subject of the study. Likewise, the techniques are used as interview guides and audiovisual recorders. Finally, a prototype solution is presented in which the problem is answered, it is a booklet that easily explores the definition, causes, stages and consequences of gentrification. Monitoring will be done in the tests to measure their evolution and the main results. / Trabajo de investigación

The Formative Period in the Central Highlands: IntroductionThe text doesn´t have an abstract / El texto no presenta resumen

Le mégalithisme est l'expression architecturale monumentale d'un ensemble de sociétés qui ont édifiées des structures funéraires et des pierres dressées. La genèse du mégalithisme, phénomène humain de la fin de la préhistoire, puise ses origines dans de multiples conjugaisons des différents courants de la néolithisation aux traditions variées, aux influences géographiques parfois lointaines, aux époques différentes. La combinaison de nombreux éléments sociaux de ces sociétés agro-pastorales a généré des générations d’architectes bâtisseurs et contribué à mettre en œuvre une diversité architecturale La volonté de mise œuvre des maisons des morts au même niveau que les maisons des vivants semble répondre à des critères sociaux et culturels. Une perception visuelle actualisée des mégalithismes, adaptée aux récentes thématiques développées amène un fil conducteur original d’étude de plusieurs mondes qui se sont combinés. L’état des connaissances depuis le milieu du XXème siècle a permis une appréhension différente des mégalithismes : - dans les années 1980, une connaissance plus complète des masses tumulaires et leurs liens étroits avec les chambres sépulcrales (Joussaume, 1997, 1999, 2003 ; Joussaume et al. 2006). - dans les années 2000 une prise en compte de l’histoire des monuments (Joussaume et al. 2006 ; Laporte, 2010 ; Laporte et al. 2004, 2011). - de nos jours, une appréhension différente des articulations entre les pierres dressées, les tumulus et les chambres sépulcrales (Laporte, 2015 ; Laporte et al. 2011). Le processus de cette monumentalisation architecturale a souvent fait l’objet d’études distinctes, les espaces sépulcraux et les pierres dressées servant de bases à deux axes de recherches séparées. Seule l’étude des stèles en remploi avait fait l’objet d’une attention particulière (L’Helgouac’h, 1983 ; Cassen, 2009b) et d’un rapprochement des deux dispositifs. Ce n’est que récemment que la complémentarité entre les espaces sépulcraux et les pierres dressées a réellement été proposée (Laporte, 2015b). Disposant d’un important corpus actualisé des mégalithes du département du Morbihan, il a donc été proposé de développer dans cette thèse cette notion de complémentarité entre les différents dispositifs qui constituent les mégalithismes. Les hypothèses formulées sont de démontrer que les processus de monumentalisation sont issus d’un croisement architectural entre les pierres dressées, les espaces sépulcraux et les masses tumulaires. Nous tenterons également de montrer les liens étroits qui semblent se dessiner entre trois mondes très différents mais intimement liés (le monde des vivants, le monde des morts et le monde naturel). / Megalithism is the monumental architectural expression of a group of societies that have built funerary structures and erected stones. The genesis of megalithism, the human phenomenon of the end of prehistory, draws its origins from multiple conjugations of the different currents of neolithization with varied traditions, geographical influences sometimes distant, at different times. The combination of many social elements of these agro-pastoral societies has generated generations of architects and contributed to the implementation of architectural diversity The desire to put the houses of the dead to the same level as the houses of the living seems to meet social and cultural criteria. An updated visual perception of megalithisms, adapted to the recent themes developed, brings an original thread of study of several worlds that have combined. The state of knowledge since the middle of the 20th century allowed a different apprehension of megalithisms: - in the 1980s, a more complete knowledge of the tumular masses and their close links with the sepulchral chambers (Joussaume, 1997, 1999, 2003, Joussaume et al., 2006). - in the 2000s, taking into account the history of monuments (Joussaume et al., 2006, Laporte, 2010, Laporte et al., 2004, 2011). - today, a different apprehension of the articulations between the erected stones, the tumuli and the sepulchral chambers (Laporte, 2015, Laporte et al., 2011). The process of this architectural monumentalization has often been the subject of separate studies, sepulchral spaces and erected stones serving as bases for two separate lines of research. Only the study of stelae in reuse had been the object of particular attention (L'Helgouac'h, 1983, Cassen, 2009b) and a comparison of the two devices. It is only recently that the complementarity between sepulchral spaces and erected stones has actually been proposed (Laporte, 2015b). It has therefore been proposed to develop in this thesis the notion of complementarity between the different mechanisms that constitute megalithisms. The hypotheses formulated are to demonstrate that the processes of monumentalisation are the result of an architectural crossing between the erected stones, the sepulchral spaces and the tumular masses. We will also try to show the close ties that seem to be taking shape between three very different but intimately linked worlds (the world of the living, the world of the dead and the natural world).

Formative Period Diagnostic Materials of the Chao and Santa Valleys, North Coast of PerúAs a result of the author’s surface surveys in the Chao and Santa valleys, a series of data of Formative Period archaeological sites were recovered. The Chao valley is located to the north of the Santa valley and both share an almost parallel direction of their rivers. At the middle part of their basins routes connect the valleys and allow access to the near highlands since the Preceramic Period. This paper present ceramics with incised decoration gathered from excavations and surface surveys as well as conical mud bricks from monumental structures. / Como resultado de trabajos realizados por la autora en estos valles, se recogieron una serie de datos de sitios arqueológicos pertenecientes al Periodo Formativo. El valle de Chao se ubica al norte del Santa y ambos tienen en común los cursos casi paralelos de sus cauces yen sus partes media existen rutas de comunicación entre sí y con la sierra vecina desde el Periodo Precerámico. En este trabajo se presenta cerámica incisa de excavación y de superficie así como adobes cónicos en sitios con arquitectura monumental.