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Christian triumph, Christian tragedy : the theological context of ClarissaWalsh, Sheilagh Patricia Mary January 2001 (has links)
No description available.
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ALL THAT GLITTERS IS NOT GOLD: THEORIES OF <em>NOBLESSE OBLIGE</em> IN CAROLINGIAN FRANCIAPerry, Megan R. 01 January 2018 (has links)
This thesis argues that conceptions of commerce in the Carolingian era were intertwined with the discourse of ethics, and that concepts of the Carolingian ‘economy’ may be profitably illuminated by consideration of pre-modern ethical and social categories. I explore a pre-modern pattern of personhood that framed persons in terms of political rôles, and exchange in terms of the interactions of those rôles. In moral letters addressed to counts and kings, ethical counsel about greed for each lay rôle was grounded in particular geographic spaces and historical moments, creating a rich valence of specific meanings for greed and charity. I examine letters in which Paulinus of Aquileia, Alcuin of York, Jonas of Orléans, and Dhuoda of Uzés treated the greed of counts, and those in which Smaragdus of St. Mihiel, Sedulius Scottus, and Hincmar of Rheims treated that of kings. In each letter’s definition of greed are found interactions with specific elements exchanged, and correlative meanings of greed far from limited to the ‘love of silver’, but also not wholly vague and spiritualized. Greed and largesse constituted the language in which Carolingian writers discussed economic exploitation, tyranny, plunder, investment, credit, and noblesse oblige.
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Le dialogue dans le programme scolaire d'éthique et culture religieuse : débats, bilan et prospectiveBarré, Caroline January 2009 (has links)
Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.
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Le dialogue dans le programme scolaire d'éthique et culture religieuse : débats, bilan et prospectiveBarré, Caroline January 2009 (has links)
Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal
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The battle of changing times : picaresque parodies from Bruegel to GroszCornew, Clive 11 1900 (has links)
This study focuses on Bruegel's parodic legacy in the picaresque tradition. It is based, on the one hand, on
visual rhetoric, visual parody, and the poetics of epideictic rhetoric; and, on the other, on the interaction
between epideictic rhetoric's salient features and the Bruegelian themes of camivalisation, the satirising of
human folly, and the ontic order of the World Upside Down topos as organising principles. The relationships
between the above themes are chronologically traced in various disguises in pictures by representative
picaresque artists from the sixteenth to the twentieth centuries: i.e., in Bruegel, Steen, Hogarth, Daumier, and
Grosz. Each of these picaresque artists battled with their own times, parodying the paradigmatic targets of the
high mode, in both social and genre hierarchy, and in doing so revealed the complexities of the above themes
at work within an ever changing context-bound rhetoricity. / Art History, Visual Arts & Musicology / Thesis (D.Litt. et Phil.)
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The battle of changing times : picaresque parodies from Bruegel to GroszCornew, Clive 11 1900 (has links)
This study focuses on Bruegel's parodic legacy in the picaresque tradition. It is based, on the one hand, on
visual rhetoric, visual parody, and the poetics of epideictic rhetoric; and, on the other, on the interaction
between epideictic rhetoric's salient features and the Bruegelian themes of camivalisation, the satirising of
human folly, and the ontic order of the World Upside Down topos as organising principles. The relationships
between the above themes are chronologically traced in various disguises in pictures by representative
picaresque artists from the sixteenth to the twentieth centuries: i.e., in Bruegel, Steen, Hogarth, Daumier, and
Grosz. Each of these picaresque artists battled with their own times, parodying the paradigmatic targets of the
high mode, in both social and genre hierarchy, and in doing so revealed the complexities of the above themes
at work within an ever changing context-bound rhetoricity. / Art History, Visual Arts and Musicology / Thesis (D.Litt. et Phil.)
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