21 |
Diálogos entre o Velho e o Novo Mundo: uma leitura de Vigilia del Almirante (1992) e Carta del fin mundo (1998). / Dialogues between the Old and the New World: a reading of the works Vigilia del Almirante (1992) and Carta del fin del mundo (1998).Gasparotto, Bernardo Antonio 28 February 2011 (has links)
Made available in DSpace on 2017-07-10T18:56:26Z (GMT). No. of bitstreams: 1
Bernardo Gasparotto.pdf: 1252076 bytes, checksum: 30ee9e02841cc8298727a2453b383ec4 (MD5)
Previous issue date: 2011-02-28 / Basing itself upon the assumptions of Compared Literature, the present research
aims to demonstrate that the dialogical relations established between the Spanish
and the Hispano-American literature, when referred to the productions that handle
with the theme of the discovery of America, after the publication of Vigilia del
Almirante (1992), by the Paraguayan writer Augusto Roa Bastos. Such work reveals
itself as a sort of synthesis of the Hispano-American vision about the theme, working
like a parting of the waters when it comes to the production of historical novels, being
produced from it, in the context of the discovery poetics, only mediation
contemporary historical novels. This happens also in Spain, that for the first time,
within this context, presents a work that deals with a distinct perspective from the one
traditionally adopted by Spanish authors, promoting the dialogue with the Hispano-
American literature. This is the novel Carta del fin del mundo (1998), by Jose Manuel
Fajardo, a narrative that presents a discourse that seeks to reveal a new aspect of
the meeting between both worlds under the perspective of the colonized. Parting
from both works mentioned as corpus, the objective is, first of all, to destacate the
apologetic discourse present in the Spanish productions, to, afterwards, approach
the Hispano-American production of the theme initiated in the 70's decade of the
20th century to show that the modality of the new historical novel, synthesized in
the work of Roa Bastos (1992), ended up influencing the productions about the
discovery in European lands, that began to question not only the figure of
Christopher Columbus, but also the whole discovery enterprise, establishing the
dialogue with the Hispano-American tradition. It will also be taken in consideration
that the work by Fajardo (1998) does not characterize itself as an isolated
manifestation of the Spanish literature, once one can also observed the publication of
the trilogy La pérdida del paraíso (2002), by Jose Luis Muñoz that presents the same
mediation tendencies, in the terms proposed by Fleck (2008). / Apoiando-se nos pressupostos da literatura comparada, a presente pesquisa busca
demonstrar que relações dialógicas se estabeleceram entre a literatura espanhola e
a hispano-americana, no que se refere às produções voltadas à temática do
descobrimento da América, após a publicação de Vigilia del Almirante (1992), do
escritor paraguaio Augusto Roa Bastos. Tal obra revela-se como uma espécie de
síntese da visão hispano-americana sobre o tema, atuando como um divisor de
águas em relação à produção de romances históricos, sendo que a partir dele
produziram-se, no contexto da poética do descobrimento, quase somente romances
históricos contemporâneos de mediação. Isso ocorre inclusive na Espanha, que pela
primeira vez, dentro deste contexto, apresenta uma obra que trabalha com uma
perspectiva distinta da tradicionalmente adotada pelos literatos espanhóis,
promovendo o diálogo com a literatura hispano-americana. Trata-se do romance
Carta del fin del mundo (1998), de Jose Manuel Fajardo, uma narrativa que
apresenta um discurso que busca revelar uma nova faceta do encontro entre os dois
mundos sob a perspectiva do colonizador. Partindo das duas obras mencionadas
como corpus, objetiva-se, primeiramente, destacar o discurso apologético presente
nas produções espanholas, para, em seguida, ao abordar a produção hispanoamericana
da temática iniciada na década de 70, do século XX mostrar que a
modalidade do novo romance histórico, sintetizada na obra de Roa Bastos (1992),
acabou influenciando as produções sobre o descobrimento em terras europeias, que
passaram a questionar não somente a figura de Cristóvão Colombo, mas de toda
empresa descobridora, possibilitando o diálogo com a tradição hispano-americana.
Leva-se em consideração, ainda, que a obra de Fajardo (1998) não se caracteriza
como uma manifestação isolada na literatura espanhola, uma vez que se dispõe
também da trilogia La pérdida del paraíso (2002), de Jose Luis Muñoz, que
apresenta a mesma tendência de mediação, nos termos propostos por Fleck (2008).
|
22 |
L'exemplarité de la fiction dans le roman espagnol contemporain / The exemplarity of the fiction in the contemporary Spanish novelFauquet, Isabelle 03 July 2012 (has links)
Cette thèse analyse comment la fiction espagnole contemporaine renoue avec la tradition de l’exemplarité littéraire, à travers l’étude d’un corpus de sept œuvres publiées au tournant du XXe (1998-2004). Elle tente de mettre en lumière l’évolution de la notion d’exemplarité dans une perspective diachronique mais aussi synchronique, à travers le prisme du paradigme de pensée contemporain centré sur la notion d’individu. Les nouvelles modalités de l’exemplarité au sein de la prose narrative actuelle sont appréhendées à partir de la réactivation de son support traditionnel — la figure du héros — mais aussi des possibilités nouvelles qu’offrent le questionnement des frontières génériques et l’ambiguïté du pacte de lecture. Dans un monde dépourvu de consensus idéologique, les auteurs du corpus forgent leur propre grille d’interprétation du réel et substituent des réponses éthiques particulières, mais toutefois crédibles et acceptables par le lecteur, à l’imposition de vérités globales et universelles. L’exemplarité, telle qu’elle est à l’œuvre dans le roman actuel, entraîne alors une nouvelle forme d’engagement caractérisée par l’énoncé d’une éthique consubstantielle à la création littéraire. / This thesis analyses how the contemporary Spanish fiction revives the tradition of literary exemplarity, through the study of seven novels published at the turn of the XXth and the XXIst centuries (1998-2004). This work tries to underline the evolution of the exemplarity notion in both diachronic and synchronic perspectives, and the study of the current analytical paradigm focused on the individual. The new forms of exemplarity in contemporary literature are considered through the reactivation of its traditional shape —the hero— but also with the new possibilities given by the questioning of boundaries between genre and the ambivalence of the reading pact. In a world devoid of ideological consensus, the authors of the corpus shape their own frames of understanding. Rather than a universal moral, they suggest subjective ethical answers that can be shared by the reader. The exemplarity, in its actual forms, produces new types of commitment that are based on an ethic inseparable from literary creation.
|
23 |
L'exemplarité de la fiction dans le roman espagnol contemporainFauquet, Isabelle 03 July 2012 (has links) (PDF)
Cette thèse analyse comment la fiction espagnole contemporaine renoue avec la tradition de l'exemplarité littéraire, à travers l'étude d'un corpus de sept œuvres publiées au tournant du XXe (1998-2004). Elle tente de mettre en lumière l'évolution de la notion d'exemplarité dans une perspective diachronique mais aussi synchronique, à travers le prisme du paradigme de pensée contemporain centré sur la notion d'individu. Les nouvelles modalités de l'exemplarité au sein de la prose narrative actuelle sont appréhendées à partir de la réactivation de son support traditionnel -- la figure du héros -- mais aussi des possibilités nouvelles qu'offrent le questionnement des frontières génériques et l'ambiguïté du pacte de lecture. Dans un monde dépourvu de consensus idéologique, les auteurs du corpus forgent leur propre grille d'interprétation du réel et substituent des réponses éthiques particulières, mais toutefois crédibles et acceptables par le lecteur, à l'imposition de vérités globales et universelles. L'exemplarité, telle qu'elle est à l'œuvre dans le roman actuel, entraîne alors une nouvelle forme d'engagement caractérisée par l'énoncé d'une éthique consubstantielle à la création littéraire.
|
24 |
El epistolario de Sor Juana Inés de la Cruz en el contexto literario-discursivo novohispanoCamarena Castellanos, Ricardo January 2017 (has links)
This thesis addresses the epistolary work by Novo-Hispanic writer Sor Juana Inés de la Cruz to place it in the literary and discursive context of the end of the 17th Century. I will take as theoretical background the concepts of dialogism and the carnivalesque by Mikhail Bakhtin, as well as Michel De Certeau’s reflections on what he calls the practice of everyday life. Other aspects of my theoretical approach will be drawn from Michel Foucault’s concepts in The Archaeology of Knowledge; his ideas about power, knowledge and social control, which will be useful for contextually addressing Sor Juana’s work and that of her intellectual contemporaries. Particularly, I will analyse the circumstances in which these Novo-Hispanic discourses were produced. This contextualization will allow me to incorporate not only the cultural (everyday life) practices that surround the production of these texts, but also other less notable or unpublished documents written by some of Sor Juana’s contemporaries. My aim is to widen the discursive spectrum of authors and critics of the prose of this author, and to this end I make use of documents from the 17th Century as primary source.
This thesis is divided into three chapters. In the first, I will place into context the Novo-Hispanic discourse and the generic forms of the time: sermon, satire, libel, letter and inquisitorial censure, and the function of ideological control exerted by the Novo-Hispanic Holy Office. In the second chapter I will make a textual and contextual revision of three epistolary documents by Sor Juana: Carta al Padre Nuñez (Letter to Father Nuñez, 1682), Carta Atenagórica (Letter Worthy of Athena, 1690) and Respuesta a Sor Filotea de la Cruz (Reply to Sor Filotea of the Cross, 1690); as well as the antecedents, development and the result of the critical-theological conflict caused by these private letters, their replies and other collateral documents, namely, Carta de Serafina de Cristo, and Carta de Filotea de la Cruz (1690). Both drafts of these letters, found in Puebla in 2010, will also be refered in this revision. In addition to this I will study Defensa del Sermón del Mandato (1691) and Discurso Apologético contra la Fe de Erratas de un Soldado Castellano (1691), documents found in Lima in 2002 and published in Mexico in 2004.
The third chapter consists of the study of three contemporary preachers of Sor Juana: Francisco Xavier Palavicino Villarrasa, Pedro Muñoz de Castro and Pedro de Avendaño Suárez de Sousa, whose theological and literary activities were denounced by the Holy Office. My aim is to show the reach of inquisitorial control and its consequence on the writing and literary activities of the contemporary intellectuals of Sor Juana, to contextualize Sor Juana’s epistolary work and confront the possible isolation and singularization that may place her life and work apart from the kernel of the intellectual scene in the New Spain at the close of the 17th Century.
|
25 |
Fuentes documentales para el estudio de la música en el cine español de los años 40Roldán Garrote, David 21 November 2011 (has links)
En "Fuentes Documentales para el Estudio de la Música en el Cine Español de los Años 40" se pretende dar una visión general de cómo se desarrollaba la labor de los compositores cinematográficos en España en los primeros años de la dictadura franquista. Para ello se recurrió a toda fuente original y secundaria de la época y posterior con el fin de, en un primer lugar, contextualizar adecuadamente, política, jurídica y cinematográficamente la investigación para de este modo comprender y analizar las diferentes problemáticas que tuvieron que afrontar los compositores de cine durante dicho periodo, tales como: problemas narrativos, técnicas, deficiencias técnicas, planteamientos teóricos, etc.
Tras este análisis, la tesis continúa con la exposición de una base de datos gnerada para la organización del abundante material recopilado a lo largo de la investigación y unas conclusiones que son seguidas por un bloque de apéndices constituidos por: entrevistas a familiares de compositores y profesionales; una recopilación de la legislación relacionada con la producción cinematográfica entre 1938 y 1950; la relación de los gobiernos franquistas del periodo abarcado; un listado de las bases de datos sobre cine existentes en Internet; una realción de los ganadores de los premios otorgados por el Círculo de Escritores Cinematográficos; y un texto sobre el análisis cinematográfico. / Roldán Garrote, D. (2004). Fuentes documentales para el estudio de la música en el cine español de los años 40 [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/13256 / Palancia
|
Page generated in 0.0307 seconds