The diploma thesis contributes to study of the Italian and Czech origins of the sacred music by Neapolitan composers from the first third of the 18th century. The first chapters of the thesis concentrate on classification of manuscripts with music by the Neapolitan composer Domenico Sarri (1678-1744) whose many works have been preserved in Czech music archives. Though Sarri demonstrably was a significant representative of the Neapolitan music production of his time, his work has not yet been adequately explored. This thesis therefore also includes a complete reconstruction of Sarri's psalm Dixit Dominus F major. In the last part of the thesis, this piece is analyzed and compared within the selection of few works by Sarri and his contemporaries with the aim to specify some of the general and individual aspects of Sarri's musical thinking.

Le but de mon projet de recherche est de contribuer à l'histoire des relations politiques, géopolitiques et diplomatiques entre le Royaume de Naples et l'Empire russe de la seconde moitié du XVIIIe siècle à l'unification de l'Italie. Aujourd'hui, il est possible d'analyser ce sujet à partir des nouvelles tendances historiographiques et de l'aborder dans une vision multipolaire et dynamique de l'histoire italienne et européenne. En approfondissant les relations entre ces deux États, il est possible de se concentrer sur la recherche des rapports entre des macro-zones (par exemple entre la Méditerranée et la Mer Noire, ou entre l'Europe Méditerranéenne et l'Europe Orientale) pour les considérer comme de véritables laboratoires d'identités et de liaisons politiques, sociales, économiques et culturelles qui ont eu une influence importante sur les institutions, les religions et les cultures dans les siècles. / This research aims to understand the perception of socio-cultural diversity in the context of diplomatic relations between European and non-European powers, which unfolded in the Mediterranean from the second half of the XVIII century to the early XIV century. Examining the relations between the Kingdom of Naples and the Russian Empire will give us the chance to study the relationships between the Mediterranean Sea and the Black Sea, as well as between Mediterranean Europe and Eastern Europe. It is interesting to compare these single regions within different contexts, since they represented complex attempts to create national identities, as well as political, social, economic, and cultural ties, which involved institutions, religions, and cultures over the centuries. Moreover, this research aims to contribute to the history of political, geopolitical, and diplomatic relations between the Kingdom of Naples and the Russian Empire.

Orientador: Maria Celeste Tommasello Ramos / Resumo: O presente estudo realiza a topoanálise da obra italiana Così parlò Bellavista: Napoli, amore e libertà [Assim falou Bellavista: Nápoles, amor e liberdade], lançada em 1977, pelo escritor italiano Luciano de Crescenzo. Nesse romance, o autor explora Nápoles por meio das observações filosóficas do professor de Filosofia Gennaro Bellavista, juntamente de seus amigos e conterrâneos napolitanos. Desse modo, analisamos a configuração literária da cidade por meio dos espaços denotativos e conotativos presentes nos diálogos dos personagens. Ademais, como Bellavista exacerba as qualidades de Nápoles, buscamos verificar como o aspecto mítico e o aspecto utópico se aplicam no discurso do professor sobre ela. Além disso, buscamos estudar como a presença da Filosofia na estrutura da obra, por meio dos diálogos platônicos e da argumentação de Bellavista, é um meio de configurar a cidade e seus habitantes. Verificamos também como o hibridismo, isto é, a presença de gêneros textuais advindos da tradição oral e de cunho humorístico, é uma outra forma de explorar a cidade ao passo que também a caracteriza por meio do riso. Para tais investigações, utilizamos principalmente as reflexões teóricas de Brandão (2013) e Borges Filho (2007) relativas ao espaço. Para os conteúdos sobre Nápoles, baseamo-nos nas obras de Palumbo, Ponticello (2014) e D’ambrosio (s/d). No que tange à Filosofia, nortearam nossa pesquisa Souza (2018) e De Crescenzo (2012). Os aspectos sobre o Mito e sobre a Utopia foram ba... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: This study conducts the topoanalysis of the Italian work Così parlò Bellavista: Napoli, amore e libertà [Thus Spoken Bellavista: Naples, love and liberty], published in 1977, by the Italian writer Luciano de Crescenzo. In this novel, the author explores Naples through the philosophical observations of the philosophy teacher Gennaro Bellavista, along with his friends and Neapolitan countrymen. Therefore, we analyzed the literary configuration of the city through the denotative and connotative spaces present in the dialogues of the characters. Moreover, as Bellavista exacerbates the qualities of Naples, we researched how the mythic aspect and the utopian aspect are applied in the teacher's discourse about the city. Furthermore, we studied how the presence of the Philosophy in the structure of the work, through the platonic dialogues and in the Bellavista's arguments, is a way of setting up the city and its inhabitants. We also analyzed how the hybridity of the work, namely the presence of textual genres from oral tradition with humorous nature, is another way of exploring the city while also characterizing it through laughter. For such investigations, we mainly used the theoretical reflections of Brandão (2013) and Borges Filho (2007) related to space. For the content about Naples, we based our analysis on the works of Palumbo, Ponticello (2014) and D'ambrosio (s / d). Regarding the philosophy, our research was mainly guided by Souza (2018) and De Crescenzo (2012). Aspects abou... (Complete abstract click electronic access below) / Astratto: Questo studio fa la topoanalise dell'opera italiana Così parlò Bellavista: Napoli, amore e libertà, pubblicata nel 1977, dallo scrittore italiano Luciano de Crescenzo. In questo romanzo, l'autore esplora Napoli attraverso le osservazioni filosofiche dall’insegnante Gennaro Bellavista, insieme ai suoi amici e compaesani napoletani. In questo modo, analizziamo la configurazione letteraria della città mediante gli spazi denotativi e connotativi presenti nei dialoghi dei personaggi. Inoltre, perchè Bellavista esagera le qualità di Napoli, cerchiamo di analizzare come l'aspetto mitico e l'aspetto utopico si applicano nel discorso dell'insegnante sulla città. In aggiunta a questo, cerchiamo di studiare come la presenza della Filosofia nella struttura dell'opera, attraverso i dialoghi platonici e gli argomenti di Bellavista, sia un mezzo per configurare la città e i suoi abitanti. Abbiamo ricercato anche come l’ibridismo, ovvero la presenza di generi testuali della tradizione orale di natura umoristica, sia un altro modo di esplorare la città e allo stesso tempo caratterizzarla mediante il riso. Per tali indagini, utilizziamo principalmente le riflessioni teoriche di Brandão (2013) e Borges Filho (2007) relative allo spazio. Per i contenuti su Napoli, ci siamo basati sulle opere di Palumbo, Ponticello (2014) e D'ambrosio (s/d). Per quanto riguarda la Filosofia, la nostra ricerca è stata guidata principalmente da Souza (2018) e De Crescenzo (2012). Aspetti sul Mito e sul Utopia sono / Mestre

A travers le cas napolitain, cette thèse entend revisiter un thème classique de la géographie urbaine, celui de l'inscription spatiale des classes supérieures dans une ville méditerranéenne, mais en insistant sur le rôle clé qu'y jouent les relations familiales. De nombreuses études ont en effet souligné l'importance d'un véritable modèle culturel de proximité familiale dans les pays d'Europe du Sud, et en Italie en particulier, mais rares sont celles qui ont cherché à analyser les formes de cette proximité familiale à l'échelle intra-urbaine et son impact sur la morphologie, la géographie sociale ou l'aire d'influence d'une ville. Le but de cette thèse est donc de présenter, à travers le cas de la bourgeoisie napolitaine, une étude localisée et approfondie des jeux d'influence réciproques entre espace familial et espace urbain dans une grande ville d'Europe du Sud. Quatre types de sources ont été privilégiés : les recensements de population, les listes de membres d'institutions sélectes, les grande enquêtes italiennes sur la parenté, mais aussi et surtout une campagne d'entretiens menés auprès de 50 familles de la vieille bourgeoisie possédante des beaux quartiers la ville, et dont on a reconstitué avec précision l'itinéraire géographique depuis la fin du 19è siècle jusqu'à nos jours. Quatre thèmes sont successivement abordés: la localisation résidentielle des classes supérieures dans la ville, l'impact des dynamiques d'agrégation familiale sur la mobilité intergénérationnelle des élites, les formes actuelles et locales de l'organisation spatiale de leurs parentèles dans l'espace urbain, et les liens entre leurs réseaux familiaux et aire d'influence de la ville

Texte remanié de: Diss.--Saarbrücken, 1992. / Bibliogr. p. 263-275. Index.

Thesis (D. Min.)--Biblical Theological Seminary, 2008. / Abstract. Includes bibliographical references (leaves 151-157).

The present work examines the poetry in neapolitan language and particularly the works of E. A. Mario, fin de siecle poet and melody writer, who contributed considerably to the song history. / The first part introduces us to the neapolitan regional poetry as well as to its language to finally conclude with the poetry set to music: the song. The ideal atmosphere is the cafe-chantant. The poets of the time including Salvatore Di Giacomo and the generation after are surveyed. / The second part deals with the author. It describes his life, his art and his works, rich of popular and especially classical elements, which crowned him with success.

Zugl.: Fribourg, Univ., Diss., 2007

Th. doct.--Art et archéologie--Paris 4, 1992. / Bibliogr. p. 513-542. Index. Verso des feuillets blanc.

The topic of this thesis is the life and journalistic work of the premier Italian journalist and writer Matilde Serao. The first chapter is dedicated to the brief overview of the Italian journalism in the turn of the 20th century. Following chapter is focused on the personal and working life of Matilde Serao and also her work itself is put into the basic context and is briefly described. After that, six chosen journalistic publications are thoroughly analyzed in six subsequent chapters. These publications are: Il Ventre di Napoli, Il paese di Cuccagna, Nel paese di Gesù. Ricordi di un viaggio in Palestina, San Gennaro nella leggenda e nella vita, Evviva la guerra! a Parla una donna. Based on these analyzes, variables and constants of the Matilde Serao's work, qualitative differences and aesthetics added to journalistic texts are evaluated in the final chapter of the thesis.