Focus County School District in the Mideast United States experienced a 12% teacher turnover rate over the last 2 years. The purpose of this study was to explore those factors that led to teachers leaving the district. Bandura's social cognitive theory was the guiding theory to examine and explain those factors that contributed to the district's teachers' attrition. Using narrative inquiry, the teachers' thick descriptions of their experiences were collected through the interview process. The data consisted of 9 personal interviews of teachers who left the district. .The data were analyzed and coded through the 6-part LaBovian model of abstract, orientation, complicating action, evaluation, result, and coda. The semistructured interviews were analyzed with thematic analysis of the interviews. The 4 themes, developed inductively, were (a) lack of administrative support, (b) mentoring, (c) teacher preparation, and (d) salary. The results of the study prompted questions about how teacher careers might be sustained by considering each person's narrative stories. A policy paper project was created based on the findings of the study. The policy paper addresses teacher turnover in Focus County schools and ways to mitigate the turnover crisis. Positive social change will result from the school district being better positioned to improve teacher stability. Through increased teacher stability, the students will be situated for improved instruction.

This dissertation documents the joys and terrors of caring for my father throughout my twenties and early thirties. The story is autoethnographic and demonstrates the value of narrative research in fostering understandings of self, other, and the world around us. I call this reflexive practice of writing narrative education because as I engaged in it, I learned what it means to care, and how mental health and illness factor into the ways in which care is expressed and provided in my own relationships and beyond. In addition, throughout the story I was a member of the academic community, which makes caring more than an act or behavior, but a concept to unpack, an ideograph. This dissertation begins with the goal to write my story and learn from it so others might learn from it as well. While the narrative portion of my dissertation focuses on story and the craft of creative nonfiction, the final chapters present a discussion of narrative ethics and the writing process. I also delve into concepts of care, family, and community to shed light on the narrative and create a space for reflection.

This narrative inquiry explores the process through which a combination of coursework, field experiences, and experiential classroom activities engaged pre-service teachers with opportunities to expand their perspective upon culturally normative conceptions of values, beliefs, and worldview. Due to the current racial and ethnic demographic gap separating the professional ranks of the teaching force and the increasingly diverse population of students in the United States, cross-cultural awareness is imperative for both teacher education programming and membership in a culturally pluralistic society. Drawing on multiple data points, the narrative illuminates the participant voices, context, and dynamic social process of teaching and learning. The findings comprise a heuristic portrait that describes the process of how the instructor, students, and the researcher approached cross-cultural awareness from within the walls of a university classroom. The findings demonstrate how normative frames of reference in the class were meaningfully and experientially contrasted through a purposive curriculum under the guidance of an exemplar instructor. Findings included that cognitively dissociative cross-cultural simulations, with attendant debriefings, were effective means for engaging students in reflecting on culturally normative cognition and behaviors. This in part was due to the curricular decisions of an experienced instructor – students for the most part felt comfortable in reflecting and challenging their cultural assumptions and experiences. Not as effective was the engagement of guest speakers as a means for students to reflect on their cultural selves and others. These findings help inform and guide educators seeking to engage issues related to cross-cultural awareness, and offers new directions for future research.

The aim of this dissertation is to develop and illustrate a spiritually centered narrative method for transforming disorder into agency and action. I use my own position as a second-generation Hispanic female immigrant to show how training in a spiritual practice that mirrors my ancestral traditions helped me productively move through a sense of displacement, illness, and lack of purpose. My research includes travel to Havana, Cuba, and immersion in a five-week shamanic counseling training program in Tampa, Florida, during which I learned how to narrate my experiences as I engaged in shamanic journeying. As I reflect on these experiences, I explore three questions: How can second-generation immigrants 1) overcome family histories of displacement to create a sense of home? 2) engage in self-care practices that promote healing and nourishing relationships? and 3) create healthy identities and a sense of purpose within their communities? Through the process of writing my own story, I move from individual pathology toward communal creativity and tap into the burgeoning activist movement of bruja feminism.

The purpose of this study was to understand the life history of a female teacher by examining her beliefs about leaving a teaching legacy and by analyzing the narratives of four educational leaders as they reflect on the generative behaviors of this teacher. The research questions guiding this study were: (a) What elements of this teacher's life history contributed to creating a legacy of educational leaders? (b) What are the perspectives of the educational leaders impacted by this teacher as they relate to crafting an educational legacy? (c) How do the life stories of the teacher and educational leaders intersect to reveal narrative resonance - the ability of stories to interact in such a way that they influence other stories? A review of relevant literature examined legacy creation or generativity. In addition, this study critiqued scholarship that extends narrative research approaches, specifically, fictional research texts. Since fictional research products can be catalysts for reflection and discussion, the final chapter of this study is presented as a fictionalized research-narrative that emerged from analysis of the data. The data in this study included interview texts, participant artwork, reflections from the participant's journal, excerpts from the researcher's journal, and poetry written both by the participant and the researcher. The data were analyzed by using open and focused coding, employing the constant comparison process, and through artifact analysis. The data analysis of this qualitative study resulted in specific findings. First, the main participant demonstrated generative traits contributing to a legacy of educational leaders. Her compassion for all students, her passion for teaching/learning, her content knowledge, and her flexibility in the classroom all manifested themselves in the lives of the educational leaders participating in this study. Additionally, the narratives from the participant demonstrated narrative resonance, Stories, it seems, have their own legacies.

Gay identity is inextricably tied to the metaphor of the closet. This tie is best exemplified by the act of "coming out of the closet," an act when a person discloses a gay identity to another, an act of self-identification and confession that others can motivate but never force, an act typically thought of as necessary, dangerous, and consequential, and an act often viewed as a discrete, linear process. Gay identity is also frequently framed as a self-contained trait thus making coming out a one-sided, personal affair. In this project, I use autoethnography and narrative inquiry, life story interviews of four gay men, life writings by gay men, mass mediated accounts of the closet, and my personal experience to describe three epiphanies-interactional moments that significantly change the trajectory of a person's life-of gay identity: (1) "Learning the Closet," a moment when a person first becomes familiar with the metaphorical space; (2) "Living the Closet," a moment when a person privately acknowledges a gay identity but publicly discounts this identity by saying and acting as if it does not exist; and (3) "Leaving the Closet," a moment when a person discloses gay identity to others. I conclude by describing the "double-bind of gay identity"-the dilemma that forms when a person cannot escape the closet-and argue that once a person identifies as gay, the closet becomes a formative influence on her/his life; a gay person can never live outside of the metaphorical space again, can never live as an out gay person everywhere. I also use a relational perspective to understand how gay identity and the disclosure of this identity implicate others in a gay person's social network. A relational perspective removes gay identity it from the individualistic realm and situates it among beings-in-interaction. In so doing, the experience of the closet becomes removed from the exclusive burden of the self-contained gay person to one in which coming out becomes a shared responsibility by all individuals involved in a relationship.

This qualitative study draws on the traditions of narrative inquiry and arts-based research to explore the intricate puzzle of the experience of writing in a grade nine English Language Arts classroom, with a particular group of participants engaged in a creative autobiographical writing project. This case study of a small rural classroom, where 10 of 12 students participated as writers in the research, explores both the teachers and the students experiences. As a participant-researcher, I designed a three-cycle writing project spanning nine weeks, where all participants engaged in conversations about writing. One specific feature of the classroom setting was that both the teacher and the researcher were themselves active writers and deliberately and systematically offered stories of their own writing practice as part of the teaching about writing process, while undertaking the same writing tasks as the students. The data collected and analyzed in this dissertation includes students group conversations in class time, participants drafts and final writing, entry and exit drawings of how students saw themselves as writers, and individual reflective private conversations. From this data, I created portraits of the participants as writers and of the instructional moments. The drawings which were shaped by a participants historical relationship with writing, their broader personal, social and educational context, and the study provided insight into the individuals relationship to and with writing, providing access to a participants knowledge and experience at times unavailable through more traditional forms of data. Two main themes that emerged were resistance to writing and students complex relationship with revision. Their resistance manifested itself in a variety of forms, including one instance of plagiarism and a total absence of writing with another. An exploration of revision practices revealed a tangled process that often failed to improve the quality of students writing, where revision became, for example, a matter of excision with the delete key or serial first drafting. This study complicates the common school use of autobiographical writing prompts, by documenting the many forms of participant resistance and task subversion. Further, the interpretation of autobiographical as necessarily entailing only the true proved an area of tension.

Although interpersonal communication studies have focused on various aspects of interpersonal relationships, research on the player identity and gendered emotional manipulation in romantic relationships has received little attention. This narrative research inquiry was undertaken to explore perceptions of men and women related to the player identity and gendered emotional manipulation. This investigation used social construction as a theoretical perspective to understand three areas of investigation that include: the existence and relevance of the player identity, the player’s relation to emotionally manipulative behaviour, and the connection between socially constructed gender conventions and the player identity. Hesse-Biber’s (2006) feminist interviewing approach guided semi-structured interviews with six male and six female participants. Respondents reported the existence and relevance of the player identity in romantic relationships today, connecting this identity to emotionally manipulative behaviour, as well as relating this identity to traditional gender conventions. Finally, implications for men and women in romantic relationships today and future areas of research are discussed in light of these findings.

Children of alcoholics (COAs) are those who grow up in a home where one or more parent is an alcoholic; once adulthood is achieved, they are referred to as adult children of alcoholics (ACOAs). Several risk factors have been identified as a potential result from exposure to an alcoholic environment; however there is a dearth of literature exploring resilience in this population. Descriptive Narrative Inquiry was used to explore the question, Describe the qualities, processes, or internal motivational factors which have facilitated resilience for adult children of alcoholic parents. Two ninety-minute life history interviews were conducted with four participants, including the researcher. The participants were female, middle class, university students who considered themselves to be adult children of alcoholics who are resilient. A composite narrative was used to depict the results of this study, combining the data from each participants life story. The narrative was written in the first-person through the character of Sophie, and the data included is the result of a narrative analysis from the transcripts of the participants data. The narrative depicts the developmental stages of the participants lives, including childhood, adolescence, adulthood, and the present. Their experiences of growing up in an alcoholic home were documented at each stage. A thematic analysis was conducted, extracting the common themes, meaning made, and personal characteristics that were generated within and across participants that contributed to their development of resilience. The results are discussed in four major themes: Being in Relation: Others Create a Difference; Belief Systems: Spirituality, Religion, and Values; The Self: An Evolving Being; and Alcoholism: Meaning in Itself. It is through the dialogue of the participants experiences of resilience that awareness creates opportunity for advocacy for children and adult children of alcoholics. The implications of this research in relation to the experiences of resilience are discussed for children and adult children of alcoholics, educators, and counsellors. Directions for future research are addressed.

This thesis explores the professional knowledge of three choral music educators from St. John’s, Newfoundland and Labrador. My primary research purpose was to explain what constitutes the professional knowledge of each of the research participants as revealed through their life stories; to illustrate how such professional knowledge has been shaped by experiences throughout each of the participants’ lives; and to understand how the participants’ experiences of developing as educators within the specific social, cultural, and political contexts of Newfoundland and Labrador have shaped their professional knowledge. Through this inquiry, three choral music educators engaged in a process of teacher development, as they discovered for themselves, through a narrative process of self-exploration, the meaning that could be made of the relationships between their life experiences and their knowledge of music teaching and learning. Data-gathering included a series of four in-depth interviews, which consisted of open-ended questions that engaged the participants in reconstructing their life experiences and articulating their professional knowledge within the context of developing as choral music educators. Choral rehearsal observations provided another source of data. These observations enhanced my understanding of the participants’ teaching practice, and assisted in my understanding of the relationships between the personal and the professional that they expressed in initial interviews. Analysis of the data is represented through narratives of the participants’ life stories and a thematic discussion of their professional knowledge as revealed through those stories. Each participant’s narrative and professional knowledge are presented in individual chapters, followed by a chapter that explores the resonances (Conle, 1996) amongst the participants’ narratives and my own personal-professional narrative. I propose that we begin to reconceptualize professional development in order to acknowledge the complexity and personal nature of professional knowledge, and I assert that the exploration of life stories is a meaningful form of professional development for music educators.