In this thesis I examine precarity and necropolitics in the context of a religious institution namely the Jehovah’s witnesses. I specifically examine the conditions of LGBTI-children by the use of framing and the Jehovah’s witnesses own published material. I apply central concepts from Judith Butler’s and Achille Mbembe’s theories on precarity and necropolitics in order to explain what it means to not be born precarious and to explain Jehovah’s witnesses stand on homosexuality. I also develop and test my own theoretical framework that there are two types of institutions; institutions and shadow institutions in which death is distributed in the latter. I also develop a methodology from which these institutions can be distinguished.   The results show that the theories of Judith Butler, Achille Mbembe and my own theory on shadow institutions are indeed compatible and are united in a sort of necroprecarity. My results also show that there is a way to distinguish totalitarian and extremist groups from democratic groups by the use of framing and my theory of shadow institutions. My thesis also highlights the importance of anti-integration for people existing in a non-living state.   This thesis offers a new methodology and can therefore be seen as a first step towards knotting together groups and organizations such as political extremist groups, criminal gangs, dictatorships and religious cults under the umbrella of shadow institutions. Which by itself can be the foundation for a new field of research. By distinguishing institutions from shadow institutions this methodology can be seen as a tool to counteract anti-democratic movements in order to create a more peaceful and stable society.

This study explores the theme of spatiality as based on a reading of the novel Flammenwand. Roman mit Anmerkungen. by Marlene Streeruwitz, and takes as its focus points the notion of atopias/non-places, the disciplining nature of spaces, the necropolitics of division, and the idea of chronotope to discover how the story is situated. The study further considers how idyllic interpretations of the space of origin are treated as utopic in the novel. Relying as well on Jurij M. Lotman’s thoughts on the structure and limits of the text/work of art, the study aims to suggest how the theme of boundaries and transgressing them also is shown in the form of the novel.