Extr. de: Th. 3e cycle--Lett.--Montpellier, 1968. Titre de soutenance : Emilia Pardo Bazán, contes perdus et retrouvés.

Texte remanié de: Th. Ph. D--Literature--London, 1984.

Thesis (Ph.D.)--University of Virginia, 2004. / Includes bibliographical references (leaves 309-318). Also available online through Digital Dissertations.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1985. / Typescript. Vita. Description based on print version record. Includes bibliographical references (leaves 220-234).

Thesis--Wisconsin. / Vita. Includes bibliographical references (leaves 184-193).

Texte remanié de: Tesis doct.--Universidad de Navarra, 1998. / EUNSA = Ediciones Universidad de Navarra, S.A. Bibliogr. p. 351-362. Index.

No description available.

Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-07-27T14:11:30Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) tese janaina.pdf: 2798108 bytes, checksum: f5d169cee5d8a3bb14fc65f1630e3db9 (MD5) / Made available in DSpace on 2016-07-27T14:11:30Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) tese janaina.pdf: 2798108 bytes, checksum: f5d169cee5d8a3bb14fc65f1630e3db9 (MD5) Previous issue date: 2016-02-23 / CNPq / Este trabalho de pesquisa consiste em discutir a integração de sujeitos mestiços na elite colonial em Pernambuco no século XVIII, principalmente no Recife e em Olinda, tentando tornar compreensível o contexto de mestiçagem e tensão social em que viviam indivíduos e famílias, assim como as diversas estratégias utilizadas por esses mestiços para se inserirem socialmente. Como ponto de partida da nossa abordagem procuramos focalizar a atenção para o significado e a abrangência do termo pardo, em Pernambuco, buscando ressaltar suas particularidades e diferenças, comparado às demais regiões do Brasil. Na sequência tentamos mostrar, através de uma análise de registros de casamentos, documentos da câmara, cartas patentes, Compromissos das irmandades, dentre outros, que muitos pardos se fizeram notáveis. Alguns dos quais receberam mercês da Coroa, fizeram parte das Ordens Terceiras; outros foram grandes comerciantes, militares, senhores de engenho, oficiais da Câmara do Recife, funcionários reais. Cada qual buscou, a sua maneira, melhor se apropriar das diversas oportunidades que a inserção em determinada teia de relações permitia. Através da trajetória de indivíduos e famílias pardas, a narrativa que segue busca reconsiderar e reavaliar interpretações sobre a composição da elite Pernambucana setecentista. Aqui defendemos a ideia que tal elite não tinha uma cor específica. Muitos sujeitos mesclados também estavam posicionados no topo de uma hierarquia social. A intenção não é mostrar exceções de sujeitos pardos em estado de mobilidade ascendente, mas possibilidades, em meio à dinâmica colonial. A trajetória dos legados aqui pontuados demonstra que a hierarquia social não era rígida; existia uma mobilidade que era possível através de inúmeras estratégias utilizadas por muitos sujeitos de cor. / This research is to discuss the integration of mestizo subjects in Pernambuco colonial elite in the eighteenth century, especially in Recife and Olinda, trying to make understandable the context of miscegenation and social tension in living individuals and families, as well as the various strategies used by these mestizos to be inserted socially. As a starting point of our approach, we seek to focus attention to the meaning and scope of brown term, in Pernambuco, seeking to emphasize its peculiarities and differences compared to other regions of Brazil. As a result, we try to show, through an analysis of marriage records, the camera documents, charters, commitments of the brotherhoods, among others, many mulattos were made remarkable. Some of whom received favors of the Crown, were part of the Third Orders, others were great traders, soldiers, planters, officials of the Chamber of Recife, royal officials. Each sought in their own way, better take ownership of the various opportunities that the inclusion of certain web of relationships allowed. Through the trajectory of individuals and brown families, the narrative that follows search reconsider and re-evaluate interpretations of the composition of the eighteenth-century Pernambuco elite. Here we defend the idea that this elite did not have a specific color. Many individuals were also mixed positioned on top of a social hierarchy. The intention is not to show subjects browns exceptions in a state of upward mobility, but possibilities amid colonial dynamics. The trajectory of the legacies punctuated here demonstrates that social hierarchy was not rigid, there was a mobility was possible through numerous strategies used by many colored subjects.

Les nombreux récits courts publiés par la comtesse de Pardo Bazán offrent un vivant témoignage des préoccupations littéraires et sociétales d’un auteur toujours soucieux de connaître les courants littéraires européens. La cruauté est au centre de ce travail : le constat d’une insistance pour les descriptions de corps meurtris et ensanglantés, la prédilection de doña Emilia pour les tonalités dramatiques et tragiques engagent une réflexion autour du pouvoir tout à la fois réformateur et fascinant de l’écriture de la souffrance. Le premier temps de cette étude vise à situer l’écrivain au sein des lettres cruelles : le naturalisme, le roman russe, le genre policier, la tradition du conte fantastique et des faits-divers constituent un terreau littéraire cruel dont s’est nourri l’auteur. Notre intérêt se portera ensuite sur la poétique de la cruauté dans les récits courts : les recensements lexicaux, la mise en évidence de répétitions et d’invariants mettront en lumière la création d’un « effet cruel » au pouvoir parfois prophylactique. C’est enfin par le prisme d’une étude psychanalytique que nous étudierons notre corpus : le sang et les souffrances sont le témoignage d’images obsédantes et de fantasmes révélateurs d’un matériel psychique enfoui d’une grande éloquence pour appréhender une écriture de l’excès. et fascinant de l’écriture de la souffrance. Le premier temps de cette étude vise à situer l’écrivain au sein des lettres cruelles : le naturalisme, le roman russe, le genre policier, la tradition du conte fantastique et des faits-divers constituent un terreau littéraire cruel dont s’est nourri l’auteur. Notre intérêt se portera ensuite sur la poétique de la cruauté dans les récits courts : les recensements lexicaux, la mise en évidence de répétitions et d’invariants mettront en lumière la création d’un « effet cruel » au pouvoir parfois prophylactique. C’est enfin par le prisme d’une étude psychanalytique que nous étudierons notre corpus : le sang et les souffrances sont le témoignage d’images obsédantes et de fantasmes révélateurs d’un matériel psychique enfoui d’une grande éloquence pour appréhender une écriture de l’excès. / The numerous short narratives published by Countess Pardo Bazán present us with a vivid testimony of the literary and societal considerations of an author who took great care at being aware of the European literary trends. Cruelty lies at the core of this work, with an emphasis laid on the description of bruised and bloody bodies and Doña Emilia’s partiality for dramatic and tragic tones. This triggers a reflection revolving around the writing of suffering, with both its reformative and mesmerizing power. The first part of this study aims at positioning the writer amidst cruel humanities- id est, naturalism, the Russian novel, the detective genre, the tradition of fantasy tales and of new-items. They constitute the literary roots on which the author drew.The focus will then be laid on the poetic devices of cruelty in short narratives. The semantic fields, the unraveling of repetitions and permanent features will highlight the creation of “a cruel effect”, the apex of which sometimes ends up being prophylactic. Last but not least, the corpus will be studied through the spectrum of psychoanalysis. Blood and suffering indeed testify to the pregnance of obsessive images and fantasies. Their presence unravels a psychic web intertwined with great eloquence, so as to convey the writing of excess.

The purpose of this investigation is to determine the change in characterization that takes place in the works of Emilia Pardo Bazán. Source material include the writings of such critics of Spanish literature as Richard Chandler, Kessel Schwartz, Emiliano Díez-Echarri, José M. Roca Franquesa, Federico C. Saínz de Robles, and José A. Balseiro. Emilia Pardo Bazán wrote a total of twenty novels. From this collection ten were selected which best exemplify the change in characterization in her writings.