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Sustainable grazing management in semi-arid rangelands. An ecological-economic modelling approachMüller, Birgit 28 March 2006 (has links)
The loss of utilisable rangeland in semi-arid areas results in huge economic and social costs worldwide. Only adaptive management strategies are able to cope with these systems, which are largely driven by unpredictable and stochastic rainfall. Additionally they are characterized by strong feedback mechanisms between economic and ecological factors. This study aims to contribute to the identification of basic principles for sustainable grazing management. The approach emphasizes learning from existing management systems through the use of ecological-economic modelling. Two apparently successful management systems in Namibia are used as a starting point for a broader analysis: the Gamis Karakul sheep farm and the land use system of the semi-nomadic Ova-Himba. Although the economic systems differ strongly, their management seems to have similarities: the importance of pasture resting and of adapting livestock numbers to available forage. This PhD thesis contributes substantial insights about the relevance and functioning of pasture resting for sustainable grazing management in semi-arid regions. Assessment of the two case studies leads to the hypothesis that resting in the rainy season, particularly during wet years, is fundamental for ensuring pasture productivity under low regeneration potential of the vegetation. The thesis highlights that resting during wet years acts as a risk reducing strategy. Additionally, the study reveals that access to economic risk management strategies, such as rain-index-insurance, may change farmer´s behaviour towards less conservative strategies. The used approach - learning from existing apparently successful grazing strategies by ecological-economic modelling - offers a powerful tool for tackling new questions related to global change. The scope and the limits for generalizing the key factors discovered for sustainable grazing management can be easily detected under changing ecological, climatic and economic conditions.
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Archeologia d'alta quota alle sorgenti del BremboCroce, Enrico 18 July 2022 (has links)
The focus of this research is the area known as Sorgenti del Brembo di Carona (sources of river Brembo of Carona), which is located in the Orobie Alps (province of Bergamo, Italy). The current archaeological activities in the area, carried out by the Civico Museo Archeologico di Bergamo, are site-specific and mainly focused on Iron Age rock engravings and on a medieval dwelling excavation.
The present study aims at a wider approach to upland archaeology, more focused on landscape evolution rather than on single evidence. The starting point is the methodology developed in other alpine contexts, like the ALPES (Alpine Landscapes: Pastoralism and Environment of Val di Sole) project.
The data, gathered through extensive field survey activities, assessed the presence of a complex landscape, with pastoral evidence, iron mining facilities and charcoal production sites, dating from Early Middle Ages to the present. All the collected data are managed through a GIS in order to maintain their spatial reference. Therefore, it was possible to easy cross-reference them with several historical documents (cartography, cadastres, archives) and also to perform quantitative and spatial analysis. This method allowed us to reconstruct a diachronic evolution of human activities impact on the landscape formation.
An inductive predictive modelling based on the integration with ethnoarchaeology was also implemented using modern pastoral sites. The results shed light on the complex dynamics of the human approach to high-altitude regions and on the alpine environment constraints to human activities. On the other hand, it was also possible to asses both the strengths and biases of the current application of predictive models to Alpine cultural heritage.
The methodology developed during this research, following and implementing previously developed methods, can be a step forward on the definition of a common archaeological approach to upland contexts. / Il progetto di ricerca nasce a seguito delle indagini archeologiche condotte dal Civico Museo Archeologico di Bergamo nel comune di Carona (BG), situato in alta val Brembana, sulle Alpi Orobie, che hanno permesso di identificare un sito cultuale con incisioni rupestri dell'età del Ferro e un villaggio minerario con fasi altomedievali e medievali. L'obiettivo principale della presente ricerca è stato ampliare la conoscenza storico-archeologica di tutto il territorio alla testata del Brembo di Carona, senza focalizzarsi su singoli siti e applicando le metodologie sviluppate all'Università di Trento nell'ambito del progetto ALPES (Alpine Landscapes: Pastoralism and Environment of Val di Sole), che prevedono un approccio al paesaggio montano in una prospettiva diacronica, inquadrabile nell'ambito della Landscape Archaeology. Le attività di ricerca sul campo hanno rappresentato il fulcro del progetto, permettendo l'individuazione di centinaia di evidenze antropiche. I dati raccolti sul campo sono stati contestualizzati attraverso l'analisi di diverse tipologie di fonti e materiali, non solo di tipo archeologico ma anche inquadrabili in ambiti storico-archivistici e topografici, con un’impostazione della ricerca in senso marcatamente interdisciplinare. L'elaborazione di un modello predittivo etnoarcheologico ha avuto il duplice obiettivo di fornire uno strumento di interpretazione delle strutture presenti sul territorio e di validare la stessa metodologia prognostica impiegata, già elaborata in ambito trentino. I dati raccolti e i risultati della loro analisi hanno permesso la ricostruzione diacronica di un paesaggio complesso, caratterizzato dalla compresenza di differenti attività economiche (pastorizia, attività minerarie e sfruttamento forestale), attraverso le quali si è espressa l'azione umana nell'ambiente montano lungo l'arco di più di un millennio. La metodologia proposta, in quanto sintesi di diverse esperienze di ricerca in ambito alpino, potrebbe porre le basi per una più ampia riflessione riguardo possibili approcci condivisi e comuni ad una "archeologia di montagna", che sempre più si sta delineando come una disciplina autonoma.
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When glaciers vanish : nature, power and moral order in the indian HimalayasGagné, Karine 04 1900 (has links)
La présente thèse est une étude ethnographique qui examine le savoir en tant que pratique située au Ladakh, dans l’Himalaya indien. Elle analyse les implications socioculturelles des deux moteurs de changement en jeu au Ladakh: l’un est d'origine socio-économique et lié à la production du Ladakh en tant que zone frontalière, tandis que l’autre est de nature environnementale et entrainé par les changements climatiques. Alors que le Ladakh est demeuré hors de la portée de l’État bureaucratique pendant l’administration coloniale britannique, la région s’est trouvée reconfigurée en zone frontalière stratégique après l’indépendance de l’Inde des suites des guerres successives avec le Pakistan et la Chine. L’Indépendance a mené à la partition de l’Inde et du Pakistan en 1947; cette thèse examine la portée à long terme des évènements traumatisants de la partition tels qu’ils se sont déroulés au Ladakh et comment les Ladakhis établissent des liens entre ces évènements et les changements climatiques. L’État indien s’est produit dans la région à travers une volonté de dominer les montagnes, principalement par le développement d’infrastructures et par l’intégration du savoir local des Ladakhis dans l’appareil militaire. La militarisation a restructuré l'économie du Ladakh, redéfini la structure des ménages, contribué à l’exode rural, déplacé la centralité des activités agropastorales et, tel que la dissertation le soutient, altéré de manière significative la connexion de la population locale avec l'environnement. La rationalisation croissante de la perspective sur l’environnement aujourd'hui contribue à la fragmentation des liens qui unissent les domaines naturels et humains dans la cosmologie locale de même qu’à l'abandon des pratiques rituelles connexes. Parallèlement, la région est touchée par des effets distincts des changements climatiques, en particulier la récession des glaciers. La thèse juxtapose l'expérience subjective de ces vastes changements dans la vie quotidienne des villageois de la Vallée de Sham avec les faits historiques environnementaux, démontrant ainsi que les événements historiques locaux influent sur les perceptions des changements environnementaux. L'analyse démontre qu’un phénomène objectif tel que la récession des glaciers est interprété à travers des réalités locales. Plus précisément, selon la conception du monde locale, un glacier en retrait est une figure rhétorique d’une transformation de la condition humaine. Comme le fait valoir la dissertation, l’interprétation culturelle ne constitue pas un obstacle à l'objectivité de l'histoire naturelle de la cosmologie locale. L’interprétation culturelle et l'expérience empirique s’avèrent par ailleurs essentielles à la vitalité des connaissances locales sur l'environnement et à la performance des pratiques associées. / The dissertation presents an ethnographic study that examines knowledge as a situated practice in Ladakh, in the Indian Himalayas. It analyzes the sociocultural implications of two drivers of change at play in Ladakh: one is of socioeconomic origin and linked to the production of Ladakh as a border area, while the other is environmental and driven by climate change. Ladakh, which remained outside the scope of the bureaucratic state during the British colonial administration, found itself refashioned into a strategic border area following India’s independence and successive wars with Pakistan and China. Independence led to the partition of Indian into India and Pakistan in 1947; the dissertation examines the long-term, traumatic events of the partition in Ladakh, tracing connections to current perceptions of climate change. The independent Indian state has produced itself in the region through the taming of its mountains, primarily through infrastructure development and the co-optation of Ladakhi knowledge of the environment by the military apparatus. Far-reaching militarization has restructured Ladakh’s economy, consequently redefining household structure, contributing to village depopulation, displacing the centrality of agro-pastoralist activities and, as the dissertation argues, significantly altering the local population’s engagement with the environment. The increasing rationalization of the outlook on the environment today contributes to the fragmentation of links between the natural and human realms within the local cosmology and the abandonment of related ritual practices. Concurrently, the region is impacted by distinct effects of climate change, in particular glacier recession. The dissertation juxtaposes both the subjective experience of wide-ranging environmental changes and changes in everyday village life with historical facts, showing that local historical events influence perceptions of glacier recession and the depletion of natural resources. The analysis demonstrates that objective phenomena such as glacier recession are interpreted through local realities. Specifically, in the local worldview, a vanishing glacier is a trope for changes in the human condition. Yet, as the dissertation further argues, such cultural framing does not preclude the objectivity of natural history in local cosmology. Moreover, cultural framing and empirical experience, therefore, are shown to be essential to the vitality of local knowledge about the environment and to the performance of associated landscape practices.
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Casting no shadow : overlapping soilscapes of European-Indigenous interaction in northern SwedenGreen, Heather F. January 2012 (has links)
The Sámi’s past activities have been documented historically from a European perspective, and more recently from an anthropological viewpoint, giving a generalised observation of the Sámi, during the study period of AD200-AD1800, as semi-nomadic hunter gatherers, with several theories suggesting that interaction with Europeans, through trade, led to the adoption of European activities by certain groups of the Sámi (Eiermann, 1923; Paine, 1957; Manker and Vorren, 1962; Bratrein, 1981; Mathiesen et al, 1981; Meriot, 1984). However, there is almost no information on the impact the Sámi had on the landscape, either before or after any adoption of European activities, and none investigating what cultural footprint or indicators would remain from Sámi or European occupation and/or activity within the typically podzolic soils of Northern Sweden. Consequently the thesis aims to contribute to the gap in knowledge through the formation of a podzol model identifying the links between anthropogenic activity and the alteration of podzol soils, and through the creation of soils based models which identify the cultural indicators associated with both Sámi and European activity; formed from the identification of cultural indicators retained within known Sámi and European sites. The methods used to obtain the information needed to achieve this were the pH and magnetic susceptibility from bulk soil samples and micromorphological and chemical analysis of thin section slides through the use of standard microscopy and X-ray fluorescence from a scanning electron microscope. The analysis revealed that the Sámi had an extremely low impact on the landscape, leaving hard to detect cultural indicators related to reindeer herding in the form of reindeer faecal material with corresponding phosphorous peaks in the thin section slides. The European footprint however, was markedly different and very visible even within the acidic soil environment. The European indicators were cultivation based and included phosphorous and aluminium peaks as well as a deepened, highly homogenised plaggen style anthropogenic topsoil rich in ‘added’ materials. An abandoned European site which visibly and chemically shows the formation of a secondary albic horizon within the anthropogenic topsoil also provides an insight into the delicate balance of cultivated soil in northern Sweden, whilst reinforcing the outputs identified in the podzol model. Due to the almost invisible Sámi footprint on the landscape, areas of overlap were impossible to identify however, there was no evidence of the adoption of European cultivation activities at any of the Sámi sites investigated. The only known area of interaction between the two cultures was an official market place which had been a Sámi winter settlement prior to its use as a market site. This site showed none of the reindeer based Sámi indicators or the cultivation based European indicators, but did contain pottery fragments which could be linked to trade or occupation. Overall, the thesis reinforces the low impact expected of the semi-nomadic Sámi and sheds light on the underlying podzolic processes influencing the anthropogenically modified soils of Northern Sweden. The podzol model is reinforced by several findings throughout the thesis and the soils based cultural indicator models for both Sámi and European activity have been successfully tested against independent entomological and palynological data and therefore provide reliable reference material for future studies.
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DISSONANT FORMS: LANDSCAPE, NATURE-LOVE, and ARTBenoit, Taylor F 01 July 2021 (has links)
As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. In this way, the Former consists of all the powers at play that unthinkingly formed the vital life-forces that afford us our perceptive and creative capacities, and in doing so, precede us chronologically. The primary questions my creative practice posits are therefore: what does it mean to give form to our Former through creative applications? In doing so, is it appropriate to assume that we are returning the favor?
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