This thesis examines the political career of Henry Percy, 1st earl of Northumberland. Chapter one examines the background of the Percy family, and Henry Percy's career in the years leading to his elevation to the earldom of Northumberland. Chapter two considers his relationships with John of Gaunt and the Neville family both at times of crisis and during times of relative stability. It also examines his relationship with the wider political community in the north of England and his role on the Scottish border during the late fourteenth century. Chapter three focuses on the turbulent years of 1399-1403. It offers new interpretations of Percy's participation in the revolution of 1399 and in the events leading to the 1403 rebellion led by his son Henry 'Hotspur'. Chapter four traces the final years of Percy's life from 1404-8. It re-interprets the events leading to his flight to Scotland in 1405, his years there, in Wales and on the continent and his final, fatal return to England in 1408.

This thesis explores ideas of everydayness, the mundane, and the repetitive emptiness of consumer culture. It looks at the malaise that plagues everyday life and examines several attempts throughout history to break from its grips which revolve around a search for a more ideal state. This research includes utopias of modernism, the transcendental, the communal living of Shakers and Early Christians, ascetic monks and The Desert Fathers. These ideas have shaped my studio practice as I construct installations based on worlds which allude to the eternal, the otherworldly, and the fragility of our physical world when compared to more eternal spiritual archetypes.

Tesis para optar al grado de Magíster en Literatura mención Literatura General y Comparada

The First World War's 1916 Arab Revolt has become, in the West, a renowned episode in part because of the presence of one dominating character: T.E. Lawrence. However, "Lawrence of Arabia" is only the most prominent of the many Western agents sent to advise the Revolt. The narratives of these advisers have come to dominate the most Westerners popular conception of the Arab uprising. Most scholars have portrayed the British advisers to the Arab Revolt as "pro-Arab." The aim of this thesis is to challenge that portrayal through a careful analysis of the writings (published and unpublished) and actions of the four advisers: T.E. Lawrence, Sir Ronald Storrs, Major Sir Hubert Young, Lt Col. Sir Percy Joyce. / I argue for a more subtle, complex, heterogeneous version of the advisers Pro-Arab approach. By examining the advisers' published accounts and the available archival resources the contrast between the rhetoric surrounding their legends and the actual practice of their war experiences will be laid bare. The goal of the thesis is to use primary sources to demonstrate, in various areas of their relationships with Arabs, a discourse of superiority versus inferiority. This work has consequently attempted to present a less altruistic agenda emerging from the advisers' wartime conduct. In its place I have demonstrated numerous instances where they coerced and enforced their own interpretation of Arab desires and even an "Arab" identity onto the Revolt itself and furthermore, cemented these interpretations into Western popular culture.

Forgotten Lyres is a musical response to Percy Bysshe Shelley's poem Mutability, which depicts the fragility and unpredictable nature of human life. Four independent chamber ensembles make up the performing forces of Forgotten Lyres; the musicians evoke the topics of Shelley's text as they interact and coordinate with one another according to a variety of paradigms and without the use of a conductor. This essay focuses on the approaches to coordination within and between ensembles, and the ways in which the musicians' interactions can evoke and convey Shelley's texts. The essay also examines works by Mel Powell, Toru Takemitsu, Witold Lutoslawski, and Pierre Boulez as examples and precursors for the coordination strategies employed in Forgotten Lyres.

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In Peters and Pomeroy's fourth edition of Commercial Law, a number of cases are cited where there is a difference between the laws and rulings of the various states. There are only three cases in which the difference is given. The procedure was to find all of the cases in which there is any doubt as to the Texas law, and to quote the law or ruling as given by Peters and Pomeroy, and then to give the law or ruling of the State of Texas.

An examination of the utilization of folk song elements in the wind band music of Australian composer David Stanhope, represented in two movements ("Lovely Joan" and "Rufford Park Poachers") from his Folk Songs for Band. Sets 1 and 2. Included is an historical overview of English folk music, emphasizing the theoretical properties of the English folk song and the events surrounding the modern renaissance of British folk music. Background information related to the musical development of Vaughan Williams, Grainger, and Stanhope is provided, noting the influence of the folk idiom in their compositional styles and Grainger's influence on the music of David Stanhope. An historical account of the two folk songs examines the events and compositional procedures related to the inclusion of "Lovely Joan" in Vaughan Williams' Fantasia on Greensleeves. and Grainger's use of "Rufford Park Poachers" in Lincolnshire Posv. Emphasis is placed on the subsequent compositional treatment of the folk elements in Stanhope's wind band compositions. A detailed analysis of Stanhope's compositional style includes structural, harmonic, melodic, and historical considerations, while specifically illuminating his contemporary and innovative approaches to scoring and instrumentation.