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1	Triptych Torkelsson, Sara January 2011 (has links) Movement in relation to clothing has been conceptualized in many collections before mine. Mostly in terms of garments that move when the body moves. The aim for this project is to have another approach to movement. The attempt is to create a movement that is like a rhythm flowing through the collection. This approach allows me to work with static garments which together creates a rhythm. Movement is an abstract event and impossible to capture in a concrete way. To start my investigation about how I could picture movement I divided movement into three different categories. First, “the speedfull movement” which stands for “the actual” true movement, the one no one can ever capture except from the eye. “Trace of movement”, which represent that slight second where two cinematic pictures meets and creates an illusion of movement. “Static movement”, is the lines that in painting or sculpture can create an illusion of movement. The only movement that I therefore can create in a garment is always static. But, by butting them together in three I create a movement in between the garments. The movement is static but at the same time I could capture some of those “traces of movement” where two cinematic pictures meet. The movement in my collection is an interpretation of how static pictures create motion as seen in cinematographic images. The tools I use to accomplish this movement are perspectives, rhythm and pleating. / Program: Master Programme in Fashion and Textile Design movement pleating Design Design
2	Pleated patterns : An investigation of printed surface patterns and pleated structures in textile design. Hult Lamberger, Rebecca January 2022 (has links) This work places itself in the field of textile design, printed surface patterns and pleating. The primary motive for this work is to bring together pleating and surface patterns by designing surface patterns that are the main component of the pleating. The aim is to combine printed surface patterns with pleating in order to design contemporary two-sided textiles for a spatial context. Different pleating patterns have been tested in combination with material and scale. Small paper sketches have been used to develop the surface patterns and to see how the different surface patterns are merging with each other when printed on both sides of the fabric. The printing method that has been used is transfer print. The result is a collection of three different textiles printed with surface patterns on both sides of the fabric. For further development the textiles can be placed in an interior context and serve as room dividers. pleating printed surface patterns textile design Design Design
3	Textiles in three dimensions : an investigation into processes employing laser technology to form design-led three-dimensional textiles Matthews, Janette January 2011 (has links) This research details an investigation into processes employing laser technology to create design-led three-dimensional textiles. An analysis of historical and contemporary methods for making three-dimensional textiles categorises these as processes that construct a three-dimensional textile, processes that apply or remove material from an existing textile to generate three-dimensionality or processes that form an existing textile into a three-dimensional shape. Techniques used in these processes are a combination of joining, cutting, forming or embellishment. Laser processing is embedded in textile manufacturing for cutting and marking. This research develops three novel processes: laser-assisted template pleating which offers full design freedom and may be applied to both textile and non-textile materials. The language of origami is used to describe designs and inspire new design. laser pre-processing of cashmere cloth which facilitates surface patterning through laser interventions in the manufacturing cycle. laser sintering on textile substrates which applies additive manufacturing techniques to textiles for the generation of three-dimensional surface patterning and structures. A method is developed for determining optimum parameters for laser processing materials. It may be used by designers for parameter selection for processing new materials or parameter modification when working across systems. 677
4	‘‘Push/pull’ …cloth directed”. Exploring possible draping techniques based on Madame Gres’ method to create shape and fo MKHABELA, IRMGARD January 2014 (has links) This study is concerned with the development of a method for creating shapes and form in clothing with minimum exertion on the cloth, using simple construction techniques. It is an exploration of an approach to producing clothing in a less familiar manner to the usual way of working which involves, almost always, drafting or flat-pattern making. With the expression of the movement of the textile around the body as the main aim, the ‘push/pull’ principle is employed to direct its flow in both a symmetric and asymmetric fashion. It is a principle inspired by Madame Gres, the French designer of the 1930s to 1980s, famous for her neo-classic inspired gowns. The textile, usually a rectangle, is manipulated without cutting into it but by pushing and pulling first, through the upper limbs of the body, and then ‘worked’ around the rest of the body, using draping and pleating to create shapes which are spontaneous, elaborate and not pre-determined. Furthermore, the approach explores the aesthetic potential of draping and combining the Filter 80 PPI, an industrial textile used for filtering, with conventional clothing materials, linen and/or cotton in this case. The parallels and constasts of this mix are noted, together with the distinct expressions, which nonetheless both display a simple approach in construction, minimal manipulation of the textile, the use of the upper limbs as natural obstacles, and the ‘no-cut’ principle of the rectangular piece of cloth. With free form construction and reflection, one discovers expressions possible only through the use of an experimental approach in working. / Program: Master Programme in Fashion and Textile Design Draping pleating push/pull movement free-form experimental expressions symmetry asymmetry Design Design
5	Responsive Textile Geometries : Vanadisbadet Revised Aidas, Nina January 2011 (has links) How can principles found in textile behaviour be translated into architectural expression? With water as a program in context of a new bath in Vanadislunden, Stockholm, this project studies how a rigid material can be percieved as soft and flexible. bath vanadisbadet vanadislunden outdoors bath indoors bath swimming hall swimmingpool glulam grillage double-curved cnc cnc-milling textile textiles texture pleating terraces park spa sports-hall bad vanadisbadet vanadislunden utomhusbad inomhusbad badhus textil textilier textur limträ balkrost dubbelkrökt cnc cnc-fräs pool gestaltning plissering terasser park suterräng spa sporthall Architectural Engineering Arkitekturteknik

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