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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 21 to 24 of 24 (0.061 seconds)Spelling suggestions: "subject:"postworld war ii"" "subject:"lostworld war ii""
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Britain and the development of leftist ideology and organisations in West Africa: the Nigerian experience, 1945-1965Tijani, Hakeem Ibikunle 08 1900 (has links)
Although organised Marxist organisations did not emerge in Nigeria until the mid-1940s, leftist ideology had been prevalent among nationalist and labour leaders since the late 1920s. Both official documents and oral histories indicate deep-rooted support for leftism in Nigeria and anxiety among British colonial officials that this support threatened the Colonial Office's own timetable for gradual decolonisation. This study analyses the development of leftist ideology and attempts to establish a nationwide leftist organisation in colonial and post-independent Nigeria.
The role of the Zikist movement is retold in light of new evidence, while other leftist organisations are salvaged from the footnotes of Nigeria nationalist history. More importantly, the adaptability of Marxist-Leninist ideology to colonial reality by the different leftist groups in Nigeria is emphasized. The reaction of Anglo-American officials in Lagos and the metropolis towards the Communist Party of Great Britain and other leftist organisations' sponsorship of Marxist groups in Nigeria are discussed. Lastly, the continuity between the departing colonial power and the Balewa administration is addressed to juxtapose the linkage between the two governments. The study thus provides a lucid explanation for the failure of leftist ideology and organisations in Nigeria during the twentieth century.
In this eight-chapter thesis I consistently argue, based on official documents from England, Nigeria, and the United States, that the role of Marxists and Soviet Cold War interests in colonial territories are relevant to nationalism and decolonisation in Nigeria; that the issue is not to determine or measure whether or not Anglo-American policies are direct response to Soviet interests; that there are political, economic, and diplomatic policies carried out as part of the transfer of power process; and that the success of these is partly a result of collaboration with local subaltern leaders and official resolve to institutionalise imperial preferences before independence on October 1, 1960. / History / D.Litt. et Phil. (History)
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Britain and the development of leftist ideology and organisations in West Africa: the Nigerian experience, 1945-1965Tijani, Hakeem Ibikunle 08 1900 (has links)
Although organised Marxist organisations did not emerge in Nigeria until the mid-1940s, leftist ideology had been prevalent among nationalist and labour leaders since the late 1920s. Both official documents and oral histories indicate deep-rooted support for leftism in Nigeria and anxiety among British colonial officials that this support threatened the Colonial Office's own timetable for gradual decolonisation. This study analyses the development of leftist ideology and attempts to establish a nationwide leftist organisation in colonial and post-independent Nigeria.
The role of the Zikist movement is retold in light of new evidence, while other leftist organisations are salvaged from the footnotes of Nigeria nationalist history. More importantly, the adaptability of Marxist-Leninist ideology to colonial reality by the different leftist groups in Nigeria is emphasized. The reaction of Anglo-American officials in Lagos and the metropolis towards the Communist Party of Great Britain and other leftist organisations' sponsorship of Marxist groups in Nigeria are discussed. Lastly, the continuity between the departing colonial power and the Balewa administration is addressed to juxtapose the linkage between the two governments. The study thus provides a lucid explanation for the failure of leftist ideology and organisations in Nigeria during the twentieth century.
In this eight-chapter thesis I consistently argue, based on official documents from England, Nigeria, and the United States, that the role of Marxists and Soviet Cold War interests in colonial territories are relevant to nationalism and decolonisation in Nigeria; that the issue is not to determine or measure whether or not Anglo-American policies are direct response to Soviet interests; that there are political, economic, and diplomatic policies carried out as part of the transfer of power process; and that the success of these is partly a result of collaboration with local subaltern leaders and official resolve to institutionalise imperial preferences before independence on October 1, 1960. / History / D.Litt. et Phil. (History)
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Fighting for Air: Cold War Reorganization and the U.S. Air Force Security Service, 1945-1952Shackelford, Philip Clayton 04 May 2016 (has links)
No description available.
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Barbro Östlihn och New York : Konstens rum och möjligheterÖhrner, Annika January 2010 (has links)
The study analyses the American neo-avantgarde as well as the narratives of Swedish post World War II art history, through a specific subject position. The Swedish painter Barbro Östlihn (1930-1995) lived in New York from 1961, where her work was exhibited and received on a new art scene. Despite the strong focus within Swedish Art History on the 1960’s and the American art scene, Östlihn seems to be marginalized in its narratives. Studies of selected corpora of American art criticism, and of segments in the Swedish art scene in the 1960’s are maintained. Discursive and field-related mechanisms, which help to explain what positions were available, are revealed. Transnational processes of avant-garde culture between Manhattan and Stockholm are discussed, e.g. through an analysis of the American pop art show at Moderna Museet in 1964. This becomes the backdrop for the final chapter’s discussion of the narratives in post World War II Art History in Sweden. In the interpretation of Östlihn’s work-process, her use of photography is understood as a strategy to connect her painterly work with urban space. The painterly and the photographic are merged, as in other artistic practices in a historical moment of crisis in painting. The studio, the site where modes of art production are constructed, is one point of departure in a spatial analysis of the art field. Another is the ongoing urban renewal on Lower Manhattan and its impact on artistic work and on how artists are positioned. Östlihn’s co-operation in the work of her husband Öyvind Fahlström, is understood as a merging of a traditional division of work between genders, and new co-operative modes of art-production. The study is the first academic work on Barbro Östlihn, and covers the time span 1960-1969. Feminist theory, Pierre Bourdieu’s field theory and Michel Foucault's discourse theory is used as its main framework.
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