<p>Israel's establishment in 1948 in former British-Mandate Palestine as a Jewish country and as a liberal democracy is commonly understood as a form of response to the Holocaust of WWII. Zionist narratives frame Israel's establishment not only as a response to the Holocaust, but also as a return to the Jewish people's original homeland after centuries of wandering in exile. Debates over Israel's policies, particularly with regard to Palestinians and to the country's non-Jewish population, often center on whether Israel's claims to Jewish singularity are at the expense of principles of liberal democracy, international law and universal human rights. In this dissertation, I argue that Israel's emphasis on Jewish singularity can be understood not as a violation of humanism's universalist frameworks, but as a symptom of the violence inherent to these frameworks and to the modern liberal rights-bearing subject on which they are based. Through an analysis of my fieldwork in Israel (2005-2008), I trace the relation between the figures of "Jew" and "Israeli" in terms of their historical genealogies and in contemporary Israeli contexts. Doing so makes legible how European modernity and its concepts of sovereignty, liberalism, the human, and subjectivity are based on a metaphysics of presence that defines the human through a displacement of difference. This displaced difference is manifest in affective expression. This dissertation shows how the figure of the Jew in relation to Israel reveals sexual difference as under erasure by the suppression of alterity in humanism's configuration of man, woman, and animal, and suggests a political subject unable to be sovereign or fully represented in language.</p> / Dissertation

This thesis delves into the postcolonial genre, examining the novel, The God of Small Things, by Arundhati Roy, and how it highlights the duality in gender roles, social class, and postcolonial society through the narrative style and language.

In recent decades, international feminist activism and research has had significant success in pushing gender issues onto the international agenda and into global governance institutions and processes. The goal of gender equality is now widely accepted and codified in international legal instruments. While this appears to be a remarkable global success for feminism, widespread gender inequalities persist around the globe. This paradox has led scholars to question the extent to which feminist concepts and goals can retain their transformative potential when they are institutionalized in global governance institutions and processes. This thesis examines the institutionalization of feminist ideas in global governance through an analysis of how, and with what effects, gender equality norms are constructed, interpreted and applied in the global governance of refugees: a field that has thus far received little attention in the growing literature on feminism, gender and global governance. This aim is pursued through a case study of humanitarian aid practices in refugee camps in Bangladesh and Thailand. The study is based on interviews with humanitarian workers in these two contexts, and its theoretical framework is informed by postcolonial feminist theory and Foucauldian thought on power and governing. These analytical perspectives allows the thesis to capture how gender equality norms operate as governing tools, and situate the politics of gender equality in refugee camps in the context of global relations of power and marginalization. The findings of this thesis show that in the global governance of refugees, gender equality is rarely treated as a goal in its own right. The construction, interpretation and application of gender equality norms is mediated and shaped by the dominant governing projects in this field. Gender equality norms are either advocated on the basis of their usefulness as means for the efficient management of refugee situations, or as necessary components of a process of modernization and development of the regions from which refugees originate. These governing projects significantly limit the forms of social change and the forms of agency that are enabled. Nevertheless, gender equality norms do contribute to opening up new opportunities for refugee women and destabilizing local gendered relations of power, and they are appropriated and used by refugees in ways that challenge and go beyond humanitarian agendas.

<p>The abscence of the brazilian artist Tarsila do Amaral (1886–1973) in the general art history is investigated, using the colonial structure as a starting point. In South America she is regarded as one of the greatest artists in modern time, in the rest of the world she is more or less unknown. The conclusion is that the colonial mechanisms are still in progress in our assumed postcolonial world, and has excluded Tarsila do Amaral, and the anthropophagic movement she was a part of, from the art history. The study points out the importance of looking into this neglected artist and the historic event. Not only to add it to the history of art, but also to show how anthropophagy as an artistic strategy created in the 1920’s Brazil is as relevant today as it was then. Three oil paintings of Tarsila do Amaral is used to describe the artistic strategy that solved the problem of beeing shaped as a mirror image to the western world. The paintings A Negra, Abaporu and Antropofagia tells us the story of how the Brazilian people started to see themselves as culturaly independent from Europe. Neither as something opposite nor similiar, but as something between. Anthropophagy is challenging our notion of ”us” and ”them” as well as centre and periphery – and is therefor useful in the writing of art history. Its not only important to make room for Tarsila do Amaral in the history of art – its also urgent to let her contribution be a part of the present art world.</p>

The purpose of this study is threefold: (1) to give a historical background of the concept of religion; (2) critically examine the challenges in the Study of Religions based on David Thurfjell and his essay Religionswissenschaft and the challenge of multi-religious student groups; and (3) to offer a solution that might improve and turn the Study of Religions into a more fruitful field. The results show that the concept of religion is the result of the developments in Western Europe and Christian theology. Secondly, the results illustrate that the methodologies of the department for the Study of Religions at Södertörns University College are seriously flawed. Finally, some personal suggestions and reflections are made that might improve the methodologies of the field.

La présente étude analyse les lignes de force et les structures thématiques d'une écriture hybride, conçue comme un réseau organisé de motifs récurrents et d'images obsédantes. Elle recense les traits pertinents de l'esthétique romanesque d'António Lobo Antunes. Cette esthétique se conçoit comme le lieu d'un travail linguistique préalable à la subversion de l'héritage idéologique et narratif du centre impérial, grâce à des procédés s'inspirant, entre autres, de la carnavalisation bakhtinienne. La thématique se conjugue ici à la psychanalyse pour aboutir au dévoilement d'un projet poétique postcolonial privilégiant les voix discordantes et les discours déviants des aliénés et des sans voix.

The thesis re-presents the lived experience of cultural animation and policy production in postcolonial Zimbabwe, seeking to place these observations and theories in the domain of Cultural Policy Studies. The nation was in transition from oracy to literacy and from colonial control to socialist independence. Cultural workers in Bulawayo were very productive after Independence without apparently being aware of any policies. How, then, did things get done? The initial premise was that people living in oral cultures were always able to discuss plans and implement decisions, and that endogenous and exogenous influences (theorised as memes) were incorporated experimentally in a cultural bricolage. Part One introduces the pre-policy context of cultural change in precolonial and postcolonial situations, theorises cultural change at a micro level in terms of memetics and explains the methodology of multiple case studies. Part Two looks for origins of cultural concepts in 19th century white-authored journals and 20th century revolutionary texts and presents a critical analysis of formal documents controlling cultural policy since Independence. The importance of plurilingualism, translation and literacy in interactions between social actors is examined. Part Three provides empirical evidence to refine the original proposition in a detailed synchronic study of local cultural praxis. Discourse analysis of conflict and consensus operating at grassroots level is followed by accounts of the increasing management capacity of some groups as they become professional performers in international arenas. Contrasting instances of individual and communal animation are found in the development of institutions. Part Four discusses the role of dynamic oral policies in cultural action both in a pre-policy situation and in the implementation of documented policy in a democratising polity. The thesis also has potential for its theoretical findings to be applied in different national contexts of development and beyond cultural policy to other spheres where an increasing volume of policy initiatives challenges the people charged with their implementation.

This research explores institutional discourse on change in South Korean football. It seeks to understand the construction and legitimisation of change in Korean football as a product of both national and international dynamics. It explores the debates on modernity and modernisation of football in Korean society as a product of Korean colonial and postcolonial histories, including Korea s construction of self and otherness in relation to North Korea, Japan, China, and the West. In doing so, this research s ambition is to contribute to East Asian studies in general and South Korean society (politics, culture, economy, and history) in particular. It emphasises the application of modernity and tradition debates, as well as postcolonial critique and Foucauldian discourse analysis for the study of sport and football in Korea.

Recent developments in translation studies since the 1990s have focused on the ideological implications of translation, seeing the role of the translator as an interventionist and a mediator. This new paradigm overcomes the idea that translation is a mimetic task that consists merely of transferring meaning from one language to another, but rather it is associated with political processes which may involve domination, oppression, submission or resistance amongst social groups and communities. Recognition is given to the capacity of translation to forge social and cultural change. Postcolonial contexts have proven to be particularly fertile for the study of ideological issues related to translation insofar as they reflect a situation of inequality between language communities. In these contexts, translation can be used as a political artefact either to perpetuate colonial domination or to fight against it. As a result, the 1990s have seen the emergence of postcolonial translation theories. These new theories are not only applicable to contexts that are most commonly identified as postcolonial, but to any type of situation where there exists inequality between the two systems in which translation takes place (e.g., in subaltern cultures where the practice of translation can become a means of resistance against a situation of cultural domination and a channel of self-definition). In this regard, the situation of Galicia in the 1920s and 1930s is paradigmatic and it offers invaluable grounds for the study of translation when used as an ideological instrument in the struggle for the search and construction of a national identity. During this period a group of intellectuals, widely known as Xeración Nós, emerged in the region concerned with the articulation of a nationalist discourse based on the cultural and political differentiation of Galicia with regard to the rest of Spain. Their nation-building project was a response to a situation of cultural oppression, long imposed by the Spanish state represented by Castile, and it was based on the concepts of Celticism and Atlanticism. Resorting back to the alleged Galician ancestors, the Celts, they strove to establish affinities with the other so-called Celtic nations of Northern Europe, particularly Ireland, in order to include Galicia within the Celtic mythological tradition and, by extension, within a new Atlantic civilisation opposed to the Mediterranean one which they associated with Spain. Within this well planned ideological agenda, translation of Irish literary texts played an essential role as it was used as a political tool to establish the abovementioned affinity with Ireland. From the selection of the texts to be translated to the actual discourse strategies used by the translators, translation became a process of appropriation and manipulation to support ideological ends. Focusing on the translations of the Irish poet and playwright W.B. Yeats, the most translated Irish writer of the period and profoundly admired by the Galician intelligentsia, this thesis intends to explore how translation was used in a subversive and manipulative way to show Galicia’s distinctiveness and to build a national identity resisting cultural domination. Therefore, I will demonstrate the capacity of translation to shape cultures and to aid and support cultural and social change.

<p>“War Worlds” reads twentieth-century British and Anglophone literature to examine the social practices of marginal groups (pacifists, strangers, traitors, anticolonial rebels, queer soldiers) during the world wars. This dissertation shows that these diverse “enemies within” England and its colonies—those often deemed expendable for, but nonetheless threatening to, British state and imperial projects—provided writers with alternative visions of collective life in periods of escalated violence and social control. By focusing on the social and political activities of those who were not loyal citizens or productive laborers within the British Empire, “War Worlds” foregrounds the small group, a form of collectivity frequently portrayed in the literature of the war years but typically overlooked in literary critical studies. I argue that this shift of focus from grand politics to small groups not only illuminates surprising social fissures within England and its colonies but provides a new vantage from which to view twentieth-century experiments in literary form.</p> / Dissertation