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Perceiving and participating in cultural heritage : an ethnography about the process of preservation of Ouro Preto, BrazilDe Souza Santos, Andreza Aruska January 2016 (has links)
This thesis discusses the promises and pitfalls of city preservation in Ouro Preto, a Brazilian city preserved nationally and hailed as a UNESCO World Heritage site. Using interviews, archival material, ethnographic observations, and the analysis of public meetings on city preservation in Ouro Preto in 2013, I study how the city's legacy as a national treasure of monumental architecture has endured until now, despite different coexisting standards of living, perceptions and uses of the city, and views of the past. In Ouro Preto, while fluctuating populations of tourists and students live mainly in the historic city centre, permanent residents often build their homes in underprivileged and marginalised areas and benefit little from their cultural heritage. Spatial exclusion and preservation policies, allegedly favouring outsiders, boost the divide between residents and newcomers, echoing the colonial past of the city. Disputes around the preservation of the cityscape invited widespread participation. One expectation of increased grassroots participation in cultural heritage sites is that it could expose varied and fluid perspectives of the city, and consequently allow for corresponding, more inclusive uses. However, when looking at local participatory practices in heritage policies, I consider the challenge for grassroots meetings to include different citizens and viewpoints, when the ability to disagree in public debates and participation are restricted by socio-economic conditions. The ethnographic character of this research offers a platform to investigate anthropological questions regarding the role, limits and expectations around cultural heritage and participatory practices in a context of varied socio-economic levels and fluid perceptions of aesthetics, history, and everyday uses of public spaces in a fragmented city.
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澳門特區政府的政策過程研究 : 以文化遺產政策為例 / Policy process studies in Macau SAR Government : a case study of the cultural heritage policy in Macau譚志廣 January 2009 (has links)
University of Macau / Faculty of Social Sciences and Humanities / Department of Government and Public Administration
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Public private partnership (PPP) in heritage conservation: the case study of Casa de Cha Long Wa, MacaoChen, Zhaoyu, Vicky., 陈昭宇. January 2013 (has links)
Public private partnership (PPP) is a favorable cooperation mode in delivery of public infrastructure and service projects. This concept is warmly discussed in economic perspective on providing a wide range of general public services. The private sector which involved in the public services work, it helps release public sector’s finance pressure on funds and reduce the risks on conducting the works.
When this PPP concept applied into conservation works, government and private sector utilize resource they have and cooperate with each other to realize ultimate work. In general, PPP is applied in the conservation on government owned property and work for public interest. The scale of the project is typically large and last for a long time. The private sectors which join in the work are organizations at most. It is rarely to see government-individual cooperation in PPP mode. Such cooperation is encouraged, since a successful conservation work is not judged by project scale and length of work, even money spending, but the social continuum to the public. Therefore, the key issue addressed by this dissertation is to documentary the conservation work undertaken in a teahouse in Macao, especially focusing on the PPP work in process. The purpose is to reveal a successful conservation practice applied PPP in a small scale, private owned property, an individual as private sector participated in conservation work.
The dissertation examines historical, cultural and social backgrounds of the teahouse building and approaches primary source by interviewing with stakeholders on their comments and opinions. After collecting information and analyzing results, a framework on judging the success of PPP work is generated at the end which makes this research valuable and unique. The research work could be used as a reference for future study on PPP work with project characteristics like the case discussed in this dissertation. / published_or_final_version / Conservation / Master / Master of Science in Conservation
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Examination of the systems of authority of three Canadian museums and the challenges of aboriginal peoplesMattson, Linda Karen 11 1900 (has links)
In order to illustrate why museums are frequently sites of conflict and
mediation, this dissertation examines the complex conditions under which
knowledge is produced and disseminated at three Canadian museums.
Approaching museums as social arenas or contact zones, the dissertation exposes
power struggles in museums and dislodges a whole set of assumptions about what
museums are and how they function.
For the study I selected the following museums with anthropological
mandates: MacBride Museum (Whitehorse), Prince of Wales Northern Heritage
Centre (Yellowknife), and Vancouver Museum (Vancouver). The three museums
were chosen because their geographical proximity to large communities of
Aboriginal Peoples enabled an exploration of the changing relationships between
them. Historically, museums have held the power to classify and define Aboriginal
Peoples. Relatively recently, however Aboriginal Peoples have in various ways
(by imposing constraints on how they and their cultures are exhibited, and through
land claims and repatriation requests) been challenging their historic relationships
with museums.
In chapter one I discuss my objectives, methodology, and the work of those
scholars who shaped this dissertation. Chapter two explores the invention of
museums in the western world and begins linking the three Canadian museums
with knowledge and power. In chapters three, four, and five I portray the mobility
and productivity of three museums (MacBride Museum, PWNHC, and Vancouver
Museum) in three distinct regions of Canada. I illustrate their ability to articulate
identity, power, and tradition as well as the role they perform in the social
organization of power relations. Each chapter begins with a description of the
historical roots of power relations at each institution. This leads into a discussion
of each museum's present system of authority: the state, governing bodies, professional staff and, increasingly, Aboriginal representatives. In the process I
reveal some of the political pressures, institutional hierarchies, and personal
conflicts that shape knowledge within these institutions.
Chapter six is a review and critical analysis of systems of authority of the
three museums and the challenges presented by Aboriginal Peoples. I conclude
with the issues raised at the outset, which continue to confront the Canadian
museum community, issues of inclusion and the limitations of cross-cultural
translation, repatriation, and representation.
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Public interpretation of historic archaeology at historic sites in eastern United StatesBailey, Charlene Anne Beaty January 1991 (has links)
Fourteen historic sites in the Eastern United States were evaluated for ways archaeological evidence was used in the development of living history, public education, and other interpretive programs. A wide range of sites, such as outdoor living history museum villages, active urban public archaeology programs, sites associated with well-known archaeologists, and sites where the author had personal experience, were studied.Techniques used to interpret archaeological resources to the public were identified to ascertain which were found to be the most effective in spreading the word about preservation and conservation. Technological advances have expanded interpretive possibilities and allowed innovations not thought possible ten years ago. These advances will continue, and archaeologists will need to stay abreast of innovative techniques in public interpretation in spite of excitement or trepidation. This study may serve as guidelines for museums wishing to establish innovative, but low-budget, interpretive programs. / Department of Anthropology
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Heritage politics in Adelaide during the Bannon decade.Mosler, Sharon Ann January 2007 (has links)
Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library. / "This thesis argues that during the decade 1983-93 South Australia’s heritage legislation was not effective in protecting Adelaide’s traditional built character. The Bannon government was committed to growth through major developments during an economic recession, and many of those developments entailed at least the partial demolition of heritage-listed buildings." --p. iv. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1277500 / Thesis (Ph.D.) -- University of Adelaide, School of History and Politics, 2007
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Heritage politics in Adelaide during the Bannon decade.Mosler, Sharon Ann January 2007 (has links)
Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library. / "This thesis argues that during the decade 1983-93 South Australia’s heritage legislation was not effective in protecting Adelaide’s traditional built character. The Bannon government was committed to growth through major developments during an economic recession, and many of those developments entailed at least the partial demolition of heritage-listed buildings." --p. iv. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1277500 / Thesis (Ph.D.) -- University of Adelaide, School of History and Politics, 2007
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O setor sucroenergético e o regime de apropriabilidade de cultivares de cana-de-açúcar: caso RIDESA / The sugar ethanol sector and the apropriabilidade regime of cultivars of sugarcane: case RIDESASilva, Patrícia Brandão Barbosa da 22 February 2013 (has links)
The innovation terminology has been intensively used nowadays to evidence scenery of entrepreneurial competitiveness in the entire world. Many actors, researchers and collaborators are using elements related to tacit and codified knowledge, proceedings, directives, researches and development that are resulting in useful things absorbed by the market. One efficient regime of appropriability may protect the creations of human intellect and give competitive advantages to his owner. The Brazilian system of intellectual and industrial property is based in specific laws: Innovation Act, Cultivar protection Act and Patent Protection Act, and also with participation in international treats. The scientific and technological advances are very linked to socioeconomic development. Due the economic importance of sucroenergetic sector, the present work will discuss about the RIDESA Program, whose has the Federal University of Alagoas as one player. This work pretends to bring elements over constitution, structure, legal regulation and other parameters related to development of new cultivars of sugarcane. Although RIDESA is responsible to furnish cultivars for 59% of total area used in sugarcane plantation, and positioned 7 of the 10 more used cultivars in Brazil, this sector was evaluated as been very weak in its appropriability regime. The sugarcane´s chain aspects of knowledge generation, protection and technological transfer were analyzed, giving promises for the fast growing of this sector based in new economic paradigms coming from entrance technologies. / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / No presente cenário da competitividade mundial, o termo inovação tem sido muito usado e disseminado em diversos ambientes e por agentes, colaboradores, pesquisadores do mundo. Temos presenciado um conjunto de elementos relacionados ao conhecimento tacito e codificado, procedimentos, diretrizes, pesquisas, desenvolvimentos que geram resultados e que deverão ser absorvidos pelo mercado. Um regime de apropriabilidade eficiente pode garantir a exclusividade sobre as criações do intelecto humano e definir vantagens competitivas aos setores que a detém. O Brasil conta com o Sistema de Propriedade Intelectual amparado principalmente na legislação específica: Lei de Propriedade Industrial, Lei de Proteção de Cultivares e a Lei de Inovação, além da participação em acordos e tratados internacionais. Os avanços científicos e tecnológicos são de extrema importância para o desenvolvimento socioeconômico. Dada a importância nacional e local do setor econômico sucroenergético, o presente trabalho se propõe a estudar a Rede Interuniversitária para o Desenvolvimento do Setor Sucroenergético – RIDESA. A Universidade Federal de Alagoas é partícipe, do ponto de vista de sua constituição, estruturação e os meios legais que garantem a apropriabilidade das tecnologias obtidas através dos esforços destinados a pesquisa e desenvolvimento de novas cultivares de cana-de-açúcar. Mesmo sendo responsável pela criação das cultivares de cana utilizadas em mais de 59% da área cultivada no país, além de posicionar 7 das 10 cultivares mais utilizadas, o setor foi analisado e caracterizado como de fraca apropriabilidade. Os aspectos de geração do conhecimento, proteção e transferência da tecnologia do setor são abordados, com levantamento de expectativas de crescimento do setor, a partir de novos paradigmas de produção com tecnologias entrantes.
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Tombamento e a justa composição para o patrimônio culturalSpaolonzi, Maria Gabriella Pavlopoulos 27 September 2018 (has links)
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Previous issue date: 2018-09-27 / The aim of this study is the balanced protection of the rights reached by
state intervention in the ownership of urban real estate in the form of tipping.
To achieve this aim, in the first part, we discuss the concepts elevated
to the constitutional guarantee. More precisely, on the elements that make up
the concept of cultural heritage as well as the right to property. From the
valorization of the right to culture, which is also constitutionalised, a new
meaning of the social function of property is focused in order to conclude that
property has lost its absolute character over the years.
This research then visited the various forms of state intervention in
private property to devote greater attention to tipping - the most important
instrument of our legal system for the protection of cultural heritage.
A special chapter was dedicated to the indemnification aspect of tipping
to conclude that the aforementioned form of state intervention, often
responsible for serious damage to the holder of the domain, accommodates
itself in social resilience. From this conclusion, the study dealt with the right of
indemnification of the individual and some forms of its concretization.
The second part of the study devoted attention to the Vila Operária
Maria Zéliae, located in the neighborhood of Belém, in São Paulo. This village
was established more than one hundred years ago. This Villa suffers from the
effects of the tipping since the 1980s. This state intervention has in many
cases configured the total misconfiguration of the property with total damage
to the cultural patrimony. For what possible solutions can concrete case
await?
The conclusion of the study highlights the need to apply instruments
aimed at provoking the responsibility of the parties affected by the tipping. As
for the particular, the need for it to be called to respond for the effective
maintenance of the good even in the form of its provocation in the hypotheses
in which it does not have the financial resources for such purpose. In relation
to the Public Power, to respond for the damages caused not only to the
particular but to the cultural patrimony in the situations in which it remains inert
even when the hype and lack of knowledge of the owner of the domain was a
known fact even before the concretization of his intervention in his property . / O objeto de estudo deste é trabalho é a proteção equilibrada dos
direitos atingidos pela intervenção estatal na propriedade de bens imóveis
urbanos, na forma de tombamento.
Com esse propósito, discorre-se, numa primeira parte, sobre conceitos
elevados à garantia constitucional. Mais precisamente, sobre os elementos
que compõem o conceito de patrimônio cultural bem como o direito de
propriedade. A partir da valorização do direito à cultura, igualmente
constitucionalizado, foca-se um novo significado da função social da
propriedade para se concluir que a propriedade perdeu, ao longo dos anos,
seu caráter absoluto.
Em seguida, esta pesquisa visitou as diversas formas de intervenção
do Estado na propriedade privada para dedicar maior atenção ao tombamento
– instrumento mais importante do nosso ordenamento jurídico para proteção
do patrimônio cultural.
Dedicou-se um capítulo especial ao aspecto indenizatório do
tombamento para se concluir que mencionada forma de intervenção estatal,
muitas vezes responsável por prejuízos graves ao titular do domínio,
acomoda-se na resiliência social. A partir desta conclusão, o estudo versou
sobre o direito indenizatório do particular e algumas formas de sua
concretização.
A segunda parte do trabalho dedicou atenção ao caso Vila Operária
Maria Zélia, situada no Bairro do Belém, no Município de São Paulo.
Constituída há mais de um século, esta Vila padece com os efeitos do
tombamento desde a década de 1980. Referida intervenção estatal
configurou, em muitos casos, a total desconfiguração do bem com total
prejuízo ao patrimônio cultural. Por quais soluções possíveis caso concreto
por aguardar?
A conclusão dos estudos coloca em evidência a necessidade de
aplicação de instrumentos voltados à provocação da responsabilidade das
partes atingidas pelo tombamento. Quanto ao particular, a necessidade de o
mesmo ser chamado a responder pela efetiva manutenção do bem inclusive
na forma de sua provocação nas hipóteses em que não dispõe de recursos
8
financeiros para tal finalidade. Em relação ao Poder Público, para responder
pelos prejuízos causados não apenas ao particular, mas ao patrimônio
cultural nas situações em que se mantém inerte mesmo quando a
hipossuficiência e o desconhecimento do titular do domínio era fato sabido
antes mesmo da concretização de sua intervenção em sua propriedade.
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Examination of the systems of authority of three Canadian museums and the challenges of aboriginal peoplesMattson, Linda Karen 11 1900 (has links)
In order to illustrate why museums are frequently sites of conflict and
mediation, this dissertation examines the complex conditions under which
knowledge is produced and disseminated at three Canadian museums.
Approaching museums as social arenas or contact zones, the dissertation exposes
power struggles in museums and dislodges a whole set of assumptions about what
museums are and how they function.
For the study I selected the following museums with anthropological
mandates: MacBride Museum (Whitehorse), Prince of Wales Northern Heritage
Centre (Yellowknife), and Vancouver Museum (Vancouver). The three museums
were chosen because their geographical proximity to large communities of
Aboriginal Peoples enabled an exploration of the changing relationships between
them. Historically, museums have held the power to classify and define Aboriginal
Peoples. Relatively recently, however Aboriginal Peoples have in various ways
(by imposing constraints on how they and their cultures are exhibited, and through
land claims and repatriation requests) been challenging their historic relationships
with museums.
In chapter one I discuss my objectives, methodology, and the work of those
scholars who shaped this dissertation. Chapter two explores the invention of
museums in the western world and begins linking the three Canadian museums
with knowledge and power. In chapters three, four, and five I portray the mobility
and productivity of three museums (MacBride Museum, PWNHC, and Vancouver
Museum) in three distinct regions of Canada. I illustrate their ability to articulate
identity, power, and tradition as well as the role they perform in the social
organization of power relations. Each chapter begins with a description of the
historical roots of power relations at each institution. This leads into a discussion
of each museum's present system of authority: the state, governing bodies, professional staff and, increasingly, Aboriginal representatives. In the process I
reveal some of the political pressures, institutional hierarchies, and personal
conflicts that shape knowledge within these institutions.
Chapter six is a review and critical analysis of systems of authority of the
three museums and the challenges presented by Aboriginal Peoples. I conclude
with the issues raised at the outset, which continue to confront the Canadian
museum community, issues of inclusion and the limitations of cross-cultural
translation, repatriation, and representation. / Arts, Faculty of / Anthropology, Department of / Graduate
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