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1	Her Name is Albatross Nardandrea, Coral H. 24 April 2017 (has links) No description available. Fine Arts queer, poetry, feminism, ghosts,
2	Match Bitten Mangus, Paul 27 April 2021 (has links) No description available. American Literature Literature poetry queer poetry queer literature
3	"A poem is a gesture toward home": Formal Plurality and Black/Queer Critical Hope in Jericho Brown's The Tradition Hoelzer, Kaitlin 13 June 2022 (has links) (PDF) Jericho Brown's The Tradition (2019), which won the Pulitzer Prize for poetry, includes four duplexes, a poetic form of Brown's own invention that combines the sonnet and the blues. Made of fourteen lines separated into seven couplets, the duplex is a complex structure comprised of sets of indents and repeated lines. Brown's use of disparate source forms to create a new form altogether challenges the supremacy of a singular, white American literary tradition, putting it into conversation with other traditions in order to critique its historically racist and heterosexist boundaries. As he does so, Brown works not to abolish "the tradition" or canon, but to expand it beyond reductive ideas of who and what is allowed into this historically exclusive space. The complexity of Brown's formal project mirrors the nuanced and critical hope the duplex form expresses and evokes in readers; in contrast to queer theory's long focus on negativity, Brown's duplexes align themselves with the work of José Muñoz and Mari Ruti, who assert that hope is equally as important as negativity, as they hold the positive and negative together in both form and content. The duplex seeks to expand emotional experience as well as the canon, ultimately attempting to change the way readers feel and act. Jericho Brown Black poetry queer poetry sonnets blues queer negativity critical hope Arts and Humanities
4	Wrap Your Body. Come Home. Collins-Sibley, Miles A.M. 01 January 2019 (has links) (PDF) A collection of poems exploring ghosted ancestors, folktales, the queer black body, gender, and magical realism. ghosts magical realism folk tales queer poetry trans poetry black poetry Africana Studies
5	Frank O'Hara & the city : situationist psychogeography, postwar poetics, & capitalist culture. Shweiry, Zein 06 1900 (has links) This dissertation adopts a fresh interdisciplinary perspective on reading the postwar urban poems of New York School poet Frank O’Hara. Through French Situationist philosophy, and particularly the writings of Guy Debord, the study explores the spatial and textual relations of O’Hara’s urban and cultural representations in postwar poetry. With the help of psychogeography and its “anti-techniques” of détournement and dérive, the research focuses on O’Hara’s uses of appropriation in constructing his urban assemblages. The dissertation considers postwar poems from The Collected Poems of Frank O’Hara and offers Situationist readings and understandings of O’Hara’s modernist (urban and cultural) space. The choice of specific poems highlights O’Hara’s unequivocal inspiration by French poetry and focuses on their urbane, experimental and erotic aspects. The first two chapters propose ways in decoding psychogeographical approaches in poetic (de)composition for reading O’Hara’s poems, while the third delves into O’Hara’s uses of camp in dialogue with Situationist politics that highlight not only the capitalist and the cultural, but also the erotic and the queer. / Cette thèse expose une nouvelle perspective interdisciplinaire quant à la lecture des poèmes d’après-guerre de le poète de New York School Frank O’Hara. Au travers de la philosophie de Situationiste Internationale, plus précisément des écrits de Guy Debord, cette étude explore les connections entre la poésie de Frank O’Hara et des propres représentation urbains et culturelles. Grace au notions de psychogeographie et ses « anti-technique » de détournement et dérive, cette recherche se concentre sur l’art d’appropriation qu’utilise O’Hara dans ses assemblages poétiques. L’emphase mise sur les poèmes d’après-guerre tirés de The Collected Poems of Frank O’Hara illustre la vision de l’environnement moderniste de O’Hara. Les aspects urbains, expérimentaux, et érotiques inspirés de la poésie française sout mis en valeur par les poèmes choisir d’O’Hara. Les deux premier chapitres proposent une approche psychogeographique pour décomposer les images des poèmes de O’Hara tandis que le troisième chapitre examine l’utilization du « camp » en rapport avec la politique Situationiste qui souligne non seulement la capitalisme et la culture, mais aussi l’érotique et l’homosexualité. American postwar poetics New York School poets Situationism Guy Debord Capitalism Frank O'Hara Alienation Camp Urbanism Walking Ambience Psychogeography Surface culture Dandy Cognitive mapping Readership Experimental Queer poetry Gay language Poésie Americain d’après-guerre aliénation dériveur flâneur expérimentaux poésie gay Situationisme Capitalisme Culture urbaine Psychogéographie Marche Culture de surface Ambiance

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