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En Adaptationsanalys av Oscar Wildes roman 'The Picture of Dorian Gray' och David Rosenbaums film 'The Picture of Dorian Gray'Augustsson, Anna January 2007 (has links)
<p>Uppsatsen studerar hur Oscar Wildes roman 'The Picture of Dorian Gray' har överförts till filmen, genom att jämföra centrala karaktärer, förhållandet mellan 'story' och 'plot' samt hur man skildrar tiden och rummet i de olika medierna. Detta för att se vilken form av adaptation som använts. Teorin baseras på Brian McFarlane, Susan Hayward och Louis Giannetti m.fl.</p>
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En Adaptationsanalys av Oscar Wildes roman 'The Picture of Dorian Gray' och David Rosenbaums film 'The Picture of Dorian Gray'Augustsson, Anna January 2007 (has links)
Uppsatsen studerar hur Oscar Wildes roman 'The Picture of Dorian Gray' har överförts till filmen, genom att jämföra centrala karaktärer, förhållandet mellan 'story' och 'plot' samt hur man skildrar tiden och rummet i de olika medierna. Detta för att se vilken form av adaptation som använts. Teorin baseras på Brian McFarlane, Susan Hayward och Louis Giannetti m.fl.
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Mythos der Mafia im Spiegel intermedialer Präsenz /Dietz, Gudrun. January 2008 (has links)
Zugl.: Bonn, Universiẗat, Diss., 2006.
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Kärlek på film : En adaptionsanalys av Call Me by Your NameSeligsohn, Yael January 2018 (has links)
En adaptionsanalys av hur verket Call Me by Your Name har överförts från roman till film. Uppsatsen fokuserar på hur kärlek och sexualitet mellan män kan adapteras, här genom en jämförelse mellan romanen Call Me by Your Name från 2007 och dess filmatisering från 2017. Adaptionsteoretiska faktorer, såsom berättarperspektiv och filmskaparens urval av scener, används för att belysa hur skildringen överförs mellan medierna. Undersökningen centreras främst till hur adaptionen behandlar homosexuell kärlek.
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Recepce erupce sopky Vesuvu a reálií 1. století našeho letopočtu ve filmovém umění / Film Reception of the Mount Vesuvius Eruption and the Situation in the 1st Century ADLinhart, Richard January 2017 (has links)
Film Reception of the Mount Vesuvius Eruption and the Situation in the 1st Century AD ABSTRACT The main aim of my thesis named Film Reception of the Mount Vesuvius Eruption and the Situation in the 1st Century AD is to explore the historical accuracy of films covering this part of ancient history and their possible use during educational processes. Part of the work also sums up the current level of scientific knowledge on this topic. Text attachment as well as picture attachment can be found at the end of the work.
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Proměny genderových archetypů ve filmu Hořký měsíc / Bitter Moon - The transformation of gender identity ( directed by Roman Polanski)Astapencov, Neli January 2013 (has links)
The thesis deals with gender analysis in films studying metamorphoses of archetypes in film Bitter Moon directed by Roman Polanski. The methodical and theoretical sections of the thesis analyse the influence of archetype changes of film characters in gender roles. The thesis identifies and analyses mainly woman film characters appearing in some classical feminist texts, feminist film theoretical and critical articles, in some psychoanalytical works, in dramatheraphy and film science. The sources mentioned above became primary resource materials for our archetypal research. The analysis of each of the film character is focused on the most distinctive archetype with respect to its metamorphosy. Apart from the archetype research the thesis is marginaly concerned with problems linked to the female ideal and her sexuality usually portrayed in an unalterable way, and archetypal patterns are in such a way transmitted to audiences through femininity and masculinity in the context of gender roles. Keywords: archetype, Roman Polanski, Laura Mulvey, Annis Pratt, cinematic archetypal coherence, feminist film criticism, film narrative analysis, archetypal masculinity, archetypal femininity.
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