- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 1 to 5 of 5 (0.064 seconds)Spelling suggestions: "subject:"call me by four name"" "subject:"call me by you name""
| 1 |
"As if they're daring you to desire them" : En studie av de antika skulpturernas roll i filmen "Call me by your name"Svärd, Fanny January 2018 (has links)
This Bachelor’s thesis examines the use of ancient bronze statues in the 2017 film Call me by your name by director Luca Guadagnino. Various scenes which feature ancient statues are examined individually using semiotic analysis. The scenes are examined individually, first described on a denotative level, then analyzed on a connotative level. The theoretical stand point is based on the studies of art works in film. Key theoretical concepts used are ”in between-ness” which is a state in which change in narrative is made possible through looking at art, and ”parallels”, a means of which to make art represent the characters in the film. The thesis finds the sculptures in Call me by your name to play a part in affecting the narrative of the film, mainly in regard to the love story between the two lead characters, two men named Elio and Oliver. The acts of looking, examining, and touching the statues in this film help the narrative turn in favor of the lead characters romantic relationship. The thesis argues that the nude bronze sculptures of men from ancient Greece are used in this film as signifiers of desire, timelessness and homoerotic lust.
|
| 2 |
The Father's Son and the Muvi Star : construction of Identity and Positioning in Call Me by Your Name / En faders son och en Muvi Star : identitetskonstruktion och positionering i Call Me by Your NameStrohschneider, Jette January 2020 (has links)
The aim of the essay is to problematize the main characters' conception of identity in André Aciman's novel Call Me by Your Name. Due to Elio's inability to see himself and Oliver as continuously constructing and shifting bodies, the essay claims that the end of their relationship as they knew it during their summer in Italy was inevitable. By employing a critical discourse analysis and deconstructive approach, the way the characters position themselves during and after that summer is examined and critiqued. It is found that what contributes to the end of their relationship is their struggle with the multitude of aspects of their identities that are considered to be flaws or insufficiencies. Therefore, certain interests and aspects of their lives are kept a secret. In consequence, this secrecy hinders a full understanding of the other and reveals their idealization as wishful thinking, rather than reality.
|
| 3 |
Kärlek på film : En adaptionsanalys av Call Me by Your NameSeligsohn, Yael January 2018 (has links)
En adaptionsanalys av hur verket Call Me by Your Name har överförts från roman till film. Uppsatsen fokuserar på hur kärlek och sexualitet mellan män kan adapteras, här genom en jämförelse mellan romanen Call Me by Your Name från 2007 och dess filmatisering från 2017. Adaptionsteoretiska faktorer, såsom berättarperspektiv och filmskaparens urval av scener, används för att belysa hur skildringen överförs mellan medierna. Undersökningen centreras främst till hur adaptionen behandlar homosexuell kärlek.
|
| 4 |
”Desire followed by its instant antidote — fear.” : En fenomenologisk studie av begär och skam i Call Me by Your Name av André Aciman och Swimming in the dark av Tomasz JedrowskiRandeblad, Joel January 2023 (has links)
This essay analyses Call Me by Your Name by André Aciman and Swimming in the Dark by Tomasz Jedrowski through a phenomenological lens. Through the theoretical framework, mainly consisting of Sara Ahmed’s The Cultural Politics of Emotion and Queer Phenomenology, I discuss how feelings such as desire and shame work through the subject and influence its relationship with their surroundings. The analysis concludes that the emotion of shame is an isolating feeling, causing the subject to shield themselves from their surroundings. At the same time shame is forgotten in its own temporality, whereas the emotion itself is mistaken as permanent by the subject in the feeling state. On the other hand, the forbidden desire feels temporary and like something that could be expelled from the body. Furthermore, I discuss how desire affects the relationship between subject and object, especially through the ways that desire complicates the hierarchal division between the two. I further posit how desire affects boundaries between bodies and how the forbidden desire creates the will to penetrate boundaries while at the same time maintaining them. Through the combination of shame and desire the subject is limited in their worldview, where the desire can feel impossible to navigate through the “life-lines” that Ahmed theorizes because of the shame that follows. The essay concludes that the relationship between shame and desire affects the relationship between subject and object mainly through the internalization of societal norms.
|
| 5 |
Ekon av det förflutna : En undersökning av den antika erotikens roll och tematisering i romanen och filmen Call Me by Your Name / Echoes of the Past : A Study of the Role and Thematization of Ancient Greek Eros in the Novel and Film Call Me by Your NameHall, Nina January 2019 (has links)
I den här uppsatsen utforskas André Acimans roman Call Me by Your Name (2007) och regissören Luca Guadagninos filmatisering av verket (2017) i relation till det antika begreppet eros (ung. begär). Det finns sedan tidigare en konstnärlig tradition i västvärlden att tillämpa antik tematik vid gestaltningen av manligt samkönat begär och för att åskådliggöra hur detta sker även i Acimans och Guadagninos respektive verk används i den här uppsatsen Platons Gästabudet (Symposion, ca 385 f. Kr) som en återkommande utgångspunkt i analysen. Utifrån ett urval tematiska inslag i Gästabudet, som alla anknyter till Platons övergripande behandling av begär ur ett filosofiskt perspektiv, riktas i det här arbetet uppmärksamheten mot hur dessa teman även förekommer i Call Me by Your Name, roman som film. Detta gäller inte minst Platons presenterade tanke att eros, under rätt omständigheter, har förmågan att leda filosofen mot upplysthet och förståelsen av en upphöjd och evig ordning. Utöver att visa på hur båda verken (som utspelar sig i relativt modern tid) genomsyras av denna antika begärstematik är ett annat mål med uppsatsen att genom en komparativ analys, och med ett genusvetenskapligt och queerteoretiskt perspektiv, blottlägga hur skillnaderna mellan romanförlagan och filmadaptionen påverkar bilden av den unge huvudpersonen Elio och dennes utforskande av sin sexualitet – även då bilden av sexualitet i en mer generell mening. Slutsatsen som den här uppsatsen leder fram till är att Acimans förlaga vid en första anblick framstår som mer utmanande i förhållande till en modern heteronormativ ordning (så som åskådliggjord av Judith Butlers heteronormativa matris) medan Guadagninos version – trots skildringen av samkönat begär i berättelsens centrum – innefattar mer konservativa indikationer. Samtidigt är de utmanande aspekterna i Acimans roman inte heller helt oproblematiska vid en andra anblick. I den mån Acimans skildring med hjälp av den antika tematiken gör motstånd mot moderna uppfattningar om sexualitet, begär och relationsformer leder nyttjandet parallellt till att andra diskriminerande och begränsande uppfattningar om kön, genusidentitet och könsmaktsordning snarare bekräftas inom berättelsens ramar mer än vad de utmanas.
|
Page generated in 0.0722 seconds