I designed the set for Fool For Love by Sam Shepard in the McLeod Theater, Fall Semester 2013 for my thesis production. Fool For Love Is a short and intense hyper-realistic play about two lovers with a dark past. The entire play takes place in one extended scene in a motel room on the edge of the desert. Eddie tries to win May back, while she tries to free herself from her need to go back to him. The Old Man is a figure outside of reality that intrudes on the play, the father they share and the source of the shame in their relationship. A suitor, Martin, appears to set this combustible mixture off. I designed a cramped and derelict space which pushed the auditory surrealism of the play and made the experience as intimate and intense as I could for the audience. Chapter 1 contains me research and initial response to both the script and the thesis process. Chapter 2 walks through the process of designing and building the show. Chapter 3 reflects on my performance overall. Chapter 4 is a deeper look into design communication, a weakness this process revealed in my work.

This thesis encompasses the design and production process for Southern Illinois University Carbondale Department of Theater’s production, Evil Dead: The Musical. The writing focuses on the scene designer’s process of analyzing a script to putting it on stage. Through the document the reader will gain insight into the process of a live production from the pre-design phase to post production.

No description available.

acase@tulane.edu

For my thesis, I recorded the progression of my show, The Constant Wife. I discuss the conception of my original scene design as well as the changes that occurred while working with the director and other designers. Throughout the thesis, I address the problems that arose during the pre-production, what I did to rectify those situations, and what I might have done differently if given the opportunity. I have divided the thesis into the following sections – Process of the Pre-Production, Execution of the Design and Evaluation of the Design. The final section of my thesis details what I learned from the events that transpired and how I can apply those lessons to future designs. Several appendixes are included that give various pieces of information that I used to develop my design as well as the majority of my research, including a larger version of the images in this paper, my drafting, and photos of the finished set. This document was created in Microsoft Word MAC.

This thesis is a narrative describing the set design for the Richmond premiere of Doubt: A Parable by John Patrick Shanley. The project was a creation of a set to be used by the Barksdale Theatre in Richmond, Virginia. The performance was held in February 15, 2008 through March 22, 2008 at the Barksdale Theatre in Richmond, Virginia. The production was a cooperation between the Virginia Commonwealth University Theatre Department and the Barksdale Theatre Inc.

Graduate stage design portfolio of Jessica Fialko

This thesis documents my process as Scenic Designer for Richard O'Brien's musical, The Rocky Horror Show, presented by the University of Central Florida Conservatory Theatre. This production premiered on the University of Central Florida's Mainstage Theatre 29 March 2007 and ran for fifteen performances, closing on 15 April 2007. This thesis includes my research and analysis of the published script and a production journal which documents my process for our specific production. In this document, I illustrate how my communication and meetings with the director and members of the design team moved from initial conversations into the research, development, and construction processes in order to create the realized production. I explain the challenges and obstacles I faced in the development and construction stages and how my communication with members of the design and production staff led to the final design. Throughout this document, I present figures displaying the preliminary sketches, renderings, construction process, and production photographs that illustrate how the production moved from an idea to a reality. I also present a self analysis of the process and final product through personal reflection and outside response.

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5.4pt;mso-para-margin:0in;mso-para-margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:11.0pt;font-family:"Calibri","sans-serif";mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:"Times New Roman";mso-fareast-theme-font:minor-fareast;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}</style><![endif]--><span lang="RU" style="font-size:9.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;color:#222222;background:white;mso-font-kerning:10.0pt;mso-ansi-language:RU;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">Predmet doktorskog umetničkog projekta &bdquo;Rana sećanja: umetničko delo scenskog dizajna&rdquo; jeste ispitivanje stvaralačkog dejstva ranih sećanja i ključnih narativa ličnih priča na egzistencijalni i poetski prostor pojedinca u posebnim prostorno-vremenskim okolnostima. Kao konačni ishod, projekat integriše materijalizovane, preispitane i izabrane uticaje u delo iz domena scenskog dizajna pod nazivom &bdquo;Susret u sećanju</span><span lang="RU" style="font-size:14.0pt;mso-bidi-font-size:10.0pt;font-family:TimesRoman;mso-fareast-font-family:&quot;Times New Roman&quot;;mso-bidi-font-family:&quot;Times New Roman&quot;;mso-font-kerning:10.0pt;mso-ansi-language:RU;mso-fareast-language:EN-US;mso-bidi-language:AR-SA"> </span><span lang="RU" style="font-size:9.0pt;font-family:&quot;Arial&quot;,&quot;sans-serif&quot;;mso-fareast-font-family:&quot;Times New Roman&quot;;color:#222222;background:white;mso-font-kerning:10.0pt;mso-ansi-language:RU;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">&rdquo;.</span></p> / <p>The subject of doctoral art project &bdquo;Early memories: scene design art work&rdquo; is the examination of the creative effect of early memories and the key narratives of personal stories on the existential and poetic space of an individual, in special spatio-temporal circumstances. As a final outcome, the project integrates materialized, re-examined and selected influences into scene design art work called &bdquo;Meeting in Remembrance&rdquo;.</p>

No description available.