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71	Arthur Schnitzler's Outsider-Insiders in <i>Fin de Siècle Vienna</i> Hurst, Jordan Dwayne 29 July 2013 (has links) No description available. Foreign Language Germanic Literature Language Minority and Ethnic Groups European Studies Literature German Austrian Austria Vienna Arthur Schnitzler Gustl Else Fridolin Albertine Schnitzler Fin de Siecle Outsider-Insider Outsider Insider Jewish Austrian Army Leutnant Gustl Fraulein Else Traumnovelle Self-Hatred Double Bind
72	O que Freud dizia sobre as mulheres. Molina, José Artur. January 2010 (has links) Orientador: José Sterza Justo / Banca: Rozilda das Neves Alves / Banca: Luiz Carlos da Rocha / Banca: Rafael Siqueira de Guimarães / Banca: Gilberto Figueiredo Martins / Resumo: No século XIX Viena assiste uma verdadeira revolução social, política e cultural. Surge a psicanálise que encontrou neste momento e neste lugar condições privilegiadas para seu nascimento. Freud construiu uma teoria singular com conceitos como inconsciente, pulsão e um método que incluía a escuta, associação livre e transferência. As histéricas foram as protagonistas desta criação. O olhar atento e solidário de Freud encontra a razão do sofrimento delas: o cerceamento de seus desejos. A psicanálise revoluciona o tratamento das histerias, mas na proposição do conceito de feminino se enclausura numa lógica fálica. Assim, a conselho do mestre, fomos olhar a política, a sociedade de Viena, a literatura de Schnitzler e a pintura de Klimt para poder entender o porquê da insistência fálica do criador da psicanálise / Abstract: In the nineteenth century Vienna watch a genuine social revolution, political and cultural. It appears the psychoanalysis that found at this moment and this place privileged conditions for its birth. Freud constructed a unique theory with concepts like unconscious, instinct and a method which included the listening, the free association and the transference. Hysterics were the protagonists of this creation. The intent and solidary look of Freud finds the reason of the suffering of them: the restriction of their desires. Psychoanalysis has revolutionized the treatment of hysteria but in proposing the concept of feminine encloses a phallic logic. Thus, following the advice of the master, we were looking at politics, society of Vienna, the literature of Schnitzler and the painting of Klimt to understand why the phallic insistence of the creator of psychoanalysis / Doutor Psicanálise. Histeria. Mulheres. Psychoanalysis. eng Vienna. eng Schnitzler. eng Klimt. eng Female. eng Hysteria. eng Modernity. eng
73	Die Sprache der Blicke verstehen Arthur Schnitzlers Poetik des Augen-Blicks als Poetik der Scham Saxer, Sibylle January 2010 (has links) Zugl.: Diss.
74	Zum Zeitgeist in ausgewählten Dramen Arthur Schnitzlers / The Zeitgeist in selected Dramas of Arthur Schnitzler LACUŠOVÁ, Mária January 2011 (has links) This work deals with the analysis of selected works by the famous Austrian writer Arthur Schnitzler. For the purpose of zeitgeist illustration the dramas Anatole and Reigen were used. The analysis of the works is preceded by theoretical section with a closer description of the socio-historical situation in Vienna at the turn of the 19th and 20 century. A part of the main section is a short treatise on the importance of one-act plays cycle in the development of the author´s works, dramas analysis and characterization of the characters, on the basis of which the conclusions are drawn about the image of Victorian society, which the author deals with in his works . The last part concludes the analysis and provides an outline description of the image and the zeitgeist as it can be deduced on the basis of both Schnitzler´s dramas compared to socio-historical knowledge of that time.
75	Att adaptera svartsjuka : En komparativ analys av hur subtext påverkats i adaptionen av romanen Dream Story till filmen Eyes Wide Shut Radhi, Yasser January 2016 (has links) Subtext är en sanning gömd under ytan, som avslöjar en handling eller ords sanna mening. Hur kan en adaptionsprocess påverka subtexten då en bok tolkas om till film? Syftet med denna uppsats är att applicera en komparativ adaptionsanalys för att svara på frågan kring hur subtexten i en bok påverkas av att adapteras till film. Två kapitel och dess respektive filmscener analyseras därmed för att därefter peka ut dess subtext, detta från boken Dream Story och dess filmatisering Eyes Wide Shut. Skillnaderna i hur subtexten förmedlats pekas sedan ut i resultatet, där slutsatser kring adaptionsprocessen av subtext görs. Subtexten analyseras med hjälp av Linda Segers bok Writing Subtext: What Lies Beneath, vilket understöds med Thomas Denks teorier kring komparativa analyser i Komparativ metod – förståelse genom jämförelse. Resultatet har då pekat på att subtexten påverkats av att gå från en litterär till visuell tolkning, där mediespecifika detaljer påverkat berättandet. Dock har samma subtext i stor grad framförts i filmen, det har endast handlat om mediespecifika tolkningar. adaption subtext Eyes Wide shut Dream Story Stanley Kubrick Arthur Schnitzler komparativ analys Media and Communication Technology Medieteknik
76	Der Schleier der Pierrette bei den (Jugo)Slawen: ein Beitrag zur Geschichte der Tanzpantomime Mosusova, Nadežda 07 May 2020 (has links) Einleitung: Inhalt des Stücks Die Pantomime oder Ballett-Pantomime Der Schleier der Pierrette von Arthur Schnitzler mit der Musik von Ernst von Dohnányi wurde im November 1908 vollendet. Diese Pantomime in drei Bildern entstand nach Schnitzlers fünfaktigem Versedrama Der Schleier der Beatrice, das 1900 in Wrocław [Breslau], im damaligen Preußen, seine Premiere hatte. Die Pantomime Der Schleier der Pierrette ähnelt in seinen Hauptpunkten dem Prototyp, stellt aber ein selbstständiges Werk dar. Aus der Commedia dell’arte entstanden, stellte sich diese Pantomime des frühen 20. Jahrhunderts als ein neues besonderes Genre vor, dem Zeitgeist der Belle Epoque entsprechend. Das Werk von Schnitzler/Dohnányier weckte von Anfang an unter den Regisseuren und Choreografen in den slawischen Ländern, wie in Böhmen, Russland und Jugoslawien, großes Interesse. info:eu-repo/classification/ddc/780 ddc:780
77	Ženské postavy u Arthura Schnitzlera. Srovnávací popis, analýza a interpretace vybraných textů. / Female Characters in Arthur Schnitzler's Works. Comparative Description, Analysis and Interpretation of Selected Texts. Prajzlerová, Lenka January 2011 (has links) The following text deals with the problem of the representation of female characters in Arthur Schnitzlerʼs work. The initial point of the interpretation is the basic division of the literary types of the turn of the century into femme fatale, femme fragile and femme enfant. Based on the analysis of seven selected works (Märchen, Liebelei, Reigen, Frau Berta Garlan, Fräulein Else, Traumnovelle, Therese. Chronik eines Frauenlebens) it discusses their position in the narrative structure. In the end, it comments the question of the typification of these figures and Schnitzlerʼs tendency to relate them to concrete groups.
78	Erinnerung in der Wiener Moderne Psychopoetik und Psychopathologie Heinrich, Maike January 2001 (has links) Zugl.: Berlin, Humboldt-Univ., Magisterarbeit, 2001
79	The Representation of Terrorism as Defective Communication in Volker Schlöndorff’s Die Stille nach dem Schuss, Gregor Schnitzler’s Was tun wenn’s brennt, Leander Scholz’s Rosenfest and Ulrike Edschmid’s Frau mit Waffe: Zwei Geschichten aus terroristischen Zeiten Dillon, Sandra I. 12 1900 (has links) ix, 213 p. / The attacks on the United States of September 11, 2001, prompted scholars in a variety of fields, such as history, philosophy and literature, to re-examine the topic of terrorism, including the emergence of terrorism in West Germany in the 1960s and 1970s. The challenges that arise when dealing with the topic of terrorism derive in part from a lack of consensus on a definition for terrorists and terrorist attacks. One element that I found in my research is that there is a connection between terrorism and communication. This dissertation examines that connection in Volker Schlöndorff's filmDie Stille nach dem Schuss Gregor Schnitzler's film Was tun wenn's brennt Leander Scholz's novel Rosenfestand Ulrike Edschmid's biographical narrativesFrau mit Waffe: Zwei Geschichten aus terroristischen Zeitenin the context of Speech Act Theory. The films and texts show how West German terrorism is represented as a form of communication, through which fictional terrorists are trying to accomplish the impossible statement "I hereby persuade you." The act of persuasion has an element of freedom, because one can either be persuaded or not. However, the terrorists represented in the works mentioned above want to eliminate the element of choice and force the interlocutor to be persuaded. In order to achieve this they introduce violence, which in turn causes them to be labeled as terrorists. The more they try to use violence to achieve their goals, the more they cement their condemnation as terrorists. This dissertation frames its investigation within ideas about performative speech acts, concepts of power, violence, identity and discussions about "terrorist" narratives in German literature and film. / Committee in charge: Susan C. Anderson， Chairperson； Alexander Mathäs， Member； Dorothee Ostmeier， Member； Bonnie Mann， Outside Member Communication German film German literature RAF Speech act theory Terrorism Communication and the arts Language, literature and linguistics Edschmid, Ulrike, 1940- Frau mit Waffe Scholz, Leander. Rosenfest Germany Film studies
80	The literary dream in German Central Europe, 1900-1925 : a selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler Vrba, Marya January 2011 (has links) This thesis examines the literary dream in selected works by Kafka, Kubin, Meyrink, Musil and Schnitzler, with a particular focus on the redefinition of subjectivity through dreamlife. The introductory chapter contextualises these case studies in the broader field of oneirocriticism, emphasising the dream's ancient role as fixtional template and its specific significance in the destabilised environment of German Central Europe during the early twentieth century. Alfred Kubin's Die andere Seite (1909), which uses the 'other side' as metaphor for both oneiric and artistic experience, reveals the inherent dualism of the literary dream and its close relationship with creativity. In Robert Musil's Die Verwirrungen des Zdglings Tdrlefi (1906), the protagonist serves as the model for a new type of self-determining subject who draws on the knowledge of dreams and irrationality. Franz Kafka's texts reveal techniques for integrating the dream into fictional worlds that are already dreamlike through the prevalence of (literalised) metaphor and free association. Gustav Meyrink, in Der Golem (1915), shares Kafka's interest in concretised metaphor, but also explores the dream's associations with occult practices, used as a defence against the threatening claims of science. Finally, Arthur Schnitzler's literary dreams offer a direct confrontation with psychoanalysis and a dismantling of nineteenth-century ideals of gender and bourgeois love. Overall, it is argued that the literary dreams by these authors hold varied responses to fragmentation of the Ich in the face of psychological 'vivisection', theories of relativity, and the collapse of old social orders. The dream, as a nightly 'psychosis', crystallised the pervasive fears of self-loss during this period; however, in its perennial role as micro-narrative, it also provided a site for re-construction of the subject. The incorporation of dreams in fictional lives served as a metonymical guide for the integration of un- and subconscious experience overall. 833

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