Thesis (D. Min.)--Trinity Evangelical Divinity School, 1995. / Abstract. Includes bibliographical references (leaves 218-231).

Thesis (D. Min.)--Trinity Evangelical Divinity School, 1995. / Abstract. Includes bibliographical references (leaves 218-231).

Thesis (M.A.)--York University, 2007. Graduate Programme in Interdisciplinary Studies. / Typescript. Includes bibliographical references (leaves 169-189). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004 & res_dat=xri:pqdiss & rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation & rft_dat=xri:pqdiss:MR32004.

Thesis (D. Min.)--Trinity Evangelical Divinity School, 1995. / Abstract. Includes bibliographical references (leaves 218-231).

Thesis (D. Min.)--McCormick Theological Seminary, 1997. / The final six pages are in Korean. Includes bibliographical references.

Thesis (M.A.)--University of North Carolina at Wilmington, 2006. / Includes bibliographical references (leaves: [62]-65)

<p>This is a study of Prehistoric musical instruments from Scandinavia and the different meanings they could have had in the Prehistoric society. I have described the different types of possible music instruments and the different categories that they belong to. I have also written about their different functions that could have been for example ritual artefacts, shamanic tools or useful instruments in hunting. Two case studies are also presented in the essay, the Falköpingsflute and the Balkåkradrum.</p>

Thesis (Ph.D.)--Ohio University, August, 2006. / Title from PDF t.p. Includes bibliographical references (p. 193-203)

Este trabalho propôs analisar a cerâmica ritual produzida pelos Mochica, sociedade que ocupou a costa norte peruana entre os séculos I e VIII d.C., com base em três eixos principais: o papel mediador de personagens geralmente entendidos como xamãs, ou sacerdotes; os rituais de sacrifício humano e os processos de verticalização do poder político; e as dinâmicas de transformação e suas implicações nas relações entre entes humanos e não humanos. Estes temas, observados na iconografia e morfologia dos artefatos estudados, orientaram o processo de identificação dos conjuntos cerâmicos selecionados para esta pesquisa. A análise pautou-se na identificação de atributos de personagens classificados como xamãs, curandeiros e sacerdotes, com o objetivo de problematizar a utilização de tais categorias no estudo da cultura material relacionada às práticas rituais Mochica. O debate sobre xamanismo foi inspirado pela teoria antropológica contemporânea que discute o \"multinaturalismo ameríndio\". A reflexão centrou-se nos conceitos de transição, movimento e transformação, temas estruturantes das práticas xamânicas e organização sociocosmológica andina. / This dissertation proposes the analysis of ritual ceramic produced by the Mochica, society that occupied the Peruvian north coast between I and VIII centuries, based in three main axis: the mediator role of characters commonly interpreted as shamans or priests; the human sacrifices rituals and the increase of political power processes; and the transformation dynamics and their implications in the relations between humans and non-humans. This themes, observed in the iconography e morphology of the artifacts served as guide for the identification process of the selected ceramic conjuncts which were used in this study. The analysis was guided in the identification of characters classified as shamans, healers and priests, with the objective of problematize such categories in the studies of material culture related to Mochica mortuary practices. The debate about shamanism was inspired by contemporary anthropological theory that concerns to \"multinaturalismo amerindio\". Transitions concepts, movement and transformation, shamanic practices and cosmological of Andean organization are the topic of thoughts in the research.

Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-09-28T18:23:43Z No. of bitstreams: 2 Dissertação - Rafael Santana Gonçalves de Andrade - 2016.pdf: 3683839 bytes, checksum: 502f904a69ae0571f3ee711aea2ed70c (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-30T13:08:13Z (GMT) No. of bitstreams: 2 Dissertação - Rafael Santana Gonçalves de Andrade - 2016.pdf: 3683839 bytes, checksum: 502f904a69ae0571f3ee711aea2ed70c (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2016-09-30T13:08:13Z (GMT). No. of bitstreams: 2 Dissertação - Rafael Santana Gonçalves de Andrade - 2016.pdf: 3683839 bytes, checksum: 502f904a69ae0571f3ee711aea2ed70c (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-04-15 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This work started from the analysis of the Karajá collection of the American anthropologist William Lipkind, kept in the Museu Nacional collection (UFRJ – Brazil). The analysis was focused on the shaman‟s things, as the obi, the hitxiwa and the rata(k)ana, which were presented through photographic cards to some Karajá interlocutors in the village of Santa Isabel do Morro (TO). From a brief ethnographic experience, it was possible to reach the ideas presented here. These shaman's things pointed to the specificity of the movement of “being” in the Karajá cosmos, configuring the nonindigenous “world” as one of the possible places in this cosmos where these things circulate. In the system of meanings shared by the karajá, the concept of object, lifeless and inert, is far from the subjectivity and life present in the relationships surrounding things. This Karajá approach leads us to rethink the status of collection items and the way they were and are collected, at the same time that they raise some questions about the need and the significance to store and expose such things in museums. / O presente trabalho partiu da análise da coleção Karajá do antropólogo estadunidense William Lipkind, abrigada no acervo do Museu Nacional (UFRJ). O foco da análise na coleção esteve voltado para as coisas do xamã, como o obi, hitxiwa e rata(k)ana, as quais foram apresentadas por meio de cartões fotográficos a alguns interlocutores Karajá na aldeia Santa Isabel do Morro (TO). A partir de uma breve experiência etnográfica foi possível chegar às reflexões aqui apresentadas. Essas coisas do xamã apontaram para a especificidade da circulação dos entes no cosmos Karajá, sendo o “mundo” não indígena mais um dos lugares possíveis nesse cosmos por onde essas coisas circulam. No sistema de significados compartilhado pelos Karajá, o conceito de objeto, inanimado e inerte, dista sobremaneira da subjetividade e da vida presente nas relações que circundam as coisas. Essa abordagem Karajá nos leva a repensar o estatuto das peças de coleção e a forma como foram e são coletadas, ao mesmo tempo em que suscitam questionamentos sobre a necessidade e o sentido de se guardar e/ou expor tais coisas em museus.