Sporting celebrities have come to hold an increasingly vaunted position within contemporary society and as such, receive ever-increasing media attention. Within Canadian culture, where the sport of hockey is largely considered a mythologized component of identity, hockey players such as the National Hockey Leagues Sidney Crosby are not only frequently represented in the daily media, but are also utilized in promotional and advertising campaigns. In this thesis, I qualitatively analyze media representations and the production of advertising featuring Sidney Crosby. Specifically, I examine the specific case of producing televised advertising campaigns featuring Crosby for sports drink manufacturer Gatorade. I also interrogate the tensions and ambiguities of contemporary conceptualizations of masculinity evidenced in media discourse surrounding Crosby. Ultimately, this study examines how sporting celebrities and discourses of corporate nationalism are produced within contemporary advertising campaigns and the role that cultural intermediaries play in the promotion of particular values and perceptions.

Thesis (B.A.)--Haverford College, Dept. of History, 2009. / Includes bibliographical references.

Thesis (Ph. D.)--University of California, San Diego, 1997. / Includes bibliographical references (leaves 211-239).

Thesis (Ph. D.)--University of Chicago, Department of English Language and Literature, December 2002. / Includes bibliographical references. Also available on the Internet.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1956. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 304-314).

At the center of this thesis are seven psalms, commonly known as the Penitential Psalms. The Penitential Psalms were often used in connection to corporeal expressions of the sacrament, and though sacramental practices changed, they retained this association, and even became a catalyst for literary change and experimentation. In this thesis, I will show how these psalms were connected to the sacrament of penance throughout the medieval period, and well into the religiously tumultuous sixteenth century. This thesis explores four texts that take up the Penitential Psalms, adapting, refashioning, and reappropriating them to be used in different ways. The Introduction outlines the history of the Penitential Psalms and their interconnectedness with sacramental theology and practice; it further establishes the cultural and theoretical context within which the four examined texts must be considered. These sacramental ties with the Penitential Psalms are not found only in theological writings, but they also infused lay practice and experience, as I will show in Chapter One, where I examine the staunchly Protestant Actes and Monuments by John Foxe. Additionally, I argue that Foxe's accounts of Marian martyrs point to Psalm 51 both as a text of protest and memorialization. Chapter Two then moves to Sir Thomas Wyatt's A Paraphrase of the Penitential Psalms; there I examine the presence of the male body within the work, placing the text within the setting of a visual history that illustrates David's illicit desire for Bathsheba. With this tradition in mind, I examine trajectories of ocularity within the narrative, tracing the redirection of sexual desire. Anne Lock's Meditation of a Pentient Sinner is the center of Chapter Three. Meditation, when considered in relation to the dedicatory epistle, reveals connections to the standardized penitential process, and I argue that Lock presents a modified form of repentance to her reader. The final chapter looks at The Sidney Psalter's Penitential Psalms, which reveal an incoherent view of the penitential body merging with the body of the dead war-hero, Philip. It is within this penitential affect that the penitent displays and partitions his or her own body slipping into an otherness predicated by sin.

The main goal of the Diploma Thesis is to inform a reader about the work of an American film director Sidney Lumet, and to describe his directing style which is based strictly on a film's theme. The thesis also searches for director's typical themes and patterns visible in all of his films.

Det är ibland svårt att avgöra vilken betydelse kameraarbetet får i en film och exakt vad det förmedlar till tittaren. Genom att undersöka två filmer som baseras på samma ursprungsberättelse får vi möjlighet att utläsa kameraarbetets betydelse och skillnaden det gör för hur filmerna upplevs. Filmerna är Sidney Lumets Mordet på Orientexpressen (1974) och Kenneth Branaghs Mordet på Orientexpressen (2017). Det som undersöks i uppsatsen är hur olika kameratekniker används och hur det bidrar till berättandet. Det undersöks genom en metodbaserad på kompositionell analys och multimodalitet. Vår slutsats är att även om liknande sätt att arbeta med kameran förekommer i båda filmerna så har de skillnader som identifierats påverkat bland annat filmernas tema och hur deltagande tittaren blir i utredningen av mordet.

This thesis explores how a group of 17 male youth athletes, and their families, experience competitive hockey. Many of the youths seem to forge fantasy relationships with hockey celebrities, heroes, and stars -- e.g. Sidney Crosby -- emulating them with regard to the "best" attitudes, equipment, and styles of play to have or use. Their parents invest considerable amounts of money and time into their sons' participation in hockey, not because they necessarily share their sons' dreams of athletic stardom, but because they hope that it will help instill community-defined "positive" values into their sons--tools needed to become "successful" youths and, eventually, adults.

This thesis explores how a group of 17 male youth athletes, and their families, experience competitive hockey. Many of the youths seem to forge fantasy relationships with hockey celebrities, heroes, and stars -- e.g. Sidney Crosby -- emulating them with regard to the "best" attitudes, equipment, and styles of play to have or use. Their parents invest considerable amounts of money and time into their sons' participation in hockey, not because they necessarily share their sons' dreams of athletic stardom, but because they hope that it will help instill community-defined "positive" values into their sons--tools needed to become "successful" youths and, eventually, adults.