Zugl.: Turin, Univ., Diss., 2002 u.d.T.: Origa, Valentina: Sophos e sophia nella tragedia euripidea

Numa mesma época marcada por reflexões filosóficas sobre o tempo e suas relações com o espaço, Cecília Meireles e Sophia de Mello Breyner Andresen entregaram ao mundo os seus primeiros escritos poéticos, nos quais revelam que essas mesmas reflexões não se distanciam da poesia. Ao contrário, num espaçotempo caracterizado pela transitoriedade das coisas, a poesia se apresenta como forma de equilíbrio em meio à passagem, evitando a total dispersão do ser. Assim sendo, nossa análise procura focalizar as formas que espaço e tempo assumem na poesia de ambas as escritoras, investigando a possibilidade desses \"cronotopos\" servirem à revelação da experiência humana no tempo e no espaço. / In a same age marked by philosophical reflections about the time and their relations with the space, Cecília Meireles and Sofia de Mello Breyner Andresen handed over to the world their first poetic pieces of writing, in which they reveal that those same reflections is not far from poetry. The other way round, in a space-time characterized by the transiency of things, the poetry shows itself as a way of balance in the middle of the passage, avoiding the total being\'s dispersion. This being the case, our analysis tries to focus the forms that space and time take on the poetry of both writers, investigating the possibility of those \"chronotopos\" be useful to the revelation of the human experience in the time and the space.

Numa mesma época marcada por reflexões filosóficas sobre o tempo e suas relações com o espaço, Cecília Meireles e Sophia de Mello Breyner Andresen entregaram ao mundo os seus primeiros escritos poéticos, nos quais revelam que essas mesmas reflexões não se distanciam da poesia. Ao contrário, num espaçotempo caracterizado pela transitoriedade das coisas, a poesia se apresenta como forma de equilíbrio em meio à passagem, evitando a total dispersão do ser. Assim sendo, nossa análise procura focalizar as formas que espaço e tempo assumem na poesia de ambas as escritoras, investigando a possibilidade desses \"cronotopos\" servirem à revelação da experiência humana no tempo e no espaço. / In a same age marked by philosophical reflections about the time and their relations with the space, Cecília Meireles and Sofia de Mello Breyner Andresen handed over to the world their first poetic pieces of writing, in which they reveal that those same reflections is not far from poetry. The other way round, in a space-time characterized by the transiency of things, the poetry shows itself as a way of balance in the middle of the passage, avoiding the total being\'s dispersion. This being the case, our analysis tries to focus the forms that space and time take on the poetry of both writers, investigating the possibility of those \"chronotopos\" be useful to the revelation of the human experience in the time and the space.

This research paper takes departure from the contradictions of understandings regarding the purpose of operation EUNAVFOR Med, which operates in the Mediterranean aiming at disrupting the business model of human smugglers. The alteration of opinions concerns the question(s) regarding, to what extent the operation should be considered a securitization, and if so, of what? Research has consequently been drawn from the Copenhagen’s School theory of securitization, looking deeper into the involvement of the main actors in the operation, the EU, the human smugglers and the migrants, in order to identify if this operation could indeed be considered a securitization act. By placing the main actors of the operation in the center of the theoretical framework this research has been able to identify how this operation can be understood from a securitization theory and also what has been securitized. The methodological approach is based upon Norman Fairclough’s critical discourse analysis, framing both the structure and the analytical apparatus of the research paper, enabling an even broader understanding of the case. The result showed that there are indeed indicators demonstrating that operation EUNAVFOR Med could be considered a successful securitization of human smugglers. Also, in line with this operation, there are several indicators that shows how the EU has managed to pull a securitization move of migration, arguing that the migrants has formed an ‘uncontrolled problem’ for the EU.

The history and ideology of preservation increasingly arouse interest in parallel with the rising importance of the cultural heritage and preserving it. Hagia Sophia is one of the monuments that comes to mind immediately when the cultural heritage of Turkey is mentioned. Both as a Byzantine and an Ottoman ecclesiastical and imperial monument, Hagia Sophia bears political and religious importance besides its artistic and architectural uniqueness, 1500 years after its construction. This study aims to expose the change in the official attitudes towards preserving antiquities in the transition period from the Ottoman Empire to the Turkish Republic, through examining the ideological and physical approaches to Hagia Sophia. In the Late Ottoman Period important leaps about two important components of cultural life, museology and archeology, were realized in terms of both preservation and exposition of the antiquities, besides the political, economical and judicial changes. Thus, the emergence of museological and archeological studies and related legislations in the Late Ottoman Empire Period and their development in the Early Republican Period are examined chronologically in this study. The reasons behind the changes in the usage of Hagia Sophia, from a church to a mosque and then to a museum, are researched in order to understand the ideology of the adaptive re-use and its results while evaluating the impact and meaning of the afterlives. The selected time period is very critical because the changes occurring in the social and political life of the country, together with the change of the ruling power, paved the way for the present situation in Turkey.

Texte remanié de: Thèse de doctorat--Sociologie--Paris--Institut d'études politiques, 2005. / Bibliogr. p. 287-302.

Thesis (S.T.M.)--Dallas Theological Seminary, 1996. / "Sophia" and "sunesis" appear in Greek letters on t.p. Includes bibliographical references (leaves 112-124).

Inaug.-Diss.--Rostock. / "Wissenschaftliche Literatur" und "Schöhe Literatur und Dramen": p. [44]-47.

Made available in DSpace on 2014-06-11T19:29:50Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-03-23Bitstream added on 2014-06-13T19:59:52Z : No. of bitstreams: 1 morelato_aks_me_arafcl.pdf: 860675 bytes, checksum: f5345e66e102ad5861fdf44756fa3c94 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta dissertação analisa a obra em prosa de Sophia de Mello Breyner Andresen, poeta portuguesa que viveu em quase todo século XX e que presenciou as mudanças políticas e sociais ocorridas na fase madura da Modernidade. O objetivo deste trabalho é a identificação de uma possível escrita feminina na literatura de Sophia, e que se manifestaria através da transfiguração do corpo na linguagem de seus textos e na redefinição do mito. Para o estudo apropriar-se da literatura em prosa de Andresen, será preciso escolher um dos seus poucos títulos em prosa, pois ela escreveu seguramente mais livros de poemas. Escolhido Contos Exemplares, esta dissertação utilizará as teorias de gênero, da filosofia e da crítica literária para discutir os procedimentos narrativos da autora. Assim os seus contos serão feitos mais de descrições do que de fatos, mais do espaço do que do tempo, mais de sensações do que personagens, mais do corpo e do mito do que ações. Estes procedimentos, o quais podem ser chamados de dionisíacos, revelariam a escrita feminina fundada certamente no trasbordamento da linguagem da prosa em poesia. / Cette dissertation analyse l'oeuvre en prose de Sophia de Mello breyner Andresen. Elle est un poète portugais du XX siècle qui a assisté à des modifications politiques et sociales arrivées dans la période mûre de la Modernité. L'objetif de ce travail est d'identifier une possible écriture féminine dans la littérature de Sophia. Cette écriture se manifesterait à travers la transfiguration du corps dans le langage de ses textes et à travers la redéfinition du mythe. Pour l'étude de cette écriture, en plus, il fallu choisir l'une de ses oeuvres en prose puisqu'elle a plutôt écrit des poèmes. Cette dissertation a choisi Contos Exemplares pour débattre les procédés du récit du poète portugais en utilisant les théories du genre, de la philosophie et de la critique litéraire. Ainsi, ses contes seron construits plutôt de descriptions que de faits, d'espace que de temps, de sensations que de personnages, de corps et du mythe que d'actions. Ces procédés qui peuvent nommés dionysiaques revelerait l'écriture féminine fondée sûrement sur le transbordament du langage de la prose en poésie.

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