As propostas de reurbanização de áreas desindustrializadas através do fomento à implantação de atividades da chamada economia criativa destacam-se atualmente nas discussões sobre planejamento urbano e políticas públicas. Aos setores econômicos criativos, passou a ser atribuída a capacidade de atuação enquanto vetores de desenvolvimento econômico e socioespacial, através do estabelecimento de novas espacialidades ao território. Na convergência entre a nova taxonomia da economia e as dinâmicas da produção capitalista do espaço urbano, o território reurbanizado adquire um valor que é potencializado por sentidos simbólicos a ele atribuídos, operados desde elaborações discursivas articuladas pela narratividade. Nesta direção, este estudo procurou analisar a narrativa da imprensa jornalística tendo como objetivo compreender, desde os elementos de composição das narrativas, as estratégias de comunicação que contribuem para a instauração de uma espacialidade criativa e para a conformação de novos valores e práticas sociais, assim como para a demarcação dos rumos da História. Os resultados da pesquisa mostraram que a prescrição da espacialidade criativa do IV Distrito de Porto Alegre|RS pode ser entendida como um mecanismo de (re)produção do espaço e de reinserção de territórios às dinâmicas do mercado de terras. A narrativa jornalística analisada tem desempenhado papel relevante ao ser operada de forma a induzir a instauração não apenas do espaço físico, mas também do espaço social, fomentando tanto seu consumo quanto sua produção. / The proposals for redevelopment of desindustrialized areas through the promotion and development of the so-called creative economy activities are currently highlighted in the discussions on urban planning and public policies. To the creative economy sectors, the capacity to act as vectors of economic and socio-spatial development has been attributed through the establishment of new spatialities in the territory. In the convergence between the new economy’s taxonomy and the dynamics of capitalist production of urban space, the redeveloped territory acquires a value that is enhanced by symbolic meanings attributed to it, operated from discursive expressions articulated by its narrativity. In this sense, this study sought to analyze the narrative of the press in order to understand, from the elements of composition of the narratives, the communication strategies that contributes to the establishment of a creative spatiality and to the conformation of new values and social practices, as well as for the demarcation for the course of history. The results of the research demonstrate that the prescription of the creative spatiality of the IV District of Porto Alegre|RS can be understood as a mechanism for (re) production of space and reinsertion of territories in the dynamics of the real state market. The analyzed press’ narrative has played a relevant role in by operation not only as to induce the instauration of the physical space, but also of the social space, fomenting both its consumption and its production.

A pesquisa apresenta as etapas de um processo de criação no qual a espacialidade corporal do ator lhe serve de mascaramento. Utiliza uma série progressiva de laboratórios que investigam o trânsito entre espaço e performatividade, a partir de estruturas plástico-arquitetônicas empregadas como máscaras espaciais. Organiza os resultados em partituras cênicas, tratadas como mascaramentos responsáveis por uma qualidade psicofísica diferenciada. Aponta como principais resultados: a dinâmica do corpo como princípio que anima e ativa o espaço; a disponibilidade para atuar e ser atuado pelo ambiente; o emprego da espacialidade corporal na criação cênica. Conclui que a composição de partituras em perspectiva de mascaramento espacial pode servir de base à escritura cênica / The research presents the steps of a creation process in which the actor\'s body spatiality serves them as a masking. It uses a progressive series of laboratories investigating the transit between space and performativity, from plastic-architectural structures used as spatial masks. It organizes the results in scenic scores, treated as masking which are responsible for a distinct psychophysical quality. It indicates that the main results: the dynamics of the body as a principle that animates and activates the space; the ability to act and be acted by the environment; the use of body spatiality in the scenic creation. It concludes that the composition of scores in spatial masking perspective can be the basis for a scenic scripture

This work explores how colour and light can be used as the prime design materials. They are investigated in unison in relation to spatiality. Colour is a way for us to understand and identify what we see, it is primary for how we interpret our surroundings. The aim is to explore colour, light and reflections, by the means of printing and dyeing of translucent materials, as an attempt to challenge the visual perception of the spectator and the experience of how spatiality is perceived. The project investigates how the boundaries of a textile can be questioned, for example where does a pattern begin and end? Does it only belong to the textile or can it transcend to it’s surroundings? The investigational process is experimental and explores combinations of colour and light in translucent materials, coloured through the techniques of heat transfer printing and dyeing. Swatches made are analysed in relation to each other and to light, with a focus on their visual performance. The final design examples discusses the idea of how textile, light and colour can be used to create, define and illuminate spatiality.

Submitted by Geyciane Santos (geyciane_thamires@hotmail.com) on 2015-06-02T13:40:35Z No. of bitstreams: 1 Dissertaçao - Irlanda Pantoja Leite.pdf: 3928297 bytes, checksum: f127d3ba4c54e53d5bd7d8b81a46ad36 (MD5) / Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2015-06-02T18:10:22Z (GMT) No. of bitstreams: 1 Dissertaçao - Irlanda Pantoja Leite.pdf: 3928297 bytes, checksum: f127d3ba4c54e53d5bd7d8b81a46ad36 (MD5) / Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2015-06-02T18:55:55Z (GMT) No. of bitstreams: 1 Dissertaçao - Irlanda Pantoja Leite.pdf: 3928297 bytes, checksum: f127d3ba4c54e53d5bd7d8b81a46ad36 (MD5) / Made available in DSpace on 2015-06-02T18:55:55Z (GMT). No. of bitstreams: 1 Dissertaçao - Irlanda Pantoja Leite.pdf: 3928297 bytes, checksum: f127d3ba4c54e53d5bd7d8b81a46ad36 (MD5) Previous issue date: 2014-10-30 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The research is exploratory and presents quantitative qualitative nature, once that it proposes to know the socioeconomic profile of the female households, as well as the perceptions of their reality. The results of this research will provide a glimpse into the daily lives of these women showing their work and life conditions.The aim of the research is to develop a study about the sustainability and citizenship levels of the female households from the Residential Park Manaus - I PROSAMIM based in the integrated analysis of three approache levels: gender, spatiality and sustainability. The methodological procedures were varied, bibliographical, documentary, participatory and field research. Lastly, the writing results analysis with graphing from primary and secondary information. According to IBGE 2012, the statistics show that is concentrated in Manaus, more than half of Amazonas state population. From 3, 590, 985 inhabitants of this state, 1, 861, 863 live in the capital, representing a rate of 51.84% (IBGE, 2012). This people concentration in urban areas is a common situation in all states of the Federation, and it is associated to the process issues of mobility population between the countryside and the city. Data from Residencial Park Manaus expressed that householders are mostly women and support the dependents salary range that sets up R$ 240.00 to R$ 720.00, as it corresponds to 64.3% of the interviewed families. According to the collected and analyzed data it became evident that public housing politics which aim to mitigate existing inequalities in urban areas should include actions that go beyond the acquisition of a home,it is also necessary to take measures to provide access to urban equipment and services from the specifications and peculiarities of each social agent. It was concluded that female households live outside of the sustainability premises in Manaus. / A pesquisa realizada tem caráter exploratório e apresenta-se de natureza quali quantitativa, uma vez que se propõe e a conhecer o perfil socioeconômico das mulheres chefes de família, bem como as percepções de sua realidade. Os resultados dessa pesquisa proporcionarão um olhar sobre o cotidiano dessas mulheres evidenciando suas condições de trabalho e vida. O objetivo da pesquisa é elaborar um estudo sobre os níveis de sustentabilidade e cidadania das mulheres chefes de família do Parque Residencial Manaus - Prosamim I, com base na análise integrada de três níveis de abordagens: gênero, espacialidade e sustentabilidade. Os procedimentos metodológicos foram variados, pesquisa bibliográfica, documental, participativa e de campo. Por fim, a análise e escrita dos resultados com elaboração de gráficos a partir de informações primárias e secundárias. Segundo IBGE 2012, as estatísticas apontam que se concentra na cidade de Manaus, mais da metade da população do Estado do Amazonas. Dos 3.590.985 habitantes deste estado, 1.861.863 vivem na capital, representando uma taxa de 51,84% (IBGE, 2012). Esta concentração de pessoas nas áreas urbanas constitui situação comum, em todos os estados da Federação, e está associada às questões do processo de mobilidade populacional entre o campo e a cidade. Dados obtidos no Parque Residencial Manaus expressa que os chefes de família são, na maioria, mulheres e sustentam os dependentes com faixa salarial que se estabelece acima R$ 240,00 a R$ 720,00, dado que corresponde a 64,3% das famílias entrevistadas. De acordo com os dados coletados e analisados ficou evidente que as políticas públicas de habitação que visem amenizar as desigualdades existentes no espaço urbano devem contemplar ações que ultrapassem a aquisição da casa própria, sendo necessário também tomar medidas que possibilitem o acesso aos equipamentos e serviços urbanos a partir das especificações e singularidades de cada agente social. Concluiu-se que as mulheres chefes de família vivem fora das premissas de sustentabilidade em Manaus.

A pesquisa tem como objetivo investigar os usos do espaço agrário como um dos elementos centrais para os mecanismos de dominação senhorial e também para as estratégias de resistência escrava. Tendo como base os processos criminais do município de Bananal, o trabalho procura entender que o espaço foi vetor fundamental para produzir o controle senhorial sobre o conjunto dos homens livres e dos escravos. No entanto, o desejo de ordem e disciplina imposto pelos senhores era constantemente burlado pelos cativos, que se valiam dos conhecimentos adquiridos dos espaços e dos tempos permitidos e proibidos para realizarem um grande número de ações de resistência. Nesta pesquisa, a geografia da escravidão refere-se à dialética existente entre os usos alternativos ou não que os escravos faziam do espaço de plantação e os controles realizados por feitores, administradores e senhores sobre a mobilidade e o corpo dos cativos. Dos conflitos que se originavam desses embates tem-se a possibilidade de se compreender uma nova dinâmica para a resistência escrava. A pesquisa procurou também ultrapassar a escala do município e ampliar os horizontes. Desse modo, conseguiu-se entender a localidade de Bananal não como um estudo de caso , mas como um município articulado a um quadro mais amplo de consolidação, transformação e crise do Estado Imperial. Deste modo, a escravidão e seus corolários geográficos estavam interligados com o momento de crise da escravidão no plano nacional. Por esta razão, foi possível delinear uma nova dimensão da geografia, relacionada com as redes desenvolvidas pelos sujeitos para além dos limites do município / The aim of this research is to investigate the uses of plantation space as a central tool to slaveholders domination and the strategies used by slaves to resist it. Studying the county of Bananal, an important town of coffee production in the nineteenth century, the work focuses on the understanding of the space as a crucial vector to produce control over free men and slaves. Nonetheless, slaves usually challenged slaveholders. In this way, they used to apply their knowledge about the uses of the permitted and prohibited times and spaces in order to act against and resist slaveholders impositions. In this work, the Geography of slavery is related to the dialectic between slave uses of plantation space and the controls made by slaveholders and their agents. This relation provoked many conflicts and this shed light to the issue of slave resistance and their reaction to power. Therefore, it is possible to comprehend a new dynamics of slave resistance. On the other hand, the research is not simply a case study, because slavery in Bananal and its geographical corollaries were intertwined with the moment of crisis of slavery in Imperial Brazil. For this reason, it was possible to figure a new dimension of geography, related to the networks developed by the subjects beyond the limits of the municipality

Os retratos fotográficos são uma forma consolidada de se representar. Refletir a partir da visão do retratado no momento em que esta se direciona no sentido oposto ao nosso olhar propõe a existência de um espaço contíguo ao corte que atravessa a quarta parede. Tal compreensão tensiona o contexto que circunda fisicamente o espaço da obtenção dos retratos. Neste trabalho, propõe-se a ampliação do espectro das análises em direção a um espaço definido pela formulação da noção de contraperspectiva: um espaço perspectivo inverso ao tradicional que se instaura no direcionamento do olhar para a câmera, e que se projeta sobre quem observa a imagem, incluindo-o, concebendo que o sentido é, também por isso, ampliado. Este espaço foi complexificado pela prática da selfie, promotora da sobreposição dos papéis do fotógrafo e do fotografado. Para tanto, propôs-se uma investigação qualitativa através de entrevistas com fotógrafos profissionais, buscando entender suas concepções e conflitos acerca dos perfis e retratos dos outros (ou de si próprios). Além da proposição teórica da contraperspectiva, este estudo propõe as noções de espacialidade constitutiva e figurativa, as quais, respectivamente, conceituam as possibilidades físicas da circunstância de obtenção e, no segundo caso, a materialização de uma escolha dentre as possibilidades. Outra percepção advinda do estudo sustenta que a presença de duas forças - que se entrecruzam no plano da imagem – atuam como vetores de entrada e saída da imagem em relação à quarta parede, estabelecendo-se em conflito constante, desperta principalmente pela posição do olhar direto. Acrescenta-se ainda, neste trabalho, a compreensão da ideia dos espaços perpendicular e paralelo, no qual o primeiro estabelece relação entre o retratado e o espaço que ele ocupa, que lhe circunda e do qual ele faz parte, e o segundo posiciona-se sobre o eixo retratado/câmera, efetuando-se na ligação estabelecida entre os olhares do sujeito retratado/visto em relação à posição da lente/observador/vidente. Neste sentido, propõe-se o entendimento que o olhar direto estabelece, mesmo que por breve instante, uma sensação de compartilhamento de espaços entre o observador e o observado. Assim, foi possível compreender em maior profundidade o espaço que permeia a obtenção e como este se relaciona, enquanto dinâmica, com as noções inclusivas nos processos de observação destes retratos. / The photographic portraits are, for human beings, a consolidated way to represent. Reflecting from the viewer's perspective, at the moment it is directed in the opposite direction to our normally projective look (at the moment the subject is looking at the lens), it suggests the existence of a space adjoining the cut, translucent, which breaks through the fourth wall. Such an understanding aims to reflect about the whole context that physically surrounds the space of obtaining the portraits, understanding it as everything that involves the production of photographs. In this paper, it is aimed the amplification of the spectrum of the analysis that comprise a movement, inflated by the practice of selfies, that brings up the theoretical frame of the counter-perspective: a perspective space inverse to the traditional one that establishes in the direction of the look for the camera, And that is projected onto the one who observes the image, including that person, conceiving that the meaning is, therefore, also enlarged. In addition, the practice of selfie, which promotes the overlapping of the roles of photographer and photographed, also stresses spatiality insofar as it subverts the role of the observer to the observed. In addition to the theoretical proposition of contraperspective, this study proposes the notions of constitutive and figurative spatiality, which, respectively, conceptualize the physical possibilities of the circumstance of obtaining and, in the second case, the materialization of a choice among the possibilities. Another perception from the study maintains that the presence of two forces act as vectors of entrance and exit of the image in relation to the fourth wall, establishing itself in constant conflict, aroused mainly by the position of the direct look . It is also added in this work the understanding of the idea of perpendicular and parallel spaces, in which the former establishes a relation between the portrayed person and the space he occupies, which surrounds him and of which he is a part, and the second position On the retracted axis / camera, effecting the established connection between the glances of the subject portrayed / seen in relation to the position of the lens / observer / sighted. In this sense, it is proposed the understanding that the direct look establishes, even for a brief moment, a sense of space sharing between the observer and the observed. Thus, it was possible to understand in greater depth the space that permeates the obtaining and how this relates, while dynamic, with the inclusive notions in the processes of observation of these portraits.

Esse trabalho busca classificar sistemas de iluminação em vitrinas de ambientes comerciais para o entendimento da estrutura formal arquitetônica de lojas. O papel da luz em espaços comerciais permite a interpretação da intenção arquitetônica. Por isso, o projeto de iluminação é etapa essencial no processo criativo e conceitual do ambiente comercial e deve ser planejado conjuntamente ao arquitetônico. O objetivo da pesquisa é fazer o estudo de vitrinas, em lojas, localizadas em centros de compras, com a classificação dos sistemas de iluminação artificial utilizados, características físico-espaciais, definição e características técnicas, modelos, requisitos de desempenho e emprego da iluminação. Para tanto, a revisão de literatura baseia-se na relação entre iluminação artificial, espacialidade de edificações, conforto visual e uso da simulação computacional em arquitetura. A metodologia desenvolve-se a partir do levantamento dos critérios para elaboração de projeto de iluminação em vitrinas como elemento de transição espacial aplicados às simulações computacionais. Análises dos aspectos da espacialidade, psicológicos e fisiológicos e fatores da tarefa constatam o comportamento da luz diante das variáveis formais no intuito de investigar a relação entre forma construída que atende a um programa e o papel desempenhado por esta forma na função específica de abrigar o programa e o nível de conforto do objeto arquitetônico Com a documentação gráfica e bibliográfica reunida são estabelecidos parâmetros de comparação entre os exemplos encontrados. Os resultados dos cálculos das simulações dos modelos geométricos de vitrinas viabilizam estudos quantitativos da luz disponível no ambiente. Os estudos qualitativos se referem à condição de conforto visual em vitrinas. Ao final do trabalho a sistematização espacial dos exemplares de vitrinas e classificação dos sistemas de iluminação auxiliam na definição do conceito e partido arquitetônico para projeto de ambientes comerciais. O trabalho de pesquisa divide-se em 5 fases: 1ª fase: Aspectos de classificação espacial 2ª fase: Aspectos psicológicos e fisiológicos (conforto visual) 3ª fase: Fatores da tarefa - sistemas de iluminação 4ª fase: Simulações 5ª fase: Conclusões / This work seeks to classify lighting systems in commercial environments windows to understand stores the architectural formal structure. The role of light in commercial spaces allows the interpretation of the architectural intent. Therefore, the lighting design is an essential step in the creative and conceptual process of the commercial environment and should be planned in conjunction with the architectural design. The objective of the research is to study showcases in shops located in shopping centers, with the classification of artificial lighting systems used, physical and spatial characteristics, definition and technical characteristics, models, performance requirements and use of lighting. Therefore, the literature review is based on the relationship between artificial lighting, spatiality of buildings, visual comfort and use of computer simulation in architecture. The methodology is developed from the survey of the criteria for elaboration of lighting design project in showcases as spatial transition element applied to computer simulations. Analysis of aspects of spatiality, psychological and physiological and task factors shall establish the behavior of light before the formal variables in order to investigate the relationship between built form that meets a program and the role of this in the specific function to house the program and the comfort level of the architectural object With the graphical and bibliographical documentation gathered parameters are established for comparison between the examples found. The showcases geometric models simulations calculations results enable quantitative studies of the light available in the environment. Qualitative studies refer to visual comfort condition in display cabinets. At the end of the work space systematization of showcases specimens and classification of lighting systems assist in the definition and architectural party for commercial environments design. The research was divided into 5 stages: 1st phase: spatial classification aspects 2nd phase: psychological and physiological aspects (visual comfort) 3rd phase: Task Factors - lighting systems 4th phase: Simulations 5th phase: Conclusions

I identify three significant components of Heaven’s spatiality that determine the boundaries of and conditions for “legitimate” spiritual experience, all of which are embodied in what Dickinson calls “the apparatus” of prayer (Fr 632). First, the locations of Heaven and Earth are determinable, absolute, and inflexible, thus marking the distance that separates human from God as static and constant; second, in order to engage God, the supplicant must turn towards Heaven (and away from Earth); and third, specific spatial and emotional protocol are established by assigning God socially constructed roles such as King or Father. Dickinson dismantles the spatiality of Heaven in her poems and letters by undoing these three components; yet even in the act of disassembling, she embraces and recycles their respective ideologies as a way of claiming sole ownership of her religiosity.

My research for this thesis focusses on the concepts of representation and space in order to demonstrate their theoretical and practical co-implications. Discussing various theorists of space in the first part and analyzing a number of artists and artworks as case studies in the second part, I elaborate a critique of the representational imaginary in order to articulate an alternative notion of representation by means of which a relational, qualitative and performative spatiality can emerge. I specifically focus on technospaces, which I consider a privileged field for observing the intersections of representation and spatiality; it is a field in which the use of spatial metaphors abounds, very often relying on a series of dichotomies (such as location and mobility, the real and the virtual) that have employed and, in most cases, reinforced the traditional idiom of representational. Drawing on the lessons of feminist theory, particularly on approaches to the politics of location, from Adrienne Rich‘s initial formulation to the situated knowledge theorized by Donna Haraway, I elaborate a situated aesthetics of technospaces in which the observer‘s engagement with representational practices replaces the view from a distance of traditional representation, so that her/his position is accounted for together with the history of the production of space and its multiple representations. For this reason, I also formulate an articulatory turn in representation based on Haraway‘s semiotics in order to propose a non-reflexive notion of representation in which invention and factuality eventually meet.

This play, Weaving Worlds, and the accompanying case study of its use of multimedia examine how multimedia can complexify space in theatre. The case study explores the process of writing a play that has multimedia elements scripted into it. Space in theatre can be defined in terms of its function as well as its location, its representational ideas and as an area used to present an argument, otherwise known as the fictional space. This is achieved through the narrative (that is presented traditionally in theatre through movement, gesture, and text). Multimedia has complexified this fictional space by expanding its location and being able to deliver multiple narratives within it. Multimedia has complexified the time and the space continuum of the narrative through its ability to present mediated images from the stage to the audience at the same time as traditional live performance. This challenges the definition of live performance. The multimedia elements in the play are soundscapes, virtual characters composed of multimedia animations captured on pre-recorded digital video, and live video displays of performance. The world of the play exists in an augmented reality of the memories of the two main characters, Bev and Ben. The addition of multimedia assisted me as a playwright to present my idea of augmented reality in the world of the play, as well as a means of presenting the underpinning themes of the play being disassociation and recorded memory, violence as a means of control, and issues on change. Twentieth century theatre theorists, including Erwin Piscator and Bertolt Brecht, pioneered the use of multimedia in the theatre. In some way they contributed to a contemporary theatre that has evolved in tandem with multimedia. Correspondingly, multimedia requires its own skill sets and equipment and brings with it new aesthetic possibilities as well as becoming an agent of narrative. Multimedia creates opportunities for improvisation. This means that despite the pre-recorded nature of multimedia elements each presentation of multimedia that involves live actors can still create a unique performance experience. The exchange of touch is removed between virtual characters created by multimedia technology and live actors. At the same time the idea of live performance is challenged by the inclusion of multimedia elements. New audiences understand the narrative presented by multimedia because their world is filled with technologies that contain multimedia applications. Playwrights, who are aware of the spatial implications of multimedia, can utilise these new elements to create narratives to alter the structure of their work, and to create new ways of presenting characters, soundscapes and thematic digital displays to enhance and support the performance of their plays.