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James Still remains one of the most beloved and important writers in Appalachian literature. Best known for his acclaimed novel River of Earth (1940), the Alabama native and adopted Kentuckian left an enduring legacy of novels, stories, and poems during his nearly seventy year career. The Hills Remember: The Complete Short Stories of James Stillhonors the late writer by collecting all of Still's short stories, including his stories from On Troublesome Creek (1941), Pattern of a Man and Other Stories (1976), and The Run for the Elbertas(1980), as well as twelve prose pieces originally published as short stories and later incorporated into River of Earth. Also included are several lesser-known stories and ten never-before-published stories. Recognized as a significant writer of short fiction in his day―many of his stories initially appeared in The Atlantic and The Saturday Evening Post and were included in The O. Henry Memorial Award Stories and The Best American Short Stories collections―Still's short stories, while often overshadowed in recent years by his novels and poetry, are among his most enduring literary works. Editor Ted Olson offers a reassessment of Still's short fiction within the contexts of the author's body of work and within Appalachian and American literature. Compiling all of James Still's compelling and varied short stories into one volume, The Hills Remember is a testament to a master writer. / https://dc.etsu.edu/etsu_books/1166/thumbnail.jpg

The purpose of this study was to develop a measurement procedure for the Maltese cross performed on still rings. Sixteen elite/international gymnasts participated. Two small force platforms (FPs) interfaced to a portable data logger (100 Hz sampling rate) were placed under the gymnasts’ hands in a simulated Maltese position (i.e., prone). Gymnasts attempted to rise a few centimeters to a Maltese position while vertical ground reaction forces were recorded bilaterally. Results indicated that the FPs had sufficient fidelity to differentiate gymnasts’ abilities to perform a Maltese. This method may serve to gauge the preparedness of male gymnasts performing this important skill.

To Find a Stairwell is an exploration and written supplement to my painted works and how it relates to loss, depression, and compulsive tendencies. Through examples of my own paintings and the research and influences leading my education is an articulate web chronicling two years of work from a focus in abstract painting to a place where representation and abstraction intersect.

Die juvenilen rheumatischen Erkrankungen sind häufiger, als von Laien angenommen wird. In der vorliegenden Studie werden Patienten der Kinderklinik und Polyklinik der Universität Würzburg genauer betrachtet um mögliche Verlaufsparameter retrospektiv auswerten zu können. Es zeigt sich, dass weibliche Patienten als häufiger von JIA-Erkrankungen betroffene länger therapiert wurden als die männlichen Patienten. Dabei erhielten sie länger NSAR und Steroide sowie häufiger MTX. Die Wahrscheinlichkeit eine Remission zu erreichen war im untersuchten Kollektiv nicht per se vom Geschlecht abhängig, jedoch geschätzt nach Kaplan und Meier zu Ungunsten der Mädchen, wie laut Literatur zu erwarten. Nicht bestätigen ließ sich ein negativer Zusammenhang zwischen erhöhten Entzündungswerten zu Beginn der Erkrankung und einer Remission im Verlauf. Weiterhin nicht bestätigen ließ sich eine generell geringere Remissionswahrscheinlichkeit bei Polyarthritis. Als prädiktive Marker für eine häufigere Remission können nach unseren Ergebnissen nun theoretisch das männliche Geschlecht (nach Kaplan und Meier) sowie erhöhte Entzündungswerte zu Beginn der Erkrankung angenommen werden. Wobei eine Remission häufiger auftrat, je schneller nach Krankheitsbeginn der Patient „an der richtigen Adresse“ vorgestellt wurde. / The frequency of juvenile idiopathic arthritis is bigger than most non-professional may expect. This trial analyzes retrospective e.g. the outcome of patients from the children's hospital of the University of Wuerzburg. In our cohort it is seen, that female patients are more often affected with rheumatism and need longer medication with NSAR and steroids, also they need more often MTX. The likelihood to reach remission did not differ between boys and girls at first sight, but rated by Kaplan and Meier the girls come out badly - like other references say, too. In our cohort there was no correlation between high inflammation values at the beginning of the disease and remission at a later time. Also it could not be seen, that children with Polyarthritis reached less often remission in general. Only regarding our data one could use male gender and higher inflammation values at the beginning of the disease as a predictive marker for a more frequent remission at a later time. Whereas the remission appeared more often in children who were presented to the "Specialist" early after the beginning of the disease.

In lowland river systems, in-channel, slow-flowing or still-water areas (still-water patches, SWPs) are considered to be important habitats for many organisms, particularly the early-life stages of fish and shrimp. However, the distribution of the early life-stages of fish and shrimp among these habitats appears to be very patchy and studies suggest that the quality and diversity of microhabitat conditions within SWPs and the accessibility of SWPs to spawning adults and dispersing young may be important determinants of their suitability as nursery habitat. The aims of this thesis were to examine the utilisation of still-water patches by fish and shrimp in a lowland river in relation to habitat suitability and accessibility, with particular emphasis on early-life stages. To determine the factors influencing habitat selection among SWPs, the environmental variability in SWP habitat, and both the distribution and the movement patterns of fish and shrimp, were examined in the Broken River, a lowland river in south-eastern Australia. SWP habitat was found to be highly spatially and temporally variable in the Broken River. SWPs differed in relation to permanence, accessibility and microhabitat variables, and all life-stages of fish and shrimp were found to be significantly spatially aggregated among SWPs. This suggests that individual SWPs may differ in their suitability as habitat, and/or in their accessibility to dispersing organisms and indicates either differential rates of retention, movement into SWPs, spawning effort or survival among SWPs for these organisms. Significant associations were found for all species and life-stages in relation to the microhabitat characteristics of SWPs. The two introduced species, carp and gambusia, were found to have fewer associations, which suggests that these species are habitat generalists. Cover and SWP morphology variables were shown to be important for all native species. Significant, positive associations were found for most species and life-stages with large, deep, SWPs containing instream cover, however, the extent of cover preferred was variable. It was hypothesised that large, deep SWPs that contain instream cover are more environmentally stable and provide better foraging efficiency and reduced competition for space, whilst also providing refuge from predators and, that they may be easier to locate than smaller patches. Specific associations with microhabitat variables differed among all species and life-stages, and this was attributed to differences in diet and predation rates. Consequently, generalised microhabitat relationships for particular life-stages or species could not be identified and the results from this thesis suggest that a diversity of microhabitat conditions are required to meet the differing requirements of various life-stages and species. Significant associations were also found for most groups in relation to the accessibility characteristics of SWPs, indicating that the ability of individuals to access SWPs is an important factor in determining their distribution among SWPs. This further suggests that movement is an important factor in the distribution pattern of fish and shrimp among SWPs. Significant associations were found for most groups in relation to patch isolation, adjacent hydraulic habitat and entrance conditions, indicating that landscape composition and configuration as well as boundary conditions may be important determinants of organisms being able to locate suitable patches. Associations with accessibility variables differed among species and life-stages, and may be attributable to differences in movement capabilities. Field manipulations of instream cover and entrance depth were conducted to further examine the habitat associations found. The results confirmed a positive relationship between instream cover and fish and shrimp abundances. No species, however, responded consistently to the manipulation of entrance depths, and this was attributed to water level rises throughout the experiment and/or the correlation of entrance depth with SWP depth. However, the results from the field manipulations suggested that deeper habitats are able to be exploited by small-bodied adults and larvae when significant levels of instream cover are also available as refuge from predation. In order to confirm the importance of movement in the selection of SWP habitat by fish and shrimp, the movement patterns of fish and shrimp into and out of SWPs were investigated. Whilst the results from this aspect of the study were inconclusive for fish, the results for shrimp confirmed that adults and larvae moved routinely into and out of SWPs. However, for all shrimp species, movement appeared to be limited to a certain period of larval development, indicating that SWP quality and stability may be more important at particular stages of development than others. The results of this thesis have demonstrated the importance of SWP quality and stability for fish and shrimp in the Broken River and have shown that habitat preferences vary among individual species and life-stages. Consequently, in order to manage for multiple species and life-stages, consideration must be given not only to the availability of SWPs, but also to their stability over time and to the availability of a diverse range of microhabitats. In addition, consideration must also be given to the accessibility of SWPs and this will require a greater knowledge of the specific spawning and dispersal requirements of the organisms which utilise these patches, in combination with a greater understanding of the impacts of flow modification on riverine landscape composition and configuration.

<p>The aim of this essay is to debate the narrow contextualization of the works of Swedish artist Maria Friberg, in which she is interpreted as a female, feminist artist engaged in masculinity studies. Art reviews and exhibition catalogues regarding a great part of Friberg’s work have formed the core body of information in this study, selecting the more recent works entitled Still lives (2003- ) as the main focus. These show a change in Friberg’s artistic expression.</p><p>Subjects concerning group belonging, identity and existential questions have always been present in Maria Friberg’s art, but they are more clearly expressed in her latest works. Art critics have acknowledged the change of motifs in Still lives as a negative development and have expressed disappointment in the absence of Friberg’s renown portrayals of men in business suits. This attire and the gendered motif man have ascribed Friberg to an agenda surrounding masculinity and feminism, leaving little room for other interpretations.</p><p>The subordinate aim of the study is to suggest alternative readings of Friberg’s art in general and of the Still lives-series in particular. The great majority of art critics are accentuating Friberg’s interest in men, overlooking reasons for her supposed fascination of them. This creates a need for further examination of the depths of Friberg’s photographs. Hence, the last chapter presents a theory of the artists’ use of men as carriers of non-gender related meanings in which the human being is a small part of the impressive machinery composed of nature, culture and the industrialised world which absolutely devours humans.</p>

Many poets write about the earth or even about God using the language of nature. And many poets and contemporary authors concern themselves with the state of the environment. However, the poetry of Wendell Berry, James Still, Li-Young Lee, Mary Oliver, and Charles Wright seems to engage different kinds of questions about how humans creatively respond to the earth. Collectively, their responses seem influenced by their connections with Christianity rather than any specific ecological agenda. In all of their poetry lies a sensibility about how humans should interact with the earth. All five of the poets seem to acknowledge humanity’s place on the earth as important without elevating humanity as the most important organism on the earth. Their work presupposes the existence of God or creator and because of this, engages the questions of being human in light of that Creator rather than as creators of their own environment or as the architecture of imagination. Their work offers an important insight into how we might live in harmony with all environments—agricultural, rural, wild or urban. Their work also suggests a connection between the Christian concept of worship, and a way of living that takes responsibility for human actions within creation. Their poetry recognizes the earth’s value as well as God’s presence and results in praise of both the beauty of creation and Creator.

The aim of this essay is to debate the narrow contextualization of the works of Swedish artist Maria Friberg, in which she is interpreted as a female, feminist artist engaged in masculinity studies. Art reviews and exhibition catalogues regarding a great part of Friberg’s work have formed the core body of information in this study, selecting the more recent works entitled Still lives (2003- ) as the main focus. These show a change in Friberg’s artistic expression. Subjects concerning group belonging, identity and existential questions have always been present in Maria Friberg’s art, but they are more clearly expressed in her latest works. Art critics have acknowledged the change of motifs in Still lives as a negative development and have expressed disappointment in the absence of Friberg’s renown portrayals of men in business suits. This attire and the gendered motif man have ascribed Friberg to an agenda surrounding masculinity and feminism, leaving little room for other interpretations. The subordinate aim of the study is to suggest alternative readings of Friberg’s art in general and of the Still lives-series in particular. The great majority of art critics are accentuating Friberg’s interest in men, overlooking reasons for her supposed fascination of them. This creates a need for further examination of the depths of Friberg’s photographs. Hence, the last chapter presents a theory of the artists’ use of men as carriers of non-gender related meanings in which the human being is a small part of the impressive machinery composed of nature, culture and the industrialised world which absolutely devours humans.

<p>In my dissertation I propose that the detailed representation of food and eating in seventeenth-century Spanish art and literature has a double purpose: to reaffirm a state of well-being in Spain, and to show a critical position, because artistic creations emphasize those subjects who, because of social status or cultural background, do not share such benefits. This double purpose explains why literature and painting stress the distance between foodstuffs and consumers, turning food into a commodity that cannot be consumed directly, but through its representation and value. Cervantes's writing is invoked because, especially in Don Quixote, readers can see how the protagonist rejects food for the sake of achieving higher chivalric values, while his companion, Sancho Panza, faces the opposite problem: having food at hand and not being able to enjoy it, especially when he achieves his dream of ruling an island. The principle is similar in genre painting: food is consumed out of the picture in still lifes, or out of the hands of the represented characters in kitchen scenes, for they are depicted cooking for others. Because of the distance between product and consumer, foodstuffs indicate how precedence and authority are established and reproduced in society. In artistic representations, these apparently unchangeable principles are mimicked by the lower classes and used to establish parallel systems of authority such as the guild of thieves who are presented around a table in a scene of Cervantes's exemplary novel "Rinconete and Cortadillo." Another problem to which the representation of foodstuffs responds is the inclusion of New Christians from different origins. In a counterpoint with the scenes in which precedence is discussed, and frequently through similar aesthetic structures, Cervantes and his contemporaries create scenes where the Christian principle of sharing food and drinking wine together is the model of inclusion that dissolves distinctions between Old and New Christians. I argue that this alternative project of community can be related to the expulsion of the Moriscos from Spain, decreed in 1609, because this event made many subjects interrogate themselves about their own status and inclusion. An artistic model of response to these interrogations about belonging is the figure of the roadside meal, which appears as the main motif of a meal shared by Sancho and a self-proclaimed Christian Morisco in the second part of Don Quixote, and reappears in a painting by Diego de Velázquez, which presents in the foreground a dark-skinned servant working in a kitchen, and in the background another roadside meal: the Supper at Emmaus. Both in literature and painting the way of preparing meals, eating and drinking creates ties, establishes a different principle of belonging, and promotes unity. In this alternative model characters are recognized as subjects of the kingdom as long as they eat and drink the way Christians do. Even though this model still leads to a single Christian kingdom, paintings and writings suggest a different form of cohesion, in which subjects are considered equal and recognize each other because of their participation.</p> / Dissertation