This study has conducted an analysis of how the monomyth has appeared in the fantasy story Diamond sword wooden sword part 1 and 2 by Nick Perumov. The study has confirmed that the story structure of the monomyth can be detected within several different characters progression. The study does not claim that all of the different stages within the monomyth can be identified within one single characters, but rather that there are several different characters that reinvents the world and the community. Speculations about why the authors story structure follows a ”divided” version of the hero’s journey are presented. The study also conducts an analysis of Perumovs construction of the society, male characters and female characters, which showed no distinct division in the construction of the two genders within the story. The construction of the society is discussed in light of the authors national upbringing, in this case the former Soviet Union, and briefly how the conflict in the world of Melin could be inspired by the Bolshevik revolution in Russia.

The purpose of this essay was to examine Islamic State’s (IS) self-image and perception of their enemies, and also what kind of propaganda technique that they use in their movies. To do so three questions were formulated: 1. According to Social Identity Theory the ingroup’s social identity is the same as the ingroup’s prototype. How is IS’s prototype portrayed, and thus their social identity, in the movies Flames of War and Clanging of the Swords IV? 2. According to Social Identity Theory a consequence of group membership is that the ingroup will associate outgroups with stereotypic images. What stereotypic images does IS’s associate outgroups with in the movies Flames of War and Clanging of the Swords IV? 3. According to Jacques Ellul propaganda can be categorized as either rational or irrational. So, based on his definition of propaganda, what kind of propaganda technique is used in Flames of War and Clanging of the Swords IV ? In this paper four segments were analyzed from two of IS’s movies: Flames of War and Clanging of the Swords IV. Two theories were used in this essay: Ellul’s theory on rational and irrational propaganda, and also Social Identity Theory. The first theory presents different techniques of argumentation that can be classified as either rational or irrational propaganda. The second theory describes the phenomenon known as prototype and stereotype. The most common propaganda technique used in the movies was that of social evidence, which is a rational strategy of propaganda. This means that the propaganda mainly uses symbols in its arguments, which in this case is the symbol of Allah. IS uses Allah, as well as their leader Al-Baghdadi, to justify their actions. Irrational propaganda is also used quite often. It can be seen in the way IS describes their own group and their enemies. IS always describes themselves with positive attributes and characteristics, while their enemies are described as their complete opposite. The purpose of this is to make the viewer automatically start to associate the ingroup (IS) as good and the outgroups (enemies) as evil. The prototype of IS is that they see themselves as the holy warriors of Allah executing His will on earth. The stereotypic image of IS’s enemies is that they are apostates and enemies of Allah. Their infidelity has provoked Allah, they’re sinners and thus IS considers it to be their duty to punish them.

Unintentional injuries present a major threat to the health and welfare of humans. Over 120,000 deaths and over 30,000,000 non-fatal injuries are estimated annually in the United States. The leading causes of nonfatal injuries vary with age, but falls, motor vehicle collisions (occupants), and being struck by or against are among the top 4 leading causes of unintentional injury for all ages. The loading mechanism that cause forces to be transmitted to the body during these events can cause a wide assortment of injury types with a range of severities. Understanding the biomechanical response to loading in these environments can facilitate efforts in injury mitigation. Biomechanical responses can be quantified by performing controlled laboratory experiments with human volunteers and surrogates, such as anthropomorphic test devices (ATDs) and post mortem human surrogates (PMHSs). The overall objective of this dissertation is to quantify the biomechanical response to loading regimes present in motor vehicle collisions, falls, and when being struck by or against an object using human volunteers and surrogates. Specifically, the research will achieve the following: quantify the dynamic responses of human volunteers, Hybrid III ATD, and PMHSs in low-speed frontal sled tests; quantify the neck response of human volunteers and PMHSs in low-speed frontal sled tests; quantify the kinetic and kinematic responses of PMHSs and the Hybrid III ATD in high-speed frontal sled tests; characterize thoracic loading as a result of same level falls using a Hybrid III ATD; and quantify the ability of children to swing sword-like toys and the human kinematic response that could be anticipated as a result of forceful impact using a Hybrid III 6-year old head and neck. / Ph. D.

Thesis (MA)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: This thesis investigates the references to swords in key scenes in the Aeneid – particularly the scenes of Dido’s and Turnus’ death – in order to add new perspectives on these scenes and on the way in which they impact on the presentation of Aeneas’ Roman mission in the epic. In Chapter Two I attempt to provide an outline of the mission of Aeneas. I also investigate the manner in which Dido and Turnus may be considered to be opponents of Aeneas’ mission. In Chapter Three I investigate references to swords in select scenes in book four of the Aeneid. I highlight an ambiguity in the interpretation of the sword that Dido uses to commit suicide and I also provide a description of the sword as a weapon and its place in the epic. In Chapter Four I provide an analysis of the references to swords in Dido’s and Turnus’ death scenes alongside a number of other important scenes involving mention of swords. I preface my analyses of the references to swords that play a role in interpreting Dido and Turnus’ deaths with an outline of the reasons for the deaths of each of these figures. The additional references to swords that I use in this chapter are the references to the sword in the scene of Deiphobus’ death in book six and to the sword and Priam’s act of arming himself on the night on which Troy is destroyed. At the end of Chapter Four I look at parallels between Dido and Turnus and their relationship to the mission of Aeneas. At the end of this thesis I am able to conclude that an investigation and analysis of the references to swords in select scenes in the Aeneid adds to existing scholarship in Dido’s and Turnus’ death in the following way: a more detailed investigation of the role of swords in the interpretation of Dido’s death from an erotic perspective strengthens the existing notion in scholarship that Dido is an obstacle to the mission of Aeneas. / AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die verwysings na swaarde in kerntonele in die Aeneïs – hoofsaaklik die sterftonele van Dido en Turnus – met die oog daarop om addisionele perspektiewe te verskaf op hierdie tonele en die impak wat hulle het op die voorstelling van Aeneas se Romeinse missie in die epos. In hoofstuk twee poog ek om ’n oorsig te bied van Aeneas se Romeinse missie. Ek stel ook ondersoek in na die mate waartoe Dido en Turnus as teenstanders van Aeneas se Romeinse missie beskou kan word. In Hoofstuk Drie ondersoek ek die verwysings na swaarde in spesifieke tonele van boek vier van die Aeneïs. Ek verwys na ’n dubbelsinnigheid in die interpretasie van die swaard wat Dido gebruik om selfmoord te pleeg en verskaf ook ’n beskrywing van die swaard as ’n wapen en die gebruik daarvan in die epos. In Hoofstuk Vier verskaf ek ‘n ontleding van die verwysings na swaarde in Dido en Turnus se sterftonele saam met ’n aantal ander belangrike tonele met verwysings na swaarde. Ek lei my ontleding van die beskrywings van die swaarde wat ’n rol speel in die interpretasie van Dido en Turnus se sterftes in met ’n uiteensetting van die redes vir die dood van elk van hierdie figure. Die addisionele verwysings na swaarde wat ek in hierdie hoofstuk ontleed, is die verwysing na die swaard in die toneel van Deiphobus se dood in boek ses en die verwysing na die swaard in die toneel waar Priamus sy wapenrusting aantrek op Troje se laaste aand. Aan die einde van Hoofstuk Vier ondersoek ek die parallele tussen Dido en Turnus en hulle verhouding tot Aeneas se Romeinse missie. Hierdie tesis ondersoek die verwysings na swaarde in kerntonele in die Aeneïs – hoofsaaklik die sterftonele van Dido en Turnus – met die oog daarop om addisionele perspektiewe te verskaf op hierdie tonele en die impak wat hulle het op die voorstelling van Aeneas se Romeinse missie in die epos. In hoofstuk twee poog ek om ’n oorsig te bied van Aeneas se Romeinse missie. Ek stel ook ondersoek in na die mate waartoe Dido en Turnus as teenstanders van Aeneas se Romeinse missie beskou kan word. In Hoofstuk Drie ondersoek ek die verwysings na swaarde in spesifieke tonele van boek vier van die Aeneïs. Ek verwys na ’n dubbelsinnigheid in die interpretasie van die swaard wat Dido gebruik om selfmoord te pleeg en verskaf ook ’n beskrywing van die swaard as ’n wapen en die gebruik daarvan in die epos. In Hoofstuk Vier verskaf ek ‘n ontleding van die verwysings na swaarde in Dido en Turnus se sterftonele saam met ’n aantal ander belangrike tonele met verwysings na swaarde. Ek lei my ontleding van die beskrywings van die swaarde wat ’n rol speel in die interpretasie van Dido en Turnus se sterftes in met ’n uiteensetting van die redes vir die dood van elk van hierdie figure. Die addisionele verwysings na swaarde wat ek in hierdie hoofstuk ontleed, is die verwysing na die swaard in die toneel van Deiphobus se dood in boek ses en die verwysing na die swaard in die toneel waar Priamus sy wapenrusting aantrek op Troje se laaste aand. Aan die einde van Hoofstuk Vier ondersoek ek die parallele tussen Dido en Turnus en hulle verhouding tot Aeneas se Romeinse missie.

The inland of northern Scandinavia has received more attention in archaeological research in recent years than before. This has among other things resulted in a better understanding of the trading systems within Iron Age Scandinavia and highlighted the importance of raw materials produced in the boreal regions. A significant part of the iron, antler and furs used in central agricultural areas like the Mälaren Valley during the Iron Age originated in northern Sweden. This indicates that central places to the south were dependent on products from the forested areas of the north, and that the two probably would have developed differently without this relation. The aim of this study is to perform a spatial analysis of swords found in northern Sweden to better understand the contacts and trading systems within the region during the middle and late Iron Age. This is based on the hypothesis that the swords indicate places with important functions, and that they are especially prominent in areas which controlled the trade of products like iron, antler, and furs. The results of the study show that swords are most frequent in agricultural areas by the coast connected to the largest rivers, where these raw materials were mainly transported. This pattern is apparent in all represented periods of the Iron Age except for the Vendel Period from which most swords have been found in outland locations far from the coast. This indicates that the Vendel Period differs clearly from other periods of the Iron Age in northern Sweden, concerning how the inter-regional trade was performed.

Dans l'historiographie de l'âge du Bronze final, le tiers ouest de la péninsule Ibérique est considéré comme une province atlantique, qui interagit avec les autres "membres" du complexe atlantique, c'est-à-dire, les territoires de la France, de la Grande-Bretagne et de l'Irlande principalement. Dans ce réseau, les populations échangeraient individus, objets, idées et savoir-faire ; elles créeraient ainsi un espace délimité par la présence d'un lot d'artefacts communs (des outils, des armes, de la parure...) et par des pratiques communes (le festin, la déposition d'objets métalliques, etc.). Il est à noter que pratiques funéraires, architecture de l'habitat et matériel céramique sont de nature différentes et ont très tôt été exclus de cette définition, empêchant de qualifier cet ensemble de culture homogène. Un premier constat concernant la dispersion du mobilier métallique, réputé de types atlantiques, démontre qu'il existe en péninsule Ibérique des réseaux d'échanges puissants entre l'Atlantique et la Méditerranée, qui amènent à questionner le rôle et la place du territoire au sein du "complexe atlantique" européen. Ces remarques naissent d'un regard nouveau porté au vestige archéologique et amènent à questionner l'existence d'un faciès atlantique en péninsule Ibérique, et peut-être même en Europe. L'analyse des correspondances multiples, qui consiste à confronter plusieurs paramètres, répond à ce besoin de considérer le vestige archéologique comme un objet fonctionnel, fabriqué et utilisé par des hommes de l'âge du Bronze final. Dans le cas des épées, des haches et des pointes de lance, il s'agit de relever des critères quantitatifs et qualitatifs qui seront comparés successivement les uns avec les autres. L'objectif est de répondre à une série de questions précises, déterminées par des hypothèses relatives à la fabrication, à la fonction et à l'usage de l'objet. Ce travail est développé en trois temps qui se veulent les reflets des différents questionnements mis en place dès l'introduction. Le premier chapitre présente les enjeux du débat et la question principale qui oriente l'argumentation : Existe-t-il un faciès atlantique ? Le deuxième chapitre est dédié à l'étude des objets, particulièrement les épées, les haches et les pointes de lance. Cette étude rend compte du traitement statistique effectué mais également de l'analyse technique et fonctionnelle des objets. Le troisième chapitre constitue la synthèse de ces différentes approches et propose plusieurs éléments de réponse à la question de départ : existe-t-il un faciès atlantique en péninsule Ibérique ? / In the MBA and LBA historiography, the west lands of Europe - Great-Britain, Ireland, France and Iberian Peninsula - are gathered under the name "Atlantic complex". In this network, populations trade artifacts, ideas and Knowledge. Thus, they create a territory delimited by a set of communal artifacts (tools, weapons, jewellery, etc.) and by communal practices like feasts and hoards. It should be noted that burial practices, domestic architecture or potteries are of different natures, which make it impossible to call it an homogeneous culture. Since a few years, we wonder about the existence of this complex and we try to identify its features. How can we define a culture? How can we identify economic, technical or cultural areas? Does the Atlantic complex really exist? In order to answer these questions, the study of the Iberian Peninsula proved very interesting. The discovery of metallics artifact known as atlantic types let us think that Peninsula was an atlantic territory. However, facing the differences between artifacts from Peninsula and GB or France, we are allowed to challenge the existence of this complex. I propose here another approach of the Atlantic world, based on metallic artifacts found in the Iberian Peninsula. This work will be held in three parts. In the first part, I will show the problems of this work by presenting a short historiography of the methodology and its limits. I will then propose a new approach, elaborated upon my PHD work. In the second part, i will present three examples of this new approach: swords, axes and spearheads from the Iberian Peninsula. Finally, I will try to answer the question at issue : Does the Atlantic complex exist in The Iberian peninsula and in Europe in general ?

Treatise De Consideratione ad Eugenium Papam III. is not in general public awareness of the power known. Nevertheless, his message on the theme of the papacy and practical guides to the character of the Pope is still valid. This thesis aims to familiarize with the life of the author of the letter, and Bernard of Clairvaux to outline the time and circumstances of the letter, as well as with the personality of Pope Eugene III. to whom the letter is addressed. Treatise is divided into five books, this work deals mainly with the fourth book. In the fourth book we find a few key topics. Relates to the personality of the Pope, what would be its features and how it should behave. It is a theme of "two swords" on which Bernard shows secular and ecclesiastical power. There is here the topic of the internal layout of the Church. Keywords Bernard of Clairvaux, Eugenius III., Letter to De Consideratione, allegory "two swords", religious and secular power