Le Roi Roger, chef-d’oeuvre du compositeur polonais Karol Szymanowski (1882-1937), constitue une œuvre-clé pour le développement de son auteur. Situé dans la Sicile médiévale, théâtre de la confrontation de nombreuses civilisations (notamment grecque, byzantine, arabe et normande), l’opéra se veut mosaïque de cultures (interculturalité) et des sources artistiquement variées (pluridisciplinarité). Allant des Bacchantes d’Euripide jusqu’à la philosophie nietzschéenne et de la musique folklorique des Tatras au drame wagnérien, ce kaléidoscope de sources est articulé par quelques idées fondamentales. L’étude proposée considère l’opéra, selon les termes mêmes du compositeur, dans l’opposition binaire, entre d’« immenses contrastes et richesses » et de « mondes […] unis » par le biais de procédés d’intégration devant faire accéder cette mosaïque au statut d’Œuvre. La présente étude est une série d’éclairages, seul moyen de considérer l’opéra si complexe en entier. Confrontant les projets et le résultat, elle s’organise au rythme des oppositions, approchant différents domaines dans leur épaisseur (étude des sources variées) et leur rôle dans l’œuvre achevée. / King Roger, a masterpiece of the Polish composer Karol Szymanowski (1882-1937) is a key-work to the development of his author. Taking place in the medieval Sicily, setting for the confrontation of many civilisations (in particular Greek, Byzantine, Arabic and Norman), the opera presents itself as a mosaic of cultures (interculturality) and of varied artistic sources (pluridisciplinarity). Extending from the Bacchae of Euripides to nietzschean philosophy and from the music of the Tatra Mountains to the wagnerian drama, this kaleidoscope of sources is articulated by a few fundamental ideas. The present study considers the opera, according to the words of the composer himself, in the binary opposition between « great contrasts and riches » and the « united worlds » by means of particular methods of integration which rise this mosaic to the status of a Work of Art.The present study gives a series of insights into the opera, the only way of considering a work of such complexity in its entirety. Confronting the projects and the result, it is organized by the rhythm of the oppositions in presence, approaching different arts by their multiple layers (through the study of varied sources) and their part in the final work.

Note: / Karol Szymanowski's music has fascinated me for a long time. The first time I encountered his name was in Artur Rubinstein's autobiography, which recounts how they first met and narrates many anecdotes about their friendship. At the time, I was living in Brazil, and was unable to find any recordings of his music. Nonetheless, Rubinstein's ardent praise of him (“a master!”, “a great Polish composer!”, “a powerful, original personality”) made me very curious, and I did not abandon my desire to keep looking for his music. Then, when I moved to Montreal in order to start my undergraduate degree at McGill University, I was finally able to find many recordings of his works at the school's library.[...]

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-08-16T23:40:57Z No. of bitstreams: 1 AlzenyPereiraNeloDeFarias_DISSERT.pdf: 14634667 bytes, checksum: 5e96735e390990153ba1defa10b0fda3 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-08-24T22:46:32Z (GMT) No. of bitstreams: 1 AlzenyPereiraNeloDeFarias_DISSERT.pdf: 14634667 bytes, checksum: 5e96735e390990153ba1defa10b0fda3 (MD5) / Made available in DSpace on 2016-08-24T22:46:32Z (GMT). No. of bitstreams: 1 AlzenyPereiraNeloDeFarias_DISSERT.pdf: 14634667 bytes, checksum: 5e96735e390990153ba1defa10b0fda3 (MD5) Previous issue date: 2016-03-03 / Este artigo apresenta uma discuss?o sobre o ciclo de can??es Slopiewnie op. 46bis de Karol Szymanowski, um dos mais importantes compositores poloneses do s?culo XX, cuja obra tem sido cada vez mais difundida por grandes nomes da m?sica erudita. O artigo primeiramente introduz um breve resumo biogr?fico, para contextualizar Slopiewnie em rela??o ?s obras do compositor; em seguida, o artigo fornece uma an?lise das cancoes e de seus textos, para servir como ferramenta de estudo para futuros int?rpretes. Sugest?es interpretativas tamb?m sao fornecidas, baseadas tanto na experi?ncia de aprendizagem das can??es como em refer?ncias bibliogr?ficas. / This text presents a discussion about the song cycle Slopiewnie Opus 46 bis of Karol Szymanowski, one of the most important Polish composers of the 20th century. Slopiewnie was composed on texts of Julian Tuwim, poet born in 1894 in ??d?, who used ancient roots to create new words and search for special sonorities. First, this text introduces a brief biographical sketch about Szymanowski, in order to contextualize Slopiewnie in relation to the composer?s works. Afterwards, the text provides an analysis of the songs and their texts, which may serve as a study tool for future perfomers. Interpretative suggestions are offered, based on the experience of learning these songs and on references. The text also presents the phonetic transcription of the poems, as well as a suggested translation to Portuguese, making it easier for Brazilian singers to learn the cycle?s text and prosody.

The Author of this work focuses on the Polish music composer Karol Szymanowski and his works for violin. This work includes a biography of the composer with the emphasis on his work, describes his creative period and is dedicates to his compositions for violin. The Author concentrates on the Sonata for violin and piano in D minor, Op. 23, Nocturne and Tarantella, Op. 28, Myths Op. 30, Violin Concerto No. 1, Op. 35, Concerto for Violin No. 2, Op. 61 and a few other small pieces for this instrument. He also focuses on the circumstances, which influenced the creation of Szymanowski and his compositional style. One of the main objectives of this work is to provide information, with which should be familiar every violinist, who studies the works of this composer. This work can be as well useful also for everyone, who is interested in the personality of Karol Szymanowski and his music.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2018-04-02T15:55:05Z No. of bitstreams: 1 RegianeAlvesFerreira_DISSERT.pdf: 8473293 bytes, checksum: 0e7fff4a699633f96531f558b207875a (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-04-09T22:10:24Z (GMT) No. of bitstreams: 1 RegianeAlvesFerreira_DISSERT.pdf: 8473293 bytes, checksum: 0e7fff4a699633f96531f558b207875a (MD5) / Made available in DSpace on 2018-04-09T22:10:24Z (GMT). No. of bitstreams: 1 RegianeAlvesFerreira_DISSERT.pdf: 8473293 bytes, checksum: 0e7fff4a699633f96531f558b207875a (MD5) Previous issue date: 2017-12-18 / O presente trabalho tem como objetivo apresentar o planejamento e as estrat?gias de estudo aplicadas na constru??o da performance dos seis primeiros ?tudes do Op. 33 de Karol Szymanowski (1882-1937). Considerando que os resultados desta pesquisa foram obtidos por meio da pr?tica art?stica do pesquisador/int?rprete, esta se insere na linha de ?pesquisa art?stica? identificada por Benetti (2017). Como referenciais te?ricos, selecionamos Johnston (2002) e Williamon (2004), cujos trabalhos auxiliaram na constru??o do planejamento e direcionamento da observa??o e elabora??o das estrat?gias. O planejamento e prepara??o da performance dos seis ?tudes Op. 33 foi dividido em tr?s etapas, a primeira focada na resolu??o dos trechos com maiores dificuldades, a segunda dedicada ? constru??o interpretativa e ao refor?o dos trechos nos quais havia dificuldades persistentes e a terceira direcionada a um polimento interpretativo localizado, aperfei?oando as execu??es das passagens, a velocidade e a sonoridade. As ferramentas utilizadas para coleta de dados consistiram em um di?rio de estudo e em registros de ?udio que serviram para a autoavalia??o cont?nua durante o planejamento. Como resultados, a metodologia para a realiza??o desta pesquisa mostrou-se eficaz e satisfat?ria, uma vez que a performance p?blica dos seis ?tudes Op. 33 de Szymanowski aconteceu dentro do prazo estabelecido, as oito estrat?gias aplicadas nas sess?es de pr?ticas revelaram-se flex?veis e bem escolhidas e as ferramentas metodol?gicas adotadas como o di?rio de estudo e a grava??o das sess?es de pr?tica foram imprescind?veis fornecendo dados para a constru??o deste trabalho e subs?dios para discuss?es e reflex?es sobre todo o processo de planejamento e prepara??o da performance.

Uppsatsen börjar med en inblick i kompositören Karol Szymanowskis liv samt de mytologiska berättelserna han komponerade musik över: "Arethusas källa", "Narcisse" och "Pans flöjt". Studien handlar om att ta reda på hur Szymanowskis musik går att koppla till myterna i fråga och på viilka sätt djupdykningen i ämnet kan påverka mig under instuderingen av verket. Studien består av analyser av mina personliga associationer till musiken samt anteckningar från övningsrummet under instuderingsprocessen. Jag kom fram till blandade slutsatser. Musiken går definitivt att koppla till myterna de associerades med av kompositören, men inte lika omfattande som jag själv hoppats på. Att öva med berättande i fokus var mer gynnsamt i slutet av instuderingsprocessen än i början av den. Resultatet innebär en insikt i betydelsen av att ha specifika personliga associationer till musiken. / <p>Szymanowski - Narcisse</p><p>Schubert - Sonat för violin och piano A-dur</p><p>Prokofiev - Sonat för två fioler C-dur</p>

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Dass 'die nationale Bedeutung oder Färbung eines musikalischen Phänomens [. . . ] zu einem nicht geringenTeil eine Sache der Auffassung und der Übereinkunft: der Rezeptionsweise'1 ist, wird an der polnischen Musikgeschichte besonders deutlich. Das außergewöhnliche politische Schicksal Polensim 19.Jahrhundert - das Verschwinden eines fast tausend Jahre alten Staates, die Aufteilung seinesTerritoriums unter drei fremden Mächten und das Andauern dieses Zustands über mehr als hundert Jahre, ausgerechnet in der Hochphase des Nationalgedankens - hatte zur Folge, dass den Künstlern bei der Wahrung der nationalen Identität eine führende Rolle geradezu aufgedrängt wurde.

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Rezension von 3 Werken von und über Karol Szymanowski in englischer und polnischer Sprache