This dissertation deploys queer theory and temporality to investigate the ways in which American authors were writing about identity at the turn of the twentieth century. I provide a more expansive use of queer theory, and argue that queerness moves beyond sexual and gender identity to have intersectional implications. This is articulated in the phrase "queer textual libido" which connects queer theory with affect and temporal theories. Queerness reveals itself on both narrative and rhetorical levels, and can be used productively to show the complex navigation between individual and national identity formation.

This thesis is a primer on the experimental independent animator Don Hertzfeldt, whose filmography—described by one critic as “a singular universe of stick figures in crisis”—has for more than two decades been engaging some of the larger questions of post-millennial existence, particularly with regard to consciousness, temporality, and death. First, I will briefly introduce who Hertzfeldt is as an auteur (where he comes from, where his primary interests lie, and what his impact has been); second, I will provide an overview of the historical context in which his oeuvre should be placed (i.e. the history of animation and of experimental cinema); third, I will closely analyze his work, examining questions of style and narrative, starting from his student films and continuing to his more recent films; and fourth, I will explore some of the philosophical implications of recurring Hertzfeldtian motifs and themes (particularly with regard to consciousness, temporality, and death) before concluding.

No description available.

These stories are markers of temporal planes, the physical and the emotional, the swift and the fell. They operate at two ends; they are written and so are finitely formed and they are read indefinitely and yet only exist when they are read again. As a writer, this is my means of extension, waiving at the future with my ghost in the voices of my characters. They are also my archive, preserving instances of personal observation in the description of the body, still and living, moving in scene. For accuracy, I've done my best to emulate their movement. The analogy might be of a puppeteer pretending she has strings or better, the sand castles she's made are first only etchings at the shore; their formations quickly washed away and begun again then built better inland. To push metaphor: the description of body and movement within these stories are one kind of mirror and the author is another. The simultaneity of the reader lies between both. Perhaps this is paradoxical: these stories are archival and yet emulate timeless human occasion. I've desired to push metaphor and yet keep clear. My place between clarity and complexity is yet to melt-down from its oasis and gather into something drinkable.

In this essay I use Mikhail Bakhtins theory of the chronotope to come to a deeper understanding of the spatio-temporal relationships in Momo and the Time Thieves. I use it to investigate the chronotopic structure of childhood, how it relates to the idea of the idyll, threshold experiences and heterotopic and liminal chronotopes. There is also a discussion on the function of mythic and linear time in building the narrative, and how Ende reverses and subverts some of the given patterns of myth, folklore and fantasy to create a dialogue between chronotopes and genres. / <p>Slutgiltigt godkännandedatum: 2023-05-31</p>

The purpose of this project was to examine whether there is a transitional period between Afro-Caribbean girlhood and woman/adulthood that is distinctly different from girlhood and from woman/adulthood. Herein I examine at what point in the lives of Afro-Caribbean girls, do they feel like they have entered adulthood. I also examine what kinds of media the girls find representative of this current stage of their lives. This dissertation is an extension of my master's thesis, which explored the ways in which Afro-Caribbean girls from the island of Sint Maarten narrate, navigate, and negotiate their girlhood experiences. Speaking as a Black woman from Sint Maarten, I affirm that this project is important due to the lack of sociological scholarship surrounding Black girls in the Dutch West Indies. This project utilized a qualitative approach that involved self-selected research participant media and semi-structured audio and video recorded in-depth interviews with 5 out of the 9 girls who originally participated in the master's project. At the time of the interviews presented in this dissertation, the participants were 19 and 20 years old. I developed a transnational Black girlhood feminist framework which I use to analyze and interpret the interview data. This framework draws from and builds upon Black feminist theorizing, girlhood studies, and transnational feminisms. It demonstrates how traditional sociological theory such as life course theory, and studies on emerging adulthood and development do not account for the lives of Black girls from the Caribbean. The data reveal that there is a transitional period between girlhood and womanhood and adulthood, and how the girls experience this period is particular to their own lived experiences. The findings reveal that the overarching themes of this period are "it's complicated," and that the girls are claiming their agency. The research participant media indicate the overarching theme of this period of the girls' lives is what we are coming to know as a "soft girl era". Other primary themes which emerged from this study include attention to and prioritization of self-care, love, and self-affirmations. These data serve as a starting point and experiential reference to understand transitions of Afro-Caribbean girlhood in the Caribbean broadly, and specifically in the Dutch West Indies. Much is left to be explored regarding the life course and transitions Afro-Caribbean girls experience. This research will continue as a longitudinal study where I will continue to engage with the framework I have developed and re-engage with the girls as they continue along their life transitions. / Doctor of Philosophy / The purpose of this project was to examine whether there is a transitional period between Afro-Caribbean girlhood and woman/adulthood that is different from girlhood and different from woman/adulthood. I look at what point in the lives of Afro-Caribbean girls, do they feel like they have entered adulthood. I also look at what kinds of media the girls find to be representative of this current stage of their lives. This dissertation is an extension of my master's project which explored the ways Afro-Caribbean girls from the island of Sint Maarten narrate, navigate, and negotiate their girlhood experiences. Speaking as a Black woman from Sint Maarten, I affirm that this project is important due to the lack of sociological scholarship surrounding Black girls in the Dutch West Indies. This project consists of self-selected research participant media and audio and video recorded interviews with 5 out of the 9 girls who originally participated in the master's project. At the time of the interviews presented in this dissertation, the participants were 19 and 20 years old. I developed a theoretical framework which I use to analyze and interpret the interview data. The data reveal that there is a transitional period between girlhood and womanhood and adulthood, and how the girls experience this period is particular to their own lived experiences. The findings reveal that the overarching themes of this period are "it's complicated," and that the girls are claiming their agency. The research participant media indicate the overarching theme of this period of the girls' lives is what we are coming to know as a "soft girl era". Other primary themes which emerged from this study include attention to and prioritization of self-care, love, and self-affirmations. These data serve as a starting point to understand transitions of Afro-Caribbean girlhood in the Caribbean broadly, and specifically in the Dutch West Indies. Much is left to be explored regarding the life course and transitions Afro-Caribbean girls experience. This research will continue as a longitudinal study where I will continue to engage with the framework I have developed and re-engage with the girls as they continue along their life transitions.

This essay aims to examine how fan fiction texts and the digital non-profit platform Archive of Our Own can provide queer separatist spaces for reorienting cis- and heteronormativity as well as how that is manifest in the published stories. It does so through an analysis of the platform’s design and accessibility and through a reading of two short stories from the collection QUEER CONVERSATIONS by the pen name heliosole. Results include that the platform makes space for non-normative stories by being free of use, its equality between moderators, writers, and users, its tradition of education and resistance, by making writing accessible and collaborative, using famous characters’ voices for speaking comforting truths and by challenging norms regarding sexuality and temporality.

[pt] O tema deste trabalho é a experiência do tempo entre letrados brasileiros e argentinos nas décadas finais do século XIX. As fontes investigadas foram dois periódicos de grande ressonância entre aquelas comunidades letradas de então, a Revista Brazileira (1895-1899) e no caso argentino a revista La Biblioteca (1896-1898), além ainda de dois autores de particular importância como Euclides da Cunha (1866-1909) e José María Ramos Mejía (1842-1914). A abordagem priorizou a escolha por índices e sintomas que de alguma forma evidenciassem a relação tecida por aqueles letrados com a temporalidade. A hipótese destacada é a de que, ao contrário do que foi considerado por parte da historiografia dos dois países, aquela experiência finissecular trará consigo várias modalidades de tempo que, longe de simplesmente intensificarem um dito tempo progressista da modernidade, possibilitarão, por vezes, mesmo a sua moderação e a tomada de formas cada vez mais múltiplas. / [en] The subject of this study is the experience of time between men of letters from Brazil and Argentina in the final decades of the nineteenth century. The historical documentation that was investigated were two journals with strong resonance among those lettered communities in that time, the Revista Brazileira (1895-1899) and in the argentine case the journal La Biblioteca (1896-1898), as well as two authors particularly important as Euclides da Cunha (1866-1909) and José María Ramos Mejía (1842-1914). The approach prioritized the choice of evidences and symptoms that somehow demonstrate the relationship taken by those men of letters with temporality. The leading hypothesis is that, as opposed to what was considered from the historiography of the two countries, the fin de siècle experience brought with it distinct modalities of time that, far from merely intensify an alleged progressive time of modernity, allowed even his moderation and the taking of increasingly multiple forms.

No description available.

This study explores the contradiction between the ways the institutional field of sustainable development has for decades been defined conceptually by a temporal sense of equity, or the aim of meeting the needs of both present and future generations, and the glaring lack of definition for the concept. Through discursive analysis, this study finds sustainable development discourse to precariously conceptualize equity according to multiple, incompatible institutional logics, and to conceptualize time in highly ambiguous ways. Further, the ambiguity of time appears to have corrosive effects on the meaningfulness of equity as a concept, and to provide a mechanism by which institutional actors within the field of sustainable development can evade accountability. These dynamics suggest power and preferential outcomes will be retained by the people of the present, and inherently harm generations to come. In this way, this study questions whether sustainable development defined according to temporal equity is truly “the future we want,” or rather just the future we want to want, but are unwilling to bring about.