Esta pesquisa teve como objetivo de um lado, desvendar a trajetória da instituição e suas disposições institucionais, e, de outro lado, a trajetória escolar, o patrimônio (cultural, econômico e social) e as disposições dos alunos, procurando compreender também as possíveis relações estabelecidas (encontros e desencontros, consonâncias e dissonâncias) entre os estudantes e a instituição. O estudo de caso se baseia em diferentes dados e análises que visam capturar a experiência de formação como um todo: através de entrevistas realizadas com docentes e análise documental reconstruímos a história da instituição procurando desvendar suas disposições institucionais; realizamos análises estatísticas sobre o perfil dos alunos do curso de graduação e a evasão nessa instituição; discutimos as entrevistas realizadas com 27 alunos do curso de licenciatura transformadas em retratos sociológicos, procurando organizar suas trajetórias acadêmicas de acordo com as modalidades de sua integração à instituição. As principais disposições institucionais presentes em diversas fases de desenvolvimento da instituição apontam para a importância da pesquisa, uma união inicial entre os membros do corpo docente, a busca da autonomia e isolamento e os projetos de extensão como forma de marketing institucional. O perfil dos alunos mostra que muitos dos que se matriculam na licenciatura preferiam ter ingressado no bacharelado, porém, ao contrário do esperado, a instituição consegue ter baixos índices de evasão. Os retratos apontam para uma predominância de trajetos que conjugam uma integração social e acadêmica, favorecida por um \"encaixe\" das disposições anteriores atualizadas na universidade. Este quadro resulta em um curso de licenciatura diferenciado, no qual o currículo oculto tem papel fundamental na formação docente e na promoção de uma sociologia da transformação, em que licenciandos, reconhecidamente com perfil sócio-econômico menos privilegiado, concluem o curso com as mesmas perspectivas profissionais que os bacharéis. Em linhas gerais, o IQ promove muitas iniciativas diversificadas de formação dos graduandos, por outro lado a instituição parece não perceber que o diferencial da formação oferecida é o conjunto dessas atividades. Concluímos apontando várias possibilidades de aprimoramento da formação dos licenciandos. / This research aimed to understand the possible relationships established (agreements and disagreements, consonances and dissonances) between students and institution. In order to accomplish that goal we analyze on one hand the trajectory of the institution and its institutional arrangements and, on the other hand, the school history and heritage (cultural, economic and social) and students\' dispositions. The case study is based on different data and analyzes that aim to capture the learning experience as a whole: using interviews with teachers and document analysis we reconstructed the institution history seeking for unveil its institutional arrangements; we performed statistical analyzes on the undergraduate students profiles and the attrition at that institution; we discuss the interviews with 27 undergraduate students transformed into sociological portraits, trying to organize their academic trajectories according to their integration into the institution. The main institutional arrangements present in various stages of institutional development point to the importance of research, the union between the faculty members, the pursuit of autonomy and isolation and the community outreach projects as a form of institutional marketing. The profile shows that many of the students who enroll in the teacher training course rather have joined the bachelor, however, contrary to expectations, the institution have lower dropout rates. The portraits show a predominance of paths that combines social and academic integration, favored by a \'fit\' of the above dispositions updated in college. This framework results in a distinguished course in which the hidden curriculum plays a fundamental role in teacher training and in promoting a sociology of transformation, in which undergraduates with recognized less privileged socio-economic profile conclude the course with the same career prospects of the bachelors. In general, the IC promotes many diversified initiatives to training the undergraduate students, but the institution does not seem to realize that the differential training is offered through the entire group of activities. We conclude presenting several possibilities for improving the training of undergraduates.

Made available in DSpace on 2016-12-08T16:51:59Z (GMT). No. of bitstreams: 1 113139.pdf: 93854 bytes, checksum: c2412520946113fddad20dbbe24a7fc5 (MD5) Previous issue date: 2008-12-19 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation investigates the hidden curriculum by looking at the differences between discourse and practice in theatre teachers teaching. The aim is to examine the theatre curriculum in the context of the Municipal Network of Education in Florianopolis in order to highlight the pedagogical actions that are not explicit in official documents, yet present in the teachers practice. This research was restricted to full time theatre teachers who where working in classroom during the investigation process; therefore, this work was based on the teaching processes of 10 teachers. The theoretical approaches that support this investigation are: Michel Foucault, Pierre Bourdieu and Henry Giroux. Under this scope, an examination of documents of exposed curriculum was required in order to define curriculum elements which are here understood as hidden. The exposed curriculum federal, state, and municipal parameters were locked at, as well as the school documents where the investigation took place. The recurrent practices of the teachers, which reveal their education approaches and influence the social behaviour of their students, are here considered as the hidden curriculum. From crossing the collected data, documents of exposed curriculum and the quantitative data resulting from questionnaires, with the qualitative data resulting from interviews and classroom observations, it was possible to observe different pedagogical praxis, which reveal the differences between the exposed curriculum and the hidden one. / Esta dissertação investiga o currículo oculto observando as diferenças entre os discursos e práticas dos professores do ensino do teatro na Rede Municipal de Educação de Florianópolis. A intenção é examinar o currículo do teatro neste contexto e destacar ações pedagógicas que não estão explícitas nos documentos curriculares oficiais, mas que estão presentes nas práticas destes professores. Esta pesquisa restringiu-se aos professores efetivos de teatro que estavam atuando em sala de aula durante o processo de investigação; assim sendo, o trabalho se desenvolveu com base no processo de ensino de 10 docentes. As leituras dos teóricos que serviram de suporte para as questões conceituais deste estudo foram: Michel Foucault, Pierre Bourdieu e Henry Girroux. Neste âmbito, foi necessário examinar os documentos do currículo exposto para definir os elementos curriculares aqui entendidos como ocultos. O currículo exposto - parâmetros curriculares federal, estadual e municipal ¿ foi apreciado, bem como os documentos das escolas onde aconteceram as investigações. As práticas recorrentes dos professores, que se revelam nas ações do fazer educacional e influenciam a formação social de seus alunos são aqui consideradas como o currículo oculto. Através do cruzamento das informações coletadas, documentos do currículo exposto e os dados quantitativos que resultaram dos questionários, com os dados qualitativos que resultaram das entrevistas e observações em sala de aula, foram possíveis observar distinções na práxis pedagógica, que revelam as diferenças entre o currículo exposto e o oculto.

abstract: Examining the elements of the hidden curriculum in theatre education allows theatre educators the opportunity to reflect on their own pedagogy and its effects on the learner. The hidden curriculum refers to the unspoken or implicit values, norms, and beliefs that are transmitted through tacit messages. When the hidden curriculum remains veiled, the impact on the learner's education and socialization process can perpetuate gender, race, and class inequalities. In order to understand how the hidden curriculum manifests itself in theatre classrooms, we have to look at schools as "agents of legitimation, organized to produce and reproduce the dominant categories, values, and social relationships necessary for the maintenance of the larger society" (Giroux, 1983, p. 72). This qualitative study examined the hidden curriculum in theatre at the secondary level and looked at theatre teachers' pedagogy in reproducing elements of the hidden curriculum. Interviews, naturalistic observation, and a researcher reflective journal were employed in the data collection process to better understand: a) the elements of hidden curriculum that appear in theatre education at the secondary level, b) how the pedagogical practices of theatre teachers support societal structures, and c) how the hidden curriculum in theatre reinforces gender, race, and social class distinctions. Data were then coded and analyzed to find emergent themes. Multiple theoretical perspectives serve as a conceptual framework for understanding the hidden curriculum, and provide a neglected perspective of the hidden curriculum in theatre education. The theatre classroom provides a unique space to view hidden curriculum and can be viewed as a unique agent of social change. Themes related to the first research question emerged as: a) privileges for older students, b) school rules, c) respect for authority, d) acceptance of repetitive tasks, and c) punctuality. Themes related to the second research question emerged as: a) practices, b) procedures, c) rules, d) relationships, and e) structures. Finally, themes related to the third question emerged as: a) reinforcement of social inequality, b) perpetuation of class structure, and c) acceptance of social destiny. The discussion looks at the functions of theatre pedagogy in the reproduction of class, inequality, and institutionalized cultural norms. / Dissertation/Thesis / Ph.D. Curriculum and Instruction 2013

abstract: Human experience exists within space; it is the studio for the stories of our lives. Bounded by time, location and personal experience we assign our own meanings and feelings to them, and they become personal, symbolic places: some are unique to us, imagined places where we act out stories or dreams; most are part of the natural world. Most spaces, though, are built or controlled by others; these constructed environments can become places where we may, or may not, like to be. This research examined spaces and places of children's lives through the material worlds of their neighborhoods and schools, focusing on the visible environment outside of the school building. The intersection of school and community, it is a material embodiment of, and evidence toward, how a community's resources are apportioned to important aspects of children's developmental years. These visible representations speak of that society's values and goals for the children for whom they (we) are responsible. This examination used multiple research tools, primarily using visual approaches such as current photographs, archival images and data, descriptive census materials and maps. Historical documents, (many of which are now digitized), as well as other academic literature, local journalistic efforts and school district publications added important materials for analysis. Findings lead to deeper understanding of ways that visible, material worlds of schools and neighborhoods -- past and present - can reflect, and direct the experiences of childhood today, and often mirror those of children past. These visual and narrative approaches contributed to understanding the importance of material evidence in revealing inequity and class differences in ways that children, then, must &ldquodo school &rdquo / Dissertation/Thesis / Doctoral Dissertation Educational Psychology 2014

Esta pesquisa teve como objetivo de um lado, desvendar a trajetória da instituição e suas disposições institucionais, e, de outro lado, a trajetória escolar, o patrimônio (cultural, econômico e social) e as disposições dos alunos, procurando compreender também as possíveis relações estabelecidas (encontros e desencontros, consonâncias e dissonâncias) entre os estudantes e a instituição. O estudo de caso se baseia em diferentes dados e análises que visam capturar a experiência de formação como um todo: através de entrevistas realizadas com docentes e análise documental reconstruímos a história da instituição procurando desvendar suas disposições institucionais; realizamos análises estatísticas sobre o perfil dos alunos do curso de graduação e a evasão nessa instituição; discutimos as entrevistas realizadas com 27 alunos do curso de licenciatura transformadas em retratos sociológicos, procurando organizar suas trajetórias acadêmicas de acordo com as modalidades de sua integração à instituição. As principais disposições institucionais presentes em diversas fases de desenvolvimento da instituição apontam para a importância da pesquisa, uma união inicial entre os membros do corpo docente, a busca da autonomia e isolamento e os projetos de extensão como forma de marketing institucional. O perfil dos alunos mostra que muitos dos que se matriculam na licenciatura preferiam ter ingressado no bacharelado, porém, ao contrário do esperado, a instituição consegue ter baixos índices de evasão. Os retratos apontam para uma predominância de trajetos que conjugam uma integração social e acadêmica, favorecida por um \"encaixe\" das disposições anteriores atualizadas na universidade. Este quadro resulta em um curso de licenciatura diferenciado, no qual o currículo oculto tem papel fundamental na formação docente e na promoção de uma sociologia da transformação, em que licenciandos, reconhecidamente com perfil sócio-econômico menos privilegiado, concluem o curso com as mesmas perspectivas profissionais que os bacharéis. Em linhas gerais, o IQ promove muitas iniciativas diversificadas de formação dos graduandos, por outro lado a instituição parece não perceber que o diferencial da formação oferecida é o conjunto dessas atividades. Concluímos apontando várias possibilidades de aprimoramento da formação dos licenciandos. / This research aimed to understand the possible relationships established (agreements and disagreements, consonances and dissonances) between students and institution. In order to accomplish that goal we analyze on one hand the trajectory of the institution and its institutional arrangements and, on the other hand, the school history and heritage (cultural, economic and social) and students\' dispositions. The case study is based on different data and analyzes that aim to capture the learning experience as a whole: using interviews with teachers and document analysis we reconstructed the institution history seeking for unveil its institutional arrangements; we performed statistical analyzes on the undergraduate students profiles and the attrition at that institution; we discuss the interviews with 27 undergraduate students transformed into sociological portraits, trying to organize their academic trajectories according to their integration into the institution. The main institutional arrangements present in various stages of institutional development point to the importance of research, the union between the faculty members, the pursuit of autonomy and isolation and the community outreach projects as a form of institutional marketing. The profile shows that many of the students who enroll in the teacher training course rather have joined the bachelor, however, contrary to expectations, the institution have lower dropout rates. The portraits show a predominance of paths that combines social and academic integration, favored by a \'fit\' of the above dispositions updated in college. This framework results in a distinguished course in which the hidden curriculum plays a fundamental role in teacher training and in promoting a sociology of transformation, in which undergraduates with recognized less privileged socio-economic profile conclude the course with the same career prospects of the bachelors. In general, the IC promotes many diversified initiatives to training the undergraduate students, but the institution does not seem to realize that the differential training is offered through the entire group of activities. We conclude presenting several possibilities for improving the training of undergraduates.

The thesis titled "The body of the other. The erotics as learning content in Art education." have character of an exploration probe. It focuses on erotism in environment of educational institutions. This work deals with the body and its erotic contents in art education. It seeks to clarify the concept of erotica. This work seeks various overhangs of erotica into philosophy, advertising, school, personal and public life. This thesis is linked to the teaching of erotic theme and with the issues of integration of eroticism in lessons of art education. The aim is to determine how are the children / students on this topic sensitive. All the text is supplemented by authentic testimonies of students, teachers and parents related to the topic of erotica in school.

Den här studien är en etnografisk studie som eftersöker svenskämnets muntlighet och den dolda läroplanen i muntlighet. Studien har observerat en undervisningsgrupp på 19 elever som läser svenska 1 på en gymnasieskola i norra Sverige. Klassrumsobservationer och etnografiska intervjuer har använts som datainsamlingsmetoder och datan har analyserats enligt grundad teori. I arbetet med dataanalysen har teorierna delaktighet, self-efficacy och den dolda läroplanen framträtt som centrala och en generalisering av resultatet har knutits an till tidigare forskning. Resultatet visar på hur klassrumsmiljön möjliggör och begränsar elevers muntliga utveckling, främst för att elevernas olika förutsättningar ger dem olika möjlighet till social delaktighet. Slutsatsen som dras av arbetet identifierar den dolda läroplanen för muntlighet och presenterar hur dess existens påverkar elevers muntlighet i klassrummet. / This ethnographic study investigates students’ orality in the classroom, with the purpose of identifying the hidden curriculum in orality. Factors such as classroom discussions, teachers’ questions, and answers to students, as well as groups in the classroom has been identified as factors that effects the student’s oral progress. The study followed a class of 19 students who takes the course Swedish 1 at an upper secondary school in the north of Sweden. The data collection methods that have been used are classroom observations and ethnographic interviews. The data has been analyzed according to grounded theory. In the process of data analyses, the theories participation, self-efficacy, and the hidden curriculum has been prominent, and the results has been compared to previous research, to strengthen the findings to theory. The results have shown how the classroom environment enables and limits students’ orality progress. Mainly due to, students’ different conditions and background knowledge, which gives them different opportunities for social participation. The findings of the study, identifies the hidden curriculum för orality and presents how its existence effects students orality in the classroom.

Young Adult Dystopian Film exercises an influence over young people of which they are not aware. As part of a structure of domination these films teach students to participate in their own oppression by the capitalist system. The film industry maintains a hidden curriculum like that utilized in school classrooms to conceal the oppression from the masses. One particularly effective means is the portrayal of resistance against oppression in the narratives of the YA Dystopian Film. Young people are drawn to that narrative and end up supporting the structure of domination financially and ideologically. Modes of resistance to this oppression can be found in Media Literacy Education and Public Pedagogy (e.g. culture-jamming). Teachers can incorporate Media Literacy and culture–jamming into a form of radical pedagogy to emancipate students from that oppressive relationship.This thesis investigates the usage of this radical pedagogy though an action research project in a high school drama class in the intermountain west. The students learned the theories, critically reflected on the situation, and created a live culture-jamming performance. The results of the action research show the affordances and limitations of this approach and offer suggestions for instigating its usage by media literacy educators.

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