Orientador: José Sterza Justo / Banca: Rozilda das Neves Alves / Banca: Luiz Carlos da Rocha / Banca: Rafael Siqueira de Guimarães / Banca: Gilberto Figueiredo Martins / Resumo: No século XIX Viena assiste uma verdadeira revolução social, política e cultural. Surge a psicanálise que encontrou neste momento e neste lugar condições privilegiadas para seu nascimento. Freud construiu uma teoria singular com conceitos como inconsciente, pulsão e um método que incluía a escuta, associação livre e transferência. As histéricas foram as protagonistas desta criação. O olhar atento e solidário de Freud encontra a razão do sofrimento delas: o cerceamento de seus desejos. A psicanálise revoluciona o tratamento das histerias, mas na proposição do conceito de feminino se enclausura numa lógica fálica. Assim, a conselho do mestre, fomos olhar a política, a sociedade de Viena, a literatura de Schnitzler e a pintura de Klimt para poder entender o porquê da insistência fálica do criador da psicanálise / Abstract: In the nineteenth century Vienna watch a genuine social revolution, political and cultural. It appears the psychoanalysis that found at this moment and this place privileged conditions for its birth. Freud constructed a unique theory with concepts like unconscious, instinct and a method which included the listening, the free association and the transference. Hysterics were the protagonists of this creation. The intent and solidary look of Freud finds the reason of the suffering of them: the restriction of their desires. Psychoanalysis has revolutionized the treatment of hysteria but in proposing the concept of feminine encloses a phallic logic. Thus, following the advice of the master, we were looking at politics, society of Vienna, the literature of Schnitzler and the painting of Klimt to understand why the phallic insistence of the creator of psychoanalysis / Doutor

Purpose: To verify that the psychodiagnostics Vienna Test System (VTS) can be used to test the critical level performance characteristics, abilities and skills which are necessary to drive a car, or which are affecting it, on long-term marijuana users. Methods: Two semi-structured interviews, questionnaire, administration of the test battery VTS. Conclusion: It is possible to construct a test battery to be used on long-term marijuana users, which can determine whether the subject is theoretically able to drive even under the influence of THC. However, this test battery must be subjected to a quantitative verification. Keywords: computerized diagnostic, VTS (Vienna Test System), driving car, long-term marihuana users

Este trabalho se propõe a analisar a novela Leutnant Gustl (1900), de Arthur Schnitzler. A obra, o primeiro monólogo interior em língua alemã, foi escrita no fin-de-siècle em Viena, período conhecido por sua alta produtividade intelectual e artística. Como consequência de uma política mesclada entre a monarquia e burguesia, a regência da cidade era caracterizada por um hibridismo de valores, a priori, paradoxos. Esse composto heterogêneo se reflete na sociedade e na classe artística, resultando em uma produção na qual elementos modernos e pré-modernos díspares convivem. Nesse sentido, sempre considerando o objeto como ponto de partida da análise, será observado em que medida a novela representa a pré-modernidade, com traços como a defesa da honra e a prática do duelo, e outros tipicamente modernos, como a ascensão do lazer, o consumo massificado e a valorização do individualismo. É nesse cenário que examinaremos o tenente Gustl, personagem-narrador, por muitos teóricos considerado um tipo representante do indivíduo da sociedade vienense daquela época. Tomando sua personalidade e sua trajetória como eixo norteador desse estudo, tentaremos mostrar em que medida ele se configura como um indivíduo moderno, apesar de sustentar, externamente, uma fachada de valores prémodernos, os quais, por meio do monólogo interior, o leitor sabe não se tratar nada além de uma imagem. Assim, tomando Gustl como um representante de seu tempo, contraditório e zeloso das falsas aparências, será investigada a sua inserção como indivíduo no seu tempo. / This dissertation aims to analyze the novel Leutnant Gustl (1900), by Arthur Schnitzler. The novel, the first to employ the \"stream-of-consciousness\" technique in German, was written in fin-de-siècle Vienna, a period known for its high intellectual and artistic productivity. Owing to a merged policy between the monarchy and the bourgeoisie, the citys government was characterized by a hybridization of values, paradoxical a priori. This heterogeneous compound is reflected in society and the artistic community, resulting in a production in which modern and pre-modern different elements coexist. Thereby, always considering the object as a starting point of analysis, there will be seen to what extent the novel represents the premodern with traits like the defense of honor and the practice of dueling , and other typically modern, as the rise of leisure, the massive consumption and the awareness of individualism. It is in this background that we examine the lieutenant Gustl, character and narrator, by many experts considered a representative of the individual type of Viennese society at the time. Taking his personality and his career as a core line, this study attempts to show the extent to which he is configured as a modern individual, in spite of sustaining, externally, an artificial appearance of pre-modern values, which, through interior monologue, the reader knows it is nothing but a façade. Hence, taking Gustl as a representative of his time, contradictory and earnest of false appearances, it will be investigated his inclusion as an individual in his time.

This is an analysis of the contributions of Richard Wagner's ideas to the development of Adolf Hitler as seen by various historians. This author has consulted the works of many different authors to attempt to find the ideological roots of Adolf Hitler. The ideology of Richard Wagner, as seen by some of the most pre-eminent historians of this period, has been applied to the ideas of Hitler to find any continuity between these two men. All historians consulted thought Wagner was, for some more, others, less, a contributor to the development of Adolf Hitler and National Socialism. This author has concluded that Wagner was a contributor, but that Hitler's personal environment was more important to the development of National Socialism. This thesis explores an area into which no one has really delved in depth. Hopefully, this thesis can be a springboard for further research into this area.

In the six months spent at the Musee d'art et d'histoire, Geneva, Switzerland, as a staff member in the dual role of paintings conservator and research conservator, there was achieved an excellent rapport with the staff of the Musee, a work record which was very successful, and research results which were received with enthusiasm, having broad implications for the Musee. Following the two months as a contract conservator in Vienna, research developments were applied in practice, under severe time constraints and the resulting treatment was successfully achieved with the wholehearted support and co-operation of staff and officials, resulting in offers of lectureships and lecture tours for the Academy of Fine Arts - Conservation School, Vienna in Austria and Germany. In evaluative terms, it is considered that the programme met the objectives very well, and in addition the results have potential for part of an ongoing programme of research into fire-damaged paintings and varnish removal, with solid lines of co-operation in the establishments in Europe.

This contribution examines the teaching of economics at the Hochschule für Welthandel as a case study in the evolution of Austrian academic economics in the 20th century. The period considered is divided into three periods - before, under and after the NS-regime. The main focus is on the multiparadigmatic character of the discipline before WWII, on economics under the NS rule, and on the restoration and delayed integration of economics into the international mainstream after 1945. On the personal level, the teaching of economics at the Welthandel was dominated for more than three decades by Walter Heinrich and Richard Kerschagl, whose influence is explored with regard to their academic, scientific and political activities. (author's abstract) / Series: Department of Economics Working Paper Series

This dissertation traces the development of Hugo von Hofmannsthal's attempts to find solutions to what he perceived to be the crisis of meaning in his time. I focus primarily on Hofmannsthal's fictional letters and poetological reflections from the post-lyrical phase of his career, also touching on his final drama and political speeches. In the 1990s semiotic, structuralist, and poststructuralist studies of Hofmannsthal's texts allowed critics to uncover the more radically modern dimension of his creative process and work, making possible a poetological turn in the scholarship, with critics becoming far more interested in the poetics and aesthetics of Hofmannsthal's writings. Thanks to this work, a very different image of Hofmannsthal has appeared - one that attempts to overcome the common prejudice against the author as an elitist and cultural conservative who was out of step with his time. This dissertation participates in the latest approach to Hofmannsthal's work inasmuch as it largely focuses on Hofmannsthal's self-reflexive poetological writings from the Erfundene Gespräche und Briefe and on the author's intermedial search for a language that can counteract the reification of language in a positivistic age. The central argument of this dissertation is that the crises of language, of perception, of experience and of identity that Hofmannsthal repeatedly represents in his work fundamentally express a crisis of authorship. Hofmannsthal's preoccupation with these crises reflects his increasing uncertainty about the role of the poet in a modern democratic age, in which not only the social hierarchies but also the hierarchies of knowledge are leveled. I argue that Hofmannsthal radically destabilizes the role of the poet by questioning whether the poet has a necessary role in interpreting experience for the many. But I conclude by suggesting that in an effort to keep this question alive in an age of democratic skepticism about the poet's vocation, Hofmannsthal sees the need to reassert at a rhetorical level the poet's privileged position.

Based on an individual longitudinal data on dependent employment we analyse the role of Creative Industries for the employment system of Vienna. We focus on gross job flows and firm dynamics in this priority field of Vienna's urban policy and analyse the characteristics of the different parts of the cluster's production system. We find ample evidence for positive effects of Creative Industries on employment growth and firm birth, but also reveal considerable job turnover and a large heterogeneity of firm growth in the cluster. Especially, we find rather different evolutions along the clusters value chain, which points to weak linkages between upstream and downstream activities in the cluster. (author's abstract) / Series: Creative Industries in Vienna: Development, Dynamics and Potentials

Komisija nurodo, kad tarp Valstybių narių egzistuojantys nacionaliniai sutarčių teisės skirtumai atgraso prekiautojus ir ypač MVĮ plėsti veiklą ir užsiimti prekybą kitose Valstybėse narėse, dėl ko kiekvienais metais ES vidaus rinkoje prarandama bent 26 mlrd. eurų. Atsižvelgiant į tai, kad Vienos konvencija nereglamentuoja tam tikrų pirkimo – pardavimo sutarčių teisės aspektų, be to Vienos konvencija gali būti taikoma ribotai, nes ją pasirašė ne visos Valstybės narės ir nėra vienodą jos aiškinimą užtikrinančio mechanizmo, Pasiūlymu siekiama sukurti 2 – ąjį sutarčių teisės režimą, kuris egzistuotų kiekvienos Valstybės narės nacionalinėje teisėje. BEPPST – naujas ir sudėtingas teisinis instrumentas, kurį rengiant neišvengta reikšmingos problematikos. BEPPST ir jo poreikio aplinkybes konstruktyviai kritikuoja tiek Valstybių narių institucijos ir organizacijos, tiek teisės mokslininkai. Lietuvoje šiuo klausimu kol kas nevyksta nei reikšmingos praktinės, nei mokslinės diskusijos. Dėl to šiame darbe atkreipiamas dėmesys ne tik į BEPPST, kaip teisinio instrumento problematiką, bet ir jį priimti paskatinusias aplinkybes bei su tuo susijusią problematiką. Pirmojoje šio darbo dalyje yra nurodoma Europos sutarčių teisės raida, jos poreikio aplinkybės ir siekiamas efektas, kurį turėtų sukurti tokia teisė. Pateikiama informacija, kuria remiantis ES institucijos daro prielaidą, kad egzistuoja poreikis parengti BEPPST. Egzistuojant abejonėms ar Komisijos pateikiama informacija yra... [toliau žr. visą tekstą] / Commission indicates that differences in contract law among the Member States hinder traders and particularly SMEs to engage in cross-border trade within other Member states, therefore at least 26 billion EUR is lost each year in the internal market. Taking into consideration that the Vienna Convention does not regulate certain aspects in contracts of sales of goods, further limitations to its applicability arise as not all Member States have signed the Vienna Convention and there is no mechanism which could ensure its uniform interpretation, therefore it is intended with this Proposal to establish the 2nd contract law regime within the national law of each Member State. CESL is a new and complex legal instrument, which does not escape from material problems. CESL and circumstances of its demand in the interested society receives constructive criticism from Member States institutions, business organizations and legal scholars. In Lithuania, there is no meaningful practical or legal discussions regarding this issue. Therefore attention is being paid in this thesis not to only to the problems related with CESL as a legal instrument, but to the motives which encouraged to adopt this instrument and related problems thereof, as well. In the first part of this thesis, development of the European contract law, circumstances of demand and result to be achieved is identified. Information whereby EU institutions conclude assumption that there is a demand of interested society to... [to full text]

This work deals with the analysis of selected works by the famous Austrian writer Arthur Schnitzler. For the purpose of zeitgeist illustration the dramas Anatole and Reigen were used. The analysis of the works is preceded by theoretical section with a closer description of the socio-historical situation in Vienna at the turn of the 19th and 20 century. A part of the main section is a short treatise on the importance of one-act plays cycle in the development of the author´s works, dramas analysis and characterization of the characters, on the basis of which the conclusions are drawn about the image of Victorian society, which the author deals with in his works . The last part concludes the analysis and provides an outline description of the image and the zeitgeist as it can be deduced on the basis of both Schnitzler´s dramas compared to socio-historical knowledge of that time.