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The vocal tract shape is crucial to voice production. Its lower part seems particularly relevant for voice timbre. This study analyzes the detailed morphology of parts of the epilaryngeal tube and the hypopharynx for the sustained German vowels /a/, /e/, /i/, /o/, and /u/ by thirteen male singer subjects who were at the beginning of their academic singing studies. Analysis was based on two different phonatory conditions: a natural, speech-like phonation and a singing phonation, like in classical singing. 3D models of the vocal tract were derived from magnetic resonance imaging and compared with long-term average spectrum analysis of audio recordings from the same subjects. Comparison of singing to the speech-like phonation, which served as reference, showed significant adjustments of the lower vocal tract: an average lowering of the larynx by 8 mm and an increase of the hypopharyngeal cross-sectional area (+ 21.9%) and volume (+ 16.8%). Changes in the analyzed epilaryngeal portion of the vocal tract were not significant. Consequently, lower larynx-to-hypopharynx area and volume ratios were found in singing compared to the speech-like phonation. All evaluated measures of the lower vocal tract varied significantly with vowel quality. Acoustically, an increase of high frequency energy in singing correlated with a wider hypopharyngeal area. The findings offer an explanation how classical male singers might succeed in producing a voice timbre with increased high frequency energy, creating a singer‘s formant cluster.

In this study, historically informed performance practice (HIP) is investigated as an approach to the performance or vocal ornamentation, with special emphasis on the operas of George Frideric Handel. The study aims to use information about this approach to performance practice in order to show forth its significant role in the performance of Handel arias. Through musicological viewpoints that have arisen out of the historical performance debate since the late 20th century, the study investigates the development and attributes of the HIP movement in order to identify its essential characteristics. Following this process, the author is able to define the HIP approach subjectively. Once a clearer knowledge of HIP is obtained, its influence on the performance of ornamentation is studied. Because Handel's operas were composed in the Italian style, the Italian vocal method is explored. Historical information is gathered through the use of an aria, embellished by Handel, Affanni del pensier, from his opera Ottone. With this information, the author attempts to freely embellish an aria, Da tempeste if legno infranto, from Handel's opera, Giulio Cesare. This example of the performance style is practised with the historical information in mind, without inhibiting the creativity of the author. / Thesis (M.Mus.)--North-West University, Potchefstroom Campus, 2010.

In this study, historically informed performance practice (HIP) is investigated as an approach to the performance or vocal ornamentation, with special emphasis on the operas of George Frideric Handel. The study aims to use information about this approach to performance practice in order to show forth its significant role in the performance of Handel arias. Through musicological viewpoints that have arisen out of the historical performance debate since the late 20th century, the study investigates the development and attributes of the HIP movement in order to identify its essential characteristics. Following this process, the author is able to define the HIP approach subjectively. Once a clearer knowledge of HIP is obtained, its influence on the performance of ornamentation is studied. Because Handel's operas were composed in the Italian style, the Italian vocal method is explored. Historical information is gathered through the use of an aria, embellished by Handel, Affanni del pensier, from his opera Ottone. With this information, the author attempts to freely embellish an aria, Da tempeste if legno infranto, from Handel's opera, Giulio Cesare. This example of the performance style is practised with the historical information in mind, without inhibiting the creativity of the author. / Thesis (M.Mus.)--North-West University, Potchefstroom Campus, 2010.

The vocal tract shape is crucial to voice production. Its lower part seems particularly relevant for voice timbre. This study analyzes the detailed morphology of parts of the epilaryngeal tube and the hypopharynx for the sustained German vowels /a/, /e/, /i/, /o/, and /u/ by thirteen male singer subjects who were at the beginning of their academic singing studies. Analysis was based on two different phonatory conditions: a natural, speech-like phonation and a singing phonation, like in classical singing. 3D models of the vocal tract were derived from magnetic resonance imaging and compared with long-term average spectrum analysis of audio recordings from the same subjects. Comparison of singing to the speech-like phonation, which served as reference, showed significant adjustments of the lower vocal tract: an average lowering of the larynx by 8 mm and an increase of the hypopharyngeal cross-sectional area (+ 21.9%) and volume (+ 16.8%). Changes in the analyzed epilaryngeal portion of the vocal tract were not significant. Consequently, lower larynx-to-hypopharynx area and volume ratios were found in singing compared to the speech-like phonation. All evaluated measures of the lower vocal tract varied significantly with vowel quality. Acoustically, an increase of high frequency energy in singing correlated with a wider hypopharyngeal area. The findings offer an explanation how classical male singers might succeed in producing a voice timbre with increased high frequency energy, creating a singer‘s formant cluster.

Die vorliegende Studie untersucht die zugrunde liegende Frage, ob die Sprechapraxie und die aphasisch-phonologische Störung anhand phonetischer Entstellungen und phonematischer Paraphasien bei Diphthongen und Monophthongen voneinander unterschieden werden können. Ergänzend werden messphonetische Daten wie Vokal- und Wortdauern, der erste und zweite Vokalformant und die Voice Onset Time bei stimmlosen Plosiven im Silbenanlaut vergleichend herangezogen. Dazu werden drei Gruppen à vier Probanden untersucht: Gruppe SAX (mit Sprechapraxie), Gruppe APH (mit aphasisch-phonologischer Störung) und Gruppe NOM (sprachgesunde Kontrollgruppe). Es wird ein Nachsprechtest von 104 deutschen, meist monomorphematischen, einsilbigen Nomina, 52 einfache (CVC) und 52 komplexe (CCVC und CVCC) Silben, durchgeführt. Jeder Vokal wird durch acht meist unterschiedliche Wörter überprüft. Die Reaktionen werden mit dem phonetischen Analyseprogramm „Praat“ (Version 5.2.22, Boersma & Weenink, 1992–2011) segmentiert sowie ohren- und messphonetisch analysiert. Die statistische Auswertung erfolgt mit R (R Foundation) und R Studio (Version 0.98.1103, 2009–2014). Die Ergebnisse liefern Hinweise auf störungsspezifische Fehler bzw. Pathomechanismen der Sprechapraxie. Die Gruppe SAX produziert signifikant mehr phonetische Entstellungen bei Monophthongen und Diphthongen sowie signifikant längere Wortdauern als die Gruppe APH. In der Gruppe SAX sind einige Vokale nur teilweise entstellt, wie z. B. initial atypisch behauchte oder gerundete Vokale. Auch zeigen sich die Formantwerte in der Gruppe SAX variabler als in der Gruppe APH und der Gruppe NOM. Die Ergebnisse verweisen auf ein angenommenes Timing-Defizit bei der Planung und Kontrolle sprechmotorischer Bewegungen der Sprechapraxie. / This study analyses the underlying question if it is possible to distinguish apraxia of speech (SAX) and phonemic aphasia (APH) by phonetic distortions and phonological paraphasia of monophthongs and diphthongs. Phonetic measurements like the duration of vowels and words, the Voice Onset Time of voiceless plosives in the onset of syllables and the first and second formant will be analyzed as well. Three groups of four subjects are studied: Group SAX (no/mild aphasia), group APH (without apraxia of speech), group NOM (without any speech disorder). A repetition task comprising 104 German mostly monomorphemic, monosyllabic nouns, 52 simple (CVC) and 52 complex (CCVC and CVCC) syllables, is performed. Each of the vowels is tested in eight mostly different words. The reactions will be segmented, phonetically measured, and analyzed by ear with the help of the program “Praat” (Version 5.2.22, Boersma & Weenink, 1992–2011). The statistical analysis is conducted with R (The R Foundation), within the “R-Studio” software suite (Version 0.98.1103, 2009–2014). The results show some indications of failures and pathological mechanisms of apraxia of speech. Group SAX produces significantly more phonetic distorted monophthongs and diphthongs and significantly longer word durations than group APH. Some vowels are just partly distorted, for example, in form of atypical initial aspirated or rounded monophthongs. Also the formants show greater variability in group SAX than in groups APH and NOM. The results suggest a timing deficit during planning and control of speech movements in apraxia of speech.