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<p>This is a study of martial material culture in the context of the Viking Age warrior of Birka, Sweden. The aim is to establish the role, function and affiliation of the Birka warrior and thereby place Birka on the power-political map of the 10th century. The study is based on the excavations of the fortified structures, particularly the Garrison, at the trading post of Birka as well as the extensive remains of material culture deriving from these investigations. A starting hypothesis is that an analysis of material culture constitutes a way of mapping social structures and that style and iconography reflect cultural groups, contacts and loyalties.</p><p>Based on the case studies of six papers, the synthesis deals with questions of the work and world view of the warriors, as too their relation to their contemporary counterparts in eastern and western Europe. Questions are raised concerning the value and function of symbols in a martial context where material culture reflects rank, status and office. In defining the Birka warrior’s particular stylistic expression, a tool is created and used in the search for contacts and affiliations reflected through the distribution patterns. The results show close contacts with the eastern trading posts located on the rivers Volga and Dnjepr in Ancient Russia.</p><p>It is stated that these Rus’ trading posts, essentially inhabited by Northmen, shared a common cultural expression that was maintained throughout a vast area by exceptionally close contacts. It is suggested that a particular stylistic expression developed in these Rus’ trading places containing elements of mainly Scandinavian, Steppe nomadic and Byzantine origin.</p><p>In conclusion, the results of this thesis show that the warriors from Birka’s Garrison had a share in the martial development of contemporary Europe but with their own particular traits. Close relations with the eastern trade route and contact with the powerful Byzantine Empire were enjoyed. As a pointer for future research, it is wondered what organisational form the close-knit structure of the Rus’ trading posts actually took, keeping the subsequent guilds of medieval Europe in mind. The fall of the Garrison, as of Birka, corresponds with the establishment of Christianity in the region. Such changes were not limited to Central Sweden but part of a greater process where a new political structure was developing, better anchored in local concerns.</p>

Cease Fire is a war story told from one woman’s perspective. It’s about a farm girl and her battles fought as young soldier serving on a remote nuke site during the Cold War. It’s the interpretations of lived experiences, highs and lows of a military career fused with family life, and spanning over three decades. Like true war stories, Cease Fire has little to do with actual war. It is a sometimes humorous, but often tragic attempt to make peace and to make sense of the places, comrades and enemies that graced and plagued a career. First names and nicknames were used to protect the privacy of a few and render respect for the surviving children of a fallen two.

Thesis (M. Tech. (Fashion, Dept. of Visual Arts and Design)--Vaal University of Technology / This study was contracted by the African Warrior Project of the South African National Defence Force (SANDF). The goal was to explore and describe fit in terms of ease of selected female military upper garments, namely the closely fitted dress jacket and the loosely fitted combat shirt issued by the SANDF. The objectives of this study were firstly, to determine and interpret the amount of tolerance that will comply with the functional requirements related to the activities and comfort of an optimum number of wearers and result in an aesthetically acceptable fit; secondly to analyse and interpret the suitability of the key dimensions used to determine the current size designation in terms of body shapes and gender; thirdly, to determine and interpret the relevance and the validity of the currently used sizing system with regard to representativeness of the current population's measurements. The findings indicated that satisfaction with fit was influenced by fit preferences. Insufficient as well as excess case in a particular location resulted in discomfort or restricted movement and an aesthetically unacceptable garment. Insufficient or excess ease at one location impacted on the comfort experienced in another location on the same horisontal level. Subjects wearing smaller sizes were satisfied with less ease than plus-sized subjects wearing larger sizes. The key dimensions used for the dress jacket and the combat shirt did not ensure sufficient ease at other locations. It was therefore recommended to include the waist and hip dimensions as key dimensions in the size designation to accommodate various body shapes and assist with size allocation. Garments for female wearers carmot be issued according to male body dimensions. The sizing system needs to be revised to represent the population's measurements. / ERGOnomics TECHnologies; Vaal University of Technology

This essay uses social constructionism and intersectionality to argue that the narrator in The Woman Warrior is experiencing feelings of identity confusion due to the different stereotypes of femininity that American and Chinese culture hold. The experiences are caused mainly by Chinese society, American society, her mother, and the talk-stories told in the book. She also establishes her identity through all four of these categories and comes to the conclusion that the concept of femininity is a stereotype and should not be adhered to as it furthers the patriarchal view of women.

This is a study of martial material culture in the context of the Viking Age warrior of Birka, Sweden. The aim is to establish the role, function and affiliation of the Birka warrior and thereby place Birka on the power-political map of the 10th century. The study is based on the excavations of the fortified structures, particularly the Garrison, at the trading post of Birka as well as the extensive remains of material culture deriving from these investigations. A starting hypothesis is that an analysis of material culture constitutes a way of mapping social structures and that style and iconography reflect cultural groups, contacts and loyalties. Based on the case studies of six papers, the synthesis deals with questions of the work and world view of the warriors, as too their relation to their contemporary counterparts in eastern and western Europe. Questions are raised concerning the value and function of symbols in a martial context where material culture reflects rank, status and office. In defining the Birka warrior’s particular stylistic expression, a tool is created and used in the search for contacts and affiliations reflected through the distribution patterns. The results show close contacts with the eastern trading posts located on the rivers Volga and Dnjepr in Ancient Russia. It is stated that these Rus’ trading posts, essentially inhabited by Northmen, shared a common cultural expression that was maintained throughout a vast area by exceptionally close contacts. It is suggested that a particular stylistic expression developed in these Rus’ trading places containing elements of mainly Scandinavian, Steppe nomadic and Byzantine origin. In conclusion, the results of this thesis show that the warriors from Birka’s Garrison had a share in the martial development of contemporary Europe but with their own particular traits. Close relations with the eastern trade route and contact with the powerful Byzantine Empire were enjoyed. As a pointer for future research, it is wondered what organisational form the close-knit structure of the Rus’ trading posts actually took, keeping the subsequent guilds of medieval Europe in mind. The fall of the Garrison, as of Birka, corresponds with the establishment of Christianity in the region. Such changes were not limited to Central Sweden but part of a greater process where a new political structure was developing, better anchored in local concerns.

This dissertation deals with male and female social identities during the Middle Bronze Age (1600-1300 BC) in southern Scandinavia and northern Germany. South Scandinavian Bronze Age research has traditionally focused on the male sphere, while women have seldom been seriously considered or analysed in terms of their roles, power or influences on society. This study addresses the imbalance through discussing the evidence for gender relations, social structures and identity. The topic will be approached using case studies from different areas of northern Europe and from a variety of angles (e.g. costume and appearance, age, violence, long distance contacts), always drawing on the rich material from burials. How people presented themselves varied not only between different areas, but also over time. Groups that treated material culture in a fairly similar way during Period IB (c. 1600-1500 BC) start treating it in different ways during Period II (c. 1500-1300 BC). In southern Scandinavia during Period II the material culture is fairly similar on the whole, but the different geographical groups use the artefacts in different ways. The level of violence seems to have fluctuated in the area during the Middle Bronze Age, with some areas showing more signs of violence at certain times. On the other hand the view on ageing seems to have been fairly similar over a large part of central and northern Europe, and from age 14 one seems to have been regarded as an adult. The dissertation also shows that long distance contacts were important and wide-ranging, and people seem to have moved across large areas of Europe, even if the visible exogamous marriage pattern seems to have decreased in distance from Period IB to Period II. In conclusion, although there seems to have been a general European pattern concerning e.g. the view on age, the archaeological record reveals many local variations in how this was expressed, e.g. on the body.

Thesis (M.S.)--School of Advanced Air and Space Studies, 2008. / "June 2008." Vita. Includes bibliographical references (p. 125-131). Also available via the Internet.

Female warriors from the Viking Age is a subject that has been debated and interpreted in many different ways. The modern view on the binary gender roles is one of the reasons why it has been hard for archaeologists to interpret the female warrior graves. The graves are often interpreted in other ways then that the weapons in the graves would belong to the female individuals. Archaeologists rather explain the graves existence because of other reasons than that the female individuals would have been warriors. The issue of the study is whether the female warrior graves from the Viking Age differ from a female gender role, or if the warrior role possibly could be a part of a female gender? Also, why are there so few female warrior graves? The study will be based around three graves, Bj 581 from Birka in Sweden, Mound 50 from Heath Wood in England and T20248 from Nord-Trøndelag in Norway. The analysis and discussion are based on a gender perspective, new ideas will be added to the discussion based on age, gender roles, gender expression and social status. The results may indicate that female gender rolls might be changeable depending on the female individual’s social status, age and life stage.

Birka contains a lot of rich graves and tombs with weapons and warriors, one of these has beeninterpreted as a male in the late 1900-th century but now confirmed as a woman according to anew study of her aDNA. In her grave there where a lot of objects that´s been interpreted asmasculine before but now we can see that they were used by a woman. The warrior womanfrom Birka has raised a lot of questions whether of the aDNA was correct. This paper is goingto look through the critics by a gender perspective and see if its reasonable.