This dissertation considers Aeschylus’ Persae and portions of Herodotus’ Histories as attempts to shape memories of the Greco-Persian Wars by invocation of material evidence at very different moments in the fifth century BCE. Given the literary and archaeological nature of our surviving Greek evidence, this consideration is a necessary part of the larger project towards which I work: a history of Persian interactions with Greek sanctuaries during the Greco-Persian Wars. Greek archaeological evidence offers one set of comparative perspectives on these interactions. I attempt to place Aeschylus and Herodotus in dialogue with this evidence in chapters two and three. Herodotus, unlike Aeschylus, depicts respectful Achaemenid behavior at Greek sanctuaries during the Greco-Persian Wars. To contextualize this depiction, I examine earlier sources from the western Achaemenid Empire in chapter four. In so doing, I build on methodology demonstrated in the introductory chapter to consider a second set of comparative perspectives. Close reading of Herodotus in parallel to these sources provides a basis for fully examining types of behavior which have often been explained away in previous scholarship on the historian. Notably, Herodotus’ depiction, unlike our surviving earlier sources from the western Achaemenid Empire, often considers how such behavior relates to more violent aspects of conquest, and as such provides a contrast to these surviving earlier sources. I suggest that this contrast—Herodotus’ depiction of both sacrilege and respectful behavior—can be understood in his historical moment. And yet this suggestion is but a beginning.

A cultura da convergência abarca a questão tecnológica do fluxo de conteúdos, ocorrendo através de múltiplos suportes midiáticos e as questões de mudança de comportamento do público, que se apropria das redes digitais para buscar de diferentes experiências de entretenimento e de informação. Os sujeitos buscam um produto midiático que não se finde na sua própria exibição, mas sim proponha conteúdos que vão além de um único dispositivo de distribuição e necessitem do engajamento do público para que aconteçam efetivamente. Os fãs são personagens centrais da mudança na forma de operar da mídia de massa por serem pioneiros na adaptação às novas tecnologias de comunicação e informação e nos processos de produção e consumo participativos. A partir disso, esta pesquisa busca um olhar sobre as interações que fazem parte do comportamento dos fãs, tanto nas relações entre eles quanto com a indústria midiática. Para tanto, estudam-se os fãs de Star Wars, mais especificamente, os membros do Conselho Jedi do Rio Grande do Sul (CJRS), a fim de que através de um objeto empírico, consolidado e permanente se possa investigar o comportamento deste grupo no contexto de cultura da convergência, onde as interações entre eles e com o mercado de mídia são transformadas. / The convergence culture includes the technological issue of the content flow going through multiple media and the issues of changes in public behavior which appropriates itself of the digital networks seeking for different experiences of entertainment and information. The individuals look for a media product that doesn‟t finish itself in its own exhibition, but propose content that go beyond a single distribution device and require the engagement of the audience to actually happen. The fans are central characters in the change of mass media operating way because they are pioneers in adapting the new technologies of communication and information and in participatory processes of production and consumption. From this, this research seeks a look at the interactions that are part of the behavior of fans, both in relations between them and with the media industry. To this end, the Star Wars fans are studied, more specifically, the members of the Jedi Council of Rio Grande do Sul (CJRS), so that through a consolidated and permanent empirical object, it became possible to investigate the behavior of this group in the convergence culture context where the interactions between them and the media market are changed.

CZECH AVANT-GARDE AND BOOK ILLUSTRATION Diploma thesis deals with a book illustration creation of Czech avant-garde creators of 20's and 30's of 20th century. In the first chapter, there is defined a concept of avant- garde and it devotes itself relation of Czech avant-garde artists to book. There is emphasized a change of social function and visual form of book. Following chapters discuss book illustration creation of individual authors. At first there is analyzed an illustration work of Jan Zrzavý, Josef Čapek, František Muzika, František Tichý and Adolf Hoffmeister. Their creation is devided according to the main features to chapters devoted to modernist classicism, primitivism and expressionism, poetic figuration and simplification the figure to a sign. Seperate chapter is devoted to illustrations of children books. It defines a place of children book in Czech art between the wars and it devotes to main authors of illustration for children: Josef Čapek, Toyen, Milada Marešová, František Tichý and František Janoušek. In the next part this thesis deals with illustration creation of Karel Teige, Josef Šíma, Toyen and Jindřich Štyrský. Their illustration works are devided into chapters from the point of view of belonging to artistic tendency or according to thematic specialization. There are...

Conflict entails numerous sacrifices in human resources in addition to loss of life, while it is difficult to appraise the real cost of conflict, one can determine the number of fatalities. It is the primary goal of this thesis to develop an accounting technique by which the human capital cost of fatalities due to the Northern Ireland Conflict may be measured in an accepted unit of account. While the development of a model for measuring human capital loss is in itself an important part of the study, the ultimate objective is to arrive at an estimate of the human capital cost of subversive deaths in Northern Ireland. In this analysis a representative individual is used to estimate human capital loss. The expected earnings stream over the relevant number of earnings period, discounted at the appropriate rate of interest and accounting for the probability of death and unemployment within these periods is the definition given to the value of the human capital stock of an individual. The primary data used in this study is that which recorded fatalities due to the conflict. Considering that human capital is an important input in the production function and that conflict tends to destroy the more productive portion of the human capital stock, the long-run effect of losses due to continuing strife and conflict are as yet unknown. In the short-run, however, the conflict is known to exert a heavy toll on the Northern Ireland economy. As of April 1990, the total human capital loss estimate of subversive deaths resulting from the Northern Ireland conflict were £186,993,266 for security forces and £400,493,890 for civilians, resulting in a total estimated loss of £587,487,156.

This paper unpacks the franchise system and the often-tumultuous relationship between Producers and Consumers, especially around the release of new films by the Producers. Star Wars represents far more than just a corporate product. There is a thriving ecosystem around pieces that have touched fans lives personally. The reaction of fans to new media texts in existing franchises is in constant flux. Tumultuous emotions of betrayal come in waves from fans immediately following the release of new content. Specifically focusing on reception to prequel films, Episode 1: The Phantom Menace (1999) and Solo: A Star Wars Story (2018), reveals how both generational differences and technology affect fan interaction and reaction across iterations of the franchise. Fans attempt to remediate the differences in cannon and their own interpretations of the franchise through fan creation. Fans have historically been early embracers of new technologies and have used increasingly available editing software and cameras to express their passion for the franchise. A digital world has created ever expanding platforms of interactivity in which Producers/Consumers can reach one another. The spaces in which these interactions occur have evolved from personal fan websites to social media sites. The amount of online information available to consumers, from reviews to fan content, has diminished the power of official franchise content. The release of Solo revealed a dangerous level of apathy from consumers. As opposed to the fervor surrounding powerful media texts at the time of The Phantom Menace, the diversified media landscape has undoubtedly affected Star Wars.

This thesis attempts to better understand how film reboots empower fans by offering unique insight as critiques of the original texts and by displacing hierarchies amongst audience, critic, and author. My hypothesis is that reboots, as an act of adaptation, allow audience members of the original franchise to become authors, in this case screenwriters. By extension these screenwriters become critics by highlighting, expanding, or even disregarding themes found in the original film series. This complicates the reboot beyond a simple capitalistic venture to make money and invites us to consider the way they position and displace interactants to better foster critical engagement with works of art, specifically films.

This is a study of the obvious and intimated causes of the Nez Perce War of 1877 in Idaho Territory and a collection of reasons explaining why the terms of surrender agreed upon by Chief Joseph and Colonel Nelson A. Miles were not honored by the United States government. There is a relationship between the events preceeding and following the war as they determined the history of the Nez Perce nation throughout the second half of the nineteenth century. National, state and territorial interests, cultural and religious differences, racial prejudices and white greed for Indian lands all contributed either directly or indirectly in determining those events, and, despite the Indians entreaties for fair treatment, molded the Nez Perce nation into the model desired by the white majority of the United States. Research for this study included an examination of the reports of the Secretary of War, the Secretary of Interior, and the Board of Indian Commissioners from the years 1877 to 1893. The Congressional Record and the Senate Miscellaneous Documents from that period were also examined. An excellent source for local for local attitudes was the Lewiston Teller from the years 1875 to 1892. Copies of the newspaper are on file in the Lewiston, Idaho city library. Additional information was obtained from the newspaper files of the Lewiston Morning Tribune, on file in that newspaper’s office, and the Spokesman Review, filed at the Spokane, Washington city library. The director of the Nez Perce National Park kindly loaned me his microfilm copies of letters and reports from agents of the Lapwai, Lehmi and Fort Hall reservations and related correspondence from the years 1862 to 1880. The latter source is also on microfilm at the University of Idaho. Original sources, monographs and general works were researched in Multnomah County and the Oregon Historical Society libraries of Portland, Oregon.

This thesis examines the nature and impact of the Reagan administration’s self-described projection of “peace through strength.” It argues that Reagan’s defense spending surge, “Star Wars” (SDI) missile shield policy, and 1983 invasion of Grenada gave the president confidence and political cover that allowed him to withdraw U.S. Marines from Beirut in early 1984. Analysts and commentators focus on his muscular power projection like defense spending, SDI, and the invasion of Grenada, but in practice Reagan exercised a high level of restraint in troop deployment. These projections of power and the avoidance of protracted war in Lebanon gave Reagan further confidence and cover to pursue arms control negotiations with the Soviet Union, against the protestations of anti-Soviet hardliners. Although Reagan supporters have credited the administration with either frightening or bankrupting the Soviets into disarmament, these policies—particularly his military restraint in Lebanon—did more to bring Reagan himself to the negotiation table. These power projection measures contributed to a “peace through strength” narrative embraced by much of Reagan’s domestic audience, allowing him to fend off accusations of Munich-style appeasement. While the defense spending surge helped give Reagan the confidence to ink an arms control agreement, the buildup created nonlinear consequences that will outlive arms control treaties.

This dissertation analyses academic military history and the writing of the World Wars in Canada. While there have been hundreds of books devoted to Canada???s role in the World Wars, few historians have examined the writing of that same history, or the archival records that were used to construct these narratives. It has been the official historians of the Department of National Defence who, for much of the twentieth century, have controlled the historical writing of the World Wars, and that military history has been narrowly defined as the history of military operations. Training, administrating and operational war-fighting remained the focus. Only recently have academic military historians pushed the discipline of military history to explore the impact of the World Wars on Canadian society. Nonetheless, it remains the publications of A.F. Duguid, C.P. Stacy, Gilbert Tucker, Fred Hitchins, Joseph Schull, and more recent official historians that provide the central narrative when examining the writing on Canada???s World Wars. An exploration of key historians and their works reveals historical themes underpinning how memory and narrative of the World Wars has been constructed within historical writing. The official historians were the guardians of memory and controllers of the past. Caught within the battles of reputations that followed the World Wars, they were forced to carefully navigate through these contested issues. Laying an interpretative frame-work, the official historians allowed subsequent generations to build upon and rework their findings, through writing their histories but also by acting as the archivists for their respective services. While the official histories have their flaws, they are also exceptionally important foundational studies that deserve greater attention and study in their own right.

Summary: In order that one may approach the main theme of this thesis, the massacre at Poverty Bay, the events leading there to, and the effects thereof, some slight knowledge is required of the general situation in New Zealand in the years immediately preceding. The writer considers that no apology is needed for introducing into a work that has for its title "The Poverty Bay Massacre of 1868", such apparently unrelated topics as the campaigns of 1845 to 1868 and the cult of Pai-Marire. In any historical review, cause and effect are so closely related that it is difficult, when choosing a particular field of research, to decide how much to include and, more important, how much to discard. The Maori Wars in the Waikato and Taranaki districts spread through the whole of the North Island and in time to the East Coast. Here they were intensified by the blend of Christianity and savage barbarity that is known as Pai-Marire or Hauhauism. It was during this campaign on the Coast that Te Kooti Rikirangi first came into political prominence. A study of Hauhauism is interesting in itself; reviewed in connection with the central figure of this thesis, Te Kooti, it acquires new significance. It is doubtful how far he was sincere in the religious ritual he instituted, itself a modification, and an adaptation of the old Pai-Marire cult, but out of it he fashioned a powerful weapon against the Pakeha. Perhaps it deserves a place as a psychological study of the influence of community worship in a mysterious and militant ritual upon the religious emotionalism of any sect and when, as here, that sect was composed of semi-civilised or wholly savage Maoris at a critical period in the history of their race, it was inevitable that it should issue in action. This thesis represents an attempt at more than merely collecting loose threads about the massacre into one narrative. It has been the writer�s aim to place the massacre in its right setting in the history of New Zealand, and thus to show its significance. The method chosen has been that of grouping the events round one central figure, that of the perpetrator of the massacre, and the first four chapters therefore are incidental though necessary. The history of this man continues long after 1868, the date of the massacre and a small section has been added to cover the period 1868 to 1893, the year of his death on the plea that though irrelevant to the subject of the thesis it gives a rounded effect that might otherwise be lacking--Introduction.