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1	The working class experience in contemporary Australian poetry. Attfield, Sarah January 2007 (has links) University of Technology, Sydney. Faculty of Humanities and Social Sciences. / The Working-Class Experience in Contemporary Australian Poetry Contemporary Australian poetry neglects its working-class voices. Literary journals rarely publish poetry that focuses on working-class life and there is little analysis of the poetics of class in contemporary Australian scholarship on poetry. It may well be argued that notions of class are outdated and no longer relevant in literary criticism; alternatively, working-class poetry might be seen to lack the kind of literary merit and linguistic innovation that invites scholarly review. It may even be the case that working-class poetry is seen as closer to propaganda than art. However, this thesis takes a different view. It argues that there is a strong and vibrant body of contemporary Australian working-class poetry that merits greater public attention and more incisive critical review. We need to know if and how this poetry builds on important Australian literary traditions; we need to evaluate whether working-class poets have earned a rightful place in the contemporary poetry field. We need a poetic for analysing the cultural discourse of the working class. Therefore, this thesis offers an analysis of the content and poetics of contemporary Australian working-class poetry and of the context in which it has been produced. It presents works that to date have been ignored or dismissed by the literary mainstream. It proposes that working-class poetry can be regarded as a distinctive genre of poetry, distinguished by its themes, use of language and authors’ intentions. It argues that working-class poetry is not unsophisticated but rather a specific expressive form that provides important insights into the ways in which class relations continue to reproduce inequalities. This argument is developed by reference to literature from the discipline of working-class studies in Australia and overseas. It is supported by the literature on class relations in Australia and there is also a small body of scholarship on working-class writing that contributes to the discussion. The main body of the thesis presents the work of individual working-class poets and provides detailed readings of their works that highlight the ways in which the poems exemplify the proposed category of working-class poetry. In short, this thesis creates a poetic for approaching the academic analysis of working-class cultural discourse. The conclusions I have drawn from my analysis of poetry and lyrics are that working-class poetry displays significant literary and artistic merit, and functions not only as a way for working-class people to express themselves creatively, but also provides a valuable insight into the ways in which class affects Australians on a daily basis. It is an important cultural achievement to give full and meaningful voice to disadvantaged Australians at a time of political and cultural upheaval where class cleavages and notions of identity are in a state of flux. Working class poetry. Australian poetry.
2	The working class experience in contemporary Australian poetry. Attfield, Sarah January 2007 (has links) University of Technology, Sydney. Faculty of Humanities and Social Sciences. / The Working-Class Experience in Contemporary Australian Poetry Contemporary Australian poetry neglects its working-class voices. Literary journals rarely publish poetry that focuses on working-class life and there is little analysis of the poetics of class in contemporary Australian scholarship on poetry. It may well be argued that notions of class are outdated and no longer relevant in literary criticism; alternatively, working-class poetry might be seen to lack the kind of literary merit and linguistic innovation that invites scholarly review. It may even be the case that working-class poetry is seen as closer to propaganda than art. However, this thesis takes a different view. It argues that there is a strong and vibrant body of contemporary Australian working-class poetry that merits greater public attention and more incisive critical review. We need to know if and how this poetry builds on important Australian literary traditions; we need to evaluate whether working-class poets have earned a rightful place in the contemporary poetry field. We need a poetic for analysing the cultural discourse of the working class. Therefore, this thesis offers an analysis of the content and poetics of contemporary Australian working-class poetry and of the context in which it has been produced. It presents works that to date have been ignored or dismissed by the literary mainstream. It proposes that working-class poetry can be regarded as a distinctive genre of poetry, distinguished by its themes, use of language and authors’ intentions. It argues that working-class poetry is not unsophisticated but rather a specific expressive form that provides important insights into the ways in which class relations continue to reproduce inequalities. This argument is developed by reference to literature from the discipline of working-class studies in Australia and overseas. It is supported by the literature on class relations in Australia and there is also a small body of scholarship on working-class writing that contributes to the discussion. The main body of the thesis presents the work of individual working-class poets and provides detailed readings of their works that highlight the ways in which the poems exemplify the proposed category of working-class poetry. In short, this thesis creates a poetic for approaching the academic analysis of working-class cultural discourse. The conclusions I have drawn from my analysis of poetry and lyrics are that working-class poetry displays significant literary and artistic merit, and functions not only as a way for working-class people to express themselves creatively, but also provides a valuable insight into the ways in which class affects Australians on a daily basis. It is an important cultural achievement to give full and meaningful voice to disadvantaged Australians at a time of political and cultural upheaval where class cleavages and notions of identity are in a state of flux. Working class poetry. Australian poetry.
3	Creative Power and Its Ability to Initiate Social Change : A Look at Jenny Wrangborg’s Use of Poetry to Transform Roopchand, Rhonda January 2022 (has links) The power of the pen used to spark images of the depicted dynamics between the powerful and the powerless is demonstrated in Swedish poet and activist Jenny Wrangborg’s collection of working-class poems. Wrangborg’s poems, which describe the daunting situations faced by marginalized members of the working-class sector causes the reader to question whether or not enough change is taking place, and at what paste is change truly happening in modern society. The use of Wrangborg’s work in this study is to demonstrate the role creative arts, specifically poetry plays in C4D. The findings of this study is to particularly show the way individual voices can be used to promote social justice whilst bringing attention to issues of class discrimination and gender inequality. In this study, I argue that poetry can be a vital mode of protest. The purpose of this study is to determine the strength a single individual has in helping to create change and transformation. The main aim and purpose of this research is to bring a clearer understanding of how poetry in the hands of an advocate can become a strategic communicative tool used to initiate societal change. Jenny Wrangborg Working-class Poetry Social Change C4D Humanities and the Arts Humaniora och konst
4	Raw Greve, Curt Michael 22 August 2011 (has links) No description available. American Literature Gender Gender Studies Literature Modern Literature raw poetry working class poetry poetic verse visceral poetry hard-edged poetry poem rawness visceral, masculine poetry poetry about women
5	Manufacturing selves : the poetics of self-representation and identity in the poetry of three 'factory-girls', 1840-1882 Garrard, Suz January 2017 (has links) This thesis is a transatlantic examination of self-representational strategies in factory women's poetry from circa 1848-1882, highlighting in particular how the medium of the working-class periodical enabled these socially marginal poets to subjectively engage with and reconfigure dominant typologies of class and gender within nineteenth-century poetics. The first chapter explores how working-class women were depicted in middle-class social-reform literature and working-class men's poetry. It argues that factory women were circumscribed into roles of social villainy or victimage in popular bourgeois reform texts by authors such as Elizabeth Barrett Browning and Caroline Norton, and were cast as idealized domestic figures in working-class men's poetry in the mid-nineteenth century. The remaining three chapters examine the poetry of Manchester dye-worker Fanny Forrester, Scottish weaver Ellen Johnston, and Lowell mill-girl Lucy Larcom as case-studies of factory women's poetics in mid-nineteenth century writing. Chapter Two discusses the life and work of Fanny Forrester in Ben Brierley's Journal, and considers how Forrester's invocation of the pastoral genre opens new opportunities for urban, factory women to engage with ideologies of domestic femininity within a destabilized urban cityscape. Chapter Three considers the work of Ellen Johnston, “The Factory Girl” whose numerous poems in The People's Journal and the Penny Post cross genres, dialects, and themes. This chapter claims that Johnston's poetry divides class and gender identity depending on her intended audience—a division exemplified, respectively, by her nationalistic poetry and her sentimental correspondence poetry. Chapter Four explores the work of Lucy Larcom, whose contributions to The Lowell Offering and her novel-poem An Idyl of Work harness the language and philosophy of Evangelical Christianity to validate women's wage-labor as socially and religiously appropriate. Ultimately, this thesis contends that nineteenth-century factory women's poetry from Britain and America embodies the tensions surrounding the “factory girl” identity, and offers unique aesthetic and representational strategies of negotiating women's factory labor. 820.9
6	Fall Like a Man North, Naomi 20 April 2016 (has links) No description available. Aesthetics Bible Bilingual Education Dance Earth Ecology East European Studies Energy English As A Second Language Environmental Philosophy Ethics Ethnic Studies European History Families and Family Life Fine Arts Folklore Foreign Language Forestry Gender History Holocaust Studies Human Remains Language Language Arts Literacy Literature Minority and Ethnic Groups Modern History Modern Language Modern Literature Multilingual Education Multicultural Education Peace Studies Performing Arts Personal Relationships Personality Regional Studies Religion Religious History Slavic Literature Slavic Studies Spirituality Theology Therapy Womens Studies World History poetry poems Polish Poland death grief ethnic identity nature bilingual poetry elegy patriarch loss contemporary poetry solidarity movement emigration immigration third-generation immigrant Wigrance Pittsburgh working-class poetry

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