This dissertation examines representations of the Pacific theater in World War II in ethnic American literature, with a focus on its rendition of US and Japanese racism and imperialism in the mid-twentieth century. Reading a range of African, Asian, Jewish, Mexican, and Native American literary writings, I investigate their modifications of the American master narrative that the Second World War was "good" and "necessary," a war fought against fascism and for democracy, justice, and freedom. Instead of such a simplistic and reductive view, ethnic American writers envision the Pacific theater as a race war between whites and persons of color and as a conflict between two imperialist nations, the United States and Japan. Ethnic Americans' racial double consciousness functions to resist an oversimplification of the Pacific theater. In these ethnic writers' work, American characters from diverse backgrounds create friendships with those of Asian nationalities, including Chinese, Filipinos, Koreans, and Japanese. These texts are necessary because ethnic Americans' experiences are underrepresented in the traditional WWII narrative of Western masculinity, originated by Ernest Hemingway and completed by President Truman and Douglas MacArthur. As opposed to the typical white American literary and cinematic treatment of the war as fought in the land of the diabolical and inscrutable enemy, ethnic American authors depict diverse experiences of both soldiers and civilians in the Pacific theater. While rendering Asia as a multifaceted but close and relatable place, they depart from both the Orientalist concept of Asia as a single entity and the Eurocentric production of WWII knowledge in the US.

This research paper describes a working-class suburban neighborhood for the pre-WWII period 1900-1940. The data are accumulated from tax assessment records, as these are extremely accurate and contain a large variety of information suitable for this study. The main objective is to describe the characteristics of Union Park in Hamilton, Ontario, using the years 1911, 1921 and 1931 as representative of the time period. Three areas of concern were focused on: the occupational characteristics of the inhabitants, describing the inhabitants homes based on building values, and determining characteristics of construction in the area as either owner-built or speculatively built. In general the results show that the area was predominantly working-class, the homes were very cheap in relative value and that the area was primarily owner-built for the period of study. Interesting variations were observed and possible reasons for such variations are suggested. / Thesis / Bachelor of Science (BSc)

The 900 day German blockade of Leningrad fostered an environment in which social relationships, which were pruned and altered during the 1930s, were reinvigorated and reinvented by Leningraders. By the outbreak of the war in the summer of 1941, Stalinist social engineering policies had eroded previously normalized social connections and networks. At the height of the Terror, it became beneficial and advantageous for Soviet citizens to cut off many of their social relationships that had been built up over years. The family became the site of the primary emphasis of social interaction. The strengthening of the family system under Stalin created family units that were remarkably elastic and durable. This familial elasticity allowed Leningraders to reknit social relationships during the siege which became primary as food became central to survival. Without intense monitoring and oversight from the state, Leningraders were forced to rekindle social ties and relationships to survive. / History

Film produced by Nazi Germany has been a classic that has drawn scholars from a wide range of academic disciplines as well as innumerable cineastes from various cultural backgrounds. The simultaneous rise in the number of players acting as observers and operators in digital games with a WWII theme has drawn recent scholarly attention since it is thought that this pattern is contributing to players' hazy understanding of historical events. In order to close the gap from earlier studies that there is no future perspective for these concepts refined from Nazi films, nor relevance to films in the field of Game Studies, I proposed a new connection between Nazi films and WWII games based on the conceptual relocation of Fascist Aesthetic, Futuristic Utopianism, and Steel-like Romanticism. In this relocation, Fascist Aesthetic has kept its elements from Leni Riefenstahl's propaganda films but expanded to the pursuit of death and violence in the Wolfenstein series (WWII FPS games), Futuristic Utopianism in Piel's science fiction trilogy derived from the passion for technology of the Weimar period, his original designs in the Sci-fi trilogy have proved to be an inspiration for WWII games. In Walter Ruttmann's industrial films, steel-like romanticism was portrayed as a romantic sensation from the production of large-scale, intricate weapons by dedicated German workers to achieve the reactionary modernism, but in WWII simulation games, it evolved into a nostalgia for the weapons built by the Reich. As a result of this change, a trustworthy commemoration of the Third Reich is vanishing from visual culture and its grim past has been changed by simulation.

The following is a collection of works of fiction set in Kazakhstan during World War II, modern-day Budapest, with one short story taking place in Richmond, Virginia. No characters in this collecting of fiction is meant to depict any real, live person, though some of the settings are real. These works were written between February, 2012, and April, 2014.

The demands of WWII mobilization led to the creation of the first standing women's army in the US known as the Women's Army Corps (WAC). An unintended consequence of this was that the WAC provided queer women with an environment with which to explore their gender and sexuality while also giving them the cover of respectability and service that protected them from harsh societal repercussions. They could eschew family for their military careers. They could wear masculine clothing, exhibit a masculine demeanor, and engage in a homosocial environment without being seen as subversive to the American way of life. Quite the contrary: the outside world saw them as helping to protect their country. This paper looks at the life of one such queer soldier, Dorothee Gore. Dorothee's letters, journals, and memorabilia demonstrate that for many lesbians of her generation, service in the WACS during WWII was a time of relatively open camaraderie and acceptance by straight society.

This thesis examines how Chang-rae Lee's A Gesture Life (1999) represents the issues of war crimes. Writing the comfort women issue, Lee handles the bitter history of the Second World War in a postmodernist way. Against the modernist perspective on war history that draws on a simple and moral conclusion, Lee's writing underscores the function of narrative and the influence of trauma in the representation of the war crime. It offers a literary approach to the issue that complicates the role of the perpetrator and the victim, thus distances itself from the common understanding of war crimes. I argue this literary representation of the history of war crimes could be more powerful than historical writings, because it will ultimately challenge the concept of war itself.

This thesis uses the popular genre of detective fiction to explore the context of the heyday of the crime genre: the Golden Age. This sub-genre, best known for producing Agatha Christie, spanned the complicated history of Britain involving the Great Depression, two World Wars and huge changes to class structure. It is for these reasons that the Golden Age is such a pivotal period for changing notions of British identity. Through the very British Christie and the less well known New Zealander, Ngaio Marsh, expressions of national identity are explored as well as how the colonial fits in. Focusing heavily on the authors and their own personal experiences and views, this thesis is divided into four chapters to further break down how the Golden Age period affected its citizens and why this detective fiction held such a wide appeal. Chapter one explores gender roles and how Golden Age authors both conformed to them through their choice in detectives, yet also how they naturally resisted some through their own public image. Chapter two then examines the issue of class and how Golden Age detective fiction portrayed the changes. Contrary to popular criticism, Christie and Marsh were surprisingly progressive and forward thinking on this subject. Chapter three considers how both authors employed setting to emphasise these changes. Both Christie and Marsh used foreign settings to highlight British society and its flaws, and Marsh used her New Zealand settings to consider the relationship between Britain and her home. The final chapter will consider why Golden Age detective fiction was so popular: what was the appeal? For a period of violence and uncertainty, why were people drawn to crime fiction involving sometimes gruesome death? The appeal lay, and still does, in the puzzle: the game that diverted readers from their own problems. Golden Age fiction may have been highly formulaic and predictable, but it was also highly artificial and self-referential. This was a clever and diverting fiction that has been constantly underestimated by critics and deserves further study.

This thesis examines the programme of mapping produced on silk, and other fabric, by MI9 to facilitate the escape and evasion of British military personnel during World War II. It considers the creation of MI9 in December 1939, the rationale for the new military intelligence branch and the context of the history of military mapping on silk. The map production programme is described, together with its progress and the challenges faced. The various groups of maps are identified and described, together with the source maps on which they were based. This description is developed in nine appendices produced as an integral part of the research to provide a comprehensive carto-bibliography of the 234 individual maps which have been identified. Location details of extant copies in British map collections are also provided. The ingenious methods of smuggling the maps into the camps, with other escape aids, in apparently innocuous leisure items are described. The maps were then copied and reproduced to support the escapes. Coded correspondence with the camps is discussed, and a successful deciphering of some of that correspondence is provided. The implications for the escape and evasion programme were considerable, but so too were the implications of the passage of intelligence from the camps to aid the war effort, a factor apparently largely overlooked in previous studies of the wartime role of the intelligence branches. Three case studies are provided to demonstrate the role and importance of the contribution made by the maps to the escape and evasion programme. The conclusion assesses the significance of this little known episode in British historical cartography of the twentieth century which essentially provides the latest chapter in the story of military mapping on silk, and other fabric, through the ages.

This thesis studies the historic encounter between United States Navy airship K-74 and Nazi submarine U-134 in World War II. The Battle of the Atlantic is examined through case study of this one U-boat and its voyage. In all things except her fight with the American blimp, the patrol was perfectly typical. Looked at from start to finish, both her reports and the reports of the Allies encountered, many realities of the war can be studied. U-134 sailed to attack shipping between Florida and Cuba. She was challenged by the attack of United States Navy airship K-74 over the Florida Straits. It is the only documented instance of battle between two such combatants in history. That merits attention. Thesis finding disprove historian William Eliot Morison’s contention that the K-74 airship bombs were not dropped and did not damage the U-boat. Study of this U-boat and its antagonist broadens our understanding of the Battle of the Atlantic. It is a contribution to our knowledge of military, naval, aviation, and local history.