This project investigates how the use of creative writing, time restriction and movement could benefit the flow of first impulses to gain a greater freedom in composing and performing. The essay describes two different methods and its impact on a creative process resulting in four new compositions. Towards the end, this bachelor thesis depicts how the playful framework provided by the methods have helped connecting the creative process with a more playful, allowing attitude, which provides the foundation for a more authentic artistry. / <p><strong>Kompositioner och arrangemang (av Vendela Tegerstrand & Filip Eriksson):</strong></p><p>One Word</p><p>Resting In My Arms</p><p>Figuring Out</p><p>Weary Head</p><p>Changing/No Speed Limit</p><p>Feels Like Water</p><p>Keepin' You Closer</p><p>Walk On Water</p><p></p><p><strong>Medverkande:</strong></p><p>Vendela Tegerstrand - sång</p><p>Filip Eriksson – el-, akustisk gitarr</p><p>Manfred Hulebo – piano</p><p>Oliver Löwenham – elbas</p><p>Jonatan Lindh – trumset</p><p>Johanna Moraeus – violin 1</p><p>Sara-Felicia Nyman Stjärnskog – violin 2</p><p>Ellen Alveteg – viola</p><p>Erik Elvkull – cello</p><p></p><p><em>I uppsatsen förekommer ljudexempel som även finns bifogade som bilagor.</em></p>
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kmh-4071 |
| Date | January 2021 |
| Creators | Tegerstrand, Vendela |
| Publisher | Kungl. Musikhögskolan, Institutionen för jazz |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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