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Stereotyper och Traditionell Könsrepresentation : En semiotisk analys angående final girl stereotypen i The Texas Chain Saw Massacre / Stereotypes and Traditional Gender Representation : A semiotic analysis regarding the final girl stereotype in The Texas Chain Saw Massacre

Denna uppsats har skapats med syftet att undersöka och jämföra skildringen av stereotypen the final girl i filmerna The Texas Chain Saw Massacre (1974) och The Texas Chainsaw Massacre (2003), med utgångspunkt i teori om genusrepresentation och slasherfilmstereotyper. För detta använde undersökningen en komparativ metod i form av en filmsemiotisk analys. Metoden utformades också för att särskilt avläsa karaktärers beteende och agerande. För att stärka undersökningen har analys – och resultatdelen grundats på teori om stereotyper, slasherfilmer, och genusrepresentation, med särskild hänvisning till Carol J. Clovers uppsats: Her Body, Himself (1987). Undersökningens resultat påvisade att filmernas skildring och representation av stereotypen hanteras olika, där den senare nämna filmen skildras som mer stereotypisk enligt sin representation. Detta kan ha berott på det stora tidsspannet mellan filmerna, och de feministiska rörelser som har påverkat filmindustrin under denna tid. / The purpose of this essay was to examine and compare the portrayal of the final girl stereotype in The Texas Chain Saw Massacre (1974) and The Texas Chainsaw Massacre (2003), based on literature about gender representation and slasher movie stereotypes. To achieve the purpose of the study, a comparative method was used in the form of a film semiotic analysis. This method was also purposefully adjusted for analyzing the representation of a character’s manners and behavior. To strengthen the analysis, theoretical approaches about stereotypes, slasher movies, and gender representation was used, with special reference to Carol J. Clovers essay: Her Body, Himself (1978). The result proved that the stereotype was portrayed differently in both movies, and that the latter mentioned one included a stronger and more obvious stereotypical representation. This outcome may have been affected by the large time-gap between the two movies, as well as the feminist movements that had influence on the movie industry during the time of their respective productions.

Identiferoai:union.ndltd.org:UPSALLA1/oai:DiVA.org:mau-52631
Date January 2022
CreatorsSöderholm Mogensen, Hugo
PublisherMalmö universitet, Institutionen för konst, kultur och kommunikation (K3)
Source SetsDiVA Archive at Upsalla University
LanguageSwedish
Detected LanguageEnglish
TypeStudent thesis, info:eu-repo/semantics/bachelorThesis, text
Formatapplication/pdf
Rightsinfo:eu-repo/semantics/openAccess

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