The subject of this study is Viking-Late Norse settlement (c. AD800-1200) in the North Atlantic, focusing on Orkney and on longhouse complexes constructed on mounds. For the first time these mound settlements are investigated as a group and as deliberately constructed mounds. Settlement mounds in Orkney are also closely associated with nearly 40 Skaill ON skáli ('hall') place-names, which place-names linked the sites with the social and economic networks of Orkney's peripatetic leaders. This association is examined more closely. The analysis also demonstrates that constructing settlements on mounds required particular building techniques, which relied heavily on the use of midden-type material. Those techniques are examined using new and freshly analysed material from published and grey literature-published excavations and surveys of sites from the Viking-Late Norse period in Orkney and elsewhere. Three core data-sets were established to provide the evidential basis: the first, also drawing on site-visits, looking broadly at mound landscapes and skáli-areas in Orkney; the second at the building techniques and materials used on settlement mounds; and the third, also requiring site-visits, at all the skáli place-name sites. The possible origins of settlement mound living in the settlers' Scandinavian homelands are investigated, then the extent to which mound living was also followed in Shetland, Caithness and the Western Isles, and finally in previously unoccupied lands, using Iceland as a case study. The mound-sites, their archaeology, mound architecture, place-names and landscape setting are also analysed in a new theoretical framework to reach fresh understandings of Viking-Late Norse settlement in Orkney. The analysis thus considers the wider cultural significance of constructing and living on settlement mounds, and what that communicated about Viking-Late Norse society. The thesis argues that Viking-Late Norse groups chose prominently-placed sites for their visual dominance and commanding views, but also that the rebuilding of mound structures in one spot, and building out and up of the mound itself using midden material, set strong cultural messages about stability, continuity and association with the surrounding landscape. The mounds were complex features of culturally meaningful architecture.

During the Nordic Bronze Age, houses were not exclusively connected with profane contexts, but did also feature in burial places, a peculiar fact when considering the careful separation of settlements and graves. What kind of houses do we find in these sacred contexts? What did these houses stand for? Why was the house symbolism chosen to accompany the dead? And why did the house symbolism flourish during the Nordic Bronze Age? To answer these questions three representatives for the house symbolism in Sweden are discussed in more detail, such as the burial in longhouses, peculiar houses called cult houses and house urns. Further, the phenomenon has been put in its temporal, geographic, social and ideological context, where aspects such as trade and settlement structure are presented. The house symbolism is, however, not confined to northern Europe. Through comparison with contemporary parallels in southern Europe and ethnohistoric analogies different possible viewpoints are detected.

Ce mémoire porte sur l’étude d’un petit groupe d’Iroquoiens du Saint-Laurent qui habitait la région de Saint-Anicet au cours du Sylvicole supérieur tardif. Nous traitons de l’occupation villageoise de Mailhot-Curran (BgFn-2) et, plus particulièrement, d’une analyse morpho-stylistique de la poterie. En considérant la variabilité culturelle qui caractérise les Iroquoiens du Saint-Laurent, nous replaçons cette communauté à l’intérieur du grand réseau d’interactions auquel participe ce groupe culturel. Notre objectif général est de déterminer l’apparentement stylistique des potières de Mailhot-Curran selon quatre grandes échelles d’interactions sociales, soit locale, régionale, interrégionale et internationale, et de situer le site à l’étude dans le temps. Cette étude permet de proposer que Mailhot-Curran date du XVIe siècle, mais contrairement à l’effervescence ressentie au site Mandeville au cours du même siècle, les potières seraient demeurées assez conservatrices dans la réalisation de leur poterie. De plus, les potières de Mailhot-Curran semblent posséder une identité villageoise relativement forte. Nous avons aussi observé qu’un style régional caractérise les sites de Saint-Anicet. En considérant l’aspect diachronique des sites Mailhot-Curran, Droulers et McDonald, nos résultats supportent l’idée qu’ils forment un ensemble culturel cohérent qui pourrait indiquer une occupation continue de la région par un même groupe. En outre, notre étude démontre que le site Mailhot-Curran appartient à la province occidentale qui inclut les régions de Prescott et de Summerstown en Ontario, les régions de Montréal et de Saint-Anicet au Québec, ainsi que le nord du lac Champlain au sud-est. Par contre, Mailhot-Curran semble se situer plus en périphérie du réseau d’interactions auquel participent les regroupements de Prescott et de Summerstown au nord du lac Saint-François et il parait s’ouvrir sur d’autres régions comme Montréal et le nord du lac Champlain. Par ailleurs, les potières sont ouvertes à certaines influences provenant de la province centrale, leur région voisine à l’est. / This thesis focuses on a small group of St. Lawrence Iroquoians that lived in the Saint-Anicet region in the last centuries of the Late Woodland period. The results concern the village occupation at the Mailhot-Curran site (BgFn-2) and, specifically, a morpho-stylistic analysis of the pottery. Taking St. Lawrence Iroquoian cultural variability into account, we discuss the cultural position of this community within the broad interaction network which involved this cultural group. Our main goal is to determine the potters’ stylistic relationship according to the local, regional, interregional and international interaction scales, and to date the site. This study allows us to date the Mailhot-Curran site to the 16th century but, unlike the effervesce felt at the Mandeville site during the same period, the potters seem to have remained rather conservative in making their pottery. Furthermore, the Mailhot-Curran potters seem to have a relatively strong village identity. We also observe that a regional style characterizes the Saint-Anicet sites. Considering the diachronic character of Mailhot-Curran, Droulers and McDonald, our results support the idea that they form a coherent cultural ensemble which might suggest a continuous regional occupation by that group. Moreover, our study demonstrates that the Mailhot-Curran site belongs to the western province that includes the Prescott and Summerstown regions in Ontario, Montreal and Saint-Anicet in Quebec, and the northern Lake Champlain region to the southeast. On the other hand, Mailhot-Curran seems to lie on the periphery of the interaction network involving the Prescott and Summerstown regions located to the north of Lake St. Francis and seems to open up to other regions like Montreal and northern Lake Champlain. Otherwise, Mailhot-Curran’s potters are open to influences from the neighboring central province to the East.

Ce mémoire porte sur l’étude d’un petit groupe d’Iroquoiens du Saint-Laurent qui habitait la région de Saint-Anicet au cours du Sylvicole supérieur tardif. Nous traitons de l’occupation villageoise de Mailhot-Curran (BgFn-2) et, plus particulièrement, d’une analyse morpho-stylistique de la poterie. En considérant la variabilité culturelle qui caractérise les Iroquoiens du Saint-Laurent, nous replaçons cette communauté à l’intérieur du grand réseau d’interactions auquel participe ce groupe culturel. Notre objectif général est de déterminer l’apparentement stylistique des potières de Mailhot-Curran selon quatre grandes échelles d’interactions sociales, soit locale, régionale, interrégionale et internationale, et de situer le site à l’étude dans le temps. Cette étude permet de proposer que Mailhot-Curran date du XVIe siècle, mais contrairement à l’effervescence ressentie au site Mandeville au cours du même siècle, les potières seraient demeurées assez conservatrices dans la réalisation de leur poterie. De plus, les potières de Mailhot-Curran semblent posséder une identité villageoise relativement forte. Nous avons aussi observé qu’un style régional caractérise les sites de Saint-Anicet. En considérant l’aspect diachronique des sites Mailhot-Curran, Droulers et McDonald, nos résultats supportent l’idée qu’ils forment un ensemble culturel cohérent qui pourrait indiquer une occupation continue de la région par un même groupe. En outre, notre étude démontre que le site Mailhot-Curran appartient à la province occidentale qui inclut les régions de Prescott et de Summerstown en Ontario, les régions de Montréal et de Saint-Anicet au Québec, ainsi que le nord du lac Champlain au sud-est. Par contre, Mailhot-Curran semble se situer plus en périphérie du réseau d’interactions auquel participent les regroupements de Prescott et de Summerstown au nord du lac Saint-François et il parait s’ouvrir sur d’autres régions comme Montréal et le nord du lac Champlain. Par ailleurs, les potières sont ouvertes à certaines influences provenant de la province centrale, leur région voisine à l’est. / This thesis focuses on a small group of St. Lawrence Iroquoians that lived in the Saint-Anicet region in the last centuries of the Late Woodland period. The results concern the village occupation at the Mailhot-Curran site (BgFn-2) and, specifically, a morpho-stylistic analysis of the pottery. Taking St. Lawrence Iroquoian cultural variability into account, we discuss the cultural position of this community within the broad interaction network which involved this cultural group. Our main goal is to determine the potters’ stylistic relationship according to the local, regional, interregional and international interaction scales, and to date the site. This study allows us to date the Mailhot-Curran site to the 16th century but, unlike the effervesce felt at the Mandeville site during the same period, the potters seem to have remained rather conservative in making their pottery. Furthermore, the Mailhot-Curran potters seem to have a relatively strong village identity. We also observe that a regional style characterizes the Saint-Anicet sites. Considering the diachronic character of Mailhot-Curran, Droulers and McDonald, our results support the idea that they form a coherent cultural ensemble which might suggest a continuous regional occupation by that group. Moreover, our study demonstrates that the Mailhot-Curran site belongs to the western province that includes the Prescott and Summerstown regions in Ontario, Montreal and Saint-Anicet in Quebec, and the northern Lake Champlain region to the southeast. On the other hand, Mailhot-Curran seems to lie on the periphery of the interaction network involving the Prescott and Summerstown regions located to the north of Lake St. Francis and seems to open up to other regions like Montreal and northern Lake Champlain. Otherwise, Mailhot-Curran’s potters are open to influences from the neighboring central province to the East.

Nous proposons dans cette thèse une étude des phénomènes politiques dans la réserve mohawk de Kahnawake au Canada. Nous fondons notre interrogation sur des données croisées du symbolique et de la praxis, du perçu/vécu et des dimensions pragmatiques étayées par différents aspects de la culture matérielle. Ce projet d'anthropologie politique, qui fait des ontologies, des phénomènes de subjectivation et des pratiques les axes principaux de recherche, nous invite à investir autant les cadres normatifs et idéels que les dynamiques structurelles qui animent la communauté et ces différentes institutions. Nous souhaitions nous détacher des études qui se fondent sur des paradigmes construits à partir d'une dyade antagoniste tradition/modernité, authenticité/rupture, etc. De même, nous avons rompu avec des travaux qui pointent essentiellement les aspects fonctionnels du politique et des institutions. En serrant au plus près ce vaste ensemble, qui embrasse une variété de champs, nous postulons l'existence d'une mécanique sociale, politique et spirituelle cohérente capable d'épouser les courbes irrégulières de la vie de cette population, marquée par des angles aigus qu'ont dessiné la colonisation et ses conséquences. / In this thesis, we propose a study of political phenomena in the mohawk reservation of Kahnawake in Canada. We base our interrogation on data crossed between symbolism and praxis, the perceived and the experienced and the pragmatic dimensions supported by different aspects of material culture. This project of political anthropology which makes ontologies, subjectification phenomena and practices the central theme of its research, invites us to invest normative and ideational frameworks as much as the structural dynamics that animate the community and its different institutions. We wish to detach ourselves from studies that base themselves on paradigms built from such antagonistic dyads as tradition/modernity, authenticity/rupture, etc. Furthermore, we have broken off from works that essentially point to the functional aspects of the political and the institutional. In closely tightening up this vast ensemble that embraces a variety of fields, we postulate the existence of a coherent social, political and spiritual mechanism, able to espouse the irregular curves of this population’s life, marked by the sharp angles drawn by colonization and its consequences.